Elizabeth Laurence

Elizabeth Laurence
Born Elizabeth Jane Scott
(1949-11-22) 22 November 1949
Harrogate, England
Nationality British
Occupation Classical mezzo-soprano
Years active From 1985

Elizabeth Laurence (born Elizabeth Jane Scott, 22 November 1949, Harrogate, England)[1] is a classical mezzo-soprano singer. She is best known for her performances of 20th century operatic repertoire, and has created several operatic roles.

Biography

Elizabeth Laurence studied at Trinity College of Music, London.

In 1986, Laurence performed as Mallika (in Léo Delibes' Lakmé) in Montecarlo; concerts of Purcell's Dido and Aeneas (1983). Often invited to sing Jocasta (Stravinsky's Oedipus rex) in Madrid (1986, 1987, 2009) and Nancy (Britten's Albert Herring) for Glyndebourne Touring Company (1987), she created the role of Anna Arild in Nigel Osborne's opera The Electrification of the Soviet Union (1988, 1989) and Terrible Mouth (1992). In 1988, she made the BBC film of Bluebeard's Castle by Bartok in London, having performed it in Colmar, Alsace; she premiered this work in Tbilisi (1999) and Tokyo (1997); concerts in Festival St Riquier, France (1999).

In 1997 and 2001. Laurence played Geneviève in Debussy's Pélléas et Mélisande on tour France with Amaury du Closel. She sang Izuko in Cavanna's Les Confessions impudiques in Nanterre and Strasbourg (1990/1992). In 1994 she sang in concert Les Épisodes d'une vie d'artiste by Jacques Banc in Rotterdam. In 1989, at the Paris Opéra, she created the part of Behemoth in York Höller's opera Der Meister und Margarita. She sang in the premiere of Luciano Berio's Un re in ascolto there in (1989) followed by Lulu by Alban Berg (1989, 1999, 2003,); Médée by R.Liebermann (2002) with Lavelli and J Conlon; she also sang in Der Rosenkavalier (Annina) and Frau ohne Schatten (Stimme von Oben, doubling Amme). In 1989, she made her Covent Garden debut as the mezzo-soprano in the British première of Luciano Berio's Un re in ascolto. In 1991 she created the part of Lady de Hautdesert in Harrison Birtwistle's opera Gawain. Asked to sing Flora in La Traviata by Verdi in Marseille (1996), returning for Judith Symphony, by Jean Guillou and Salomé, by Richard Strauss. Later Falstaff (2004) England; Thomas Hamlet Queen Gertrude (2001). In 1997 she interpreted Die alte Frau in Wozzeck by Gurlitt in Rouen. Elizabeth Laurence sang la madre in Al gran sole carico d'amore by Luigi Nono (1999) with acclaim in Hamburg Staatsoper, also stepping in, in Henze's We come from the River (2001). In Frankfurt she was Contralto in Rihm's Die Eroberung von Mexico (2000/2001) and Ommou in Die Wande by Adriana Holszky (2000) Concert version: Erwartung also Cavalleria Rusticana by Monleone and Mascagni and Notre Dame by Schmidt with Layer and Armin Jordan, Montpellier; by Arnold Schoenberg (2001) Saarbrucken. At La Scala de Milan, Metz, Leeds and London, she sang the first performance in concerts of Le Visage nuptial by Pierre Boulez (1987) conducted by the composer; she was Erste Magd in Elektra (2005), Mother Marie in Dialogues des Carmelites by Francis Poulenc (2000/2004) and also The Gambler by Prokofiev, filmed at Staatsoper Berlin (2008) under Daniel Barenboim's direction.

Her other operatic roles have included Cherubino (Mozart, Le nozze di Figaro), (1987, Châtelet) Erda (Wagner, Der Ring des Nibelungen), in Paris (1987), Fricka (1988); in Bonn (1990), Blumenmadchen in Parsifal (1987); filmed Judith (Béla Bartók, Duke Bluebeard's Castle), 1988: Concepción, (Ravel, L'heure espagnole) filmed (1987); filmed in Brussels in Juditha Triuphans by Vivaldi (1989) and Carolina (Henze, Elegy for Young Lovers) (2005, 2007) in Ancona and Naples.[1]

She has appeared several times at the BBC Proms. In 1986 she sang the solo part in the Proms premiere of Luciano Berio's Epifanie[2] In 1987, she took the role of the Wood Dove in Schoenberg's Gurre-Lieder in a performance directed by Pierre Boulez.[3] In 1988, she sang in Debussy's cantata La Damoiselle élue. That rarely performed work specifies two female soloists; Ann Murray had been scheduled to be one, but was indisposed; and Laurence sang both parts at short notice.[4][5] Invited to interpret Grimgerde in Wagner's Act 111 of Die Wakyrie(2000). In 1992 sang Sechs Lieder, Op.13, by Zemlinsky with Vienna Philharmonic; in 1989 premiered Elias's Five Poems by Irina Ratushinskaya R.F.Hall,London; sang Ligeti's Requiem in Belgium (1991), Frankfurt, televised (1993); Leucadeby Laurent Martin, premiered in Radio France (1996/2000),Paris. Much Mahler sung in Alsace(1982); Karlsruhe, Berlin (1990/1992) and Scotland (1992). Many concerts of Schoenberg: Pierrot Lunaire (1980s/1990/1992) with Pierre Boulez, Simon Rattle. Opus 2 (1994): C Dutoit, Concertgebauw; Gurrelieder, L'EIC with Pierre Boulez (1987); in 1990 with Sir Charles Groves, and Recitals of Das Buch der Hangenden Garten.

She has been described as having a "warm-toned, flexible voice and handsome appearance".[1]

Selected discography

Selected filmography

References

  1. 1 2 3 Forbes, Elizabeth (2008). "Elizabeth Laurence". In Macy, Laura. The Grove Book of Opera Singers. Oxford Reference (2nd ed.). Oxford University Press. ISBN 9780195337655. Retrieved 28 February 2016.
  2. ↑ "Prom 24, 19:30 Friday 8 Aug 1986". BBC. Retrieved 28 February 2016.
  3. ↑ "Prom 21, 19:30 Monday 3 Aug 1987". BBC. Retrieved 28 February 2016.
  4. ↑ "London Diary for August". The Musical Times. 129 (1745). July 1988. JSTOR 964758.
  5. ↑ "Prom 14, 19:30 Tuesday 2 Aug 1988". BBC. Retrieved 28 February 2016.
  6. ↑ Duke Bluebeard's Castle on IMDb
  7. ↑ "Duke Bluebeard's Castle". British Film Institute. Retrieved 28 February 2016.
  8. ↑ "The Electrification of the Soviet Union". British Film Institute. Retrieved 28 February 2016.
  9. ↑ Gawain on IMDb
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.