History of martial arts

Although the earliest evidence of martial arts goes back millennia, the true roots are difficult to reconstruct. Inherent patterns of human aggression which inspire practice of mock combat (in particular wrestling) and optimization of serious close combat as cultural universals are doubtlessly inherited from the pre-human stage and were made into an "art" from the earliest emergence of that concept. Indeed, many universals of martial art are fixed by the specifics of human physiology and not dependent on a specific tradition or era.

Specific martial traditions become identifiable in Classical Antiquity, with disciplines such as shuai jiao, Greek wrestling or those described in the Indian epics or the Spring and Autumn Annals of China.

Early history

The earliest evidence for specifics of martial arts as practiced in the past comes from depictions of fights, both in figurative art and in early literature, besides analysis of archaeological evidence, especially of weaponry. The oldest work of art depicting scenes of battle, dating back 3400 BCE,^[1] was the Ancient Egyptian paintings showing some form of struggle.^[2] Dating back to 3000 BCE in Mesopotamia (Babylon), reliefs and the poems depicting struggle were found.^[2] In Vietnam, drawings and sketches from 2879 BCE describe certain ways of combat using sword, stick, bow, and spears.^[2]

The spear has been in use since the Lower Paleolithic and retained its central importance well into the 2nd millennium CE. The bow appears in the Upper Paleolithic and is likewise only gradually replaced by the crossbow, and eventually firearms, in the Common Era. True bladed weapons appear in the Neolithic with the stone axe, and diversify in shape in the course of the Bronze Age (khopesh/kopis, sword, dagger)

Some early examples are the depiction of wrestling techniques in a tomb of the Middle Kingdom of Egypt at Beni Hasan (c. 2000 BCE) and pictorial representations of fist fighting in the Minoan civilization dating to the 2nd millennium BCE.

In ancient China, Yellow Emperor (2698 BCE) is described as a famous general who, before becoming China’s leader, wrote lengthy treatises on medicine, astrology and the martial arts. Literary descriptions of combat began in the 2nd millennium BCE, with mention of weaponry and combat in texts like the Gilgamesh epic or the Rig-Veda. Detailed description of Late Bronze Age to Early Iron Age hand-to-hand combat with spear, sword and shield are found in the Iliad (c. 8th century BCE) and also the Mahabharatha.

Africa

An Egyptian fresco, dated to 3400 BCE, and depicting military training at Beni Hassan is the world's oldest known artistic representation of an organised fighting system. In gymnasiums similar to those of Greece, recruits would practice wrestling, callisthenics and duelling with single-stick. The attacking weapon apparently had a basket-guard protecting the hand, while the left forearm had a splint strapped on to serve as a shield. Soldiers fought with spears, large shields with an eye-hole, clubs, axes, poleaxes, flails, bows, slings, and swords of various forms.

Asia

China

Antiquity (Zhou to Jin)

A hand-to-hand combat theory, including the integration of notions of "hard" and "soft" techniques, is expounded in the story of the Maiden of Yue in the Spring and Autumn Annals of Wu and Yue (5th century BCE).^[3]

The Han History Bibliographies record that, by the Former Han (206 BCE – 9 CE), there was a distinction between no-holds-barred weaponless fighting, which it calls shǒubó (手搏), for which "how-to" manuals had already been written, and sportive wrestling, then known as juélì or jiǎolì (角力).

Wrestling is also documented in the Shǐ Jì, Records of the Grand Historian, written by Sima Qian (c. 100 BCE).^[4]

Jiǎolì is also mentioned in the Classic of Rites (1st century BCE).^[5]

In the 1st century, "Six Chapters of Hand Fighting", were included in the Han Shu (history of the Former Han Dynasty) written by Ban Gu. The Five Animals concept in Chinese martial arts is attributed to Hua Tuo, a 3rd-century physician.^[6]

Middle Ages

In the Tang Dynasty, descriptions of sword dances were immortalized in poems by Li Bai and Du Fu. In the Song and Yuan dynasties, xiangpu (the earliest form of sumo) contests were sponsored by the imperial courts.

With regards to the Shaolin fighting system, the oldest evidence of Shaolin participation in combat is a stele from 728 CE that attests to two occasions: a defense of the Shaolin Monastery from bandits around 610 CE, and their subsequent role in the defeat of Wang Shichong at the Battle of Hulao in 621 CE. From the 8th to the 15th centuries, there are no extant documents that provide evidence of Shaolin participation in combat.

Late Ming

The modern concepts of wushu emerge by the late Ming to early Qing dynasties (16th to 17th centuries).^[7]

Between the 16th and 17th centuries there are at least forty extant sources which provided evidence that, not only did monks of Shaolin practice martial arts, but martial practice had become such an integral element of Shaolin monastic life that the monks felt the need to justify it by creating new Buddhist lore.^[8]

References of martial practice in Shaolin appear in various literary genres of the late Ming: the epitaphs of Shaolin warrior monks, martial-arts manuals, military encyclopedias, historical writings, travelogues, fiction, and even poetry. However these sources do not point out to any specific style originated in Shaolin.^[9]

These sources, in contrast to those from the Tang period, refer to Shaolin methods of armed combat. This include the forte of Shaolin monks and for which they had become famous — the staff (gun); General Qi Jiguang included these techniques in his book, Treatise of Effective Discipline. Despite the fact that others criticized the techniques, Ming General Yu Dayou visited the temple and was not impressed with what he saw, he recruited three monks who he would train for few years after which they returned to the temple to train his fellow monks.^[10]

South Asia

Antiquity

The fighting systems of South Asia must be examined as a whole, including not only modern India but also the historical territories of present-day Pakistan, Bangladesh and Sri Lanka. Classical Sanskrit epics contain the earliest written accounts of combat in India.^[11] The term dwandwayuddha referred to a duel, such that it was a battle between only two warriors and not armies. The Mahabharata describes a prolonged battle between Arjuna and Karna using bows, swords, trees and rocks, and fists.^[12] Stories describing Krishna report that he sometimes engaged in wrestling matches where he used knee strikes to the chest, punches to the head, hair pulling, and strangleholds.^[13] Another unarmed battle in the Mahabharata describes two fighters boxing with clenched fists and fighting with kicks, finger strikes, knee strikes and headbutts.^[14] Krishna Maharaja, who single-handedly overcame an elephant according to the Mahabharata, is credited with developing the sixteen principles of armed combat.

Many of the popular sports mentioned in the Vedas and the epics have their origins in military training, such as boxing (musti-yuddha), wrestling (malladwandwa), chariot-racing (rathachalan), horse-riding (aswarohana) and archery (dhanurvidya).^[15] Competitions were held not just as a contest of the players' prowess but also as a means of finding a bridegroom. Arjuna, Rama and Siddhartha Gautama all won their consorts in such tournaments.

Ten fighting styles of northern India were said to have been created in different areas based on animals and gods, and designed for the particular geography of their origin. Tradition ascribes their convergence to the 6th-century in the Buddhist university of Takshashila, located in today's Punjab region.

Middle Ages

Like other branches of Sanskrit literature, treatises on martial arts become more systematic in the course of the 1st millennium CE. The grappling art of vajra-mushti is mentioned in sources of the early centuries CE. Military accounts of the Gupta Empire (c. 240-480) and the later Agni Purana identify over 130 different weapons, divided into thrown and unthrown classes and further into sub-classes.^[16] The Kama Sutra written by Vātsyāyana suggested that women should regularly "practice with sword, single-stick, quarterstaff, and bow and arrow."

The Sushruta Samhita (c. 4th century) identifies 107 vital points on the human body^[17] of which 64 were classified as being lethal if properly struck with a fist or stick.^[13] Sushruta's work formed the basis of the medical discipline ayurveda which was taught alongside various martial arts.^[13] With numerous other scattered references to vital points in Vedic and epic sources, it is certain that South Asia's early fighters knew and practised attacking or defending vital points.^[18]

Fighting arts were not exclusive to the kshatriya caste, though the warrior class used the systems more extensively. The 8th-century text Kuvalaymala by Udyotanasuri recorded such systems being taught at gurukula educational institutions, where Brahmin students from throughout the subcontinent "were learning and practicing archery, fighting with sword and shield, with daggers, sticks, lances, and with fists, and in duels (niuddham)."

The earliest extant manual of Indian martial arts is contained as chapters 248 to 251 in the Agni Purana (c. 8th – 11th centuries), giving an account of dhanurveda in a total of 104 shloka.^[18][19][20] These verses describe how to improve a warrior's individual prowess and kill enemies using various different methods in warfare, whether a warrior went to war in chariots, elephants, horses, or on foot. Foot methods were subdivided into armed combat and unarmed combat.^[13] The former included the bow and arrow, the sword, spear, noose, armour, iron dart, club, battle axe, discus, and the trident. The latter included wrestling, knee strikes, and punching and kicking methods.

Japan

The historical origin of Japanese martial arts can be found in the warrior traditions of the samurai and the caste system that restricted the use of weapons by members of the non-warrior classes. Originally, samurai were expected to be proficient in many weapons, as well as unarmed combat, and attain the highest possible mastery of combat skills, for the purpose of glorifying either themselves or their liege. A large number of schools evolved to teach these skills with those existing before the Meiji Restoration classed as Koryū (古流) or old stream. Over time there was a trend away from the traditional purpose to a philosophy of coupling spiritual goals with the striving to perfect their martial skills.

The Japanese Book of Five Rings dates to 1664.

Korea

Taekkyeon is the traditional martial art of Korea. Taekkyeon came into existence sometime before the Silla Dynasty united the peninsula. It is believed Taekkyeon was known as Subak at that time. Taekkyeon focuses on up-right fighting: footwork, kicks, strikes, blocks, throws and rhythm.

Ssireum is the traditional wrestling art of Korea. Gakjeochong (각저총:角抵塚) murals show that wrestling in Korea dates back as early as the pre-Three Kingdom era. The Book of Later Han, a Chinese document that was written either before or early in the history of the Three Kingdoms also has records of Korean wrestling. Ssireum first gained widespread popularity during the Joseon Dynasty (1392-1910).

Two Korean martial arts manuals Muyejebo and Muyedobotongji date from 1598 and 1790, respectively.

Europe

Antiquity

European martial arts become tangible in Greek antiquity with pankration and other martially oriented disciplines of the ancient Olympic Games. Boxing became Olympic in Greece as early as 688 BCE. Detailed depictions of wrestling techniques are preserved in vase paintings of the Classical period. Homer's Iliad has a number of detailed descriptions of single combat with spear, sword and shield.

Gladiatorial combat appears to have Etruscan roots, and is documented in Rome from the 260s BCE.

The papyrus fragment known as P.Oxy. III 466 dating from the 2nd century gives the earliest surviving description in writing of wrestling techniques.

In Sardinia, a Mediterranean island, a fighting style which has been called istrumpa was practised in the Bronze Age, as demonstrated by the finding of a little bronze statue (known as "Bronzetto dei lottatori" or "bronze of the fighting men"), which shows two fighters struggling with each other on the ground.

Middle Ages

Pictorial sources of medieval combat include the Bayeux tapestry (11th century), the Morgan Bible (13th century).

The Icelandic sagas contain many realistic descriptions of Viking Age combat.

The earliest extant dedicated martial arts manual is the MS I.33 (c. 1300), detailing sword and buckler combat, compiled in a Franconian monastery. The manuscript consists of 64 images with Latin commentary, interspersed with technical vocabulary in German. While there are earlier manuals of wrestling techniques, I.33 is the earliest known manual dedicated to teaching armed single combat.

Wrestling throughout the Middle Ages was practiced by all social strata. Jousting and the tournament were popular martial arts practiced by nobility throughout the High and Late Middle Ages.

The Late Middle Ages see the appearance of elaborate fencing systems, such as the German or Italian schools.

In the Late Middle Ages, fencing schools (Fechtschulen) for the new bourgeois class become popular, increasing the demand for professional instructors (fencing masters, Fechtmeister). The martial arts techniques taught in this period is preserved in a number of 15th-century Fechtbücher.

Renaissance to Early Modern period

The late medieval German school survives into the German Renaissance, and there are a number of printed 16th-century manuals (notably the one by Joachim Meyer, 1570). But by the 17th century, the German school declines in favour of the Italian Dardi school, reflecting the transition to rapier fencing in the upper classes. Wrestling comes to be seen as an ignoble pursuit proper for the lower classes and until its 19th-century revival as a modern sport becomes restricted to folk wrestling.

In the Baroque period, fashion shifts from Italian to Spanish masters, and their elaborate systems of Destreza. In the mid-18th century, in keeping with the general Rococo fashion, French masters rise to international prominence, introducing the foil, and much of the terminology still current in modern sports fencing.

There are also a number of Early Modern fencing masters of note in England, such as George Silver and Joseph Swetnam.

Academic fencing takes its origin in the Middle Ages, and is subject to the changes of fencing fashion throughout the Early Modern period. It establishes itself as the separate style of Mensur fencing in the 18th

Middle East

The traditional Persian style of grappling was known as koshti, with the physical exercise and schooled sport known as varzesh-e bastani. It is said^[21] to be traceable back to Arsacid Parthian times (132 BCE - 226 CE), and is still widely practiced today in the region. Following the development of Sufi Islam in the 8th century CE, varzesh-e pahlavani absorbed philosophical and spiritual components from that religion. Other historical grappling styles from the region include Turkic forms such as kurash, köräş and yağlı güreş.

The north Arabian tradition of horsemanship quickly became an integral part of warfare throughout the Arab world and much of the Middle East. The Middle Ages saw the flourishing of the furusiyya culture, combining the ancient Bedouin concept of honour (muru'ah) with the Islamic ideals of chivalry. A fārys (meaning knight or horseman) would first hone his skills in wrestling and armed combat on the ground before learning to fight while mounted. Furusiyya literature from the 9th to 15th century deal with equestrianism, archery, military strategy, duelling and charging with the lance. Armed fighting included the use of the sword (sayf), spear, lance, javelin, dagger (jambiya), staff, axe (tabar), warhammer, and curved bow. There is also Tahtib (التحطيب) which was practiced in ancient Egypt and is still performed in celebrations.

Modern history (1800 to present)

The Western interest in East Asian martial arts dates back to the late 19th century, due to the increase in trade between the West with China and Japan. European martial arts before that time was focused on the duelling sword among the upper classes on one hand, and various styles of folk wrestling among the lower classes on the other.

Savate appears in the early 19th century in France, as a mix between English boxing and French folk kicking techniques. At that time, in France, it existed in gyms called salles d'armes where savate, English boxing, fencing, canne de combat and sometimes even wrestling was practiced.

Edward William Barton-Wright, a British railway engineer who had studied jujutsu while working in Japan between 1894–97, was the first man known to have taught Asian martial arts in Europe. He also founded an eclectic martial arts style named Bartitsu which combined jujutsu, judo, wrestling, boxing, savate and stick fighting. Also during the late 19th and early 20th centuries, catch wrestling contests became immensely popular in Europe.

The development of Brazilian Jiu-Jitsu from the early 20th century is a good example of the worldwide cross-pollination and syncretism of martial arts traditions.

The later 1970s and 1980s witnessed an increased media interest in the martial arts, thanks in part to Asian and Hollywood martial arts movies and very popular television shows like "Kung Fu", "Martial Law" and "The Green Hornet" that incorporated martial arts moments or themes. Following Bruce Lee, both Jackie Chan and Jet Li are prominent movie figures who have been responsible for promoting Chinese martial arts in recent years.

Reconstruction

The reconstruction of a martial art as practiced in a specific period is distinct from the practice of a traditional fighting system handed down by way of master-student transmission. The largest movement of martial arts reconstruction is the Historical European Martial Arts revival (HEMA), gaining momentum since the late 1990s. To a limited extent, there are also attempts to reconstruct other styles, such as Korean swordsmanship and Persian armed combat called razmafzar.

The Japanese term Koryū refers to "old schools" of martial arts which predate 1868; it does not imply that historical styles are actively reconstructed, just that the school's tradition goes back 150 years or more.

A reconstructed martial art necessarily rests on historical records, either combat manuals or pictorial representations. Martial arts reconstruction specifically does not claim an unbroken tradition of some historical martial arts. On the contrary, the premise is that in an unbroken tradition, styles significantly evolve over time. It is not necessary for the tradition to have been interrupted in order to reconstruct an earlier style; a case in point is classical fencing which reconstructs the sport fencing of the 19th century before it evolved into current Olympic fencing, or historical German ringen which over time developed into contemporary styles of folk wrestling. Claims of ancient martial arts which survive unchanged by unbroken tradition (e.g. as suggested by Yehoshua Sofer), do not fall under reconstruction and are by their nature unverifiable, even to the person making the claim.

Certain modern schools of Ninjutsu may fall under the category of martial arts reconstruction; the Bujinkan organization claims to base their teaching on a manuscript documenting a historical school, known as Togakure-ryū, dated to the 12th century. But as this manuscript is supposedly in the private possession of Masaaki Hatsumi, its authenticity, or indeed existence, cannot be verified by independent parties.^[22]

See also

References

Bibliography

• Michael B. Poliakoff, Combat Sports in the Ancient World: Competition, Violence, and Culture Sports and History Series, Yale University Press (1987).
• Thomas A. Green, Joseph R. Svinth (eds.), Martial Arts of the World: An Encyclopedia of History and Innovation, 2010, two volumes: vol. 1: 'Regions and Individual Arts', ISBN 9781598842449; vol. 2: 'Themes', ISBN 9781598842432.