James Casebere

James Casebere

Casebere in April 2009
Born 1953
Lansing, Michigan
Nationality American
Education

Minneapolis College of Art and Design B.F.A.

CalArts M.F.A
Known for Photography

James Casebere (born 1953) is an American contemporary artist and photographer living in New York.

Biography

Casebere, born in Lansing, Michigan, grew up outside of Detroit. He attended Michigan State University and graduated from the Minneapolis College of Art and Design with a BFA in 1976. In the fall of 1977, he attended the Whitney Independent Study Program in New York, and then moved to Los Angeles where he studied under John Baldessari and Doug Huebler. Classmates included Mike Kelley, and Tony Oursler. He received an MFA from CalArts in 1979.[1] Since the late 1990s Casebere has lived and worked in the Fort Greene neighborhood of Brooklyn, with his wife, artist Lorna Simpson and their daughter Zora.[2]

Early career

Casebere's early exhibitions in New York were at Artists Space, Franklin Furnace and the Sonnabend Gallery. His early work is associated with the so-called “Pictures Generation” of “post-modern” artists who emerged in the 1980s, including artists such as Cindy Sherman, Robert Longo, Laurie Simmons, Richard Prince, Matt Mullican, James Welling, Michael Zwack, Barbara Kruger and others. Since then, Casebere has devised complex models and photographed them in his studio. Referencing architecture, art history, and film, Casebere’s abandoned spaces are made from tabletop constructions of simple materials pared down to essential forms. Starting with Sonsbeek ’86, in Arnhem, Holland and ending around 1991, Casebere also made large scale sculptural installations.[3]

Early bodies of work include images of the American suburban home. This was followed by both photographs and sculptural installations addressing and sometimes poking fun at a mythical American West. In the early 1990s, Casebere turned his attention to the development of different cultural institutions during The Enlightenment, and their representation as architectural types, particularly prisons. Casebere's photographs of sculptural installations suggest "an element of unreality that sparks a feeling or causes viewers to question the space and fill it with answers of their own".[4]

Artistic career

Luxor #2, 2007

Since the late 1990s Casebere has made large photographs of flooded images that refer to: 1.) the bunker under the Reichstag (Flooded Hallway) 2.) sewers in Berlin (Two Tunnels) and 3.) the Atlantic slave trade (Four Flooded Arches, Nevision Underground, Monticello).

Modern architects like Victor Horta (Spiral Staircase, and Turning Hallway) and Richard Neutra (Garage, and Dorm Room) are referred to by an austere group of works seeming to criticize the homogenizing effects of globalization.

After 9/11, Casebere looked to Spain and the Eastern Mediterranean. His first works in this period were inspired by the 10th century Andalusia because of the co-operation between Islamic, Jewish, and Christian cultures preceding the Inquisition (La Alberca, Abadia, Spanish Bath, Mahgreb). Later images depicted Tripoli, Lebanon, Nineveh and Samarra in Iraq, and Luxor, Egypt. Several of his photographs of elaborate mosques were inspired by the 16th-century Ottoman architect Mimar Sinan.

Awards

Casebere was included in the 1985 Whitney Biennial. In 2002-3 he had a solo exhibition at Southeastern Center for Contemporary Art in Winston-Salem, NC which traveled to the Museum of Contemporary Art Cleveland, OH., the Musée d'art contemporain de Montréal, Quebec and the Indianapolis Museum of Art, Indianapolis. In 2000–2001 he was in an exhibition called The Architectural Unconscious: James Casebere and Glen Seator, initiated by the Addison Gallery of American Art at Phillips Academy in Andover, Massachusetts, which traveled to the Institute of Contemporary Art, Philadelphia PA. In 1999 Asylum, another solo exhibition at the Museum of Modern Art, Oxford, England, traveled to Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain, and the Sainsbury Centre for Visual Arts, Norwich, England. In 1996 he was in Campo, at the Venice Biennale, Italy, curated by Francesco Bonami, which traveled to the Sandretto Foundation in Torino, Italy and the Konstmuseum, in Malmö, Sweden.

Exhibitions

Casebere is the recipient of three fellowships from the National Endowment for the Arts, three from the New York Foundation for the Arts and one from the John Simon Guggenheim Memorial Foundation.

Collections

Casebere's work has been collected by museums worldwide, including the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Metropolitan Museum of Art in New York, the Walker Art Center in Minneapolis, the Los Angeles County Museum of Art, the Victoria and Albert Museum in London and the Hammer Museum.[5] in Los Angeles and many others.[6]

References

  1. ↑ http://www.skny.com/artists/james-casebere/
  2. ↑ https://query.nytimes.com/gst/fullpage.html?res=9A02EFDE143CF93BA15756C0A9679C8B63&n=Top/Reference/Times%20Topics/People/A/Acconci,%20Vito
  3. ↑ http://www.bombsite.com/issues/77/articles/2422
  4. ↑ "James Casebere at Sean Kelly". caroldiehl.
  5. ↑ Hammer Museum website
  6. ↑ http://www.lissongallery.com/#/artists/james-casebere/cv/
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