Gustav Fröhlich
Gustav Fröhlich | |
---|---|
Gustav Fröhlich in 1931 | |
Born |
Hannover, Germany | 21 March 1902
Died |
22 December 1987 85) Lugano, Switzerland | (aged
Years active | 1922–1956 (sporadically until early 1980s) |
Spouse(s) |
Gitta Alpar (1931-1935, divorced) (1 child) Maria Hajek (1941-1987, her death) |
Gustav Fröhlich (21 March 1902 – 22 December 1987) was a German actor and film director. He landed secondary roles in a number of films and plays before landing his breakthrough role of Freder Fredersen in Fritz Lang's 1927 film Metropolis. He remained a popular film star in Germany until the 1950s.
Biography
Early life and Weimar Republic
Gustav Fröhlich was born an illegitimate child in Hanover, Germany, and was raised by foster parents. Before becoming an actor, he worked for a short time as an editor of a provincial newspaper and as the author of popular novels. During World War I he also volunteered for duty in occupied Brussels as a press supervisor.
Gustav Fröhlich began his stage career in the early 1920s at minor theatres in Germany. He quickly achieved more important roles and appeared as The Prince of Homburg at the Deutsche Theater under the direction of Max Reinhardt. One of Fröhlich's first film roles was composer Franz Liszt in Paganini in 1922. This was followed by a string of bit parts and supporting roles in film. He landed his breakthrough role as Freder Fredersen in Fritz Lang's film epic Metropolis (1927). Although the film itself was a financial failure, it established him as a leading film star in Germany. He was also notable for his appearance in Asphalt (1929), in which his restrained performance is still impressive today. In 1930 he was called to Hollywood to play roles in German versions of American films such as Die heilige Flamme and Kismet. He often appeared in musicals or comedies as a romantic hero and smart gentleman.
Third Reich
In 1933, Fröhlich directed the film, Rakoczy-Marsch, in which he also portrayed the leading role. He would direct another seven films and was screenwriter on five, until the 1950s.
During the Third Reich, Gustav Fröhlich remained one of the foremost male stars in German film (along with Hans Albers, Willy Fritsch and Heinz Rühmann). Between 1931 and 1935, Fröhlich was married to Hungarian opera star, and actress Gitta Alpár, with whom he had a child, Julika. He was engaged to the actress Lida Baarova until she became involved with the Nazi propaganda minister, Joseph Goebbels. There is also an unconfirmed story that Fröhlich slapped Goebbels in a fit of jealous rage.[1] In 1937, he rented his house in Berchtesgaden to Hitler's architect, Albert Speer. In 1941, he served in the Wehrmacht Landschützen-Regiment and in the same year, married Maria Hajek. They remained married until her death in 1987.
Later life
Gustav Fröhlich was seldom involved in Nazi Propaganda films, a fact that helped him to establish a new film career after World War II. He remained a busy actor after the war but his roles changed from leading men to supporting parts as he got older. His best-known role during this time was perhaps in Die Sünderin (1951) with Hildegard Knef, in which Fröhlich portrayed a terminally ill painter. Die Sünderin caused a scandal because of its open treatment of several taboos such as nudity, suicide and euthanasia.
Fröhlich generally retired from film business in 1956, but he still managed to make occasional film and television appearances until the early 1980s. In 1973, he received the German Film Award for Lifetime Achievements. From 1956, Fröhlich lived in Lugano, Switzerland, where he died in 1987, from complications after surgery.
Filmography
- De bruut (1922)
- Der Weg zum Licht (1923)
- Paganini (1923)
- The Woman Who Did (1925)
- Friesenblut (1925)
- Ship in Distress (1925)
- The Woman Who Couldn't Say No (1926)
- Metropolis (1927)
- The Master of Nuremberg (1927)
- Light-Hearted Isabel (1927)
- Die Elf Teufel (1927)
- Gehetzte Frauen (1927)
- Jahrmarkt des Lebens (1927)
- Eva and the Grasshopper (1927)
- Tough Guys, Easy Girls (1927)
- Homecoming (1928)
- Angst (1928)
- The Foreign Legionnaire (1928)
- The Duty to Remain Silent (1928)
- The Green Alley (1928)
- Hurrah! I Live! (1928)
- Asphalt (1929)
- The Burning Heart (1929)
- High Treason (1929)
- Two People (1930)
- Fire in the Opera House (1930)
- The Immortal Vagabond (1930)
- Liebeslied (1930)
- The Sacred Flame (1931)
- The Company's in Love (1931)
- Gloria (1931)
- Kismet (1931)
- Liebeskommando (1931)
- Sang viennois (1931)
- My Leopold (1931)
- A Waltz by Strauss (1931)
- Inquest (1931)
- Ein Lied, ein Kuß, ein Mädel (1932)
- Gitta entdeckt ihr Herz (1932)
- Ich will nicht wissen, wer du bist (1932)
- A Man with Heart (1932)
- Mein Leopold (1932)
- Under False Flag (1932)
- The Racokzi March (1933, also directed)[2]
- Die Nacht der großen Liebe (1933)
- Gardez le sourire (1933)
- Rund um eine Million (1933)
- Sonnenstrahl (1933)
- What Women Dream (1933)
- Abenteuer eines jungen Herrn in Polen (1934, also directed)
- Der Flüchtling von Chicago (1934)
- Sergeant Schwenke (1934)
- Barcarole (1935)
- Es flüstert die Liebe (1935)
- Leutnant Bobby, der Teufelskerl (1935)
- Liebesleute (1935)
- Nacht der Verwandlung (1935)
- Stradivari (1935)
- Die Entführung (1936)
- Die Stunde der Versuchung (1936)
- Inkognito (1936)
- The Impossible Woman (1936)
- City of Anatol (1936)
- Alarm in Peking (1937)
- Gabriele: eins, zwei, drei (1937)
- Gleisdreieck (1937)
- The Great and the Little Love (1938)
- Frau Sixta (1938)
- In geheimer Mission (1938)
- Adieu Vienne (1939)
- Alarm at Station III (1939)
- Renate in the Quartet (1939)
- Alles Schwindel (1940)
- Herz - modern möbliert (1940)
- Herz geht vor Anker (1940)
- Ihr Privatsekretär (1940)
- Clarissa (1941)
- Sechs Tage Heimaturlaub (1941)
- Der Große König (1942)
- Mit den Augen einer Frau (1942)
- Tolle Nacht (1943)
- Der Große Preis (1944)
- The Buchholz Family (1944)
- Das Konzert (1944)
- Marriage of Affection (1944)
- Paths in Twilight (1945, only director)
- Tell the Truth (1946)
- Das Verlorene Gesicht (1948)
- Eine Alltägliche Geschichte (1948)
- Wege im Zwielicht (1948, also director)
- I'll Never Forget That Night (1949)
- Der Große Fall (1949)
- The Prisoner (1949, only director)
- This Man Belongs to Me (1950)
- The Lie (1950, only director)
- Die Sünderin (1951)
- Stips (1951)
- Torreani (1951, also directed)
- Abenteuer in Wien (1952)
- House of Life (1952)
- Marriage for One Night (1953)
- We'll Talk About Love Later (1953)
- Ball der Nationen (1954)
- The Little Town Will Go to Sleep (1954)
- Rosen aus dem Süden (1954)
- His Daughter is Called Peter (1955, only director)
- The First Day of Spring (1956)
- Vergiß wenn Du kannst (1956)
- Sag nicht addio (1956)
- Das gab's nur einmal (1958)
- …und keiner schämte sich (1960)
- Das Kriminalmuseum (TV series, 1963)
- Die Dubarry (TV film, 1963)
- Laubenkolonie (TV film, 1968)
- Schicht in Weiß (TV series, 1980)
- Pommi Stern (TV film, 1981)