Jason Alder

Jason Alder
Background information
Born Livonia, Michigan, U.S.
Genres Contemporary classical, jazz, world, electroacoustic, experimental, free improvisation
Occupation(s) Musician
Instruments Clarinet, saxophone
Associated acts Payazen! Klezmer Band, Shadanga Duo, Sonido 13, JORO, Spinfist
Website www.jasonalder.com

Jason Alder is an American-born clarinetist, bass clarinetist, and saxophonist.[1] He is best known for his work in contemporary music, free improvisation, and electro-acoustic music.

Biography

Alder grew up in Westland, a suburb of Detroit, and performed with the Michigan Youth Band at the University of Michigan in Ann Arbor while in high school.[2] He holds a degree in music from Michigan State University, where he studied clarinet with Frank Ell.[3] In 2006 he moved to Amsterdam, Netherlands, to study bass clarinet at the Conservatorium van Amsterdam with Erik van Deuren, where he obtained a second degree. He received an MMus from the Artez Conservatorium in Arnhem, Netherlands, studying free improvisation in the New Dutch Swing program with saxophonist and bass clarinetist Frank Gratkowski and double bassist Wilbert de Joode. His other teachers have included Richard Hawkins, Kimberly Cole, Yaniv Nachum, Michael Lowenstern, David Krakauer, Ernesto Molinari, and Claudio Puntin.[4]

Alder specializes in contemporary classical music and working with electronics. In 2010 he created a Max/MSP patch to perform Karlheinz Stockhausen's "Solo für melodieinstrument und Rückkopplung" using only a computer in place of the 6 reel-to-reel tape machines and 4 assistants originally required to perform the piece.[5] Alder has also worked with composers to develop electronics for their compositions. In 2013 he collaborated with Robert Ratcliffe on his piece "Wake up Call", originally for bass clarinet and fixed-medium electronic accompaniment. Alder created a Max/MSP patch which allowed for adding effects to the bass clarinet, as well as rearranging the sections of the piece, as is specified by Ratcliffe in the score.[6] He has worked with and/or premiered pieces from a number of composers, including Christian Wolff, Stefan Prins, Gabriel Prokofiev, André Douw, Francisco Castillo Trigueros, Andys Skordis, Thanos Chrysakis, Rodrigo Tascón, Yu Oda, and Thanasis Deligiannis. He also performs with flutist Katalin Szanyi in the Shadanga Duo, which worked with composer Louis Aguirre and other members of the Danish composers group Snow Mask to commission and premiere new works.[7]

In addition to composed music, Alder is an improviser and has performed solo, in Sonido 13- an electroacoustic duo with saxophonist Harry Cherrin, and with other improvisers such as Tom Jackson and Alex Ward.[8] In duo with Austrian vocalist Magdalena Hahnkamper as megalodon/na, he won the Lyrik Live prize from the Austrian radio station Ö1 for a free improvisation theater/performance art/video piece.[9]

Alder also performs in jazz and world music bands such as the klezmer-jazz band Payazen!, gypsy punk band Victor Menace, afrobeat bands JORO and Matuki, with Bangladeshi/British singer Shapla Salique, and with the Balkan-jazz band Mimika. He has also studied karnatic music. In 2014 Alder toured with Idina Menzel and Rob Mounsey, and has played in other pop and rock bands such as The Lazlo Device, The Palumbo Phunk, Novack, Canvas Blanco, and RaskalBOMFukkerz. He played bass guitar in the bands Spinfist and June Ruin.

Alder has performed at festivals around the world, such as ClarinetFest,[10][11][12] European Clarinet Festival, Istanbul Woodwind Festival,[13] Gaudeamus Contemporary Music Festival, Ultima Oslo Contemporary Music Festival, International Festival for Artistic Innovation,[14] and the Ferrara Buskers Festival.[15]

Alder has authored extended range quarter-tone fingering charts for both clarinet and bass clarinet.[16][17][18][19][20][21]

In 2015 he became the editor of The Clarinet [Online] for the International Clarinet Association.[1][22]

Discography

Soundtracks

References

  1. 1 2 "Meet the I.C.A.’s new Editor of The Clarinet [Online]". International Clarinet Association. Retrieved 11 April 2017.
  2. "1995-1996 Programs Presented by Guest Artists, Faculty, and Students of The School of Music, The University of Michigan, Ann Arbor". Google Books. School of Music, Theatre & Dance (University of Michigan) Publications. Retrieved 11 April 2017.
  3. Paddock, Tracey Lynn. "A Biographical Dictionary of Twentieth Century American Clarinetists". FSU Digital Library. Florida State University Libraries. Retrieved 12 April 2017.
  4. "Woodwinds Artist Details". D'Addario Woodwinds. Retrieved 17 April 2017.
  5. Sparnaay, Harry (2011). The Bass Clarinet: A Personal Hstory (3 ed.). Barcelona: Periferia. p. 111. ISBN 9788493884505.
  6. Ratcliffe, Robert (December 2013). "The Conception and Realisation of Wake up Call: Hybrid Compositional and Improvisatory Strategies in the Creation of a 'Mixed' Electronic Work". Sonic Ideas. 6 (11): 48–58. ISSN 2317-9694. Retrieved 11 April 2017.
  7. "Komponistgruppen Snow Mask Ensemble har inviteret den hollandske Shadanga Duo ti...". SNYK. Retrieved 12 April 2017.
  8. Chuter, Jack. "LIVE: CRAM FESTIVAL – JASON ALDER + TOM JACKSON + ALEX WARD, MARCIO MATTOS, SUE LYNCH + ADRIAN NORTHOVER". ATTN:Magazine. Retrieved 12 April 2017.
  9. "Hautnah – Lyrik live im KlangTheater". oe1.orf.at. Retrieved 17 April 2017.
  10. "ClarinetFest®2014 Artists". The Clarinet. 41 (2): 56c. March 2014. ISSN 0361-5553.
  11. Abella, Héctor (March 2015). "ClarinetFest® 2015". The Clarinet. 42 (2): 31. ISSN 0361-5553.
  12. Koons, Keith (March 2017). "ClarinetFest® 2017 Lands in Orlando July 26-30". The Clarinet. 43 (2): 60. ISSN 0361-5553.
  13. "Istanbul launches music festival dedicated to wind instruments". DailySabah. Retrieved 2017-04-22.
  14. "International Festival for Artistic Innovation Programme" (PDF). International Festival for Artistic Innovation. Leeds College of Music. Retrieved 12 April 2017.
  15. MonrifNet. "I colori dei musicisti di strada accendono la notte estense - Il Resto Del Carlino - Ferrara". www.ilrestodelcarlino.it (in Italian). Retrieved 2017-04-19.
  16. Lignitz-Hahn, Kelly (September 2014). "Clarinet Cache: A Guide to Bass Clarinet on the Web". The Clarinet. 41 (4): 28. ISSN 0361-5553.
  17. Jackson, Thomas. "A Practice-Based Investigation of the Clarinet Through Free Improvisation" (PDF). Canterbury Research and These Environment. Canterbury Christ Church University. Retrieved 12 April 2017.
  18. Everall, Philip. "A digital resource for navigating extended techniques on bass clarinet". Research Online. Edith Cowan University. Retrieved 12 April 2017.
  19. Iles, Jennifer Beth. "The Changing Role of the Bass Clarinet: Support for Its Integration into the Modern Clarinet Studio". UNLV Theses, Dissertations, Professional Papers, and Capstones. UNLV University Libraries. Retrieved 12 April 2017.
  20. Alder, Jason. "Bass Clarinet Quarter-Tone Fingering Chart" (PDF). Retrieved 12 April 2017.
  21. Alder, Jason. "Clarinet Quarter-Tone Fingering Chart" (PDF). Retrieved 12 April 2017.
  22. "The Clarinet". The Clarinet. 43 (3). June 2016. ISSN 0361-5553.
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