Jindabyne (film)

Jindabyne

Theatrical release poster
Directed by Ray Lawrence
Produced by Philippa Bateman
Garry Charny
Catherine Jarman
Written by Raymond Carver
Beatrix Christian
Starring Gabriel Byrne
Laura Linney
Deborra-Lee Furness
John Howard
Music by Paul Kelly
Dan Luscombe
Cinematography David Williamson
Edited by Karl Sodersten
Distributed by Roadshow Films
Release date
 20 July 2006
Running time
 123 minutes
Country Australia
Language English
Box office $6 million[1]

Jindabyne is a 2006 Australian drama film by director Ray Lawrence and starring Gabriel Byrne, Laura Linney, Deborra-Lee Furness and John Howard. Jindabyne was filmed entirely on location in and around the town of the same name: Jindabyne, New South Wales, situated next to the Snowy Mountains. The film was written by Beatrix Christian, and was adapted from the Raymond Carver short story, " So Much Water So Close to Home", which was also the basis for one of the storylines in Robert Altman's Short Cuts (1993). Carver's story had been retold in song by Paul Kelly in his song "Everything's Turning to White", from his 1989 album So Much Water So Close to Home and Paul Kelly would go on to write the score to this film as well.

Jindabyne had its world premiere at the 2006 Cannes Film Festival and its North American premiere at the 2006 Toronto International Film Festival. The film was released in Australia on 20 July 2006 and was released in the United States on 27 April 2007.

Plot

On an annual fishing trip, in isolated high country, Stewart (Gabriel Byrne), Carl (John Howard), Rocco (Stelios Yiakmis) and Billy (Simon Stone) find a girl's body in the river; she has been brutally murdered by Gregory (Chris Haywood), a local electrician. The girl (Tatea Reilly) turns out subsequently to be Aboriginal. The discovery shocks and confuses the men. Only the youngest of the men, Billy, understands this is a crime scene but he is ignored. Billy later leaves the town with his partner and child. The men initially suggest hiking back the following morning as it is too late in the day to safely navigate their way to their trucks. Stewart secures the girl's body by the ankle to the riverbank, so she will not drift downstream and get lost in the rapids. However, Stewart the next day goes fishing and, after catching an especially large fish, the men decide to spend the rest of the afternoon continuing their trip before informing the police in the morning.

While the men are gone, some of the men's wives (Jude and Claire) and Rocco's girlfriend (Carmel), get together socially. During their conversation, Jude (Carl's wife) reveals that their daughter died nearly two years ago, leaving them to raise their granddaughter Cailin-Calandria, who has psychological issues and towards whom Jude shows resentment. When Stewart's wife, Claire (Laura Linney) remarks that she does not think Stewart would want more children, Jude reveals that Claire had a mental breakdown after her son Tom was born and left the family for 18 months.

The men return home late Sunday night. After reporting the body to the police, they each go to their respective homes. Stewart goes home to Claire and finds her sleeping on her stomach, reminiscent of the posture of the dead body. He talks to her briefly and initiates intimacy. However, he does not disclose the find, which later causes problems when Claire finds out he left the girl's body to keep fishing.

The next morning, the police show up at Claire and Stewart's house to ask Stewart to answer some more questions. The men gather in the police station, where the police officer expresses his disgust that they would "fish over a dead body" instead of reporting it as soon as they could. Claire is stunned that Stewart would do such a thing and keeps trying to understand his reasons. The men come up with a story that Carl strained his ankle thus they could not walk back as early as they would have otherwise. Because the girl was Aboriginal, some believe the men neglected the dead girl out of racism. All of the men's businesses are vandalised in retaliation by Aboriginals, with painted slurs branding them racists. It becomes clear from this point that the western culture of a town that had to be abandoned and rebuilt on higher ground because of a dam and which is peopled by immigrants, is at odds with the ancient belief system of the native Aboriginals.

Claire and Elissa (Billy's partner) are the only ones of the group who express any remorse and condemnation for what happened. Jude repeatedly defends her husband Carl, while Carl argues that the girl was already dead and thus it made no difference to her whether they stayed or not. The more Claire pushes Stewart and the others to make amends, the more tensions increase in the town.

Prior to the fishing trip, Claire had begun throwing up repeatedly from morning sickness, which she hid from everyone. With her marriage unravelling, and haunted by her post-post-partum breakdown and abandonment of her first child, she inquires of a medical professional about how to get an abortion. However, she has still not gone through with it - nor revealed her pregnancy to Stewart - by the end of the film.

Despite encountering hostility from the rest of the group, Claire continues to try to reach out to the girl's family. She gathers donations to give to the girl's family for her funeral. Claire even goes to the family's home and is rebuked. She later returns to give them the money she has gathered.

Increasingly troubled that Claire continues to probe for the truth of what happened, Stewart erupts in rage one evening when Claire asks him to talk about it. The two begin fighting physically, while slinging barbs at each other about their past mistakes. The next day, after Billy and his family have left town for the coast, Stewart tells Claire - who he suspects is planning to leave him - that he will never allow her to take his son from him. Carl similarly stands up for Cailin-Calandria after Jude once again shows anger towards her, saying she cannot take her pain of losing their daughter out on their blameless granddaughter.

The next day, Claire goes to the memorial service. The rest of the men and their wives, as well as the children, show up to pay their respects, too. When Stewart apologises on behalf of the men, the girl's father throws dirt on him, spits on the ground and walks away, but there are no further objections to their presence. Stewart also asks Claire to come home.

Throughout the movie, the murdering electrician continuously pops up around the characters, and even attends the memorial service. He is never caught, though the final scene of the film where he is stung by a wasp before an abrupt cut to black opens the possibility that he is killed.

Cast

Reaction

Jindabyne was commercially successful, but reviews were mixed. The Age hailed it as "easily one of the most engrossing, thoughtful, adult-oriented big-screen dramas produced in Australia for 20 years. However, A. O. Scott of The New York Times wrote that "The real flaw is that the movie's best features -- the aching clarity of its central performances - threaten to be lost in a wilderness of metaphor and mystification."[2] The film won awards both in Australia and overseas.

Festivals

Awards and honours

Won:

Nominated:

Box office

Jindabyne grossed $5,302,912 at the box office in Australia.[3]

See also

References

  1. ↑ http://www.boxofficemojo.com/movies/?id=jindabyne.htm
  2. ↑ "Jindabyne: This is Australian cinema at its finest and most mature". The Age. 21 July 2006. Retrieved 18 April 2010.
  3. ↑ Film Victoria - Australian Films at the Australian Box Office


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