Karen Archey

Karen Archey is a North American art critic and curator based in New York City and Berlin. She is editor of e-flux conversations. In Beijing in 2014 she co-curated the survey exhibition Art Post-Internet at Ullens Center for Contemporary Art with Robin Peckham and edited the publication Art Post-internet: INFORMATION/DATA, freely downloadable at post-inter.net.^[1] Archey regularly speaks on issues related to contemporary art, feminism, and technology at venues such as MoMA New York, and the Institute of Contemporary Arts in London, and writes for publications such as Frieze, ArtReview, and Art-Agenda.^[2]

Biography

Archie received a Bachelor of Fine Arts in Visual and Critical Studies in 2008 from The School of the Art Institute of Chicago^[3]

Exhibitions

• Images Rendered Bare. Vacant. Recognizable. at Stadium, New York, New York, 2012
• Bcc #7, at Stadium, New York, New York, 2012
• Deleuze & Co. at Stadium, New York, New York, 2012
• How to Eclipse the Light at Wilkinson, London, England, 2012
• Deep Spaces (Insides), Joe Sheftel Gallery, New York, New York, 2012
• Harm van den Dorpel, Abrons Art Center, New York, New York, 2013
• Hymns for Mr. Suzuki, Abrons Art Center, New York, New York, 2013
• Art Post-Internet, Ullens Center for Contemporary Art, Beijing, China, 2014 ^[4]

Selected writings

• Art Post-Internet: INFORMATION/DATA (ed. with Robin Peckham) ^[1]
• “Hyper-Elasticity Symptoms, Signs Treatment: On Hito Steyerl's Liquidity Inc.” within Too Much World: The Films of Hito Steyerl ed. Nick Aikens; Sternberg Press, Van Abbemuseum and Institute of Modern Art, 2014 ^[5]
• Hack Life, Art Papers, November/December 2013 ^[6]

References