Kimberly Dark

Kimberly Dark
Born (1968-08-12)August 12, 1968
San Diego, California
Occupation Writer, Sociologist, Performance Artist
Nationality United States
Subject LGBT, Gender, Feminism, Sexuality
Children Caleb Westberg
Website
www.kimberlydark.com

Kimberly Dark (August 12, 1968) is an American performance artist, writer, and sociologist.

Life

Dark was born in San Diego, California in 1968. She received a B.A. from University of Colorado, Colorado Springs in 1989, and an M.A. in Sociology from Cal State San Marcos in 1998. She began her work as a storyteller and performance artist in 1998. She was previously founder and principal for Current Change Consulting, a firm specializing in coalition building facilitation, conflict resolution, and qualitative research.[1]

Her current work uses sociological perspectives and first person storytelling to discuss ways humans organize social life – through gender, race, class, and sexuality. Her performances, lectures and writings use humor to reveal the makeup of privilege and oppression, as the purpose is to prompt change. Her work has been produced at colleges and universities in North America and Europe, and at theaters, festivals, conferences and other events worldwide.[2] As of 2010, she has authored and toured five solo-performances including, The Butch Femme Chronicles: Discussions With Women Who Are Not Like Me (and Some Who Are), Public Contact, True Confessions of a Lesbian Diva, Stripped and Teased: Scandalous Stories With Subversive Subplots, and Dykeotomy.

Her educational programs and interactive lectures include "Becoming the Subject of Your Own Story (Rather than the Object of Another's Gaze)," "Gender Race and Money" and "Is That a Dude? Inside Lesbian Gender – It's More Complex than you Think." Kimberly Dark teaches in a graduate program in Sociological Practice at Cal State San Marcos.[3]

Work

According to Dr. Lynda Dickson, University of Colorado, "There is clear evidence that [Dark] has constructed a social context for her narratives. The characters not only have a personal story – a lived experience – but the stories are routinely connected to a larger, social reality... Attending one of her performances could accomplish more than a semester course of introduction to sociology.[4]" As a form of pop-sociology, Dark's writings are also well-received as entertainment. Strong poetic imagery blend with moving stage presence (Munro, 2008). In October 2010, Campus Pride, an American non-profit organization which promotes and supports LGBTQ leaders on University campuses, named Kimberly Dark on the "Top 25 'Best of the Best' LGBT speakers, performers [who] raise awareness of inclusion, visibility on college campuses nationally."[5]

Themes and style

Frequent themes include gender, sexuality, race, class, beauty and body image. Performances such as Dykeotomy question the intersection of social norms and individual choices. Many of Dark's works deconstruct gender binary. Her texts and performances are concerned with both politics and pedagogy – the way feminist theory and critical theory are brought to non-academic audiences through storytelling and performance. Academically, Dark's approaches are situated in research methods such as autoethnography and poetic inquiry. As sociologist Laurel Richardson articulates "I consider writing as a method of inquiry, a way of finding out about a topic...form and content are inseparable" (2000, p. 923).

Publications

Discography

Performances

Lectures and Educational Programs

See also

Notes

  1. ↑ "Current Change Consulting: Who We Are". Retrieved July 2, 2010.
  2. ↑ "Kirkland Productions: Kimberly Dark Bio". Archived from the original on June 26, 2010. Retrieved July 2, 2010.
  3. ↑ "Cal State San Marcos: Faculty Contact". Archived from the original on May 29, 2010. Retrieved July 2, 2010.
  4. ↑ Academic Review "Dr. Dickson Review."
  5. ↑ "Top 25 Best LGBT speakers and performers". Archived from the original on December 13, 2010. Retrieved October 27, 2010.
  6. ↑ Visible: A Femmethology, "Dark's Contributions".

References

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