Jaroslav Beneš

Jaroslav Beneš

Jaroslav Beneš
Photo by: Tomáš Rasl
Born (1946-02-27) February 27, 1946
Pilsen, Czechoslovakia
Nationality Czech
Occupation Photographer

Jaroslav Beneš (born February 27, 1946, in Pilsen, Czechoslovakia) is a Czech photographer[1] and co-founder of the photographic group called Český dřevák.

Life

Jaroslav Beneš has been exposed to different forms of art since he was a child. As a schoolboy he played different musical instruments, went to the theatre with his parents, and his uncle was an amateur painter. At the beginning of the 1960s he started to attend the Secondary School of Agriculture in Plasy, where he was involved in extra-curricular activities, such as poetry, drama, and music. It was also there that he was first introduced to Chinese poetry, which he still loves today.[2] In 1965 he graduated and began to work as a livestock specialist. Three years later he started working as a stage technician in the ALFA Theatre in Pilsen. In 1977 he moved to Prague, where he briefly worked as a night guard at the Museum of Decorative Arts. Since 1978 he has been an archivist and photographer for Prague Waterworks. In 1989 he co-founded Aktiv volné fotografie (The Free Photography Caucus) and a year later the Prague House of Photography.[3]

Work

He began photographing with a 35 mm camera at the end of the 1960s, taking pictures of theatre performances and rock and jazz musicians. At the beginning of the 1980s, while working for Prague Waterworks, he found an old 13x18 cm view camera in a cupboard at his workplace and learned to use it. Influenced by another photographer, Jan Svoboda, who said that "a photograph should have a definitive format", Beneš started contact printing all his work.[4] Besides 13x18 he also uses the 18x24 cm format. Unlike many other photographers whose main aim is technical perfection, Beneš does not hesitate to use technical "imperfections" to an artistic effect: "He does not mind light penetrating the film holder or his lenses vignetting, which he, in fact, uses intentionally. He deliberately integrates these elements into his creative process," says Czech art historian, Jan Kříž.[5]

Although the subjects of Beneš's photographs are usually buildings or architectural details, he cannot be considered a photographer of architecture as such. He says of his own work: "To me, photography does not mean depicting reality. It is an irrational absorption in myself, my problems, emotions, and dreams. My photographs are only a product or, so to speak, waste of an activity that helps me to survive and balance my life." He says his main topic is the co-existence with architecture "created by and for people". He lets the genius loci of architecture influence him, but calls his photographs "purely subjective, emotional, and free from any calculation".[6]

All of Beneš's photographs are untitled. He has only given names to four of his series, not to individual photographs:

Books

Monographs

A catalogue accompanying Beneš's exhibition at the gallery. Includes texts by art historians Adam Sobota, Jan Kříž, and Josef Moucha.

Anthologies

Included in Collections

References

  1. ↑ "entry Beneš, Jaroslav". Slovník českých a slovenských výtvarných umělců 1950-1997 (in Czech). I. Výtvarné centrum Chagall. 1997. pp. 132–133. ISBN 80-86171-00-0.
  2. ↑ Moucha, Josef (2006). Jaroslav Beneš: Fotografie - wybór. Katowice: Galerie Pusta. ISBN 978-83-88418-81-5.
  3. ↑ Prokůpek, Bohumír; Kříž, Jan (2006). Český dřevák. Prague.
  4. ↑ Prokůpek, Bohumír; Kříž, Jan (2006). Český dřevák. Prague.
  5. ↑ Prokůpek, Bohumír; Kříž, Jan (2006). Český dřevák. Prague.
  6. ↑ "Jaroslav Beneš - Fotografie". iDirekt. March 15, 2010. Retrieved March 15, 2010.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.