Ehrismann Residence
| Ehrismann Residence | |
|---|---|
| エリスマン邸 | |
 Ehrismann Residence in 2014. | |
| General information | |
| Type | Residence, Seeing spot, Tearoom, Theater for lent |
| Address | 1-77-4, Motomachi, Naka-ku, Yokohama |
| Coordinates | 35°26′15.2″N 139°39′4.5″E / 35.437556°N 139.651250°E |
| Construction started | 1925 |
| Opened | 1990年 |
| Inaugurated | 1926 |
| Demolished | 1982(later reconstructed) |
| Client | Fritz Ehrismann |
| Owner | Yokohama-shi Midori no Kyokai (ja:横浜市緑の協会) |
| Technical details | |
| Structural system | wood frame structure (ja:木構造 (建築)) |
| Design and construction | |
| Architect | Antonin Raymond |
| Main contractor | Shimizu Corporation |
Ehrismann Residence (Japanese: エリスマン邸) is a western style foreign residence built for Fritz Ehrismann, 20th century Swiss merchant. It's located at Motomachi, Naka-ku, Yokohama.
History
The residence was built in 1925-1926 in 127 Yamanote, 400 m (1,312 ft) south east from current location, as a abode of Fritz Ehrismann, a Swiss merchant. It was designed by Czech architect, Antonin Raymond. After his death, the ownership has been changed several times. Although no damage was done during World War II, the building was demolished for the construction of the apartment in 1982. Finding historic value in the structure, the Yokohama municipality purchased the disassembled pieces and reassembled the building within Motomachi park in 1990.[1] In 2001, it was designated as a City's historical architecture (ja:横浜市認定歴史的建造物).[2]
Architecture
The building is a two-story wood frame structure with a basement floor, built by Shimizu Corporation. The first floor was used for drawing room, kitchen, living room-cum-dining room. The second floor had bedrooms and bathroom. Before relocation, there was a Japanese style annex existed, which has not been restored on account of components had been lost.
The architect is Antonin Raymond. He was brought to Japan by Frank Lloyd Wright as an assistant in 1919 when Imperial Hotel was constructed.[3] Although his distinctive five principles of nature, simplicity, straightforwardness, honesty, economical are underlying the design, this building is his early work as an independent architect, so that in the details, such as furniture for instance the influence of Frank Lloyd Wright can be found. It has roofs of gentle slant and first-floor eaves, which emphasizes the structure's horizontality. Windows and the other openigs are relatively wide, and have blueish-green shutters. Steam heaters are installed in the entire building and, in addition, it has a fireplace at the drawing room since client requested. Because Ehrismann's wife was Japanese, bathroom and toilet are separated.[3]
Today it's open to the public for free as a part of Motomachi park (ja:元町公園 (横浜市)). They displays records associated with the facility on the second floor, and Kitchen has been changed into a Coffeehouse called Shoyu cafe, lit. soy source cafe, which serves soy source breads, puddings and other dishes.
Living room-cum-dining room
Drawing room
Notes
- ↑ 『死ぬまでに見たい 洋館の最高傑作』p112-115
- ↑ 横浜市認定歴史的建造物 エリスマン邸（横浜市都市整備局）
- 1 2 "【横浜の名建築】近代建築の父レーモンド設計 エリスマン邸". はまれぽ. 2011-09-04. Retrieved 2016-10-14.
References
- Sadahiko, Tanaka; Yusuke, Aoki; Takeshi, Kanei (2012-10-01). 死ぬまでに見たい 洋館の最高傑作. ja:エクスナレッジ. pp. 112–115. ISBN 978-4-7678-1451-3.
- インク・インコーポレーション (2010-11-25). 洋館さんぽ EAST. グラフィック社. pp. 36–37. ISBN 978-4-7661-2184-1.
- 横浜市歴史的資産調査会 (February 1996). 都市の記憶―横浜の近代建築(II). 横浜市. p. 35.
External links
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