Hopes and Fears (Art Bears album)

Hopes and Fears
Studio album by Art Bears
Released May 1978 (1978-05)
Recorded January 1978, Switzerland
March 1978, London
Studio Sunrise, Kirchberg, Switzerland
Kaleidophon, London
Genre
Length 48:25
Label Recommended (UK)
Producer Art Bears
Etienne Conod
Art Bears chronology
Hopes and Fears
(1978)
Winter Songs
(1979)
Professional ratings
Review scores
SourceRating
AllMusic[1]
Robert ChristgauB[2]

Hopes and Fears is the debut album by the English avant-rock group Art Bears. It comprises tracks by Henry Cow, Art Bears's predecessor, recorded at Sunrise Studios, Kirchberg in Switzerland in January 1978, and tracks by Art Bears, recorded at Kaleidophon Studios in London in March 1978.

Background

Hopes and Fears began as a Henry Cow album, but after the first recording sessions in Switzerland, some of the members of the band were unhappy about the predominance of song-oriented material. As a compromise it was agreed that two albums would be made: the songs would be released by Fred Frith, Chris Cutler and Dagmar Krause as Art Bears, and the instrumental compositions would be released later by Henry Cow. The newly formed Art Bears recorded four more tracks in London to complete Hopes and Fears, which was released in May 1978. Henry Cow returned to Switzerland in July that year to record additional instrumental pieces for what was to be their last album, Western Culture (1979).

Description

Because of Henry Cow's presence on this album, Hopes and Fears is considered by some to be "the lost Henry Cow album".[3] But the predominance of songs makes the album a bridge between Henry Cow and Art Bears, a move away from Henry Cow's usual intense compositions, and the beginnings of Art Bears's music, fully realised on their next two albums. It also shows Fred Frith experimenting with folk and dance music ("Terrain", "Moeris Dancing", "The Dance"), which he explored further on some of his subsequent solo albums, particularly Gravity (1980) and Speechless (1981).

"Joan" and "On Suicide" had been performed live by Henry Cow in 1977 and appear on Volume 7: Later and Post-Virgin of The 40th Anniversary Henry Cow Box Set (2009). This version of "Joan" differs from the earlier live recording in that it is shorter, and the lyrics are not the same. Chris Cutler wrote the original lyrics for "Joan" and Tim Hodgkinson's "The Pirate Song", but Henry Cow were unhappy with them, and the songs were withdrawn from their repertoire. "Joan" was only performed a few times, and "The Pirate Song" not at all. Prior to the Hopes and Fears recording session, Cutler rewrote the lyrics of the two songs, but once again there were objections from the feminist faction within Henry Cow. Dagmar Krause, however, supported the new lyrics and both songs were recorded with the revised texts.[4][5]

The longest track, "In Two Minds" is the closest Art Bears came to playing "conventional rock music".[1] The instrumental section in the song sounds like a homage to The Who, a fact that Chris Cutler does not deny, considering the influence the band had on him and others.[6]

Track listing

Recorded by Henry Cow at Sunrise Studio, Kirchberg, Switzerland, 15–29 January 1978; and by Art Bears at Kaleidophon, London, 15–18 March 1978.

Side one – Áhá: Palace courtyard
No.TitleWriter(s)ArtistLength
1."On Suicide"Brecht, EislerHenry Cow1:26
2."The Dividing Line"Cutler, Frith, CooperHenry Cow4:11
3."Joan"Cutler, FrithHenry Cow3:05
4."Maze"Cutler, FrithHenry Cow5:05
5."In Two Minds"Cutler, FrithHenry Cow8:45
Side two – Mer: Irrigated land
No.TitleWriter(s)ArtistLength
6."Terrain"FrithArt Bears3:49
7."The Tube"Cutler, FrithArt Bears3:05
8."The Dance"Cutler, FrithArt Bears5:09
9."The Pirate Song"Cutler, HodgkinsonHenry Cow1:28
10."Labyrinth"Cutler, HodgkinsonHenry Cow2:15
11."Riddle"Cutler, FrithHenry Cow2:49
12."Moeris Dancing"FrithHenry Cow5:08
13."Piers"Cutler, FrithArt Bears2:10

Bonus track notes

Personnel

Guests (from Henry Cow)

Additional personnel

Sound and art work

Album title

Hopes and Fears derived its name from the following conversation between Charion and Hermes in Satirical Sketches: Charon Sees Life by Lucian of Samosata (quoted in the booklet accompanying the CD release of the album):[7]

Charion All I can see is a complicated muddle – a world full of utter confusion. Their towers are like beehives in which every bee has a sting of his own and uses it against his neighbour – and some are like wasps, preying on the weaker members of the community. But what are those dim shapes flying around them?
Hermes Hopes and Fears, Charon...

CD reissues

Footnotes

  1. 1 2 Mason, Stewart. "Hopes and Fears". AllMusic. Retrieved 21 June 2011.
  2. Christgau, Robert. "Art Bears". Robert Christgau. Retrieved 21 June 2011.
  3. Temple, Alex. "Art Bears, Hopes and Fears". Progweed. Archived from the original on 16 December 2004. Retrieved 30 May 2015.
  4. Cutler 2009, vol. 6–10, p. 5.
  5. "Chris Cutler interview". Chris Cutler. Retrieved 15 November 2007.
  6. Colli, Beppe. "An interview with Chris Cutler, February 8, 2004". Clouds and Clocks. Archived from the original on 4 February 2007. Retrieved 3 January 2007.
  7. Lucian. "Satirical Sketches: Charon Sees Life". Questia – The Online Library of Books and Journals. Retrieved 28 December 2006. (subscription required)
Works cited
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