Keith Whitley

Keith Whitley
Keith Whitley performing at the Country Music Fan Fair in June 1988 in Nashville, Tennessee at the Tennessee State Fairgrounds.
Background information
Birth name	Jackie Keith Whitley
Born	(1955-07-01)July 1, 1955 Ashland, Kentucky, United States
Origin	Sandy Hook, Kentucky, United States
Died	May 9, 1989(1989-05-09) (aged 33) Nashville, Tennessee, United States
Genres	Country
Occupation(s)	Singer
Instruments	Guitar, vocals
Years active	1970–1989
Labels	RCA (RCA Nashville)
Associated acts	Clinch Mountain Boys Lorrie Morgan

Jackie Keith Whitley^[1] (July 1, 1955^[1][2] – May 9, 1989), known professionally as Keith Whitley, was an American country music singer. During his career, Whitley only recorded two albums but charted 12 singles on the Billboard country charts, and 7 more after his death.

Born in Ashland, Kentucky, Whitley grew up in nearby Sandy Hook, Kentucky. Whitley began his career there in 1970, performing in Ralph Stanley's band. Establishing himself as a lead singer in bluegrass music, Whitley moved to Nashville, Tennessee, in 1983 and began his recording career there. His first Top 20 Country Hit single, "Miami, My Amy", was released in 1986. While touring for his album L.A. to Miami, he married country singer Lorrie Morgan. In 1988, his first three singles from his studio album Don't Close Your Eyes, the title song, "When You Say Nothing at All" and "I'm No Stranger to the Rain" were number-one hits. Several years of alcoholism severely damaged his health and he died of alcohol poisoning in 1989 at the age of 33. His later two singles, "I Wonder Do You Think of Me" and "It Ain't Nothin'", were released after his death.

Early life

Whitley was born to Faye (editor of The Elliott County News) and Elmer Whitley (an electrician) in Ashland, Kentucky, but was raised 46 miles away in Sandy Hook, and attended Sandy Hook High School.^[3][4] He had two brothers, Randy and Dwight, and a sister, Mary.^[5][6] The Whitley family has lived in the Elliot County area since the 1840s.

As a teenager in Sandy Hook, Whitley and his friends would pass the time drinking bootleg bourbon and racing their cars down mountain roads at dangerous speeds. Whitley was once in a car whose driver attempted to round a curve at 120 mph. The car wrecked, killing his friend and almost breaking Whitley's neck. In another incident, he drove his car off a 120-feet cliff into a frozen river, escaping with only a broken collar bone.^[7]

Musical career

Whitley is known for his neotraditional brand of country popularized by hit artists such as George Strait and Randy Travis.

In 1969 he performed in a musical contest in Ezel, Kentucky, with brother Dwight on five-string banjo. Ricky Skaggs was also in the contest. Skaggs and Whitley hit it off right away and quickly befriended each other.^[8]

Fifteen-year-old Whitley and 16-year-old Skaggs were discovered in Ft. Gay, West Virginia by Ralph Stanley who was 45 minutes late for a show due to a flat tire. Stanley opened the door of the club and heard what he thought were the Stanley Brothers playing on a jukebox. However it was Whitley and Skaggs, who "sounded just like me and Carter in the early days". The two soon joined Ralph's band. Whitley became lead singer for Stanley in 1974. Whitley also played with J.D. Crowe & the New South in the mid-1970s.^[7] During this period, he established himself as one of the most versatile and talented lead singers in bluegrass. His singing was heavily influenced by Carter Stanley and Lefty Frizzell. He moved to Nashville in 1983 to pursue a country music career and soon signed a record deal with RCA Records.^[7]

Whitley's first solo album, A Hard Act to Follow, was released in 1984, and featured a more mainstream country style. While Whitley was working hard to achieve his own style, the songs he produced were inconsistent. Critics regarded the album as too erratic. Whitley honed his sound within the next few years for his next album, L.A. to Miami.

L.A. to Miami, released in 1986, would give him his first Top 20 country hit single, "Miami, My Amy". The song was followed by three more hit songs: "Ten Feet Away", "Homecoming '63", and "Hard Livin'", The album also included "On the Other Hand" and "Nobody in His Right Mind Would've Left Her". "On the Other Hand" was pitched to Whitley before Randy Travis released the song as a single and when Whitley's version wasn't released as a single, Travis released his in 1986, as did George Strait with "Nobody in His Right Mind Would've Left Her".

During his tour to promote L.A. to Miami, he met and began a romantic relationship with country singer Lorrie Morgan. The pair were married in November 1986, and they had their only child, a son, Jesse Keith Whitley, in June 1987. Whitley also adopted Lorrie's daughter, Morgan, from her first marriage.

During the new recording sessions in 1987, Whitley started feeling that the songs he was doing were not up to his standards, so he approached RCA and asked if the project of 15 songs could be shelved. He asked if he could assert himself more with the songs and production. The new album, titled Don't Close Your Eyes, was released in 1988, and the album sold extremely well. The album contained one of the many songs that Whitley had a hand in writing in his years at Tree Publishing, "It's All Coming Back to Me Now". Also on the album was a remake of Lefty Frizzell's classic standard "I Never Go Around Mirrors," and the song became a huge hit at Whitley's concerts. The first three singles from the album—"When You Say Nothing at All," "I'm No Stranger to the Rain," and the title cut—all reached number one on Billboard Magazine's country charts during the fall of 1988 and the winter of 1989, with the title track "Don't Close Your Eyes" being ranked as Billboard's No. 1 Country song of 1988. Shortly thereafter, "I'm No Stranger to the Rain" also earned Whitley his first and only Country Music Association award as a solo artist and a Grammy nomination for Best Country Vocal Performance, Male.

In early 1989, Whitley approached Sony Music Nashville chairman Joe Galante with the intention of releasing "I Never Go Around Mirrors" as a single. Galante approved of the musical flexibility that Whitley achieved with the song; however, he suggested that Whitley record something new and more upbeat. The result was a song Whitley had optioned for his previous album called I Wonder Do You Think of Me, and was to result in his next album release.

Alcoholism and death

Whitley was a longtime alcoholic, who began drinking early in his career at bluegrass gigs, long before he was legally allowed to drink alcohol. Many times, he had attempted to overcome his alcoholism, but failed; and his pre-existing depression made it more challenging for him to quit. Whitley preferred to drink alone, making it difficult for anyone to detect that he had a problem. According to Lorrie Morgan, she tried to conceal all alcoholic beverages from him at the home they shared, even going to the extent of binding their legs together before going to bed to make it impossible for Whitley to get up in the middle of the night to consume a drink without her knowledge - only to discover that he would drink things such as perfume and nail polish remover to get intoxicated.

Whitley had lost his brother Randy in an October 1983 motorcycle accident, and his father Elmer in 1987.^[3][5]

On the morning of May 9, 1989, Whitley awoke and spoke with his mother briefly on the phone. He was then visited by his brother-in-law Lane Palmer, and the two had coffee and they were planning a day of golf and having lunch, after which Whitley had planned to start writing songs for Lorrie Morgan and himself to record when she returned from her concert tour. Palmer departed at approximately 8:30 a.m.,^[9] informing Whitley to be ready to leave within an hour. Upon returning, Palmer found Whitley face down on his bed, fully clothed.

The official cause of death was determined to be acute ethanolism (alcohol poisoning),^[4] and Davidson County Medical Examiner Charles Harlan stated that his blood alcohol level was .47 (the equivalent of 20 1-ounce shots of 100-proof whiskey^[10] and almost five times the then Tennessee level of .10 legal intoxication limit, and nearly six times the current .08 legal limit to drive).^{[11][12][12][13][14]} Whitley was 33 years of age.^[1][2]

The day after his death, Music Row was lined with black ribbons in memory of Whitley. He is buried in the Spring Hill Cemetery outside Nashville, Tennessee.

Death controversy

It has long been speculated that Whitley's death may not have been directly caused by his recklessness or alcoholism, but that he may have been a victim of foul play due to the fact that Keith Whitley became sober in 1987. In 2009, forensic pathologist and then-chief medical examiner Charles W. Harlan stood trial for several cases of forensic fraud which led to the misdiagnoses of several deceased patients, and possibly the conviction of innocent people under suspicion of murder. Subsequently, the man who originally laid claim that Whitley's death was solely by alcohol poisoning has been relieved of his license to practice pathology.^[15][16] Whitley's death certificate and autopsy results had once been sealed from public access, but have since been made public record.

Posthumous career

Despite Whitley's death, his influence on country music has persisted. At the time of his death, he had just finished work on his fourth and final studio album, I Wonder Do You Think of Me. The album was released three months after his death, on August 1, 1989. The album produced two more No. 1 hits, with the title track and "It Ain't Nothin'." "I'm Over You" also saw the Top 5 in early 1990, reaching No. 3.

Two new songs were added to "Greatest Hits": The first, "Tell Lorrie I Love Her" was written and recorded at home by Whitley for Morgan, originally intended as a work tape for Whitley's friend Curtis 'Mr. Harmony' Young to sing at Whitley's wedding. The second was "'Til a Tear Becomes a Rose", a 1987 demo taken from Tree that originally featured harmony vocals by childhood friend Ricky Skaggs. Lorrie Morgan, with creative control and license to Whitley's namesake, recorded her voice alongside Whitley's, and released it as a single, which rose to No. 13 and won them 1990's CMA award for Best Vocal Collaboration as well as a Grammy nomination for Best Country Vocal Collaboration.

RCA also released a compilation of performance clips (from his days in the Ralph Stanley-Fronted Clinch Mountain Boys), interviews, and some previously unreleased material under the title "Kentucky Bluebird". The album produced hits for Whitley as well, including a duet with Earl Thomas Conley, named "Brotherly Love," which peaked at No. 2 in late 1991 and gave Whitley his second consecutive posthumous Grammy nomination for Best Country Vocal Collaboration.

One of the other artists Whitley has influenced is Singer/Songwriter Chris Young. In an interview with Rolling Stone, Young named Keith Whitley as the top person who has influenced his music. Young stated, "He was one of the reasons I was excited to be on RCA Records, because that's where he was signed. One of the first records I bought for myself was a Keith Whitley record. I still love the L.A. to Miami album. There were so many things on there — 'Miami, My Amy,' 'Ten Feet Away,' 'Nobody in His Right Mind Would've Left Her.' I can put that album on repeat and listen."He even Signed with the same music label, RCA Records. In almost all of his music you can here something very similar to the twang that Whitley had.^[17]

.In 1994, Whitley's widow, Lorrie Morgan, organized several of Whitley's friends in bluegrass and some of the big names in country at the time to record a tribute album to Whitley. The album, Keith Whitley: A Tribute Album, was released in September 1994 via BNA. It included covers of Whitley's songs from artists such as Alan Jackson, Diamond Rio, and Ricky Skaggs. The album also included four previously unreleased tracks recorded by Whitley in 1987, one of which had Morgan dubbed in as a duet partner. The album also included two original songs: "Little Boy Lost", co-written and sung by Daron Norwood, and "A Voice Still Rings True", a multi-artist song.^[18] Alison Krauss's rendition of "When You Say Nothing at All" was released as a single from the album, reaching number 3 on the country charts in 1995, while Irish pop singer Ronan Keating recorded the song as his debut single, which was released in July 1999, and it met with great success, reaching Number 1 in the United Kingdom, Ireland and New Zealand and Number 3 in Australia.

In 1995, the album Wherever You Are Tonight was released, produced by Lorrie Morgan, featuring restored demos of 1986-1988, with crisper 1990s recording techniques and a full orchestra. The album and single of the same name both did very well on the Billboard and R&R charts and brought "Super Hits" and "The Essential Keith Whitley" in 1996. "The Essential" contained the remastered and long since unavailable LP and Whitley's debut, the 6-Track "A Hard Act to Follow", and a scrapped song from 1986's "LA to Miami", "I Wonder Where You Are Tonight".

In 2004, songwriter Jeff Swope began writing a film treatment for a biopic concerning Whitley's life and death that was shelved in 2006. On April 13, 2010, he announced that pre-production was set to begin again, pending investors.^[19]

In the last 10 years, several film projects depicting Whitley's life were slated. One idea was a film version of the George Vescey-Lorrie Morgan-penned "Forever Yours, Faithfully". While Morgan's book was a benchmark in piecing together Whitley's final moments, perhaps the most research went into a project titled "Kentucky Bluebird", which was to star writer/actor/director David Keith. This project has been in development hell for several years, and was halted in late 2006 also, after difficulties with casting and funding.

Discography

Studio albums

Compilation albums

Extended plays

Singles

Music videos

References

• Erlewine, Stephen Thomas. - Keith Whitley: Biography. - Allmusic.
• Skinker, Chris (1998). - "Keith Whitley". - The Encyclopedia of Country Music: The Ultimate Guide to the Music. - First Edition. - Paul Kingsbury, editor. - New York: Oxford University Press. - pp. 583–584. ISBN 978-0-19-511671-7

References