Floating World (Jade Warrior album)
Floating World | ||||
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Studio album by Jade Warrior | ||||
Released | 1974 | |||
Genre |
experimental rock ambient progressive rock | |||
Label | Island | |||
Producer | Jon Field, Tony Duhig | |||
Jade Warrior chronology | ||||
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Floating World is the fourth studio album by the British experimental rock band Jade Warrior released in 1974 by Island Records.[1] The band's experiments with the sounds which would later be labeled a world and ambient music came parallel to that of Brian Eno, who described Floating World as an 'important album'.[2]
History
After the end of the 1972 American tour, the band's Vertigo contract was cancelled and Jade Warrior dissolved. Stevie Winwood then urged Chris Blackwell of Island Records to give the band a hearing, and the latter proposed that Jon Field and Tony Duhig reform the band and sign a contract for three albums (later expanded to four) "as an ornament" to the label. Since Blackwell was interested in a primarily instrumental sound, the contract offered by Island was not extended to include Glyn Havard. Floating World was the first of these four releases that Field and Duhig made with miscellaneous guest musicians.[3]
On some pieces - particularly the more introspective ("Waterfall", "Rainflower" and "Memories of a Distant Sea"), multi-instrumentalists Duhig and Field provided all the instrumentation. On other tracks, such as "Easty", "Mountain of Fruit and Flowers" and "Red Lotus", guest musicians were brought in for the drums, string bass, harp, lead guitar and female voice ("Quba").[4]
Style and concept
Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | [5] |
Classic Rock | [6] |
Floating World is a concept album structured around the Japanese philosophy of Ukiyo, the acceptance of life and its surroundings, living only for the moment ("..like a gourd floating along the river current.." to quote the album's liner notes).[4] The sound of it has been described as "based on a unique combination of rock, jazz, classical and world influences, employing the extremities of dynamic range". AllMusic defines it as 'a complex set', noting that while "the compositions may be interlaced, ...the album itself is as diverse as any previous Jade offering".[5]
Among its high points, critics mentioned "Monkey Chant", a "collision of the ancient traditional Balinese Kecac pitted against David Duhig's screaming rock guitar solo" has been mentioned,[4] the opening "Clouds", juxtaposing 'an ethereal girls choir, tinkling wind chimes, glowing ambient passages, and incendiary guitar licks' and more aggressive "Red Lotus".[5] According to critic Jo-Ann Green, the "sheer diversity of sounds and moods, the constant clash or gentle intermingling of Eastern and Western styles, and the set's glittering atmospheres <make> Floating World an undeniable masterpiece".[5]
Musicians
- Tony Duhig – guitars, percussion
- Jon Field – flutes, percussion
Studio guests
- David Duhig – lead guitar (on "Monkey Chant")
- Graham Deakin – drums (on "Red Lotus")
- Martha Mdenge - vocals (on "Quba")
Track listing
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Clouds" | Jon Field, Tony Duhig | 2:52 |
2. | "Mountain of Fruit and Flowers" | Field, Duhig | 3:16 |
3. | "Waterfall" | Field, Duhig | 5:59 |
4. | "Red Lotus" | Field, Duhig | 4:34 |
5. | "Clouds" | Field, Duhig | 1:25 |
6. | "Rain Flower" | Field, Duhig | 2:46 |
7. | "Easty" | Field, Duhig | 5:26 |
8. | "Monkey Chant" | traditional | 2:22 |
9. | "Memories of a Distant Sea" | Field, Duhig | 3:37 |
10. | "Quba" | Field, Duhig, Martha Mdenge | 4:13 |
References
- ↑ "Floating World". www.discogs.com. Retrieved 2011-01-01.
- ↑ Casey Elston. "Jade Warrior biography". AllMusic. Retrieved 2011-01-01.
- ↑ "A History of Jade Warrior (version of 28 June 2010)". www.radagast.org. Retrieved 2011-01-01.
- 1 2 3 Peter Thelen. "Jade Warrior". gnosis2000.net. Retrieved 2010-01-18.
- 1 2 3 4 Jo-Ann Green. "Floating World review". AllMusic. Retrieved 2011-01-01.
- ↑ Barton, Geoff (December 2006). "Jade Warrior Floating World". Classic Rock. p. 99.