Diane Torr

Diane Marian Torr
Born (1948-11-10)10 November 1948
Peterborough, Ontario, Canada
Died 31 May 2017(2017-05-31) (aged 68)
Glasgow, Scotland
Nationality Scottish
Education Dartington College of the Arts, MFA from Bard College
Known for performance, Drag King, gender performance

Diane Marian Torr (10 November 1948 – 31 May 2017) was an artist, writer and educator, particularly known as a male impersonator and for her drag king,[1] "Man for a Day" and gender-as-performance workshops. For the last years of her life, Torr lived and worked in Glasgow, where she was Visiting Lecturer at Glasgow School of Art.

Biography

Diane Torr was born in Peterborough, Ontario, but grew up in Aberdeen, Scotland and later attended Dartington College of Arts, England, where she studied with dance luminaries Mary Fulkerson and Steve Paxton, art pioneer Paul Oliver, and theatre innovators, Peter Hulton and Peter Feldman (of the Open Theatre). She graduated in 1976 and arrived in New York that same year. Her first dance performances in New York (Egyptian Stock; Half-Lives of Plutonium; World Shift; Wind Fertilization) were in downtown loft spaces in 1978. Diane Torr took class at the Cunningham Studios, and began her practice of the Japanese martial art of Aikido at New York Aikikai in 1977 and in 2003 achieved the rank of sandan (3rd degree blackbelt). Torr received her MFA degree from Bard College, New York in 2004.

From the onset of her career in the late 1970s, Diane Torr was a leading figure in creating performance that challenges contemporary edicts and perceptions of gender and sexuality.[2][3] With her drag king workshops, which she began teaching in 1990 in New York, with artist Johnny Science, Torr was a pivotal force in the establishment of drag king culture in the US, Europe, Istanbul and New Delhi.[4][5] In collaboration with performance artist, Bridge Markland, Diane Torr co-directed the highly successful godrag! Festival (2002) in Berlin - a one-month-long festival of women performing masculinity, femininity, androgyny and drag.

Torr's performances are a radical synthesis of dance, film (original and archival footage), installation, spoken word, invented soundtracks, and borrowings from other sources such as magic tricks, and secret society signals.[6] Her rich performance palette has resulted in an unusual body of work that continues to influence and inspire new generations of independent artists. More recent performance enquiries cover a diversity of material including: exploring her brother's (who died of AIDS in 1992) performance of Dusty Springfield; investigations on beauty and age; transferring to performance written works of surrealist artist, Claude Cahun.

Over the 26 years Torr lived and worked in New York, she performed in downtown locales such as the Mudd Club, Club 57, TR3, The Pyramid Club, S.N.A.F.U., Limbo Lounge and in art spaces/performance venues PS1, Franklin Furnace, The Kitchen, PS122, WOW Cafe, La MaMa Theater and Limbo Lounge. As a member of the art group COLAB, she was a participant and performer (with filmmaker Ruth Peyser) in The Times Square Show (1980) and as a solo artist at WPA, Washington (1981). Diane Torr was one of the original members of the all-girl art band, DISBAND (along with members Martha Wilson, Ingrid Sischy, Ilona Granet and Donna Henes). DISBAND formed in 1978 and most recently performed at the Incheon International Women Artists' Biennial (2009) in S. Korea, and in Salzburg at the Museum der Moderne, on 29 November 2014.

Diane Torr was the recipient of Scottish Arts Council funding, and received funding from Franklin Furnace Fund for Performance Art, Joyce Mertz Gilmore Foundation Fund, Art Matters, New York State Council on the Arts, Yorkshire and Humberside Arts, Haupstadtkulturfonds, Berlin, etc. She was a fellow of the Whitney Museum Independent Studies Program, and the Macdowell Arts Colony.

Torr's performances, videos and installations are widely presented in venues including GOMA (Gallery of Modern Art) Glasgow, Theater Schmidt, Hamburg, the genders that be, Minneapolis, Magma, Istanbul, ICA, London, LLGF Festival, Migros Museum, Zurich, Theater des Augenblicks, Vienna, Helsinki Act, WAVES Festival, Vordingborg and RE.AL, Lisbon and Theater Pradillo, Madrid, German National Historical Museum in Berlin (June until December 2015).

Torr's work has been reviewed in numerous publications, including: The New York Times, The Village Voice, New York Magazine, The Brooklyn Rail, The Washington Post, The Boston Globe, The Boston Phoenix, The San Francisco Chronicle, The Chicago Tribune, El Pais, El Mundo, Contact Quarterly, Movement Research, The London Independent, The Guardian, The Scotsman, The Sunday Herald, G.Q. Magazine, ELLE Magazine, Cosmopolitan Magazine, Paris, The Japan Times, Turkish Daily News, Ballettanz, Berlin, Die Tageszeitung, Berlin, Süddeutsche Zeitung, German Vogue, der Spiegel, Brigitte Magazine, Maxi Magazine, Bild Zeitung, Freitag 38, de Volkskrant, Opzij Magazine, Helsingin Sanomat, Ylioppilasieht, Helsinki, Diva Magazine, Bizarre Magazine, San Diego Union Tribune.

Torr died in Glasgow on 31 May 2017 of a brain tumour.

"Man for a Day" Workshops

Since 1990, Torr taught "drag king" workshops in which women can learn not only to dress as a man but also codes of behaviour, gesture, body language and movement that constitute the performance of masculinity.[7] The workshops, which Torr taught widely in Europe, the USA, India and Turkey, have been hugely influential, inspiring other works and a documentary film.[8][9][10]

Performances

TV/Film Credits

Torr's film/TV credits include:

Publications

References

  1. ↑ Obejas, Achy (21 April 1995). "Diane Torr Explores the Dynamics of Drag". Chicago Tribune. Retrieved 1 July 2010.
  2. ↑ Ardeo, Raphael (8 June 1988). "Catastrophe: performance artist Diane Torr takes a long, hard look at power and helplessness". The Daily Californian.
  3. ↑ Jowitt, Deborah. "Making Men". Village Voice.
  4. ↑ Chauchard-Stewart, Sophia (8 May 1996). "Suits you, Madam". The Independent.
  5. ↑ Czyzselska, Jane (14–21 May 1996). "Gender Blender". Time Out London.
  6. ↑ Bottoms, Stephen (2010). Sex, Drag and Male Roles. Ann Arbour: University of Michigan Press. pp. 77–80. ISBN 978-0-472-05102-1.
  7. ↑ Sobieski, Sonya (2 September 2004). "Diane Torr, king of Drag, and Rebecca Paterson, of the Queen's Company" (PDF). The Brooklyn Rail. Retrieved 5 June 2017.
  8. ↑ Gilbert, Elizabeth (August 2001). "My Life as a Man" (PDF). GQ. Retrieved 5 June 2017.
  9. ↑ Heim, Manuela (8 March 2014). "Ich habe viele One-Night-Stands". Taz.de. Retrieved 5 June 2017.
  10. ↑ Davison, Louisa (10 August 2014). "I was Man for a Day at the Swindon Festival of Poetry". Festival Chronicle. Retrieved 5 June 2017.
  11. ↑ "A Shift Between Worlds". Tempo Dokumentär Festival. Retrieved 5 June 2017.
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