The Blind Boys of Alabama

The Blind Boys of Alabama

The Blind Boys of Alabama performing at the West Coast Blues & Roots Festival in 2011
Background information
Origin Alabama, United States
Genres Gospel, blues
Years active 1939–present
Website blindboys.com

The Blind Boys of Alabama are a five-time Grammy Award-winning gospel group who first sang together in 1939. The Blind Boys have toured for seven decades, and created an extensive discography. In 2016 the on-stage configuration of the group consists of eight people: four blind singers—Jimmy Carter, Ben Moore, Eric “Ricky” McKinnie, Paul Beasley - guitarist and musical director Joey Williams, and a keyboard player, a bass player, and a drummer.

The Blind Boys of Alabama sing mainly spiritually uplifting songs, as well as giving encouragement to those with disabilities. In the words of one of the group’s blind members, Ricky Mckinnie, “Our disability doesn’t have to be a handicap. It's not about what you can't do. It's about what you do. And what we do is sing good gospel music."[1]

History

1930s–1940s: Meeting and formation

The Blind Boys of Alabama first sang together in the school chorus in 1939 at the Alabama Institute for the Negro Blind in Talladega, Alabama.[2] All around nine years old at the time, the founding members were Clarence Fountain, Jimmy Carter, George Scott, Velma Bozman Traylor, Johnny Fields, Olice Thomas, and the only sighted member, J. T. Hutton. The earliest version of the group was known as “The Happyland Jubilee Singers” and originally performed for World War II-era soldiers at training camps in the South. The group’s first professional performance was on June 10, 1944. In 1945, the members dropped out of school and began touring the gospel circuit.[3]

In 1948, a Newark, New Jersey promoter booked two sets of blind gospel singers - the Happy Land Jubilee Singers from Alabama and the Jackson Harmoneers from Mississippi - and advertised the program as "Battle of the Blind Boys." A friendly rivalry sprouted between the two groups and continued henceforth. The two acts soon changed their names to the Five Blind Boys of Alabama and the Five Blind Boys of Mississippi and often toured together, occasionally swapping members. In 1948, The Blind Boys of Alabama recorded their first single, “I Can See Everybody’s Mother But Mine” on the Veejay label. It was a hit and led to a series of recordings on various record labels.[4]

1950s: The Black Gospel Years

During the 1950s black gospel music was popular, and the Blind Boys were one of the better known groups. Artists from pop and rock genres began to include aspects of black gospel music in their arrangements and black gospel artists began 'crossing over' to pop and rock music.[3]

1960s–1970s: Staying true to their roots

During the 1960s and 1970s, soul music gained favor as a new type of secular black music. As a traditional gospel group, the fortunes of The Blind Boys of Alabama waned during these decades. Soul music was spiritual and socially engaged pop music, and its sales soon exceeded those of its gospel forerunners. Although soul music became a more financially successful route for many gospel artists, the Blind Boys of Alabama remained purely gospel singers.

In spite of shifting societal trends, The Blind Boys continued to be active in the 1960s and 1970s, releasing thirteen more albums through several labels, including the Vee-Jay label from 1963 to 1965. In the 1960s, the group's hard-driving gospel sound was imitated by people like Bobby "Blue" Bland and Marvin Gaye. In 1969, Fountain left the group for a decade to try to make it on his own, and the group re-formed with all the original members in the late '70s.[5]

The band also joined the Civil Rights movement during the 1960s, performing at benefits for Dr. Martin Luther King Jr.[6]

1980s–1990s

Up until this point, the Blind Boys of Alabama had primarily played for black church audiences. The group performed at the World's Fair in Knoxville in 1982 and again in 1983. At that time the Five Blind Boys of Alabama began appearing collectively as Oedipus in the musical theater production "The Gospel at Colonus." The play was acclaimed as a landmark in American Musical History, receiving two OBIE Awards and nominations for a Pulitzer Prize and a Tony Award. This production brought the Blind Boys to the attention of a mainstream audience. And Victor Brown who owned a nightclub that had been a church.. The Church House Inn in Providence Rhode island who assisted them in getting off the chitlin circuit and playing other venues in the USA and Europe....With this exposure, the Blind Boys began working in several genres and alongside more popular artists.[7][8]

The Blind Boys released an album, Deep River in 1992, which was nominated for a Grammy Award. The album was produced by Booker T. Jones, and featured a version of Bob Dylan's "I Believe In You." The Blind Boys continued experimenting with contemporary popular music with 1995's live album I Brought Him With Me and 1997's funk-leaning Holding On," both originally released on the House of Blues label.

In 1994, the National Endowment for the Arts awarded the National Heritage Fellowship to Clarence Fountain and the Five Blind Boys of Alabama.

2000s: Grammy era

"Free at last"
Blind Boys of Alabama perform "Free At Last" at the White House on February 9th 2010, at a celebration of music from the Civil Rights movement
Problems playing this file? See media help.

At the turn of the 21st century, the Blind Boys began working on the album Spirit of the Century, which was the brainchild of their long-time booking agent Chris Goldsmith. Goldsmith was credited as executive producer on the album and John Chelew was the producer, a partnership that went on to produce several more albums for the Blind Boys.[9]

Spirit of the Century was the Blind Boys’ most critically acclaimed and commercially successful album to date. The album is a blend of gospel, blues, soul and folk and won the 2001 Grammy award for Best Traditional Soul Gospel Album. Several guest musicians were featured alongside the Blind Boys on this record, including multi-instrumentalist David Lindley, blues guitarist John Hammond, contra bassist Danny Thompson and harmonica master Charlie Musselwhite.

The album was released on Peter Gabriel’s label, Real World Records. The Blind Boys’ relationship with Peter Gabriel was also a stepping stone to their appearance on his 2002 album, Up, and they subsequently opened for Gabriel on the ‘Growing Up’ worldwide arena tour.

The CBS series, “60 Minutes II” filmed a documentary segment featuring the Blind Boys of Alabama in 2002. Dan Rather told the story of the Blind Boys through an interview with the remaining founding members Clarence Fountain, Jimmy Carter,and George Scott.[10]

The Blind Boys of Alabama performing at the Quebec City Summer Festival in July 2008

The Blind Boys' version of Tom Waits' "Way Down in the Hole," featured on Spirit of the Century, also became the theme song for the first year of the acclaimed HBO series The Wire. Their song "Soldier," was featured in the 2002 film The Fighting Temptations, featuring Beyonce and Cuba Gooding Jr. The Blind Boys also appeared on-screen in that film.

The Blind Boys enjoyed further acclaim and another Grammy with 2002's soul music-influenced Higher Ground (Real World), which was also produced by the Chelew/Goldsmith team, and included songs written by Prince, Stevie Wonder, Curtis Mayfield and Ben Harper (who also appeared on the album lending vocals and guitar). Robert Randolph and his Family Band served as the backing musicians on the album. The song “I Shall Not Walk Alone” from the album was featured in the first season of the TV series Lost in the episode “Confidence Man”.

That same year, The Blind Boys, who at this time consisted of Clarence Fountain, George Scott, Jimmy Carter, Joey Williams, Eric McKinnie, Bobby Butler and Tracy Pierce, were inducted into the Gospel Music Hall of Fame. They also won a Dove Award from the Gospel Music Association for Best Traditional Gospel Album.

In 2003, The Blind Boys released a Christmas album, Go Tell It on the Mountain (Real World). Again the production was credited to Chelew and Goldsmith, and again the album scored a Grammy – the band’s third in a row. The album featured an eclectic collection of guests including Solomon Burke, George Clinton, Michael Franti, Chrissie Hynde, Shelby Lynne, Les McCann, Me'Shell Ndegeocello, Aaron Neville, Robert Randolph, Mavis Staples, Richard Thompson, and Tom Waits.

The release of this Christmas album was followed in 2004 by a DVD documenting the Blind Boys concert at New York’s Beacon Theater in December 2003. Go Tell It On the Mountain: Live in New York highlights special guests at the show, including Aaron Neville, Mavis Staples, Chrissie Hynde, John Medeski, Robert Randolph, and Michael Franti. A portion of the proceeds from Go Tell It On the Mountain were donated to the American Diabetes Association, for whom the Blind Boys became spokesmen in 2003.

In 2004, The Blind Boys of Alabama collaborated with Ben Harper on the album There Will Be a Light (Virgin). Harper produced the album, with Chris Goldsmith again serving as executive producer. Harper described the record as “a spiritual soul movement”. There Will Be a Light was nominated for three GRAMMYs that year and won two, including the Blind Boys fourth consecutive win for Traditional Soul Gospel Album. The record was also the first Blind Boys album to break into the Billboard Top 100.

In 2005, The Blind Boys released what was arguably the most adventurous album of their discography thus far. Produced by John Chelew, Atom Bomb is unmistakably traditional gospel, yet it featured pop influences, rap, and roaring blues riffs. The record includes a gospel version of the Fatboy Slim/Macy Gray tune "Demons," featuring rapper Gift of Gab from Blackalicious. Musicians also featured on Atom Bomb: Los Lobos guitarist David Hidalgo, Blues harp icon Charlie Musselwhite, and the legendary Billy Preston on keyboard.

In May 2005, Dan Rather presented The Blind Boys of Alabama with The American Foundation for the Blind's distinguished Helen Keller Personal Achievement Award, presented to individuals and organizations that have improved the quality of life for people who are blind, visually impaired or disabled. Past recipients include Ray Charles, Stevie Wonder, and Jose Feliciano.

The Blind Boys were presented with a second prestigious award in May 2005. Her Majesty Queen Noor of Jordan presented the Blind Boys with the First Niarchos Prize for Survivorship. The Landmine Survivors Network awards this prize to an artist whose life work promotes resiliency and recovery.

Also in 2005, The Blind Boys were featured on the Grammy Awards telecast alongside Kanye West, John Legend, and Mavis Staples.

In March 2006, the group's baritone singer George Scott died at age 75.

In January 2008, The Blind Boys of Alabama released Down In New Orleans on the Time Life record label. Produced by Chris Goldsmith, the album featured New Orleans-style music and included guests Allen Toussaint, The Hot 8 Brass Band, and The Preservation Hall Jazz Band.

In 2009 the band released the Live in New Orleans DVD featuring their sold-out performance in the Crescent City’s iconic club Tipitina’s with special guests that included Susan Tedeschi and New Orleans pianist Henry Butler.[11]

Also in 2009, the Blind Boys also won their fifth Grammy for best Traditional Soul Gospel Album for Down in New Orleans. They were also given the Grammy Lifetime Achievement Award for their long history of influential recorded work.[12]

The Blind Boys of Alabama were featured artists in “Soundtrack for a Revolution”, a documentary released in 2009. The film tells the story of the American civil rights movement through its powerful music. The members of the Blind Boys felt a strong connection to this project because of their roots in the strongly segregated South. In the film, the Blind Boys collaborated with Anthony Hamilton on the song 'This May Be the Last Time.'

In October 2009, the Blind Boys released the album Duets (Time Life), a special anthology featuring 14 unique collaborations. This album documented the rich,eclectic and cohesive interactions between the Blind Boys and popular artists. The music on Duets ranges from rock to reggae, country to contemporary Christian, and blues to ballads, all unified by the Blind Boys’ deep, soulful harmonizing. Most of the tracks were previously released, but the album also featured unreleased tracks with guest artists Lou Reed, John Hammond and Toots Hibbert – as well as a new song with Timothy B. Schmit of the Eagles that was released on his album simultaneously.The album includes previously released performances with Ben Harper, Randy Travis, Bonnie Raitt, Solomon Burke, Susan Tedeschi, Jars of Clay, Charlie Musselwhite, Asleep At The Wheel, and Dan Zanes. In January 2010, The Blind Boys of Alabama and Lou Reed appeared together on Late Night with David Letterman. They performed the song “Jesus,” which was written by Lou Reed and originally appeared on an early Velvet Underground album.[13]

The Blind Boys of Alabama were asked to curate and perform at a three-night concert series in July 2010 at the Lincoln Center Festival. The series featured performances from numerous musicians across several genres. Special guests included Yo La Tengo, Ralph Stanley, Yim Yames of My Morning Jacket, Yonder Mountain String Band, Ray Benson and Jason Roberts of Asleep at the Wheel, Aaron Neville, Joan Osborne, Hot 8 Brass Band, Dan Zanes, John Hammond, Charlie Musselwhite, and more.[14]

In February 2010, The Blind Boys of Alabama were a part of the concert series, “In Performance at the White House: A Celebration of Music From the Civil Rights Movement”. Hosted by President and Mrs. Obama, the event included performances by Bob Dylan, Joan Baez, John Mellencamp, Natalie Cole, and Smokey Robinson. 2010 was not the Blind Boys’ first visit to the White House. The gospel group was invited by President Clinton in 1994 and President Bush in 2002.[15]

Later that year, the Blind Boys met fellow Alabaman Jamey Johnson at the Alabama Music Hall Of Fame induction ceremony. Jimmy Carter had always been a fan of country music, so the Blind Boys asked Johnson to help produce a country-gospel album. In May 2011, The Blind Boys released Take The High Road (Saguaro Road), co-produced by Johnson, Chris Goldsmith, Kevin ‘Swine’ Grantt and Chad Cromwell. The album featured collaborations with prominent country artists Vince Gill, Willie Nelson, Hank Williams Jr., Lee Ann Womack, Jamey Johnson and The Oak Ridge Boys.[16]

In January 2012, The Blind Boys were featured as part of Preservation Hall Jazz Band's 50th Anniversary performance at Carnegie Hall along with artists Trombone Shorty and Allen Toussaint.

Dr. John invited the Blind Boys to join him onstage at the Brooklyn Academy of Music Howard Gilman Opera House for “Insides Out: A Louis Armstrong Tribute Concert” in March 2012. Backed up by several New Orleans-based instrumentalists, the Blind Boys of Alabama helped begin and end the March 29th show with powerful versions of “What a Wonderful World” and “When the Saints Go Marching In.”

In April 2012, the group helped celebrate Amnesty International's 50 years of fighting for freedom and human rights, by joining more than 50 artists from around the world to collaborate on the tune "Toast To Freedom." The song was produced by Bob Clearmountain, recorded at the late Levon Helm's studios, and includes artists such as Keb Mo, Carly Simon, Kris Kristofferson, Levon Helm, Roseanne Cash, Taj Mahal, Warren Haynes and others.

A testament to the Blind Boys of Alabama’s transition to a high-profile mainstream act is the many television appearances they made in this decade. The Blind Boys reached a much broader audience by appearing on 60 Minutes II, Late Night with David Letterman, The Tonight Show with Jay Leno, Late Night with Conan O'Brien, The Today Show, CBS Saturday Morning and Austin City Limits.

In December 2016, the Blind Boys were nominated for two Grammy awards: Best Roots Gospel Album ("God Don't Never Change: The Songs of Blind Willie Johnson") and Best American Roots Performance ("Mother's Children Have a Hard Time").[17]

Awards and honors

Current members

[19]

Founding members

[4]

Past members

Discography

Contributions

Collaborations

Musical artists the Blind Boys of Alabama have collaborated with include:

Solomon Burke, Tom Waits, Michael Franti, Chrissie Hynde, Richard Thompson, Aaron Neville, Mavis Stables, Shelby Lynne, Me’Shell NdegeOcello, Danny Thompson, Duke Robillard, Michael Jerome, George Clinton, Robert Randolph, Les McCann, David Hidalgo, Charlie Musselwhite, Gift of Gab from Blackalicious, Willie Nelson, Hank Williams Jr., Vince Gill, Leann Womack, Oak Ridge Boys, Jamey Johnson, Ben Harper, Susan Tedeschi, Toots Hibbert, Randy Travis, Timothy B. Schmit, Bonnie Raitt, Jars of Clay, Dan Zanes, Lou Reed, Marva Wright, Asleep At The Wheel, John Hammond, Allen Toussaint, Preservation Hall Jazz Band, Hot 8 Brass Band, Bennie Pete, Carl LeBlanc, Billy Preston, Tom Petty, Peter Gabriel, Prince (musician), The Time Jumpers, K.D. Lang, Dr. John, Henry Butler, Joan Osborne, Third Day, Yo La Tengo, Yim Yames of My Morning Jacket, Yonder Mountain String Band, Ray Benson, Ibrahim Ferrer, Jools Holland

Grammy Awards

Notes

  1. ↑ Hannah Levintova (November 21, 2011). "2-Stepping With the Blind Boys of Alabama". Mother Jones. Retrieved 9 August 2016.
  2. ↑ "Blind Boys of Alabama “I’ll Find a Way” Album Review". Breathecast, Timothy Yap Sep 26, 2013
  3. 1 2 James Calemine. "Clarence Fountain Interview". Swampland. Retrieved 9 August 2016.
  4. 1 2 Charles Kenneth Roberts. "Blind Boys of Alabama". Encyclopedia of Alabama. Retrieved 9 August 2016.
  5. ↑ "The Blind Boys of Alabama". All Music. Retrieved 9 August 2016.
  6. ↑ "The Blind Boys of Alabama No Retirement in Sight!". Southern Edition. Retrieved 9 August 2016.
  7. ↑ . University of Idaho https://web.archive.org/web/20140223200153/http://www.uidaho.edu/class/music/features/blind-boys-of-alabama. Archived from the original on 23 February 2014. Retrieved 9 August 2016. Missing or empty |title= (help)
  8. ↑ LEE HILDEBRAND (June 29, 2008). "Blind Boys of Alabama battling". SF gate. Retrieved 9 August 2016.
  9. ↑ George Varga (February 8, 2009). "For Goldsmith, blind faith in Blind Boys paid off". San Diego Union-Tribune. Retrieved 9 August 2016.
  10. ↑ David Kohn (2002-10-21). "The Blind Boys Of Alabama". CBS News. Retrieved 9 August 2016.
  11. ↑ "Blind Boys of Alabama – I’ll Find a Way". Glide Magazine. September 25, 2013. Retrieved 9 August 2016.
  12. ↑ Susanne Martin. "The Blind Boys Of Alabama: Seven decades of gospel and still going strong". Cross Rhythms. Retrieved 9 August 2016.
  13. ↑ . Blog Critics http://blogcritics.org/music/article/music-review-the-blind-boys-of4/. Retrieved 9 August 2016. Missing or empty |title= (help)
  14. ↑ "Blind Boys of Alabama touring, curated 3 shows @ Lincoln Center w/ many guests (Yo La Tengo, Jim James, more)". Brooklyn Vegan. April 12, 2010. Retrieved 9 August 2016.
  15. ↑ Jam Base http://www.jambase.com/Articles/21390/Blind-Boys-of-Alabama-and-Bob-Dylan-To-Play-White-House-Concert. Retrieved 9 August 2016. Missing or empty |title= (help)
  16. ↑ "The Blind Boys of Alabama to Release Gospel Country Album". Artist Direct. Retrieved 9 August 2016.
  17. ↑ "Grammy nominated Blind Boys of Alabama track recorded in the Shoals". Times Daily. Retrieved 8 December 2016.
  18. ↑ "Interview with Ricky McKinnie". UPTV, by Alicia Carson. Archived July 26, 2008, at the Wayback Machine., archived at the Wayback Machine.
  19. ↑ "The Blind Boys of Alabama World Café Live / Philadelphia, PA". Elmore Magazine, August 29th, 2016. Geno Thackara.
  20. ↑ Jurek, Thom. The Blind Boys of Alabama: I'll Find a Way at AllMusic. Retrieved August 10, 2015.
  21. ↑ Jurek, Thom. "Various Artists: God Don't Never Change: The Songs of Blind Willie Johnson". AllMusic.com. Retrieved May 4, 2016.

References

Wikimedia Commons has media related to The Blind Boys of Alabama.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.