Chinese guardian lions

Chinese guardian lions

A Ming Dynasty guardian lion in the Forbidden City
Chinese name
Traditional Chinese 獅
Simplified Chinese 狮
Literal meaning lion
Korean name
Hangul 해태
Hanja 海泰
Japanese name
Kanji 狛犬
Vietnamese name
Vietnamese Sư tử đá
Shí shīzi
Thai name
Thai สิงห์
S̄ingh̄̒
Sinhalese name
Sinhalese සිංහ
siṁha
Burmese name
Burmese ခြင်္သေ့
hkyin sae
Tibetan name
Tibetan གངས་སེང་གེ་
gangs seng ge
Chinese Guardian Lion, or Foo Dog. Found in the Mojave Desert, California USA
Chinese Guardian Lion, or Foo Dog. Found in the Mojave Desert, California USA
Guardian lion at the National Palace Museum in Taipei

Chinese guardian lions or Imperial guardian lions, traditionally known in Chinese simply as Shi (Chinese: 獅; pinyin: shī; literally: "lion"), and often called "Foo Dogs" in the West, are a common representation of the lion in imperial China. The concept which originated and became popular in Chinese Buddhism, subsequently spread to other parts of Asia including, Japan, Korea, Tibet, Thailand, Burma, Vietnam, Sri Lanka, Nepal, Cambodia and Laos.[1]

Description

Since the introduction of the lion symbolism from Indian culture especially through Buddhist symbolism, statues of guardian lions have traditionally stood in front of Chinese Imperial palaces, Imperial tombs, government offices, temples, and the homes of government officials and the wealthy, from the Han Dynasty (206 BC-AD 220), and were believed to have powerful mythic protective benefits. They are also used in other artistic contexts, for example on door-knockers, and in pottery. Pairs of guardian lion statues are still common decorative and symbolic elements at the entrances to restaurants, hotels, supermarkets and other structures, with one sitting on each side of the entrance, in China and in other places around the world where the Chinese people have immigrated and settled, especially in local Chinatowns.

The lions are usually depicted in pairs. When used as statuary the pair would consist of a male leaning his paw upon an embroidered ball (in imperial contexts, representing supremacy over the world ) and a female restraining a playful cub that is on its back (representing nurture ).[2]

Etymology

A Qing-era guardian lion pair in the Forbidden City. Note the different appearance of the face and details in the decorative items, compared to the earlier Ming version.
A statue of a guardian lion looking over Mount Emei, China

Guardian lions are referred to in various ways depending on language and context. In Chinese they are traditionally called simply shi (獅, Pinyin: shī) meaning lion — the word shi itself is thought to be derived from the Sanskrit "shinh".[3] Lions were first presented to the Han court by emissaries from Central Asia and Persia, and by the sixth century AD they were already popularly depicted as guardian figures.[4] Today the guardian lions are more usually specified by reference to the medium or material, for example:

and less commonly:

In other Asian cultures

Western names

In English and several Western languages, the guardian lions are often referred in a multitude of name such as: "Fu Dogs",[5] "Foo Dogs", "Fu Lions", "Fo Lions", and "Lion Dogs".[6] The term "Fo" or "Fu" may be transliterations to the words 佛 (pinyin: fó) or 福 (pinyin: fú), which means "Buddha" or "prosperity" in Chinese, respectively. However, Chinese reference to the guardian lions are seldom prefixed with 佛 or 福, and more importantly never referred to as "dogs".

Reference to guardian lions as dogs in Western cultures may be due to the Japanese reference to them as "Korean dogs" (狛犬・高麗犬) due to their transmission from China through Korea into Japan. It may also be due to the misidentification of the guardian lion figures as representing certain Chinese dog breeds such as the Chow Chow (鬆獅犬, Pinyin: sōngshī quǎn, lit. "puffy-lion dog") or Shih Tzu (獅子狗; Pinyin: Shīzi Gǒu, lit. "lion dog").

Appearance

The lions are traditionally carved from decorative stone, such as marble and granite or cast in bronze or iron. Because of the high cost of these materials and the labor required to produce them, private use of guardian lions was traditionally reserved for wealthy or elite families. Indeed, a traditional symbol of a family's wealth or social status was the placement of guardian lions in front of the family home. However, in modern times less expensive lions, mass-produced in concrete and resin, have become available and their use is therefore no longer restricted to the elite.

The lions are always presented in pairs, a manifestation of yin and yang, the female representing yin and the male yang. The male lion has its right front paw on a type of cloth ball simply called an "embroidered ball" (xiù qiú, 绣球), which is sometimes carved with a geometric pattern (coincidentally, resembling the figure called "Flower of Life" in the New Age movement). The female is essentially identical, but has a cub under the closer (left) paw to the male, representing the cycle of life. Symbolically, the female fu lion protects those dwelling inside (the living soul within ), while the male guards the structure ( the external material elements ) . Sometimes the female has her mouth closed, and the male open. This symbolizes the enunciation of the sacred word "om". However, Japanese adaptations state that the male is inhaling, representing life, while the female exhales, representing death. Other styles have both lions with a single large pearl in each of their partially opened mouths. The pearl is carved so that it can roll about in the lion's mouth but sized just large enough so that it can never be removed.

According to feng shui, correct placement of the lions is important to ensure their beneficial effect. When looking out of a building through the entrance to be guarded, looking in the same direction as the lions, the male is placed on the left and the female on the right. So when looking at the entrance from outside the building, facing the lions, the male lion with the ball is on the right, and the female with the cub is on the left.

Chinese lions are intended to reflect the emotion of the animal as opposed to the reality of the lion. This is in distinct opposition to the traditional English lion which is a lifelike depiction of the animal. The claws, teeth and eyes of the Chinese lion represent power. Few if any muscles are visible in the Chinese lion whereas the English lion shows its power through its life like characteristics rather than through stylized representation.

History

Lioness and cubs from the Yuan Dynasty discovered inside Beijing's city walls.

Asiatic lions were once quite common throughout their historic range in Southwest, South and Central Asia and are believed to be the ones depicted by the guardian lions in Chinese culture.[7]

In India where the Asiatic lion also lived it is known by its ancient Sanskrit name "Sinh" or "Simha" (सिंह) and due to travels of Buddhist monks many East Asian languages have borrowed from this Sanskrit word for lion. Since ancient times Lion statues adorned palaces and temples and other important buildings in India and in Buddhist culture Lion was depicted as the protector of Dharma. In Hinduism lions are associated with Gods and Goddesses.

With increased trade during the Han dynasty and cultural exchanges through the Silk road, lions were introduced into China from the ancient states of Central Asia by peoples of Sogdiana, Samarkand, and the Yuezhi (月氏) in the form of pelts and live tribute, along with stories about them from Buddhist priests and travelers of the time.[8] This exchange can be seen in that the Chinese word for lion is "Shi" (師, later 獅/狮), which shares the same etymological roots as "Shiar" (شیر), the Persian language name for the animal.

Several instances of lions as imperial tributes from Central Asia were recorded in the document Book of the Later Han (後漢書) written from 25-220 CE. On one particular event, on the eleventh lunar month of 87 CE, "... an envoy from Parthia offered as tribute a lion and an ostrich"[9] to the Han court. Indeed, the lion was associated by the Han Chinese to earlier venerated creatures of the ancient Chinese, most notably by the monk Huilin (慧琳) who stated that "the mythic suan-ni (狻猊) is actually the lion, coming from the Western Regions" (狻猊即狮子也，出西域).[10]

The Buddhist version of the Lion was originally introduced to Han China as the protector of dharma and these lions have been found in religious art as early as 208 BC. Gradually they were incorporated as guardians of the Chinese Imperial dharm. Lions seemed appropriately regal beasts to guard the emperor's gates and have been used as such since. There are various styles of guardian lions reflecting influences from different time periods, imperial dynasties, and regions of China. These styles vary in their artistic detail and adornment as well as in the depiction of the lions from fierce to serene.

Although the form of the Chinese guardian lion was quite varied during its early history in China, the appearance, pose, and accessories of the lions eventually became standardized and formalized during the Ming and Qing dynasties into more or less its present form.

Literary references

The left side statue represents Yin force, female, negative, take, carry a cub.
Right side statue represent Yang force, male, positive, bring, carry a ball.

(pinyin:) sì shì sì, shí shì shí, shí sì shì shí sì, sì shí shì sì shí, sì shí sì zhī shí shī zì shì sǐ de. (4 is 4, 10 is 10, 14 is 14, 40 is 40, 44 stone lions are dead.)

See also

References

  1. ↑ http://kgorman.ca/monster-monday-guardian-lions/
  2. ↑ "Lion of Fo – Chinese art". britannica.com.
  3. ↑ Laurence E. R. Picken (1984). Music for a Lion Dance of the Song Dynasty. Musica Asiatica: volume 4. Cambridge University Press. p. 201. ISBN 978-0-521-27837-9.
  4. ↑ Marianne Hulsbosch, Elizabeth Bedford, Martha Chaiklin, eds. (2010). Asian Material Culture. Amsterdam University Press. p. 109.
  5. ↑ D. Eastlake, C. Manros, and E. Raymond, RFC 3092: Etymology of "Foo", The Internet Society, April 1, 2001.
  6. ↑ Article Lion of Fo at the Online version of Encyclopædia Britannica.
  7. ↑ "The Sunday Tribune – Spectrum – 'Art and Soul". tribuneindia.com.
  8. ↑ Schafer, Edward H. (1963). The Golden Peaches of Samarkand, a Study of T'ang Exotics. University of California Press.
  9. ↑ "安息國遣使獻師子及條枝大爵" 後漢書, 和帝, Scroll 4
  10. ↑ "狻猊_神兽狻猊_狻猊怎么读_狻猊的故事". fantizi5.com.
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