I Heard It Through the Grapevine
"I Heard It Through the Grapevine" | ||||
---|---|---|---|---|
Single by Marvin Gaye | ||||
from the album In the Groove | ||||
B-side | "You're What's Happening (in the World Today)" | |||
Released | October 30, 1968 | |||
Format | 7-inch single | |||
Recorded | February 3, 8, 13, 15, & April 10, 1967 | |||
Studio | Hitsville USA (Studio A), Detroit, Michigan | |||
Genre | ||||
Length | 3:16 | |||
Label | Tamla (T 54176) | |||
Songwriter(s) | ||||
Producer(s) | Norman Whitfield | |||
Marvin Gaye singles chronology | ||||
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"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967; it went to number two in the Billboard chart.
The Miracles recorded the song first and included their version on their 1968 album, Special Occasion. The Marvin Gaye version was placed on his 1968 album In the Groove, where it gained the attention of radio disc jockeys, and Motown founder Berry Gordy finally agreed to its release as a single in October 1968, when it went to the top of the Billboard Pop Singles chart for seven weeks from December 1968 to January 1969 and became for a time the biggest hit single on the Motown label (Tamla).
The Gaye recording has since become an acclaimed soul classic, and in 2004, it was placed on the Rolling Stone list of The 500 Greatest Songs of All Time. On the commemorative fiftieth anniversary of the Billboard Hot 100 issue of Billboard magazine in June 2008, Marvin Gaye's "Grapevine" was ranked sixty-fifth. It was also inducted to the Grammy Hall of Fame for "historical, artistic and significant" value.
In addition to being released several times by Motown artists, the song has been recorded by a range of musicians including Creedence Clearwater Revival, who made an eleven-minute interpretation for their 1970 album, Cosmo's Factory; and has been used twice in television commercials – each time using session musicians recreating the style of the Marvin Gaye version: the 1985 Levi's commercial, "Launderette", featuring male model Nick Kamen, and the 1986 California raisins promotion with Buddy Miles as the singer for the clay animation group The California Raisins.
Composition
The lyrics tell the story in the first person of the singer's feelings of betrayal and disbelief when he hears of his girlfriend's infidelity only indirectly "through the "grapevine".[1]
By 1966, Barrett Strong, the singer on Motown Records' breakthrough hit, "Money (That's What I Want)", had the basics of a song he had started to write in Chicago, where the idea had come to him while walking down Michigan Avenue that people were always saying "I heard it through the grapevine".[2] The phrase is associated with black slaves during the Civil War, who had their form of telegraph: the human grapevine.[3][4] Producer Norman Whitfield worked with Strong on the song, adding lyrics to Strong's basic Ray Charles influenced gospel tune and the single chorus line of "I heard it through the grapevine".[5] This was to be the first of a number of successful collaborations between Strong and Whitfield.[6]
Motown recordings
Producer Norman Whitfield recorded "I Heard It Through the Grapevine" with various Motown artists. The first known recording is with the Miracles on August 6, 1966, though there may also have been a recording with the Isley Brothers, or at least Whitfield intended to record it with them; however a track has not turned up – some Motown historians believe that a session may have been scheduled but cancelled.[5][7][8][9] The Miracles' version was not released as a single due to Berry Gordy's veto during Motown's weekly quality control meetings; Gordy advised Whitfield and Strong to create a stronger single.[7] The Miracles version later appeared on their 1968 Special Occasion album, and a slightly different take, possibly from the same session but unreleased, appeared on the 1998 compilation album, Motown Sings Motown Treasures.[10]
Marvin Gaye's version was recorded in spring 1967, and is the second known recording, though was also rejected by Gordy as a single, and would also later go onto an album, In the Groove. The third recording was in 1967 with Gladys Knight and the Pips in a new, faster arrangement. Gordy accepted the new arrangement and the Gladys Knight version was released as a single in September 1967, reaching number 2 in the charts. When Gaye's album with his version of Grapevine was released in August 1968, radio disc jockeys were playing the song, so Gordy had it released as a single in October, and it went to number one in December.[10]
In 1968, Bobby Taylor & the Vancouvers recorded a version for their debut album based on Gladys' recent hit; however, after hearing the Marvin Gaye version, they felt they'd made the wrong choice.[11] In 1969, Whitfield produced a version for the Temptations "psychedelic soul" album, Cloud Nine, in which he "brought compelling percussion to the fore, and relegated the piano well into the wings".[12] In 1971, the Undisputed Truth recorded the song in a Marvin-styled version as did Bettye Lavette on her 1982 Motown album, Tell Me a Lie.[13]
Marvin Gaye
"I Heard It Through the Grapevine"
Marvin Gaye's version of the song | |
Problems playing this file? See media help. |
Whitfield recorded the song with Marvin Gaye over five sessions, the first on February 3, 1967, and the final one on April 10, 1967.[4][14] Recordings of this version took more than a month due to Whitfield overdubbing Gaye's vocals with that of the Andantes' background vocals, mixing in several tracks featuring the Funk Brothers on the rhythm track, and adding the string section from the Detroit Symphony Orchestra with an arrangement by Paul Riser.[4]
The session featuring Gaye led to an argument between the producer and singer. Whitfield wanted Gaye to perform the song in a higher key than his normal range,[5] a move that had worked on David Ruffin during the recording of the Temptations' hit, "Ain't Too Proud to Beg". The mixture of Gaye's raspy vocals and the Andantes' sweeter harmonies, made Whitfield confident that he had a hit; however, despite approval from Motown's Quality Control Department, Gordy blocked the release.[15]
Gladys Knight & the Pips
"I Heard It Through the Grapevine"
Gladys Knight and the Pips 1967 version of the song | |
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Gladys Knight & the Pips recorded "Grapevine" on June 17, 1967 in Motown's Studio A, with Norman Whitfield as producer. After hearing Aretha Franklin's version of "Respect", Whitfield rearranged "Grapevine" to include some of the funk elements of the Muscle Shoals Rhythm Section. According to David Ritz, Whitfield set to record a song that would "out-funk" Aretha. After Whitfield presented the demo tapes, Gladys Knight, Bubba Knight, William Guest, and Edward Patten worked for several weeks on their vocal arrangement. To make the song suitable for Gladys, the first line of the second verse ("I know a man ain't supposed to cry/But these tears I can't hold inside") was altered to ("Take a good look at these tears in my eyes/Baby, these tears I can't hold inside"). After much talk, Gordy reluctantly allowed the Pips' version to be a single on September 28, 1967 on Motown's Soul label.
Releases
The Gladys Knight & the Pips version released on September 28, 1967 was on Motown's Soul label, with "It’s Time to Go Now" on the B-side. Motown put little support behind it and the Pips relied on connections with DJs across the United States to get the record played. The Pips' version of "Grapevine" reached number one on the Billboard R&B chart on November 25, 1967, and stayed there for six weeks, making it the group's second R&B number one after 1961's "Every Beat of My Heart". It reached two on the Billboard Pop Singles chart[16] the same month, with the Monkees' "Daydream Believer" holding top spot. It was Motown's best-selling single to that point. The song was later placed on the Gladys Knight & the Pips album Everybody Needs Love.
Whitfield wanted Gordy to release Gaye's "Grapevine" as a single, but Gordy didn't want to release another version after the Pips had already made a hit out of it.[15] In September 1968, Whitfield added "Grapevine" to Gaye's new album In the Groove.[15] On release "Grapevine" became a radio hit and, according to Gordy himself, "The DJs played it so much off the album that we had to release it as a single".[17] So Gaye's version was released as a single on October 30, 1968. Gaye's "I Heard It Through the Grapevine" eventually outsold the Pips', and until The Jackson 5's "I'll Be There" 20 months later, was the biggest hit single of all time on the Motown label. It stayed at the top of the Billboard Pop Singles chart[18] for seven weeks, from December 14, 1968 to January 25, 1969. Gaye's "Grapevine" also held number one on the R&B chart during the same seven weeks,[19] and stayed at number one in the United Kingdom for three weeks starting on March 26, 1969. The label was pleased with the success, although Gaye, depressed because of issues such as the illness of singing partner Tammi Terrell (which would kill her less than a year later), was quoted as saying that his success "didn't seem real" and that he "didn't deserve it".[15]
Due to the song's success, In the Groove was re-issued as I Heard It Through the Grapevine and peaked at number two on the R&B album chart and number sixty-three on the album chart, which was at the time Marvin's highest-charted solo studio effort to date. Because of the success of both versions, "I Heard It Through the Grapevine" was the first and last number one on the Billboard R&B chart in 1968: the Pips version was the first week of January, the Gaye version the last week of December. Gladys Knight was not pleased that Gaye's version usurped her own, and claimed that Gaye's version was recorded over an instrumental track Whitfield had prepared for a Pips song, an allegation Gaye denied.[20] In 1985, one year following Gaye's death, the song was re-released in the UK reaching number eight thanks to a Levi's commercial (starring Nick Kamen).[21]
Legacy
The Gaye recording has become an acclaimed soul classic. In 2004, it was placed at number 80 on Rolling Stone's list of The 500 Greatest Songs of All Time,[22] with the comment that Whitfield had produced the song with a number of artists using different arrangements, and that on the Marvin Gaye recording he had a "golden idea" when he set the song "in a slower, more mysterious tempo".[23] In a new Rolling Stone list published in 2011, the single was placed slightly lower at number 81.[24]
On the commemorative fiftieth anniversary of the Billboard Hot 100 issue of Billboard magazine in June 2008, the Marvin Gaye version was ranked as the sixty-fifth biggest song on the chart.[25] It was also inducted to the Grammy Hall of Fame for "historical, artistic and significant" value.
Covers
In addition to being recorded several times by Motown artists, the song has been covered by musicians including Creedence Clearwater Revival who recorded an 11-minute version for their 1970 album, Cosmo's Factory,[26] that was released as a single, reaching 43 on Billboard's chart, with more modest success in other countries,[27] and funk musician Roger Troutman whose extended version (nearly 11 minutes itself) lifted off his 1981 solo album, The Many Facets of Roger,[28] brought the song back to number one on the R&B chart in early 1982 marking the third time the single reached the top spot on that chart. It also made the Billboard Hot 100, peaking at number 79.[29] Queen Latifah used the music as a basis for her 1998 single "Paper", produced by Pras Michel for her album Order in the Court.[30]
Media
"I Heard It Through the Grapevine" has been used twice in television commercials – each time using session musicians recreating the style of the Marvin Gaye version. For the 1985 Levi's 501 commercial, "Launderette", featuring male model Nick Kamen, agency BBH and director Roger Lyons, owing to budgetary constraints, brought in Karl Jenkins and Mike Ratledge to recreate the sound of the Marvin Gaye original with Tony Jackson, a Barbadian background singer for Paul Young, handling vocals and P. P. Arnold on backing vocals.[21][31][32][33][34] The commercial's success prompted Tamla-Motown to re-release Gaye's single with the Levi's 501 logo on the sleeve — "an example of integrated marketing almost before the term was invented".[35][36] The record went to number eight on the UK Singles chart, marking its second chart performance.[21] A year later, in 1986, Buddy Miles was the singer for the clay animation group The California Raisins which sang it as part a TV advertising campaign.[37]
Marvin Gaye's version of the song is used in the opening credits of The Big Chill (1983) as each of the main characters gets to hear (through the "grapevine") about the death of their college friend, and then travels to his funeral; the song serves in an extradiegetic fashion to both unite the main characters' friendship and to locate it nostalgically for the viewer.[38][39][40]
Personnel
- Lead vocals by Marvin Gaye
- Background vocals by The Andantes: Jackie Hicks, Marlene Barrow and Louvain Demps
- Organ by Earl Van Dyke[4]
- Drums by Richard "Pistol" Allen[4] and Uriel Jones[41]
- Bass by James Jamerson
- Instrumentation by the Funk Brothers and the Detroit Symphony Orchestra
- String arrangement by Paul Riser[4]
Chart performance
Weekly charts
Reissue version
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Year-end charts
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References
- ↑ Andy Bennett (Dec 14, 2005). The Popular Music Studies Reader. Routledge. p. 328. Retrieved September 17, 2012.
- ↑ Bill Dahl (February 28, 2011). Motown: The Golden Years. Krause Publications. p. 77. Retrieved September 15, 2012.
- ↑ Allan Metcalf, David K. Barnhart (1999). America in So Many Words: Words That Have Shaped America. Houghton Mifflin Harcourt. p. 147. Retrieved September 18, 2012.
- 1 2 3 4 5 6 Peter Shapiro (2006). Turn the Beat Around: The Secret History of Disco. Macmillan. pp. 122–124. Retrieved September 18, 2012.
- 1 2 3 David N. Howard (June 11, 2004). Sonic Alchemy: Visionary Music Producers and Their Maverick Recordings. Hal Leonard Corporation. p. 160. Retrieved September 16, 2012.
- ↑ "Songwriters Hall of Fame – Barrett Strong Biography". Songwritershalloffame.org. Retrieved September 17, 2012.
- 1 2 Ralph McLean (April 2003). "BBC Music: Stories Behind the Song: "I Heard it Through the Grapevine"". BBC.co.uk. Retrieved September 15, 2012.
- ↑ Motown: The History, page 56, Sharon Davis, Gullane, 1988
- ↑ Joel Francis (September 9, 2009). "Gladys Knight and the Pips – 'I Heard It Through the Grapevine'". The Daily Record. Archived from the original on February 1, 2010. Retrieved February 1, 2010.
- 1 2 John Covach, Mark Spicer (June 22, 2010). Sounding Out Pop: Analytical Essays in Popular Music. University of Michigan Press. p. 92. Retrieved September 16, 2012.
- ↑ Bill Dahl (Feb 28, 2011). Motown: The Golden Years. Krause Publications. p. 318. Retrieved September 15, 2012.
- ↑ Amy Hanson (2012). "Cloud Nine – The Temptations". allmusic.com. Retrieved September 18, 2012.
- ↑ "Bettye Lavette – Tell Me A Lie". Discogs. Retrieved 9 Dec 2016.
- ↑ "Marvin Gaye Session Dates". Soulfuldetroit.com. 2010. Retrieved September 18, 2012.
- 1 2 3 4 Gerald Posner (2002). Motown: Music, Money, Sex, and Power. Random House. pp. 224–225.
- ↑ Joel Whitburn (2004). Top R&B/Hip-Hop Singles: 1942–2004. Record Research. p. 330.
- ↑ Berry Gordy (1 Dec 1995). To Be Loved: The Music, the Magic, the Memories of Motown. Grand Central Pub. p. 275. Retrieved September 24, 2012.
- ↑ "Show 50 - The Soul Reformation: Phase three, soul music at the summit. [Part 6] : UNT Digital Library". digital.library.unt.edu. Retrieved September 25, 2014.
- ↑ Joel Whitburn (2004). Top R&B/Hip-Hop Singles: 1942–2004. Record Research. p. 225.
- ↑ Marvin Gaye (1976). "1976 interview with Marvin Gaye". BBC Radio 2 (Interview). Interview with Paul Gambaccini. Retrieved September 24, 2012.
- 1 2 3 Mark Robinson (March 1, 2001). The Sunday Times 100 Greatest TV Ads. HarperCollins. pp. 119–121. Retrieved September 16, 2012.
- ↑ "The Rolling Stone 500 Greatest Songs of All Time". Rolling Stone. December 9, 2004. Archived from the original on June 22, 2008. Retrieved September 23, 2012.
- ↑ "The Rolling Stone 500 Greatest Songs of All Time". Rolling Stone. December 9, 2004. Archived from the original on June 21, 2008. Retrieved September 23, 2012.
- ↑ "500 Greatest Songs Of All Time: Marvin Gaye, 'I Heard It Through the Grapevine'". RollingStone.com. Retrieved July 5, 2012.
- ↑ "Billboard's Greatest Songs of All Time". Billboard. Retrieved February 1, 2009.
- ↑ "Artists Are Color Blind When Looking At Copyrights". Billboard: 40. Jan 29, 1972. Retrieved September 24, 2012.
- ↑ "Creedence Clearwater Revival awards on Allmusic". Allmusic. Rovi Corporation. Retrieved July 17, 2013.
- ↑ Nick Talevski (1 August 2006). Knocking on Heaven's Door: Rock Obituaries. Omnibus Press. p. 659. Retrieved September 23, 2012.
- ↑ Joel Whitburn (2004). Top R&B/Hip-Hop Singles: 1942–2004. Record Research. p. 499.
- ↑ Lynn Norment (September 1988). "Sounding Off – Review of Order in the Court". Ebony: 22. Retrieved September 16, 2012.
- ↑ Emma Hall (22 November 2002). "Campaign Screen: Music and Sound Design - Production. Top of the Pops". Campaign.
- ↑ Sam Ingleby (17 May 2004). "Karl Jenkins: Fanfare for the Common Man". The Independent.
- ↑ Ron Roker (2009). "Ron Roker - Latest Releases". Retrieved July 17, 2013.
- ↑ Janet Bohdanowicz, Liz Clamp (1994). Fashion Marketing. Routledge. p. 73. Retrieved September 16, 2012.
- ↑ Caroline Marshall (20 December 1999). "Campaign Hall of Fame". Campaign.
- ↑ "Marvin Gaye - I Heard It Through the Grapevine". Retrieved July 17, 2013.
- ↑ Kristina Tunzi (March 15, 2008). "Buddy Miles, 60". Billboard: 60. Retrieved September 17, 2012.
- ↑ Ian Inglis (2003). Popular Music and Film. Wallflower Press. p. 168. Retrieved September 17, 2012.
- ↑ María del Mar Azcona (July 11, 2011). The Multi-Protagonist Film. John Wiley & Sons. p. 168. Retrieved September 17, 2012.
- ↑ Andrew Ford (2011). The Sound of Pictures. Schwartz Publishing. p. 115. Retrieved September 18, 2012.
- ↑ "Uriel Jones Obituary". telegraph.co.uk. 29 March 2009. line feed character in
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at position 13 (help) - ↑ "I heard it through the grapevine in Australian Chart". Poparchives.com.au. Retrieved July 17, 2013.
- ↑ "I heard it through the grapevine in Canadian Top Singles Chart". Library and Archives Canada. Retrieved July 17, 2013.
- ↑ "I heard it through the grapevine in French Chart" (in French). Dominic DURAND / InfoDisc. July 17, 2013. Archived from the original on July 3, 2013. Retrieved July 17, 2013. You have to use the index at the top of the page and search "Marvin Gaye"
- 1 2 "I heard it through the grapevine in Irish Chart". IRMA. Archived from the original on June 3, 2009. Retrieved July 17, 2013. Only results when searching "I heard it through the grapevine"
- 1 2 "Nederlandse Top 40 – Marvin Gaye search results" (in Dutch) Dutch Top 40.
- ↑ John Samson. "I heard it through the grapevine in South African Chart". Retrieved July 17, 2013.
- 1 2 "Marvin Gaye". Official Charts Company. Retrieved July 17, 2013.
- 1 2 "Marvin Gaye awards on Allmusic". Allmusic. Rovi Corporation. Retrieved July 17, 2013.
- ↑ "Cash Box Top 100 1/18/69".
- ↑ "Ultratop.be – Marvin Gaye – I Heard It Through The Grapevine" (in Dutch). Ultratop 50.
- ↑ "Offiziellecharts.de – Marvin Gaye – I Heard It Through The Grapevine". GfK Entertainment Charts.
- ↑ "Dutchcharts.nl – Marvin Gaye – I Heard It Through The Grapevine" (in Dutch). Single Top 100.
- ↑ "Item Display - RPM - Library and Archives Canada".
- ↑ "Top 100 Hits of 1969/Top 100 Songs of 1969".
- ↑ Top Records on 1969 (Based on Billboard Charts)", Billboard, December 27, 1969. pp. 16-17. Accessed December 7, 2016.
- ↑ "Cash Box YE Pop Singles - 1969".
- Bibliography
- John Covach, Mark Spicer, Sounding Out Pop: Analytical Essays in Popular Music, 2010, University of Michigan Press
- Bill Dahl, Motown: The Golden Years, 2011, Krause Publications
- David N. Howard, Sonic Alchemy: Visionary Music Producers and Their Maverick Recordings, 2004, Hal Leonard Corporation
- Gerald Posner, Motown : Music, Money, Sex, and Power, 2002, New York: Random House, ISBN 0-375-50062-6