Vocal music

Vocal music is a type of music performed by one or more singers, either with instrumental accompaniment, or without instrumental accompaniment (a cappella), in which singing provides the main focus of the piece. Music which employs singing but does not feature it prominently is generally considered instrumental music (e.g. the wordless women's choir in the final movement of Holst's The Planets) as is music without singing. Music without any non-vocal instrumental accompaniment is referred to as a cappella.[1]

Vocal music typically features sung words called lyrics, although there are notable examples of vocal music that are performed using non-linguistic syllables, sounds, or noises, sometimes as musical onomatopoeia. A short piece of vocal music with lyrics is broadly termed a song.

Vocal music is probably the oldest form of music, since it does not require any instrument besides the human voice. All musical cultures have some form of vocal music.

Vocal music without lyrics

World traditions

European classical vocal music

Solfege, a vocalized musical scale, assigns various syllables such as ‘‘Do-Re-Mi‘‘ to each note. A variety of similar tools are found in traditional Indian music, and scat singing of jazz.

Hip hop music has a very distinct form of vocal percussion known as beatboxing. It involves creating beats, rhythms, and scratching.

The singer of the Icelandic group Sigur Rós, Jón Þór Birgisson, often uses vocals without words, as does Icelandic singer/songwriter, Björk. Her album Medúlla is composed entirely of processed and acoustic vocal music, including beatboxing, choral arrangements, and throat singing.

Singer Bobby McFerrin has recorded a number of albums using only his voice and body, sometimes consisting of a texted melody supported by untexted vocalizations.

Vocal music with lyrics

Songs

See Song and Category: Song forms for short forms of music with sung words. songs like this are more popular now than just music

Extended techniques that involve lyrics

The Second Viennese School, especially Alban Berg and Arnold Schoenberg, pioneered a technique called Sprechstimme in which singers are half-talk, half-sing, and only approximate pitches.

Wide-ranging voices

See also

References

  1. Titze, I. R. (2008). The human instrument. Sci.Am. 298 (1):94-101. PM 18225701
  2. "Cante Alentejano, polyphonic singing from Alentejo, southern Portugal". unesco.org. UNESCO. Retrieved November 3, 2015.
  3. "Fado, urban popular song of Portugal". unesco.org. UNESCO. Retrieved November 3, 2015.
  4. "Lucrezia Aguiari, dite La Bastardella ou La Bastardina ou Lucrezia Agujari, dite La Bastardella ou La Bastardina. Encyclopédie Larousse"
  5. 1 2 "Encyclopédie Larousse. Chant"
  6. Video demonstrating Elvis' vocal range through the years
  7. Ira Siff, « I vespri siciliani » in Opera News, March 2008.
  8. Ardoin, John (1991). The Callas Legacy. Old Tappen, New Jersey: Scribner and Sons. ISBN 0-684-19306-X.
  9. 1 2 L'Invité Du Dimanche, The Callas Conversations, Vol. 2 [DVD] 2007, EMI Classics.
  10. David A. Lowe, ed (1986). Callas: As They Saw Her. New York: Ungar Publishing Company. ISBN 0-8044-5636-4.
  11. F Haböck, Die Gesangkunst der Kastraten, (Vienna, 1923), p. 209
  12. Soto-Morettini, D. (2006), Popular Singing: A Practical Guide To: Pop, Jazz, Blues, Rock, Country and Gospel, A & C Black, ISBN 978-0713672664
  13. Saint Bris, Gonzague (2009). La Malibran (in French). Belfond. p. 25. ISBN 978-2-7144-4542-1.
  14. Saint Bris, Gonzague (2009). La Malibran (in French). Belfond. pp. 37 and 104. ISBN 978-2-7144-4542-1.
  15. Nicholas E. Limansky (Translated from English by Jean-Jacques Groleau): Mado Robin, soprano (1918 - 1960)
  16. Ellen Highstein: 'Yma Sumac (Chavarri, Emperatriz)' Grove Music Online, ed. L. Macy. (Accessed 8 August 2006)
  17. Clarke Fountain, "Yma Sumac: Hollywood's Inca Princess (review). Allmovie, reproduced in the New York Times. 1992.
  18. David Richards, "The Trill of a Lifetime; Exotic Singer Yma Sumac Meets a New Wave of Fans." The Washington Post, March 2, 1987, STYLE; PAGE B1. Accessed August 6, 2006, via Lexis Nexis,
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