Donny Hathaway (album)

Donny Hathaway
Studio album by Donny Hathaway
Released April 2, 1971
Recorded 1970-71
Studio Atlantic Recording Studios, New York City; Criteria Studios, Miami, Florida; Universal Studios, Chicago, Illinois
Genre Soul
Length 44:46
Label Atco
33-360
Producer Jerry Wexler
Arif Mardin
Donny Hathaway
Donny Hathaway chronology
Everything Is Everything
(1970)Everything Is Everything1970
Donny Hathaway
(1971)
Come Back Charleston Blue
(1972)Come Back Charleston Blue1972
Professional ratings
Review scores
SourceRating
Allmusic[1]
Rolling Stone(favorable) [2]
The Village VoiceD−[3]

Donny Hathaway is the eponymous second studio album by American soul artist Donny Hathaway, released on April 2, 1971 on Atco.

The majority of songs featured on the collection were covers of pop, gospel and soul songs that were released around the same time. The most prominent of the covers were Hathaway's rendition of Leon Russell's "A Song for You" and a gospel-inflected cover of Gladys Knight & the Pips' "Giving Up", written by Van McCoy. This was the second of three solo studio albums that Hathaway released during his lifetime before his suicide in 1979. Atlantic producer Jerry Wexler took over most of the production duties, with Hathaway producing one track, the self-penned "Take a Love Song".

Track listing

  1. "Giving Up" (Van McCoy) (6:20)
  2. "A Song for You" (Leon Russell) (5:25)
  3. "Little Girl" (Billy Preston) (4:47)
  4. "He Ain't Heavy, He's My Brother" (Bob Russell, Bobby Scott) (5:55)
  5. "Magnificent Sanctuary Band" (Dorsey Burnette) (4:24)
  6. "She Is My Lady" (George Clinton) (5:33)
  7. "I Believe in Music" (Mac Davis) (3:38)
  8. "Take a Love Song" (Hathaway, Nadine McKinnor) (4:53)
  9. "Put Your Hand in the Hand" (Gene MacLellan) (3:49)

Bonus tracks on CD

  1. "Be There" (Donny Hathaway) (3:02)
  2. "This Christmas" (Hathaway, Nadine McKinnor) (3:51)

Personnel

Technical

References

  1. Bush, John. Donny Hathaway at AllMusic
  2. Vince Aletti, Rolling Stone review, June 10, 1971.
  3. VIllage Voice review
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