Joey Ayala

Joey Ayala
Joey Ayala performing at Conspiracy Bar in Quezon City, Metro Manila
Background information
Birth name	José Iñigo Homer Lacambra Ayala
Also known as	Joey Ayala
Born	(1956-06-01) June 1, 1956 Bukidnon, Philippines
Genres	Folk, neofolk, acoustic rock, kundiman, world
Occupation(s)	Singer, song-writer, musician, music artist,
Instruments	Guitar, vocals, harmonica, percussion
Years active	1982—present
Labels	Universal Records Star Records
Associated acts	Bagong Lumad Cynthia Alexander Gloc 9 Denise Barbacena Bayang Barrios
Website	joeyayala.com

Joey Ayala (born José Íñigo Homer Lacambra Ayala; 1 June 1956, Bukidnon, Philippines) is a Filipino singer, songwriter and former chairman of the music committee of the National Commission for Culture and the Arts. He is well known for his style of music that combines the sounds of Filipino ethnic instruments with modern pop music. His public music life started when he released an album recorded in a makeshift-studio in 1982 in Davao City. To date, he has released fourteen albums. He is the brother of singer-songwriter Cynthia Alexander.

Some of the Filipino ethnic instruments Ayala is known to use include the two-stringed Hegalong of the T'Boli people of Mindanao, the Kubing, the bamboo jaw harp found in various forms throughout the Philippines, and the 8-piece gong set, Kulintang, the melodical gong-rack of the indigenous peoples of the southern part of the country. He also uses modern instruments in his music, such as the electric guitar, bass guitar, synthesizer/sequencer and drums.

The name of his band "Bagong Lumad" literally means "New Native" - a name and philosophy that has been carried over into Bagong Lumad Artists Foundation, Inc. (www.blafi.org), now a UNDP Responsible Party working on SiningBayan (Social Artistry) capacity-building projects with the Civil Service Commission, the Department of Education, and other GOs and NGOs in the Philippines. He served as the (2008–10) Chairman and Vice-Chairman (2011–13) of the National Committee on Music under the National Commission for Culture and the Arts.^[1][2]

In 2013, Ayala entered the second Philippine Popular Music Festival as a composer and interpreter for the song called "Papel" where it was named as one the twelve finalists. The song features collaborations with rapper Gloc-9 and guest vocals of Denise Barbacena.^[3][4] He previously participated in 2012 as an interpreter for the song "Piso" written by Kristofferson Melecio.

In 2014, Joey Ayala was featured in the BBC Travel show episode for Philippines.^[5]

Singles

• Karaniwang tao[1991]
• Agila [1992]
• Tabi Po (1995)
• Papel "Featuring Denise Barbacena & Gloc 9" (2013, Finalist of the PhilPop Song Festival)

Albums

• Panganay ng Umaga (Firstborn of the Morning)
• Magkabilaan (Dichotomies)
• Mga Awit ng Tanod-lupa (Songs of the Earth-Guardian)
• Lumad sa Síyudad (Native in the City)
• Lupa't Langit (Earth and Heaven)
• 16lovesongs
• Awit ng Magdaragat (Songs of the Seafarer)
• Organik
• Basta May Saging (As Long as There Are Bananas!)
• JoeyAyala: RAW
• Encantada (Music from a Ballet Philippines dance-drama, 1992.)
• Parol (Music from a Ballet Philippines Christmas dance-drama, 1995.)
• Palay Bigas Kanin (A multi-artist collaborative album directed by Ayala, 2010. Available for educational use via the web.)
• Sita at Rama (In collaboration with sibling Cynthia Alexander. Music for a puppet theater production by Amelia Lapena Bonifacio.)

Awards & Citations

• Fr. Neri Satur Award for Environmental Heroism “For promoting environmental awareness and arts education from ancestral roots to new artistic routes of musical expression advocating for the protection of the environment and the conservation of natural resources.” (Awarded by the National Commission for Culture and the Arts and the Department of Education, April 24, 2009, in observance of Earth Day 2009.)
• Best Musical Score BRUTUS, indie film by Tara Illenberger, awarded by Cinemalaya, 2008.
• Benigno S. Aquino, Jr. Award for Social Artistry (Joey Ayala) has taught the young generations through his well-celebrated songs, the essence of communion and community, of compassion and service, and of human dignity. He exemplified through his most ordinary actions what it means to be a man of God and a man for others. His passionate commitment to music in teaching values makes him a genuine model of social artistry. Given this 18th day of August 2007, at the University of the Philippines National College of Public Administration and Governance (UP-NCPAG), Quezon City. (Conferred by the Federation of Catholic Schools’ Alumni/ae Associations – FeCaSAA - in partnership with the Good Citizenship Movement – GCM.)
• Best Traditional Song, 8th KATHA Music Awards, Songwriter, lyrics of “Pag-uwi”, 16 November 2002.
• Grand Prize, Metropop Songwriting Contest, lyricist of “Pag-uwi”, music by Louie Ocampo, interpreted by Martin Nievera. 2001.
• Best Movie Theme, “Walang Hanggang Paalam”, used in the movie “Bagong Buwan”, a film by Marilou Diaz-Abaya. 2001.
• Gawad Urian, Pinakamahusay na Musika, mula sa Manunuri ng Pelikulang Pilipino Best Music Award, Philippine Movie Critics, for “Batang Westside”, film by Lav Diaz.
• Datu Bago Award “For being an outstanding composer-performer-bandleaderlyricist, arranger, writer who has defined the ethnic character of Mindanao music that he renders magnificently well using his voice and indigenous instruments resulting in the consciousness of the Filipino soul of intimations of its moral values and environmental responsibilities.” (Awarded by the City of Davao, 2000, 63rd Araw ng Dabaw.)
• National Fellow for Poetry, University of the Philippines, 1999.
• Best World Music Vocal Performance, KATHA. “D’yos, D’yos” by Tata Betita, interpreted by Joey Ayala for the 1998 MetroPop Music contest.
• Philippines Free Press Annual Literary Award 2nd Prize Winner, Short Story Category, “Life & Times on Chicken Avenue” awarded 24 January 2000, Mandarin Oriental Hotel, Makati City.
• Special Philippine Centennial Citation “For creating distinctively Filipino music rooted in ethnic rhythms of power and artistry that draws the collective consciousness particularly of the youth to gravitate on environmental and socio-political issues in a profound but entertaining manner. His music and performance art give world-class exposure and glory to our noble Lumads, our National Bird and our country.” (Awarded by the City of Davao, 1998.)
• Special MAGIS Award for Outstanding Alumni “For creating music that delineates the unique Filipino soul, for defining the ethnic character of Philippine music through the use of native instruments, especially in harmony with foreign instruments like drums and acoustic guitar, and for awakening in the Filipino an awareness of its own heritage as a people.” (Awarded by Ateneo de Manila University, 1996.)
• Gawad ng Pagkilala “Dahil sa paglikha ng mga awiting mayaman sa pagpapahalagang moral sa wikang Filipino at paglalapat ng musika sa pamamagitan ng katutubong mga instrumento... nakatutulong sa pagpapayabong at pagpapaunlad ng wika at kalinangang Pilipino.” (Mula sa Komisyon ng Wikang Pilipino, 1993.)
• Special citation “For providing inspiration to the youth and progressive movements committed to ecological wholeness, justice and peace through music and song.” (Awarded by Concerned Women of the Philippines, 1992.)
• The Outstanding Young Men (TOYM) Award “For humanitarian efforts directed towards the two objectives of art - as relevant socially-oriented medium and as aesthetic principle”; accompanied by the Gerry Roxas Leadership Medal (awarded by The Philippine Jaycees, 1989)

References