Harry Siddons Mowbray
| Harry Siddons Mowbray | |
|---|---|
 | |
| Born |
August 5, 1858 Alexandria, Egypt |
| Died |
1928 Washington, Connecticut[1] |
| Nationality | American |
| Education | Alfred C. Howland, Léon Bonnat |
| Movement | Orientalism |
Harry Siddons Mowbray (August 5, 1858 – 1928) was an American artist.[lower-alpha 1]
Biography
Mowbray was born of English parents at Alexandria, Egypt. His father, John Henry Siddons, represented a British bank in Alexandria when his son was born, and died of an insulation a year later. At age five and now living in America, Mowbray's mother died, burnt alive in a domestic accident caused by lamp fuel. Left an orphan, the son was adopted by his aunt, his mother's sister, and her husband, George Mowbray. The family settled at North Adams, Massachusetts[2]. After a year at the United States Military Academy at West Point,[3] he went to Paris and entered the atelier of Leon Bonnat in 1879, his first picture, Aladdin, bringing him to public notice. He studied with Bonnat until 1883. In 1886, he became a member of the Society of American Artists.[4] His painting Evening Breeze received the Clark Prize at the National Academy of Design in 1888, and he was elected to associate membership in the Academy. He was made a full member of the Academy in 1891.[4]
Subsequently Mowbray was best known for his decorative work, especially The Transmission of the Law, Appellate Court House; ceiling for the residence of F. W. Vanderbilt; the ceilings in J.P. Morgan's Library and The Morgan Library & Museum's Annex building;[5] as well as the ceiling and walls of the library of the University Club, all in New York City. This last was executed in Rome, where, in 1903, he was made director of the American Academy.[3] Other works include murals in the Appellate Courthouse and the University Club library in New York; the homes of C.P. Huntington and Larz Anderson; and the Howard M. Metzenbaum U.S. Courthouse in Cleveland, Ohio.[3] He taught at the Art Students League of New York circa 1901.[4] He was a member of the U.S. Commission of Fine Arts from 1921 to 1928.[6]
Among Mowbray's pupils was the painter Florence Wolf Gotthold.[7]
See also
Notes
- ↑ H. Siddons Mowbray "Also known as: Harry Siddons Mowbray, Henry Siddons Mowbray" (SAAM staff).
- ↑ SAAM staff.
- ↑ Gerald M. Ackerman, The Orientalists of the American School (ACR Édition Internationale, Paris, 1994), 140
- 1 2 3 Chisholm 1911, p. 948.
- 1 2 3 Wilson & Fiske 1900.
- ↑ MLM staff 2006.
- ↑ Thomas E. Luebke, ed., Civic Art: A Centennial History of the U.S. Commission of Fine Arts (Washington, D.C.: U.S. Commission of Fine Arts, 2013): Appendix B, p. 549.
- ↑ Andrew J. Cosentino (17 November 1983). The Capital Image: Painters in Washington, 1800–1915. Smithsonian. ISBN 978-0-87474-338-8.
References
- MLM staff (2006), Architectural History: A Public Institution part 1, The Morgan Library & Museum, retrieved April 2013 Check date values in:
|access-date=(help) - SAAM staff, H. Siddons Mowbray, Smithsonian American Art Museum, retrieved February 2013 Check date values in:
|access-date=(help) -
Wilson, James Grant; Fiske, John, eds. (1900). "Mowbray, Harry Siddons". Appletons' Cyclopædia of American Biography. New York: D. Appleton.
- Attribution
-
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Mowbray, Harry Siddons". Encyclopædia Britannica. 18 (11th ed.). Cambridge University Press. p. 948.
External links
Media related to Harry Siddons Mowbray at Wikimedia Commons