Igbo people in Jamaica

Igbo people in Jamaica
Eboe
Total population
(N/A)
Regions with significant populations
Primarily Northwestern Jamaica, especially the ports of Montego Bay and St.Ann's Bay[1]
Languages
English, Jamaican English, Jamaican Patois
Religion
Christianity
Related ethnic groups
Igbo people, Igbo Americans

Igbo people in Jamaica were shipped by Europeans onto the island between the 18th and 19th as forced labour on plantations. Igbo people constituted a large portion of the African population in slave-importing Jamaica. Some slave censuses detailed the large number of Igbo slaves on various plantations throughout the island on different dates throughout the 18th century.[2] Their presence was a large part in forming Jamaican culture as their cultural influence remains in language, dance, music, folklore, cuisine, religion and mannerisms. Many words in Jamaican Patois have been traced to the Igbo language. In Jamaica the Igbo were referred to as either Eboe, or Ibo.[3] However, the majority of African words in Jamaican Patois is from the Asante-Twi dialect of the Akan language of Ghana, as Igbo mostly populated the northwestern section of the island.[4]

History

Part of a series on
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Calendar · Cuisine · Language
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Languages and dialects
Igbo · Igboid · Delta Igbo
Enuani Igbo · Ika Igbo
Ikwerre · Ukwuani · names
Politics (History)
List of rulers of Nri · Biafra
MASSOB · Anti-Igbo sentiment
Eastern Nigeria · Nigeria
Geography

States (Nigeria):
Abia · Anambra · Ebonyi · Enugu
Imo · Rivers · Delta · Akwa Ibom
Cross River

Major cities:
Onicha · Enugwu · Aba
Ugwu Ọcha · Owerre · Ahaba Abakiliki
Igbo portal

Originating primarily from what was known as the Bight of Biafra on the West African coast, Igbo people were taken in relatively high numbers to Jamaica as slaves, beginning around 1750. The primary ports from which the majority of these enslaved people were taken from were Bonny and Calabar, two port towns that are now in south-eastern Nigeria.[5] The slave ships arriving from Bristol and Liverpool delivered the slaves to British colonies including Jamaica. The bulk of Igbo slaves arrived relatively late, between 1790 and 1807.[6] Jamaica, after Virginia, was the second most common disembarkation point for slave ships arriving from the Bight of Biafra.[7]

Igbo people were spread on plantations on the island's northwestern side, specifically the areas around Montego Bay and St. Ann's Bay, and[8]consequently, their influence was concentrated there. The region also witnessed a number of revolts that were attributed to people of Igbo origin. Slave owner Matthew Lewis spent time in Jamaica between 1815 and 1817 and studied the way his slaves organised themselves by ethnicity and he noted, for example, that at one time when he "went down to the negro-houses to hear the whole body of Eboes lodge a complaint against one of the book-keepers".[9] Olaudah Equiano, a prominent member of the movement for the abolition of the slave trade, was an African-born Igbo ex-slave. On one of his journeys to the Americas as a free man, as documented in his 1789 journal, Olaudah Equiano was hired by a Dr. Charles Irving to recruit slaves for his 1776 Mosquito Shore scheme in Jamaica, for which Equiano hired Igbo slaves, whom he called "My own countrymen". Equiano was especially useful to Irving for his knowledge of the Igbo language, using Equiano as a tool to maintain social order among his Igbo slaves in Jamaica.[10]

Igbo slaves were known, many a times, to have resorted to resistance rather than revolt and maintained "unwritten rules of the plantation" of which the plantation owners were forced to abide by.[11] Igbo culture influenced Jamaican spirituality with the introduction of Obeah folk magic; accounts of "Eboe" slaves being "obeahed" by each other have been documented by plantation owners.[9] However, it is more likely that the word "Obeah" was also used by Akan slaves, before Igbos arrived in Jamaica.[12] Other Igbo cultural influences are the Jonkonnu festivals, Igbo words such as "unu" "una", idioms, and proverbs in Jamaican patois. In Maroon music were songs derived from specific African ethnic groups, among these were songs called "Ibo" that had a distinct style.[13]

Igbo slaves were known to have committed mass suicides, not only for rebellion, but in the belief their spirits will return to their motherland.[5][14] In a publication of a 1791 issue of Massachusetts Magazine, an anti-slavery poem was published called Monimba, which depicted a fictional pregnant Igbo slave who committed suicide on a slave ship bound for Jamaica. The poem is an example of the stereotype of Igbo slaves in the Americas.[15][16] Igbo slaves were also distinguished physically by a prevalence of "yellowish" skin tones prompting the colloquialisms "red eboe" used to describe people with light skin tones and African features.[17] Igbo people were hardly reported to have been maroons, although Igbo women were paired with Coromantee (Akan) men so as to subdue the latter due to the idea that Igbo women were bound to their first-born sons' birthplace. [18]

Archibald Monteith, born Aneaso, was an Igbo slave taken to Jamaica after being tricked by an African slave trader. Anaeso wrote a journal about his life, from when he was kidnapped from Igboland to when he became a Christian convert.[19]

After the slavery era, Igbo people also arrived on the island as indentured servants between the years of 1840 and 1864 along with a majority Congo and "Nago" (Yoruba) servants.[20] Since the 19th century most of the citizens of Jamaica of African descent have assimilated into the wider Jamaican society and have largely dropped ethnic associations with Africa.

Rebellions

Igbo slaves, along with "Angolas" and "Congoes" were most prone to be runaways. In slave runaway advertisements held in Jamaica workhouses in 1803, out of 1046 Africans, 284 were described as "Eboes and Mocoes", 185 "Congoes", 259 "Angolas", 101 "Mandingoes", 70 Coromantees, 60 "Chamba" of Sierra Leone, 57 "Nagoes and Pawpaws", and 30 "scattering". 187 were "unclassified" and 488 were "American born negroes and mulattoes".[21]

Some popular slave rebellions involving Igbo people include:

"Mr. Wilberforce" was in reference to William Wilberforce a British politician, who was a leader of the movement to abolish the slave trade. "Buckra" was a term introduced by Igbo and Efik slaves in Jamaica to refer to white slave masters.[28]

Culture

Among Igbo cultural items in Jamaica were the Eboe, or Ibo drums popular throughout all of Jamaican music.[29] Food was also influenced, for example the Igbo word "mba" meaning "yam root" was used to describe a type of yam in Jamaica called "himba".[30][31] Igbo and Akan slaves affected drinking culture among the black population in Jamaica, using alcohol in ritual and libation. In Igboland as well as on the Gold Coast, palm wine was used on these occasions and had to be substituted by rum in Jamaica because of the absence of palm wine.[32] Jonkonnu, a parade that is held in many West Indian nations, has been attributed to the Njoku Ji "yam-spirit cult", Okonko and Ekpe of the Igbo. Several masquerades of the Kalabari and Igbo have similar appearance to those of Jonkonnu masquerades.[33]

Language

Much of Jamaican mannerisms and gestures themselves have a wider African origin, rather than specific Igbo origin. Some examples are non-verbal actions such as "sucking-teeth" known in Igbo as "ima osu" or "imu oso" and "cutting-eye" known in Igbo as "iro anya", and other non-verbal communications by eye movements.[34]

There are a few Igbo words in Jamaican Patois that resulted when slaves were restricted from speaking their own languages. These Igbo words still exist in Jamaican vernacular, including words such as "unu" meaning "you (plural)",[17] "di" meaning "to be (in state of)", which became "de", and "Okwuru" "Okra" a vegetable.[35]

Some words of Igbo origin are "akara", from "àkàrà", type of food, also from Ewe and Yoruba;[36] "attoo", from "átú" meaning "chewing stick".[37] Idiom such as, via Gullah "big eye", from Igbo "anya ukwu" meaning "greedy";[38][39][40]"breechee", from "mbùríchì", an Nri-Igbo nobleman;[41]"de", from "dị" [with adverbial] "is" (to be);[42][43] "obeah", from "ọbiạ" meaning "doctoring""mysticism";[44] "okra", from "ọkwurụ", a vegetable;[35][44]"poto-poto", from "opoto-opoto", "mkpọtọ-mkpọtọ" meaning "mud""muddy", also from Akan;[35]"Ibo","Eboe", from "Ị̀gbò", [45] "se", from "sị", "quote follows", also from Akan "se" and English "say";[46]"soso", from sọsọ "only";[35][47]"unu","una", from "únù", "you (plural)".[48]

Proverbs

"Ilu" in Igbo means proverbs,[49] a part of language that is very important to the Igbo. Igbo proverbs crossed the Atlantic along with the masses of enslaved Igbo people. Several translated Igbo proverbs survive in Jamaica today because of the Igbo ancestors. Some of these include:

Jamaican: "Cow must know 'ow 'im bottom stay before 'im swallow abbe [Twi 'palm nut'] seed"; "Jonkro must know what 'im a do before 'im swallow abbe seed."
Jamaican "When plantain wan' dead, it shoot [sends out new suckers]."
Jamaican: "When you dig a hole/ditch for one, dig two."
Jamaican: "Sweet-mout' fly follow coffin go a hole"; "Idle donkey follow cane-bump [the cart with cane cuttings] go a [animal] pound"; "Idle donkey follow crap-crap [food scraps] till dem go a pound [waste dump]."
Jamaican: "Take sleep mark death [Sleep is foreshadowing of death]."

Religion

"Obeah" refers to folk magic and sorcery that was derived from West African sources. The W. E. B. Du Bois Institute database[12] supports obeah being traced to the "dibia" or "obia" meaning "doctoring"[9] traditions of the Igbo people.[50][51] Specialists in "Obia" (also spelled Obea) were known as "Dibia" (doctor, psychic) practiced similarly as the obeah men and women of the Caribbean, like predicting the future and manufacturing charms.[52][53] In Jamaican mythology, "River Mumma", a mermaid, is linked to "Oya" of the Yoruba and "Uhamiri/Idemili" of the Igbo.[54]

Among Igbo beliefs in Jamaica was the idea of Africans being able to fly back home to Africa.[55] There were reports by Europeans who visited and lived in Jamaica that Igbo slaves believed they would return to their country after death.[56]

Notable Jamaicans of Igbo descent

A picture of Archibald Monteith's grave in Jamaica, he was an Igbo taken to Jamaica as a slave
Archibald Monteith's grave. He was an Igbo known as Aneaso and was taken to Jamaica as a slave.

See also

References

  1. www/slavevoyages.org
  2. Mullin, Michael (1995). Africa in America: Slave Acculturation and Resistance in the American South and the British Caribbean, 1736-1831. University of Illinois Press. p. 26. ISBN 0-252-06446-1.
  3. "Petticoat-Rebellion". Jamaica Observer. August 6, 2001.
  4. Cassidy FG: Multiple etymologies in Jamaican Creole. Am Speech 1966, 41:211-215
  5. 1 2 Lovejoy, Paul E.; Trotman, David Vincent (2003). Trans-Atlantic Dimensions of Ethnicity in the African Diaspora. Continuum International Publishing Group. pp. 85–86. ISBN 0-8264-4907-7.
  6. Senior, Olive (2003). Encyclopedia of Jamaican Heritage. Twin Guinep Publishers. ISBN 976-8007-14-1.
  7. Chambers, Douglas B. (2009). Murder at Montpelier: Igbo Africans in Virginia. University Press of Mississippi. pp. 14, 159. ISBN 1-60473-246-6.
  8. Eltis, David; Richardson, David (1997). Routes to Slavery: Direction, Ethnicity, and Mortality in the Transatlantic Slave Trade. Routledge. p. 83. ISBN 0-7146-4820-5.
  9. 1 2 3 Eltis, David; Richardson, David (1997). Routes to Slavery. pp. 73–74.
  10. Lovejoy, Paul E. (December 2006). "Slavery and Abolition" (PDF). 27 (3). Routledge: 15–16.
  11. Besson, Jean (2002). Martha Brae's Two Histories: European Expansion and Caribbean Culture-building in Jamaica. UNC Press Books. p. 43. ISBN 0-8078-5409-3.
  12. 1 2 Rucker, Walter C. (2006). The River Flows On: Black Resistance, Culture, and Identity Formation in Early America. LSU Press. p. 40. ISBN 0-8071-3109-1.
  13. Lewin, Olive (2000). "Rock It Come Over": The Folk Music of Jamaica. University of the West Indies Press. p. 156. ISBN 976-640-028-8.
  14. M'Baye, Babacar (2009). The Trickster Comes West: Pan-African Influence in Early Black Diasporan Narratives. University Press of Mississippi. p. 214. ISBN 1-60473-233-4.
  15. Cavitch, Max (2007). American Elegy: The Poetry of Mourning from the Puritans to Whitman. University of Minnesota Press. p. 215. ISBN 0-8166-4893-X.
  16. Bruce, Dickson D. (2001). The Origins of African American Literature, 1680-1865. University of Virginia Press. p. 67. ISBN 0-8139-2067-1.
  17. 1 2 Cassidy, Frederic Gomes; Robert Brock Le Page (2002). A Dictionary of Jamaican English (2nd ed.). University of the West Indies Press. p. 457. ISBN 976-640-127-6.
  18. Mullin (1995). Africa in America:. p. 26.
  19. 1 2 Warner Lewis, Maureen (2007). Archibald Monteath: Igbo, Jamaican, Moravian. Kingston, Jamaica: University of the West Indies Press. p. 400. ISBN 9789766401979.
  20. Monteith, Kathleen E. A.; Richards, Glen (2002). Jamaica in Slavery and Freedom: History, Heritage and Culture. University of the West Indies Press. p. 90. ISBN 976-640-108-X.
  21. Phillips, Ulrich Bonnell (2010). American Negro Slavery - A Survey of the Supply, Employment and Control of Negro Labor as Determined by the Plantation Regime. Read Books. p. 44. ISBN 1-4455-3770-2.
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  23. Bailey, Anne Caroline (2005). African Voices of the Atlantic Slave Trade: Beyond the Silence and the Shame. Beacon Press. p. 98. ISBN 0-8070-5512-3.
  24. Eric Eustace Williams (1952). Documents on British West Indian History, 1807-1833. Trinidad Pub. Co.
  25. Hart, Richard (2002). Slaves who Abolished Slavery: Blacks in Rebellion. University of the West Indies Press. p. 226. ISBN 976-640-110-1.
  26. Burton, Richard D. E. (1997). Afro-Creole: Power, Opposition, and Play in the Caribbean. Cornell University Press. p. 84. ISBN 0-8014-8325-5.
  27. Hayward, Jack Ernest Shalom (1985). Out of Slavery: Abolition and After. Routledge. p. 110. ISBN 0-7146-3260-0.
  28. Opie, Frederick Douglass (2008). Hog & Hominy: Soul Food from Africa to America. Columbia University Press. p. 17. ISBN 0-231-14638-8.
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  34. Monteith, Kathleen E. A.; Richards, Glen (2002). Jamaica in Slavery and Freedom: History, Heritage and Culture. University of the West Indies Press. p. 114. ISBN 976-640-108-X.
  35. 1 2 3 4 McWhorter, John H. (2000). The Missing Spanish Creoles: Recovering the Birth of Plantation Contact Languages. University of California Press. p. 128. ISBN 0-520-21999-6.
  36. Cassidy (2002:4)
  37. Cassidy (2002:14)
  38. Cassidy (2002:41)
  39. Holloway (2005:94)
  40. Bartens (2003:150)
  41. Cassidy (2002:68)
  42. McWhorter (2000:128)
  43. Rickford, Romain & Sato (1999:137)
  44. 1 2 Eltis (1997:88)
  45. Cassidy (2002:378)
  46. Menz (2008:12)
  47. Huber & Parkvall (1999:47)
  48. Cassidy (2002:457)
  49. Matzke, Christine, ed. (2006). Of Minstrelsy and Masks: The Legacy of Ezenwa-Ohaeto in Nigerian Writing. Rodopi. p. 147. ISBN 90-420-2168-3.
  50. Obeah. Merriam Webster. Retrieved 2010-06-03.
  51. Chambers, Douglas B. (2009). Murder at Montpelier: Igbo Africans in Virginia. University Press of Mississippi. pp. 14, 36. ISBN 1-60473-246-6.
  52. Eltis, David; Richardson, David (1997). Routes to Slavery. p. 88.
  53. J., M.; Desch-Obi, Thomas (2008). Fighting for Honor: The History of African Martial Art Traditions in the Atlantic World. University of South Carolina Press. p. 58. ISBN 1-57003-718-3.
  54. Higgs, Catherine; Moss, Barbara A.; Ferguson, Earline Rae (2002). Stepping Forward: Black Women in Africa and the Americas. Ohio University Press. p. 102. ISBN 0-8214-1455-0.
  55. Archer, Jermaine O. (2009). Antebellum Slave Narratives: Cultural and Political Expressions of Africa. Taylor & Francis. p. 67. ISBN 0-415-99027-0.
  56. Eltis, David; Richardson, David (1997). Routes to Slavery. p. 73.
  57. Gates, Henry Louis (2010). Faces of America: How 12 Extraordinary People Discovered Their Pasts. NYU Press. p. 178. ISBN 0-8147-3264-X.

Bibliography

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