It Is the Law

It Is the Law

Directed by
Screenplay by Curtis Benton
Based on It Is the Law
by Elmer Rice and Hayden Talbot
Starring
Cinematography George W. Lane
Production
company
Distributed by Fox Film
Release date
  • August 31, 1924 (1924-08-31)
Running time
 7 reels
Country United States
Language Silent (English intertitles)

It Is the Law is a 1924 American silent mystery film directed by J. Gordon Edwards and starring Arthur Hohl, Herbert Hayes, and Mona Palma. It is a film adaptation of the eponymous 1922 Broadway play by Elmer Rice, itself based on a novel by Hayden Talbot. The film depicts the story of Ruth Allen (Palma), who marries Justin Victor (Heyes) over competing suitor Albert Woodruff (Hohl). Seeking revenge for this slight, Woodruff fakes his death by killing a drifter who resembles him, and frames Victor for the murder. When Woodruff returns to court Allen under a new identity, she sees through his disguise. Once Victor is freed from prison, he kills Woodruff, and goes free because a conviction would constitute double jeopardy.

This was the final film for director Edwards, who died the following year, and was one of the last produced at Fox Film's New York studio. Contemporary reviews were generally positive. Like many of Fox's early works, it was likely lost in the 1937 Fox vault fire.

Plot

Albert Woodruff and Justin Victor are friends who are both in love with the same woman, Ruth Allen. Allen chooses to wed Victor, and Woodruff storms off in a jealous rage. Woodruff locates his look-alike, "Sniffer" Evans, a drifter and drug addict. On the evening following Allen and Victor's wedding, Woodruff calls Allen and threatens to blackmail her. He also convinces Evans to come to his apartment.

Victor also travels to Woodruff's apartment, intending to confront his former friend about the threatening phone call. When Woodruff sees Victor outside the apartment building, he feigns a cry for help and shoots Evans to death. Victor is blamed for the murder of the man presumed to be Woodruff, and is sentenced to life imprisonment.

Five years later, Woodruff disguises himself with a beard and monocle and assumes a new identity in an attempt to court Allen. She is able to recognize him as Woodruff because of his fear of fire tongs. Because she is friends with the governor, she is able to arrange her husband's release from prison. Victor locates Woodruff in a casino and kills him. At trial, he declares that the prohibition against double jeopardy prevents his prosecution for the murder; he is set free to live happily with his wife.[1][2][3]

Cast

Arthur Hohl reprised the role of Woodruff from Broadway;[6][7] in addition to Woodruff and Evans, he played a third role as the casino's proprietor.[2] The cast also includes Dorothy Kingdon, Helena D'Algy, Patricia O'Connor, and Nancy Newman as casino regulars.[5] This was Herbert Heyes final silent film; he returned to acting in the 1940s.[8]

Production

Lantern slide advertising the film

In 1922, theatrical agent Walter Jordan encouraged Elmer Rice to dramatize an unpublished novel by Hayden Talbot.[9][10] At the time, Rice was best known for his 1914 Broadway play On Trial, which featured the first use of flashback, a narrative technique he adapted from film,[11] in a Broadway production.[10] Rice's adaptation of Talbot's work, It Is the Law, again featured a story told in flashback.[10] It ran for 125 performances at the Ritz Theatre,[6] and was a modest success.[1][10]

Curtis Benson wrote the film adaptation for It Is the Law;[4] unlike the theatrical version, his screenplay presents the story entirely in chronological order.[2] J. Gordon Edwards directed, the only time he did so in 1924, as he was primarily serving as Fox Film's director-general at the time.[12] It was also his last time to direct; he retired from Fox after the film's completion,[13] and although he expressed an interest to returning to the role, he died of pneumonia the following year.[14] Filming took place at Fox's New York studio, although most production had by then moved to Hollywood. It Is the Law was one of only four films Fox made at its East Coast facility in 1924.[lower-alpha 1][16] Except for four Allan Dwan films in 1926, they were the last Fox produced in New York.[17] The Film Daily reported that a trailer was produced to advertise the film.[7]

The copyright registration for It Is the Law stated its length as eight reels,[18] but the released version was a shorter, seven-reel film.[4] When Twentieth Century-Fox Film renewed the copyright in 1951, they again referred to the longer run time; the title was also restyled with an exclamation point, as It Is the Law![19]

Reception and legacy

It Is the Law received generally positive reviews. George T. Pardy, writing for Exhibitors Trade Review, noted that the audience was aware of the nature of the mystery while the characters were not, a welcome departure from the conventions of most melodramas.[1] Motion Picture Magazine called the film "tense, suspensive, ... and new in its idea."[20] The Film Daily's reviewer believed it would appeal to fans of the genre despite "some hokum and implausible twists".[7] Edwards's direction was praised,[1][21] including his pacing of the story,[7] although the reviewer for Variety felt the film was unnecessarily long.[2] Hohl, in his dual role performance, was considered the strongest of the cast,[1][2] despite some exaggerated expressions.[7]

It Is the Law is believed to be lost. The 1937 Fox vault fire destroyed most of Fox's silent films,[22] and the Library of Congress is not aware of any extant copies.[23] Because little of Edwards's work survives, few of his films have drawn attention from modern authors,[24][25] but film historian Larry Langman included It Is the Law as an example of the evolution of avenging-spouse films to "emphasize the inner strengths of their women" in the 1920s.[26]

See also

Notes

  1. ↑ The others were The Fool, directed by Harry Millarde, and The Warrens of Virginia and Crossed Wires (released as Daughters of the Night[15]), both directed by Elmer Clifton.[16][17]

References

  1. 1 2 3 4 5 Pardy, George T. (1924-09-27). "Suspense Grips in 'It Is the Law'". Exhibitors Trade Review: 30.
  2. 1 2 3 4 5 Skig [pseud.] (1924-09-24). "It Is the Law". Variety. 76 (6): 26, 76.
  3. ↑ Langman 1998, p. 40.
  4. 1 2 3 "It Is the Law". Catalogue of Feature Films. American Film Institute. Retrieved 2015-01-07.
  5. 1 2 "Casts of Current Photoplays". Photoplay. 26 (6): 141. 1924.
  6. 1 2 Hischak 2009, p. 224.
  7. 1 2 3 4 5 "It is the Law". The Film Daily. 29 (57): 5. 1924-09-07.
  8. ↑ Liebman 1998, p. 146.
  9. ↑ Palmieri 1980, p. 56.
  10. 1 2 3 4 Bordman 1995, pp. 194–195.
  11. ↑ Palmieri 1980, p. 8.
  12. ↑ Solomon 2011, p. 63.
  13. ↑ "J. Gordon Edwards leaving". Variety. 74 (7): 17. 1924-04-02.
  14. ↑ Clapp 2002, pp. 70–71.
  15. ↑ "Daughters of the Night". Catalogue of Feature Films. American Film Institute. Retrieved 2015-09-29.
  16. 1 2 Solomon 2011, p. 66.
  17. 1 2 Koszarski 2008, p. 107.
  18. ↑ "It Is the Law". Catalog of Copyright Entries Part 1, Group 2. New Series. 21 (1–2): 1362. 1924.
  19. ↑ "It Is the Law!". Catalog of Copyright Entries, Parts 12–13. Series 3. 5 (1): 140. 1951.
  20. ↑ "It Is the Law" (PDF). Motion Picture Magazine. 28 (11): 102. 1924.
  21. ↑ "It Is the Law—Fox". Photoplay. 26 (6): 62. 1924.
  22. ↑ Slide 2000, p. 13.
  23. ↑ "It Is The Law / Arthur Hohl [motion picture]". American Silent Feature Film Database. Library of Congress. 2015-06-22. Retrieved 2015-09-25.
  24. ↑ Solomon 2011, p. 1.
  25. ↑ Brownlow 1976, p. 35.
  26. ↑ Langman 1998, pp. 36, 40.

Bibliography

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