Jamaican Patois

Jamaican Patois
Patwa, Jumiekan, Jamiekan [1]
Native to Jamaica, Panama, Costa Rica
Native speakers
3.2 million (2000–2001)[2]
English creole
  • Atlantic

    • Western
      • Jamaican Patois
Dialects
Official status
Regulated by not regulated
Language codes
ISO 639-3 jam
Glottolog jama1262[3]
Linguasphere 52-ABB-am

Jamaican Patois, known locally as Patois (Patwa or Patwah) and called Jamaican Creole by linguists, is an English-based creole language with West African influences (a majority of loan words of Akan origin)[4] spoken primarily in Jamaica and the Jamaican diaspora. The language developed in the 17th century, when slaves from West and Central Africa were exposed to, learned and nativized the vernacular and dialectal forms of English spoken by the slaveholders: British English, Scots and Hiberno-English. It exhibits a gradation between more conservative creole forms and forms virtually identical to Standard English[5] (i.e. metropolitan Standard English).

Jamaicans refer to their language as patois. The term patois comes from Old French, patois "local or regional dialect"[6] (earlier "rough, clumsy, or uncultivated speech"), possibly from the verb patoier, "to treat roughly", from pate "paw",[7] from Old Low Franconian *patta "paw, sole of the foot" + -ois, a pejorative suffix. The term may have arisen from the notion of a clumsy or rough manner of speaking.

Jamaican pronunciation and vocabulary are significantly different from English, despite heavy use of English words or derivatives. Jamaican Patois displays similarities to the pidgin and creole languages of West Africa, due to their common descent from the blending of African substrate languages with European languages.

Significant Jamaican Patois-speaking communities exist among Jamaican expatriates in Miami, New York City, Toronto, Hartford, Washington, D.C., Nicaragua, Costa Rica, and Panama (in the Caribbean coast), also London,[8] Birmingham, Manchester, and Nottingham. A mutually intelligible variety is found in San Andrés y Providencia Islands, Colombia, brought to the island by descendants of Jamaican Maroons (escaped slaves) in the 18th century. Mesolectal forms are similar to very basilectal Belizean Kriol.

Jamaican Patois exists mostly as a spoken language and is also heavily used for musical purposes, especially in reggae and dancehall as well as other genres. Although standard British English is used for most writing in Jamaica, Jamaican Patois has been gaining ground as a literary language for almost a hundred years. Claude McKay published his book of Jamaican poems Songs of Jamaica in 1912. Patois and English are frequently used for stylistic contrast (codeswitching) in new forms of internet writing.[9]

Phonology

Accounts of basilectal Jamaican Patois postulate around 21 phonemic consonants[10] and between 9 and 16 vowels.[11]

Consonants[12]
Labial Alveolar Post-
alveolar
Palatal2 Velar Glottal
Nasal m n ɲ ŋ
Stop pb td cɟ kɡ
Fricative fv sz ʃ (h)1
Approximant
/Lateral
ɹ j w
l
^1 The status of /h/ as a phoneme is dialectal: in western varieties, it is a full phoneme and there are minimal pairs (/hiit/ 'hit' and /iit/ 'eat'); in central and eastern varieties, the presence of [h] in a word is in free variation with no consonant so that the words for 'hand' and 'and' (both underlyingly /an/) may be pronounced [han] or [an].[13]
^2 The palatal stops [c], [ɟ][14] and [ɲ] are considered phonemic by some accounts[15] and phonetic by others.[16] For the latter interpretation, their appearance is included in the larger phenomenon of phonetic palatalization.

Examples of palatalization include:[17]

Voiced stops are implosive whenever in the onset of prominent syllables (especially word-initially) so that /biit/ ('beat') is pronounced [ɓiːt] and /ɡuud/ ('good') as [ɠuːd].[10]

Before a syllabic /l/, the contrast between alveolar and velar consonants has been historically neutralized with alveolar consonants becoming velar so that the word for 'bottle' is /bakl̩/ and the word for 'idle' is /aiɡl̩/.[18]

Vowels of Jamaican Patois. from Harry (2006:128)

Jamaican Patois exhibits two types of vowel harmony; peripheral vowel harmony, wherein only sequences of peripheral vowels (that is, /i/, /u/, and /a/) can occur within a syllable; and back harmony, wherein /i/ and /u/ cannot occur within a syllable together (that is, /uu/ and /ii/ are allowed but * /ui/ and * /iu/ are not).[19] These two phenomena account for three long vowels and four diphthongs:[20]

Vowel Example Gloss
/ii/ /beeni/ 'tiny'
/aa/ /baaba/ 'barber'
/uu/ /boot/ 'booth'
/ia/ /biak/ 'bake'
/ai/ /bike/ 'bike'
/ua/ /boat/ 'boat'
/au/ /town/ 'town'

Sociolinguistic variation

Jamaican Patois features a creole continuum (or a linguistic continuum):[21][22][23] the variety of the language closest to the lexifier language (the acrolect) cannot be distinguished systematically from intermediate varieties (collectively referred to as the mesolect) or even from the most divergent rural varieties (collectively referred to as the basilect). This situation came about with contact between speakers of a number of Niger–Congo languages and various dialects of English, the latter of which were all perceived as prestigious and the use of which carried socio-economic rewards.[24] The span of a speaker's command of the continuum generally corresponds to social context.[25]

Grammar

The tense/aspect system of Jamaican Patois is fundamentally unlike that of English. There are no morphological marked past participles; instead, two different participle words exist: en and a. These are not verbs, but simply invariant particles that cannot stand alone like the English to be. Their function also differs from the English.

According to Bailey (1966), the progressive category is marked by /a~da~de/. Alleyne (1980) claims that /a~da/ marks the progressive and that the habitual aspect is unmarked but by its accompaniment with words such as "always", "usually", etc. (i.e. is absent as a grammatical category). Mufwene (1984) and Gibson and Levy (1984) propose a past-only habitual category marked by /juusta/ as in /weɹ wi juusta liv iz not az kuol az iiɹ/ ('where we used to live is not as cold as here')[26]

For the present tense, an uninflected verb combining with an iterative adverb marks habitual meaning as in /tam aawez nuo kieti tel pan im/ ('Tom always knows when Katy tells/has told about him').[27]

Like other Caribbean Creoles (that is, Guyanese Creole and San Andrés-Providencia Creole; Sranan Tongo is excluded) /fi/ has a number of functions, including:[28]

Pronominal system

The pronominal system of Standard English has a four-way distinction of person, number, gender and case. Some varieties of Jamaican Patois do not have the gender or case distinction, but all varieties distinguish between the second person singular and plural (you).

Copula

This is akin to Spanish in that both have 2 distinct forms of the verb "to be" - ser and estar - in which ser is equative and estar is locative. Other languages, such as Portuguese and Italian, make a similar distinction. (See Romance Copula.)

Negation

Orthography

Patois has long been written with various respellings compared to English so that, for example, the word "there" might be written de, deh, or dere, and the word "three" as tree, tri, or trii. Standard English spelling is often used and a nonstandard spelling sometimes becomes widespread even though it is neither phonetic nor standard (e.g. pickney for /pikni/, 'child').

In 2002, the Jamaican Language Unit was set up at the University of the West Indies at Mona to begin standardizing the language, with the aim of supporting non-English-speaking Jamaicans according to their constitutional guarantees of equal rights, as services of the state are normally provided in English, which a majority of people cannot speak fluently. The vast majority of such persons are speakers of Jamaican, widely referred to as Patwa. It was argued that failure to provide services of the state in a language in such general use or discriminatory treatment by officers of the state based on the inability of a citizen to use English violates the rights of citizens. The proposal was made that freedom from discrimination on the ground of language be inserted into the Charter of Rights.[34] They standardized the Jamaican alphabet as follows:[35]

Short vowels
Letter Patois English
i sik sick
e bel bell
a ban band
o cut cut
u cook cook
Long vowels
Letter Patois English
ii tea tea
aa bawl ball
uu shoot shoot
Diphthongs
Letter Patois English
ie cake cake
uo grow grow
ai bite bite
ou cow cow

Nasal vowels are written with -hn, as in kyaahn (can't) and iihn (isn't it?)

Consonants
Letter Patois English
b bake bake
d dawg dog
ch church church
f food food
g goat goat
h hen hen
j judge judge
k kite kite
l lean lean
m man man
n nice nice
ng sing sing
p peel peel
r run run
s sik sick
sh shout shout
t two two
v vote vote
w wile wild
y young young
z zoo zoo
zh verjan version

h is written according to local pronunciation, so that hen (hen) and en (end) are distinguished in writing for speakers of western Jamaican, but not for those of central Jamaican.

Vocabulary

Jamaican Patois contains many loanwords, most of which are African in origin, primarily from Twi.[36]

Many loanwords come from English, but are also borrowed from Spanish, Portuguese, Hindi, Arawak and African languages as well as Scottish and Irish dialects.

Examples from African languages include /se/ meaning that (in the sense of "he told me that..." = /im tel mi se/), taken from Ashanti Twi, and Duppy meaning ghost, taken from the Twi word dupon ('cotton tree root'), because of the African belief of malicious spirits originating in the root of trees (in Jamaica and Ghana, particularly the cotton tree known in both places as "Odom").[37] The pronoun /unu/, used for the plural form of you, is taken from the Igbo language. Red eboe describes a fair-skinned black person because of the reported account of fair skin among the Igbo in the mid 1700s.[38] De meaning to be(at a location) comes from Yoruba.[39] From the Ashanti-Akan, comes the term Obeah which means witchcraft, from the Ashanti Twi word Ɔbayi which also means "witchcraft".[36]

Words from Hindi include ganja (marijuana), and janga (crawdad). Pickney or pickiney meaning child, taken from an earlier form (piccaninny) was ultimately borrowed from the Portuguese pequenino (the diminutive of pequeno, small) or Spanish pequeño ('small').

There are many words referring to popular produce and food items—ackee, callaloo, guinep, bammy, roti, dal, kamranga. See Jamaican cuisine.

Jamaican Patois has its own rich variety of swearwords. One of the strongest is blood claat (along with related forms raas claat, bomba claat, claat and others—compare with bloody in Australian English and British English, which is also considered a profanity).

Homosexual men are referred to as /biips/[40] or batty boys.

Example phrases

Literature and film

A rich body of literature has developed in Jamaican Patois. Notable among early authors and works are Thomas MacDermot's All Jamaica Library and Claude McKay's Songs of Jamaica (1909), and, more recently, dub poets Linton Kwesi Johnson and Mikey Smith. Subsequently, the life-work of Louise Bennett or Miss Lou (1919–2006) is particularly notable for her use of the rich colorful patois, despite being shunned by traditional literary groups. "The Jamaican Poetry League excluded her from its meetings, and editors failed to include her in anthologies."[47] Nonetheless, she argued forcefully for the recognition of Jamaican as a full language, with the same pedigree as the dialect from which Standard English had sprung:

Dah language weh yuh proud a,

Weh yuh honour an respec –

Po Mas Charlie, yuh no know se

Dat it spring from dialec!

Bans a Killin

After the 1960s, the status of Jamaican Patois rose as a number of respected linguistic studies were published, by Frederic Cassidy (1961, 1967), Bailey (1966) and others.[48] Subsequently, it has gradually become mainstream to codemix or write complete pieces in Jamaican Patois; proponents include Kamau Brathwaite, who also analyses the position of Creole poetry in his History of the Voice: The Development of Nation Language in Anglophone Caribbean Poetry (1984). However, Standard English remains the more prestigious literary medium in Jamaican literature. Canadian-Caribbean science-fiction novelist Nalo Hopkinson often writes in Jamaican or other Caribbean Patois. Jean D'Costa penned a series of popular children's novels, including Sprat Morrison (1972; 1990), Escape to Last Man Peak (1976), and Voice in the Wind (1978), which draw liberally from Jamaican Patois for dialogue, while presenting narrative prose in Standard English.[49] Marlon James employs Patois in his novels including A Brief History of Seven Killings (2014). In his science fiction novel Kaya Abaniah and the Father of the Forest (2015), British-Trinidadian author Wayne Gerard Trotman presents dialogue in Trinidadian Creole, Jamaican Patois, and French while employing Standard English for narrative prose.

Jamaican Patois is also presented in some films and other media, for example, the character Tia Dalma's speech from Pirates of the Caribbean: Dead Man's Chest, and a few scenes in Meet Joe Black in which Brad Pitt's character converses with a Jamaican woman. In addition, early Jamaican films like The Harder They Come (1972), Rockers (1978), and many of the films produced by Palm Pictures in the mid-1990s (e.g. Dancehall Queen and Third World Cop) have most of their dialogue in Jamaican Patois; some of these films have even been subtitled in English.

Bible

In December 2011, it was reported that the Bible was being translated into Jamaican Patois. The Gospel of St Luke has already appeared as: Jiizas: di Buk We Luuk Rait bout Im. While the Rev. Courtney Stewart, managing the translation as General Secretary of the West Indies Bible Society, believes this will help elevate the status of Jamaican Patois, others think that such a move would undermine efforts at promoting the use of English. The Patois New Testament was launched in Britain (where the Jamaican diaspora is significant) in October 2012 as "Di Jamiekan Nyuu Testiment", and with print and audio versions in Jamaica in December 2012.[50][51][52]

A comparison of the Lord's Prayer

See also

References

  1. Chang, Laurence. "Jumieka Langwij: Aatagrafi/Jamaican Language: Orthography".
  2. Jamaican Patois at Ethnologue (18th ed., 2015)
  3. Hammarström, Harald; Forkel, Robert; Haspelmath, Martin; Bank, Sebastian, eds. (2016). "Jamaican". Glottolog 2.7. Jena: Max Planck Institute for the Science of Human History.
  4. Cassidy FG: Multiple etymologies in Jamaican Creole. Am Speech 1966, 41:211-215
  5. DeCamp (1961:82)
  6. "patois". Oxford English Dictionary (3rd ed.). Oxford University Press. September 2005. (Subscription or UK public library membership required.)
  7. "patois". Oxford Dictionaries. Oxford University Press. Retrieved 19 May 2013.
  8. Mark Sebba (1993), London Jamaican, London: Longman.
  9. Lars Hinrichs (2006), Codeswitching on the Web: English and Jamaican Creole in E-Mail Communication. Amsterdam/Philadelphia: Benjamins.
  10. 1 2 Devonish & Harry (2004:456)
  11. Harry (2006:127)
  12. Harry (2006:126–127)
  13. Harry (2006:126)
  14. also transcribed as [kʲ] and [ɡʲ]
  15. such as Cassidy & Le Page (1980:xxxix)
  16. such as Harry (2006)
  17. Devonish & Harry (2004:458)
  18. Cassidy (1971:40)
  19. Harry (2006:128–129)
  20. Harry (2006:128)
  21. Rickford (1987:?)
  22. Meade (2001:19)
  23. Patrick (1999:6)
  24. Irvine (2004:42)
  25. DeCamp (1977:29)
  26. Gibson (1988:199)
  27. Mufwene (1984:218) cited in Gibson (1988:200)
  28. Winford (1985:589)
  29. Bailey (1966:32)
  30. Patrick (1995:244)
  31. Lawton (1984:126) translates this as "If the cow didn't know that his throat was capable of swallowing a pear seed, he wouldn't have swallowed it."
  32. Lawton (1984:125)
  33. Irvine (2004:43–44)
  34. "The Jamaican Language Unit, The University of West Indies at Mona".
  35. "Handout: Spelling Jamaican the Jamaican way".
  36. 1 2 Williams, Joseph J. (1932). Voodoos and Obeahs:Phrases of West Indian Witchcraft. Library of Alexandria. p. 90. ISBN 1-4655-1695-6.
  37. Williams, Joseph J. (1934). Psychic Phenomena of Jamaica. The Dial Press. p. 156. ISBN 1-4655-1450-3.
  38. Cassidy, Frederic Gomes; Robert Brock Le Page (2002). A Dictionary of Jamaican English (2nd ed.). University of the West Indies Press. p. 168. ISBN 976-640-127-6. Retrieved 2008-11-24.
  39. McWhorter, John H. (2000). The Missing Spanish Creoles: Recovering the Birth of Plantation Contact Languages. University of California Press. p. 77. ISBN 0-520-21999-6. Retrieved 2008-11-29.
  40. Patrick (1995:234)
  41. Patrick (1995:248)
  42. Hancock (1985:237)
  43. Patrick (1995:253)
  44. Hancock (1985:190)
  45. Cassidy & Le Page (1980:lxii)
  46. Devonish & Harry (2004:467)
  47. Ramazani (2003:15)
  48. Alison Donnell, Sarah Lawson Welsh (eds), The Routledge Reader in Caribbean Literature, Routledge, 2003, Introduction, p. 9.
  49. Bridget Jones (1994). "Duppies and other Revenants: with particular reference to the use of the supernatural in Jean D'Costa's work". In Vera Mihailovich-Dickman. "Return" in Post-colonial Writing: A Cultural Labyrinth. Rodopi. pp. 23–32. ISBN 9051836481.
  50. Robert Pigott, "Jamaica's patois Bible: The word of God in creole", BBC News, 25 December 2011. Retrieved 26 December 2011.
  51. The Associated Press (8 December 2012). "Jamaican patois Bible released "Nyuu Testiment"". Colorado Springs Gazette. Retrieved 8 December 2012. For patois expert Hubert Devonish, a linguist who is coordinator of the Jamaican Language Unit at the University of the West Indies, the Bible translation is a big step toward getting the state to eventually embrace the creole language created by slaves.
  52. Di Jamiekan Nyuu Testiment (Jamaican Diglot New Testament with KJV), British & Foreign Bible Society. Retrieved 24 March 2013.
  53. "Matyu 6 Di Jamiekan Nyuu Testiment". bible.com. Bible Society of the West Indies. 2012. Retrieved 2014-10-22.

Bibliography

Further reading

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.