Gregory Ain

Gregory Ain
Born March 28, 1909
Poprad, Slovakia
Died January 9, 1988(1988-01-09) (aged 79)
Occupation Architect

Gregory Ain (March 28, 1908 – January 9, 1988) was an American architect active in the mid-20th century. Working primarily in the Los Angeles area, Ain is best known for bringing elements of modern architecture to lower- and medium-cost housing. He addressed "the common architectural problems of common people".[1]

Esther McCoy said "Ain was an idealist who gave the better part of ten years to combatting outmoded planning and building codes, and hoary real estate practices."[2]

Biography

Born in Pittsburgh, PA in 1908, Ain was raised in the Lincoln Heights neighborhood of Los Angeles. For a short time during his childhood, the Ain family lived at Llano del Rio, an experimental collective farming colony in the Antelope Valley of California.

He was inspired to become an architect after visiting the Schindler House as a teenager. He attended the University of Southern California School of Architecture in 1927–28, but dropped out after feeling limited by the school's Beaux Arts training.

His primary influences were Rudolph Schindler and Richard Neutra. He worked for Neutra from 1930 to 1935, along with fellow apprentice Harwell Hamilton Harris, and contributed to Neutra's major projects of that period.

Avenel Housing Group, Silver Lake, Los Angeles, California

Following his collaborative relationship with Richard Neutra, in 1935 Ain cultivated an individual practice designing modest houses for working-class and middle class clients.

Ain was awarded a Guggenheim Fellowship in 1940 to study housing. During World War II, Ain was Chief Engineer for Charles and Ray Eames in the development of their well-known leg-splints and plywood chairs, including the DCW and LCW series.

The 1930s and 1940s represented Ain's most productive period. During this period, his principled quest to address "the common architectural problems of common people", prompted the implementation of flexible floor plans and open kitchens.In the 40's he formed a partnership with Joseph Johnson and Alfred Day in order to design large housing tracts. Major projects of this period included Community Homes, Park Planned Homes, Avenel Homes, and Mar Vista Housing. He collaborated with landscape architect Garrett Eckbo on each of these projects. They were an expression of Mid-century modern design. Ain also practiced in a "loose partnership" with James Garrott, and they built a small office building together on Hyperion Avenue in the Silver Lake neighborhood. These projects attracted the attention of Philip Johnson, the curator of architecture at the Museum of Modern Art, who commissioned Ain to design and construct MoMA's second exhibition house in the museum's garden in 1950, following that of Marcel Breuer in 1949.[3]

In the late early 50s, Ain's practice was diminished as he was perceived as a communist.[1] For example, in 1949 he was listed by the California Senate Factfinding Subcommittee on Un-American Activities as "among the committee's most notorious critics."[4] The growing "Red Scare" caused him to lose several opportunities, including participation in John Entenza's Case Study Program.

Ain also taught architecture at USC after the war. Then, from 1963 to 1967, he served as the Dean of the Pennsylvania State University School of Architecture. He then returned to Los Angeles and died in 1988.[5]

Ain's papers are kept at the Architecture and Design Collection, at the Art, Design & Architecture Museum, at the University of California, Santa Barbara.[6]

Buildings

Awards and honors

References

  1. 1 2 Denzer, Anthony (2008). Gregory Ain: The Modern Home as Social Commentary. New York: Rizzoli Publications. ISBN 0-8478-3062-4. OCLC 232365832.
  2. ↑ Esther McCoy, "Gregory Ain" lecture manuscript (1982)
  3. 1 2 Denny, Phillip R. (August 9, 2017). "The Architect, the Red Scare and the House That Disappeared". New York Times. nytimes.com. Retrieved 2017-08-12. Print version, "The Architect and the House That Vanished", August 12, 2017, p. C3.
  4. ↑ Report of the Senate Fact-Finding Committee on Un-American Activities (1949)
  5. ↑ Kaplan, Sam Hall (January 24, 1988). "Ain's Contributions Remembered". Los Angeles Times.
  6. ↑ link to Finding Aid
  7. ↑ "Los Angeles Historic-Cultural Monument Application" (PDF). 2009.
  8. ↑ Thornburg, Barbara (August 23, 2008). "Modern architecture mixes with traditional furnishings in Los Angeles house". Los Angeles Times.
  9. ↑ "Los Angeles Historic-Cultural Monument Application" (PDF). 2009.
  10. ↑ Schneider, Iris (August 2, 2013). "New life for Gregory Ain house in Silver Lake". Los Angeles Times.
  11. 1 2 Treib, Marc, and Dorothée Imbert (1997). Garrett Eckbo: Modern Landscapes for Living. University of California Press.
  12. ↑ "Gregory Ain Mar Vista Tract Historical Preservation Overlay Zone (City of Los Angeles)" (PDF).
  13. ↑ "NRHP nomination" (PDF). 2004.
  14. ↑ Denzer, Anthony (Fall 2005). "Community Homes: Race, Politics and Architecture in Postwar Los Angeles". Southern California Quarterly. 87 (3): 269–285. JSTOR 41172271.
  15. ↑ "Exhibition House with Sliding Walls Opens May 19 in Museum Garden" (PDF) (Press release). Museum of Modern Art. 1950.
  16. ↑ O'Connor, Pauline (Jul 31, 2017). "Landmarked midcentury modern by Gregory Ain in Pasadena lists for $3M". Curbed.com.
  17. ↑ Goldin, Greg (August 18, 2011). "Ben Margolis and Gregory Ain: A meeting of radical minds". Los Angeles Times.
  18. ↑ "Los Angeles Historic-Cultural Monument Application" (PDF). 2008.

Other sources

  • McCoy, Esther (1984). The Second Generation. Gibbs Smith. ISBN 0-87905-119-1. 
  • Gebhard, David; Von Breton, Harriette; Bricker, Lauren Weiss (1980). The Architecture of Gregory Ain: The Play Between the Rational and High Art. University of California, Santa Barbara. ISBN 9780940512061. 
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