Flor Silvestre

Flor Silvestre

Flor Silvestre in 1956
Born Guillermina Jiménez Chabolla
(1930-08-16) 16 August 1930
Salamanca, Guanajuato, Mexico
Residence El Soyate, Villanueva, Zacatecas, Mexico
Occupation
  • Singer
  • actress
  • equestrienne
Years active 1943–present (singing)
1950–1990 (acting)
Spouse(s) Andrés Nieto
Paco Malgesto
(m. 1953; div. 1958)
Antonio Aguilar
(m. 1959; d. 2007)
Children Dalia Inés
Francisco Rubiales
Marcela Rubiales
Antonio Aguilar, hijo
Pepe Aguilar
Relatives La Prieta Linda (sister)
Mary Jiménez (sister)
Awards Eduardo Arozamena Medal
Website florsilvestreoficial.com
Musical career
Genres
Instruments Vocals
Labels
Associated acts

Guillermina Jiménez Chabolla (born 16 August 1930),[1] known by her stage name Flor Silvestre, is a Mexican singer, actress, and equestrienne.[2] She is one of the most prominent and successful performers of Mexican and Latin American music,[3] and is a star of classic Mexican films. Her more than 70-year career[4] includes stage productions, radio programs, records, films, television programs, comics, and rodeo shows.

Famed for her melodious voice and unique singing style, hence the nicknames "La Sentimental" ("The Sentimental One") and "La Voz Que Acaricia" ("The Voice That Caresses"), Flor Silvestre is a notable interpreter of the ranchera, bolero, bolero ranchero, and huapango genres. She has recorded more than 300 songs for three labels: Columbia, RCA Víctor, and Musart. In 1945, she was announced as the "Alma de la Canción Ranchera" ("Soul of Ranchera Song"),[5] and in 1950, the year in which she emerged as a radio star, she was proclaimed the "Reina de la Canción Mexicana" ("Queen of Mexican Song").[6] In 1950, she signed a contract with Columbia Records and recorded her first hits, which include "Imposible olvidarte", "Que Dios te perdone", "Pobre corazón", "Viejo nopal", and "Guadalajara". In 1957, she began recording for Musart Records and became one of the label's exclusive artists with numerous best-selling singles, such as "Cielo rojo", "Renunciación", "Gracias", "Cariño santo", "Mi destino fue quererte", "Mi casita de paja", "Toda una vida", "Amar y vivir", "Gaviota traidora", "El mar y la esperanza", "Celosa", "Vámonos", "Cachito de mi vida", "Miel amarga", "Perdámonos", "Tres días", "No vuelvo a amar", "Las noches las hago días", "Estrellita marinera", and "La basurita", among others. Many of her hits charted on Cashbox Mexico's Best Sellers and Record World Latin American Single Hit Parade.[7] She also participated in her husband Antonio Aguilar's musical rodeo shows.

Flor Silvestre appeared in more than seventy films between 1950 and 1990. Beautiful and statuesque, she became one of the leading stars of the "golden age" of the Mexican film industry. She made her acting debut in the film Primero soy mexicano (1950), directed by and co-starring Joaquín Pardavé. She played opposite famous comedians, such as Cantinflas in El bolero de Raquel (1957). Director Ismael Rodríguez gave her important roles in La cucaracha (1959), and Ánimas Trujano (1962), which was nominated for an Academy Award for Best Foreign Language Film.[8] She was also the star of the comic book La Llanera Vengadora.[9] In 2013, the Association of Mexican Cinema Journalists honored her with the Special Silver Goddess Award.

Early life

Flor Silvestre was born Guillermina Jiménez Chabolla on 16 August 1930 in Salamanca, Guanajuato.[1] She is the third child and second daughter of Jesús Jiménez Cervantes, a butcher,[10] and María de Jesús Chabolla Peña (c. 1907 – 5 September 1993).[11] Her elder siblings are Francisco "Pancho" and Raquel; her younger siblings are Enriqueta "La Prieta Linda", José Luis, María de la Luz "Mary", and Arturo. Enriqueta and María de la Luz also became singers. Her maternal grandparents were Felipe Chabolla and Inés Peña.[11]

Flor Silvestre was raised in her parents' home in Salamanca, where she began singing at a very young age. The songs she sang in those days belonged to the pasodoble, tango, and bolero genres, which were popular in Mexico in the late 1930s. She also admired popular singers Jorge Negrete and Lucha Reyes.[10] Her interest in singing and acting led her to participate in local festivals.[12] She completed primary school in Salamanca, and later moved to Mexico City, where she was enrolled in the Escuela Bancaria Comercial Milton.[13]

Career

1943–1949: Early stage and radio success

Teatro del Pueblo, where Flor Silvestre made her debut

Flor Silvestre's singing career began in Mexico City around 1943. She was 13 when she and her father attended a performance of the Mariachi Pulido at the Teatro del Pueblo in the Abelardo L. Rodríguez Market. After the performance was over, she got up on stage and asked the stage director if she could sing. The Mariachi Pulido's director refused to perform with her, since they did not collaborate with amateurs. However, the stage manager told her that he would let her sing the following week and promised to hire a mariachi from the famous Tenampa bar to perform with her. On the day of her debut as a singer, she sang popular songs such as "La canción mexicana", "Yo también soy mexicana", and "El herradero" and received an ovation from the audience.[13] Her stage performances were also broadcast by Mexico's national radio station XEFO. One of the first songs she sang on radio was "La soldadera", by a famous songwriter named José de Jesús Morales.[13] Her first stage names were La Soldadera ("the female soldier"), based on the success of the aforementioned song, and La Amapola ("the poppy"), because an announcer told her that she looked "like a flower", until she was required to choose another name since those were already in use.[13] She then chose Flor Silvestre ("wild flower"), the title of a 1943 drama film starring Dolores del Río, as her stage name.[13]

In 1946, she was invited to perform at the inauguration of Guadalajara's Juárez movie theater.[14] In the late 1940s, Silvestre won a singing contest sponsored by the XEW radio station which led to many contracts, including one for her to perform at the important Teatro Colonial, where she caught the attention of showmen who hired her for tours across northern Mexico and South America.[13] Upon her return from those tours, she sang at El Patio, where she met producer Gregorio Walerstein, who invited her to participate in films.[13]

1950–1952: Acting debut and first records

Flor Silvestre on the cover of Cinema Reporter, February 1950

Her musical career in radio started to rise in 1950, as reporter Mónica Fio noticed:

We unreservedly commend the young singer "Flor Silvestre" because her radio career, though quick, is made with effort, perseverance and study. Whenever we hear her programs we confirm that she does not abandon herself to passing and easy successes, but seeks to overcome. This is how one reaches the goal. This is how one creates prestige. This is how one triumphs.[15]

Silvestre made her acting debut alongside Joaquín Pardave, Luis Aguilar and fellow film newcomer Francisco Avitia, also a ranchera singer, in the comedy Primero soy mexicano (1950), a Walerstein production.[16] She worked with Aguilar and Francisco Avitia again in El tigre enmascarado (1951). She played the female lead in El lobo solitario, La justicia del lobo, and Vuelve el lobo (all in 1952).

Flor Silvestre made her first records in 1950 for Columbia Records' Mexican branch. She recorded twelve songs for the label, one on each side of six 78 rpm singles. These songs also became her first hits. "Imposible olvidarte", "Que Dios te perdone", "Pobre corazón", "Viejo nopal", "Guadalajara", and "Mi amigo el viento" were recorded with Gilberto Parra's mariachi. "Siempre el amor", "Con un polvo y otro polvo", "Adoro a mi tierra", "La presentida", "Llorar amargo", and "Oye, morena"[17] were recorded with Rubén Fuentes' mariachi. After recording her first singles, Flor Silvestre formed a duet with her then-unknown sister La Prieta Linda named Las Flores; they recorded two songs—"Los desvelados"[18] and "Lo traigo en la sangre"[19] (with Rubén Fuentes' mariachi)—for Columbia.

1955–1957: Return to films and television debut

Flor Silvestre dancing with comedian Tin Tan, her co-star in ¡Paso a la juventud..! and Escuela de verano

In 1955, she and Miguel Aceves Mejía starred the radio program Su programa Calmex, sponsored by Calmex Sardines.[20]

Silvestre's first color film was Miguel M. Delgado's La doncella de piedra (1956). Her first film co-starring Antonio Aguilar, her future husband, was La huella del chacal (1956). She traveled to Nicaragua for Rapto al sol (1956), another color film. On Mother's Day 1957, she participated with great success in the television play Secreto de familia.[21] One of her famous roles was as Leonor, the mother of Cantinflas' godson, in the popular Eastmancolor comedy El bolero de Raquel (1957). She received top billing for the first time in Pueblo en armas (1959) and its sequel ¡Viva la soldadera! (1960), both directed by Miguel Contreras Torres. She had a supporting role opposite María Félix in Ismael Rodríguez's Mexican Revolution epic La cucaracha (1959); she also sang "Te he de querer", "La chancla", and "La Valentina" for the film's soundtrack album, La cucaracha: Música de la película, released by Musart Records.[22]

1958–1963: First recordings for Musart Records and Ánimas Trujano

Flor Silvestre, her first Musart album, was released around 1958. It includes her early Musart hits, such as "El ramalazo", "¡Qué bonito amor!", "La flor de la canela", "Échame a mí la culpa", "Ay el amor", "Lágrimas del alma", and "Amémonos".

In 1960, she starred opposite the popular comedy duo Viruta and Capulina in Dos locos en escena.

In 1961, she rerecorded "Cielo rojo" for Musart, accompanied by Pepe Villa's Mariachi México. This second version also became a success and is the first track of her second Musart album, Flor Silvestre con el Mariachi México. The album also includes her early 1960s hits, "Pa' todo el año", "Renunciación", "Desolación", "El peor de los caminos", "Aquel inmenso amor", and "Para morir iguales".

One of her major roles was as Catalina, the beautiful, sensuous flirt, in the Oscar-nominated, Golden Globe-winning drama film Ánimas Trujano (1962), co-starring Toshiro Mifune and Columba Domínguez. This was her second collaboration with film director Ismael Rodríguez after her supporting role in La cucaracha.

1964–1969

María Duval and Flor Silvestre in Tres muchachas de Jalisco (1964)

In early 1964, she released her third Musart album, Flor Silvestre con el Mariachi México, vol. 2, which includes her hits "Gracias", "Perdí la partida", "Bendición de Dios", "Árboles viejos", "Te digo adiós", "Un jarrito", "Quédate esta vez", and "Plegaria". Her fourth Musart album, La sentimental (1964), includes both ranchera and bolero songs. It is her first album without mariachi arrangements; Benjamín "Chamín" Correa is credited as the album's guitarist. La sentimental peaked at number 9 on Record World Latin American LP Hit Parade.[23] "Mi destino fue quererte" peaked at number 4 on Record World Latin American Single Hit Parade[24] and became one of Flor Silvestre's signature songs. In December 1964, Cashbox ranked her among the top ten Mexican folk singers of the year.[25]

Her fifth Musart album, La acariciante voz de Flor Silvestre, was released in 1965. One of the album's singles, "Una limosna", topped the Record World Latin American Single Hit Parade chart.[26] The album also includes her hits "Gaviota traidora", "El mar y la esperanza", "Amor se escribe con llanto", and "Espumas".

Celosa con Flor Silvestre y otros éxitos (1966), her sixth studio album for Musart Records, peaked at number 11 on Record World Latin American LP Hit Parade.[27] The album's lead single, "Celosa", peaked at number 9 on Cashbox Mexico's Best Sellers[28] and number 4 on Record World Latin American Single Hit Parade.[29] "¿Por qué, Dios mío?", another single included in Celosa, also charted well on Record World Latin American Single Hit Parade.[30]

In 1967, she released two albums, Boleros rancheros con la acariciante voz de Flor Silvestre and Flor Silvestre, vol. 6, and made her last film of the decade, El as de oros.

In 1968, she released two albums, Flor Silvestre, vol. 7 and Flor Silvestre, vol. 8. Flor Silvestre, vol 7 includes "Reconciliación", one of her major hits from the late 1960s, as well as several other hits, including "Cenizas de amor", "Cariño malo", "Triunfamos", and "Tres días". Flor Silvestre, vol. 8 features arrangements by famous guitarist Antonio Bribiesca[31] and composer Gustavo A. Santiago and includes the hits "No vuelvo a amar" and "Tú, sólo tú".

1970–1989

In 1970, she released her album Amor, siempre amor,[32] accompanied by the Mariachi Guadalajara. The album features innovative mariachi, piano, harmonica, and steel (Hawaiian) guitar arrangements in its songs. Its first track, "La cruz de lo imposible", is songwriter Lupita Ramos' first work.[33] This was Flor Silvestre and Ramos' first collaboration; Ramos went on to author several other songs for Flor Silvestre. Another notable track is "La mitad de mi orgullo", by José Alfredo Jiménez.

In the early 1970s, she recorded her first bolero album, Y las canciones de sus tríos favoritos. The album features cover versions of popular boleros from the 1950s, including "Un siglo de ausencia", "Condición", "El reloj", and "La barca". Cashbox included the album in its Latin Picks section and described it as "a masterpiece for lovers of Latin boleros".[34] It was later rereleased as Sus canciones favoritas con... Flor Silvestre (LP reissue) and Mis boleros favoritos (CD reissue).

Flor Silvestre on location in Uxmal, Yucatán, for the film Peregrina (1974)

In 1972, she released three albums: Una gran intérprete y dos grandes compositores, a tribute to songwriters Cornelio Reyna and Ferrusquilla; La voz que acaricia, which includes her hits "Solo con las estrellas" and "Hastío"; and Canciones con alma, her second album of bolero songs. She sang two tracks from Una gran intérprete y dos grandes compositores in the two films she made that year; she sang "Tema eterno" in La yegua colorada and "No me lo tomes a mal" in Valente Quintero. Billboard included Canciones con alma in its Top Album Picks section and wrote, "A good solid LP overall of love ballads. Best cuts: 'Vuelve', 'Tormento', 'Quisiera'".[35]

In 1973, she played one of Pancho Villa's lovers in La muerte de Pancho Villa and released her first norteño album, La onda norteña de Flor Silvestre. The album's cover is a photograph of her as the character in the film. She also played Felipe Carrillo Puerto's wife, Isabel Palma, in the film Peregrina (released in 1974), in which she sang the Guty Cárdenas bolero "Quisiera".

In 1974, she released her album Con todo mi amor a mi lindo Puerto Rico, which is a tribute to two famous Puerto Rican songwriters, Rafael Hernández and Pedro Flores. For this album she recorded four Hernández songs, "Campanitas de cristal", "Inconsolable", "No me quieras tanto", and "Silencio", and three Flores songs, "Obsesión", "Amor", and "Esperanza inútil".

Flor Silvestre in 1974

She sang "La palma" in Simón Blanco (1975) and played the female leads in Don Herculano enamorado (1975), El moro de cumpas (1977), and Mi caballo el cantador (1979).

In 1978, she released her album Ahora sí va en serio, which includes several songs written by Joan Sebastian. The title track was included in the Cashbox Latin Singles to Watch list.[36] Other Sebastian songs included in the album are "Levantado en armas", "Te regalo mi pena", and "Trono caído".

In 1979, Cashbox included her single "Morir al lado de mi amor" in its Latin Singles to Watch list.[37]

1990–present

She made her final film, Triste recuerdo, in 1990. In 1991, she recorded her first banda album, Flor Silvestre con tambora, which includes a banda version of one of her bolero hits, "Caricia y herida".

In 1994, she released her album Me regalo contigo, which includes a song dedicated to her marriage with Aguilar, "Para siempre juntos", and a vallenato song, "Sólo para ti".

In 2001, she released her second banda album, Flor Silvestre con tambora, which includes new versions of her 1960s hits "Cariño santo", "Celosa", "Desolación", "Mi destino fue quererte", and "El mar y la esperanza".

On 21 December 2010, she released her most recent album, Soledad: canto a mi amado y a su recuerdo, which she dedicated to her late husband.[38] The album features interesting songs she had never recorded before, such as "Soledad", "Y llegaste tú", "El andariego", "Luz de luna", "Amanecí en tus brazos", "Las ciudades", "Los ejes de mi carreta", and "Sombras".

On 9 March 2015, her documentary Flor Silvestre: su destino fue querer premiered at Zapopan's Plaza de las Américas as part of the Guadalajara International Film Festival.[39][40] The 24-minute documentary features interviews with Flor Silvestre, who recounts her life and career; her five children, Dalia, Francisco, Marcela, Antonio, and Pepe; and singers Angélica María and Guadalupe Pineda.

In 2016, she was featured on "Para morir iguales", a track of her son Antonio's most recent album, Caballo viejo.[41]

Personal life

Antonio Aguilar and Flor Silvestre on their wedding day

Flor Silvestre married her first husband, Andrés Nieto,[42] in the 1940s. She gave birth to her first child, singer and dancer Dalia Inés Nieto, when she was 16 years old.[43]

Around 1953, Flor Silvestre married announcer and presenter Francisco Rubiales Calvo, whose stage name was "Paco Malgesto."[44] They had two children, translator Francisco Rubiales and singer and actress Marcela Rubiales.[43] The couple separated and began divorce proceedings in 1958.[45]

Flor Silvestre's third and last husband was singer and actor Antonio Aguilar, who died in 2007. He was the love of her life. They first met in 1950 when he was invited to sing on her program Increíble pero cierto at the Verde y Oro studio of radio station XEW in Mexico City. In 1955, they made their first film together, La huella del chacal, but their relationship began when they made the film El rayo de Sinaloa in 1957. They married in 1959 (or 1960, according to some sources) and had two sons who also became singers and actors, Antonio "Toño" Aguilar and José "Pepe" Aguilar. Aguilar built her a spacious home and ranch, El Soyate, northeast of Tayahua, Zacatecas.

On 28 February 2012, Flor Silvestre underwent surgery to extirpate the cancer-stricken half of her right lung.[46] She responded well to the surgery.[47]

Awards and honors

Discography

Flor Silvestre made her first recordings in 1950 for the Mexican Columbia label (Discos Columbia de México). In these recording sessions, she was backed up by the mariachis of Gilberto Parra and Rubén Fuentes. Ten of these recordings, which were originally released on 78 rpm singles, were included in the greatest hits album Flor Silvestre canta sus éxitos, released in 1964 by Columbia's subsidiary label Okeh. This compilation album was later remastered and reissued in digital format by Sony Music Entertainment México in 2016.

Flor Silvestre also recorded some songs for the RCA Víctor label in 1957. For this label, she recorded a single containing her first version of "Cielo rojo" on side A and "Qué padre es la vida" on side B.

In 1957, Flor Silvestre signed a contract with the Musart label. Among her first recordings for Musart are the songs "Nuestro gran amor" and "Pajarillo de la sierra", included in the soundtrack album of the Heraclio Bernal films, and "Te he de querer", "La chancla", and "La Valentina", included in the soundtrack album for the film La cucaracha. In 1958, she released her first studio album for Musart, Flor Silvestre. Musart has more than 300 of Flor Silvestre's recordings, many of them available in digital format since 2008.

Studio albums

This list is incomplete; you can help by expanding it.

Compilation albums

This list is incomplete; you can help by expanding it.

Filmography

References

  1. 1 2 "Guillermina Jimenez-chabolla, "United States, Border Crossings from Mexico to United States, 1903-1957"". FamilySearch. Retrieved 30 May 2013.
  2. ↑ "Festival star also a gourmet cook". Arizona Republic. 1 September 1976. p. 98. Retrieved 1 August 2017. Flor Silvestre is a talented equestrienne, actress and singer.
  3. ↑ "Native and Foreign Stars Score With Audiences". Billboard. 16 December 1967. p. M-14. Retrieved 9 September 2016.
  4. ↑ "Flor Silvestre recibe Diosa de Plata especial por su trayectoria". El Informador. 31 July 2013. Retrieved 7 August 2014.
  5. ↑ "Coliseo Olímpico: Viernes 14 de diciembre de 1945, Grandioso Debut de: El Chino Herrera Con la Gran Compañía de Revistas y Atracciones en la que figuran:... Flor Silvestre Alma de la Canción Ranchera". El Informador. 12 December 1945. p. 6.
  6. ↑ "Flor Silvestre: Reina de la Canción Mexicana. Estrella de Cine". El Informador. 25 July 1950. p. 6.
  7. ↑ "Latin American Single Hit Parade" (PDF). Record World. 21 May 1966. Retrieved 24 March 2017.
  8. ↑ "The 34th Academy Awards (1962)". Academy of Motion Picture Arts and Sciences. Retrieved 6 January 2015.
  9. ↑ "An International Catalogue of Superheroes". Retrieved 30 November 2011.
  10. 1 2 "Entrevista Lic. Esparza con Flor Silvestre". YouTube. Retrieved 30 March 2017.
  11. 1 2 "Maria de Jesus Chabolla Pena Mexico, Distrito Federal, Civil Registration, 1832-2005". FamilySearch. Retrieved 6 August 2014.
  12. ↑ Liner notes by Raúl Vieyra for the album Flor Silvestre, vol. 6.
  13. 1 2 3 4 5 6 7 Kühne, Cecilia (23 October 2003). "Una flor que comenzó cantando". Imagen. Retrieved 21 October 2014.
  14. ↑ "Se Inauguró Solemnemente el Teatro "Juárez": El C. Gobernador del Estado pronunció unas palabras – Asistieron artistas de México". El Informador. 22 November 1946.
  15. ↑ Fio, Mónica (9 April 1950). "Micrófono: "Flor Silvestre"". El Siglo de Torreón. Retrieved 16 January 2015.
  16. ↑ "Flor Silvestre, estandarte de la música ranchera". Retrieved 9 December 2011.
  17. ↑ "Novedades de esta Semana y de más Exito". El Siglo de Torreón. 8 July 1951. Retrieved 21 October 2014.
  18. ↑ "Los Desvelados by Dueto Las Flores". The Strachwitz Frontera Collection of Mexican and Mexican American Recordings. Retrieved 3 July 2017.
  19. ↑ "Lo Traigo En La Sangre by Dueto Las Flores". The Strachwitz Frontera Collection of Mexican and Mexican American Recordings. Retrieved 3 July 2017.
  20. ↑ "Advertisement for Su programa Calmex". El Siglo de Torreón. 2 January 1955. Retrieved 21 October 2014.
  21. ↑ "El Cine en México: Flor Silvestre Artista de Cine y TV.". El Siglo de Torreón. 9 June 1957. Retrieved 21 October 2014.
  22. ↑ "Liner notes for the album La cucaracha: Música de la pelicula.". Retrieved 9 January 2015.
  23. ↑ "Latin American LP Hit Parade" (PDF). Record World. 23 April 1966. Retrieved 25 March 2017.
  24. ↑ "Latin American Single Hit Parade" (PDF). Record World. 30 April 1966. Retrieved 25 March 2017.
  25. ↑ "Mexico – Review 1964" (PDF). Cashbox. 26 December 1964. Retrieved 12 July 2016.
  26. ↑ "Latin American Single Hit Parade" (PDF). Record World. 21 May 1966. Retrieved 25 March 2017.
  27. ↑ "Latin American LP Hit Parade" (PDF). Record World. 3 September 1966. Retrieved 25 March 2017.
  28. ↑ "Mexico's Best Sellers" (PDF). Record World. 9 April 1966. Retrieved 25 March 2017.
  29. ↑ "Latin American Single Hit Parade" (PDF). Record World. 30 July 1966. Retrieved 25 March 2017.
  30. ↑ "Latin American Single Hit Parade" (PDF). Record World. 29 April 1967. Retrieved 25 March 2017.
  31. ↑ "Flor Silvestre con la guitarra de A. Bribiesca" (PDF). Record World. 29 March 1969. Retrieved 21 July 2017.
  32. ↑ "Flor Silvestre "Amor Siempre Amor"" (PDF). Record World. 4 July 1970. Retrieved 21 July 2017.
  33. ↑ "Biografía de Lupita Ramos". Sociedad de Autores y Compositores de México. Retrieved 21 July 2017.
  34. ↑ "Latin Picks" (PDF). Cashbox. 21 October 1978. Retrieved 21 July 2017.
  35. ↑ "Billboard's Top Album Picks" (PDF). Billboard. 28 July 1973. Retrieved 19 July 2017.
  36. ↑ "Latin - Singles To Watch" (PDF). Cashbox. 18 November 1978. Retrieved 19 July 2017.
  37. ↑ "Latin Picks" (PDF). Cashbox. 23 June 1979. Retrieved 19 July 2017.
  38. ↑ "FLOR SILVESTRE: SOLEDAD". Google Play. Retrieved 9 January 2015.
  39. ↑ Jiménez, Lorena (7 March 2015). "Flor Silvestre, una vida musical". Mural. Retrieved 9 March 2015.
  40. ↑ "Flor Silvestre, pilar de la dinastía Aguilar, estrena documental". Esto. 7 March 2015. Retrieved 9 March 2015.
  41. ↑ "Vuelve Antonio Aguilar, hijo". El Sol de Mexico. 2 March 2016. Retrieved 12 July 2016.
  42. ↑ "Issues 142-158". Por esto!. Nuestra América, S.A. 1985. p. 38. Retrieved 7 October 2016.
  43. 1 2 "Muestra Dalia Inés 'orgullo' familiar". lasnoticiasmexico.com. Retrieved 28 May 2013.
  44. ↑ "Paco Malgesto falleció ayer". El Siglo de Torreón. 23 June 1978. Retrieved 7 October 2016.
  45. ↑ "Un Aplazamiento Del Divorcio De Malgesto y Flor Silvestre". El Heraldo de Brownsville. UPI. 3 July 1958. Retrieved 7 October 2016.
  46. ↑ "Le extirparon la mitad del pulmón derecho a la mamá de Pepe Aguilar". TVyNovelas. Retrieved 28 May 2013.
  47. ↑ "Flor Silvestre fue operada de tumor en el pulmón". Univision. Retrieved 28 May 2013.
  48. ↑ "Discos Musart Awards The Golden Clover To Its Best Selling Artists - 1969". Billboard. 28 February 1970. Retrieved 12 May 2015.
  49. ↑ Guzmán Frías, Habacuc (14 November 2001). "Reconocen trayectoria de la dinastía Aguilar". El Universal. Retrieved 11 November 2014.
  50. ↑ "Celebran el Los Ángeles desfile por la Independencia de México". Horacero. 7 September 2008. Retrieved 12 May 2015.
  51. ↑ Camacho, Alma Rosa (28 September 2009). "Flor Silvestre y Lucha Villa serán homenajeadas". Esto. Retrieved 11 November 2014.
  52. ↑ Camacho, Alma Rosa (16 November 2012). "Antonio Aguilar y Flor Silvestre, homenajeados". Esto. Retrieved 11 November 2014.
  53. 1 2 Camacho, Alma Rosa (1 August 2013). "Reconocen a histriones del cine mexicano". El Sol de Puebla. Retrieved 11 November 2014.
  54. ↑ Ortiz, Isela (16 June 2014). "Emotivo homenaje a Flor Silvestre". El Sol de Zacatecas. Retrieved 11 November 2014.
  55. ↑ Casillas Gómez, Carlos (10 March 2015). "Homenajean a Flor Silvestre". La Cronica de Hoy - Jalisco. Retrieved 12 May 2015.
  56. ↑ "Rinden homenaje a Flor Silvestre en Los Ángeles". El Universal. 26 March 2015. Retrieved 12 May 2015.
  57. ↑ "Homenaje de Aguascalientes a la Señora Flor Silvestre". Palestra Aguascalientes. 7 May 2015. Retrieved 12 May 2015.
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