Hayes McMullan
Hayes McMullan | |
---|---|
Born |
New Hope or Murphreesboro, Tallahatchie County, Mississippi, United States | January 29, 1902
Died |
May 1986 (aged 84) Tutwiler, Mississippi, United States |
Genres | Delta blues |
Occupation(s) | Singer, guitarist, songwriter |
Instruments | Vocals, guitar |
Years active | 1920s–1930s; 1960s |
Labels | Light in the Attic |
Hayes McMullan (January 29, 1902 – May 1986) was an American Delta blues singer, guitarist and songwriter.[1] He was also employed at various times as a sharecropper and as a deacon and was a civil rights activist.[2]
McMullan's first major recorded work was released in February 2017, over 30 years after his death, and was drawn from recordings he made in 1967 and 1968 in Tallahatchie County, Mississippi.[3]
Biography
McMullan was born in either New Hope or Murphreesboro, Tallahatchie County, Mississippi.[1] His musical talents were unearthed following a chance encounter in 1967 between McMullan and the American roots scholar, music collector and documentarian Gayle Dean Wardlow.[2][4] Wardlow, striking up a conversation with him, discovered that McMullan had known Wardlow's idol, Charley Patton, and had played alongside him in the 1920s. This was at a time when McMullan had drifted from his Mississippi Delta homeland to perform the blues in juke joints across the Deep South.[4] Wardlow also learned that McMullan had stopped playing the blues when he joined a church in the 1930s.[4] Explaining why he had given up the opportunity to record with Patton, McMullan stated, "They only offered me $5 a song, and you know they could make thousands off just one song."[5] Wardlow's unlikely friendship with McMullan led him to visit McMullan's sharecropper shack in Tallahatchie County, Mississippi, on a number of occasions in the late 1960s, and he recorded McMullan both on tape recorder and in writing. Wardlow wrote at the time that "Hayes was playing like no one I had ever heard."[4]
McMullan died in May 1986, aged 84.[4]
Wardlow subsequently wrote, "The few old snapshots I took, the handful of tunes we recorded, and his brilliant performance of "Hurry Sundown" captured on film are all that’s left of the musical legacy of Hayes McMullan, sharecropper, deacon, and — unbeknownst to so many for so long — reluctant bluesman."[4] Wardlow also transcribed the songs and wrote the sleeve notes for the 2017 CD release of McMullan's album Everyday Seem Like Murder Here.[2] About "Hurry Sundown", another journalist noted that the lyrics stated, "I said, hurry sundown, let tomorrow come. Says, she may bring sunshine, may bring drops of rain." A further early song included on the album was entitled "Smoke Like Lightning," which later became "Smokestack Lightnin'" as recorded by Howlin' Wolf.[5]
Album
- Everyday Seem Like Murder Here, 2017, Light in the Attic Records[6]
See also
References
- 1 2 Bob Eagle; Eric S. LeBlanc (2013). Blues: A Regional Experience. Santa Barbara, California, United States: Praeger. p. 217.
- 1 2 3 "Hayes Mc Mullan". Light in the Attic Records. Lightintheattic.net. Retrieved 2017-03-05.
- ↑ "Hayes McMullan Illustrated Discography". Wirz.de. Retrieved 2017-03-05.
- 1 2 3 4 5 6 "Hayes McMullen, Everyday Seem Like Murder Here". Piccadilly Records. Retrieved 2017-03-05.
- 1 2 "The Magnificent Unknown Bluesman—Hayes McMullan". Socialistworker.co.uk. 2017-01-24. Retrieved 2017-03-05.
- ↑ "Hayes McMullen, Everyday Seem Like Murder Here: Songs, Reviews, Credits". AllMusic.com. Retrieved 2017-03-05.