Daughters (album)

Daughters
Studio album by Daughters
Released	March 9, 2010
Recorded	April 2009 at Machines With Magnets studios in Pawtucket, RI
Genre	Noise rock[1]
Length	27:55
Label	Hydra Head (HH666-195)
Producer	Keith Souza Nicholas Sadler
Daughters chronology
Hell Songs (2006)Hell Songs2006 Daughters (2010)

Daughters is the third studio album by American rock band Daughters, released on March 9, 2010, through Hydra Head Records.

Writing and recording

Sadler described the writing process of their third album as, "[making] demos for three years at the house and then taking songs, song ideas and some riffs to the practice space to hash them out with Jon [Syverson]. This album really caught up with us. People were getting a little older, the whole band was extremely poor from touring over the years, so life outside the band really caught up with us and it became hard to really do anything. I'm very proud of this record just because we were able to make it, you know? It was a real struggle."^[2]

Recording for Daughters' third album began in late April, 2009,^[3] and the tracking process was finished by June.^[4] However, in August, Daughters had abruptly broken up.^[4] After finishing recording for the album Sadler stated he and Marshall got in an argument, resulting in Marshall leaving the band. So the rest of the band decided that put them in a hiatus. Sadler continued with mastering the record and hashing out the artwork and even worked with artist, Dave Fisher, on a trailer video. Stating he "was essentially trying to keep the band alive for who-knows-what" and "hoping [Marshall] would come back or maybe in few years we would start playing again." Eventually Sadler moved to Brooklyn and Marshall decided that he wanted to rejoin the band, but that Sadler should be kicked out, which resulted in the band dissolving even further.^[5]

Musical style

Daughters is considered by critics to be the band's most accessible album to date. Previous albums, 2003's Canada Songs and 2006's Hell Songs, featured a comparatively more intense grindcore sound. Vocalist Alexis Marshall also sings instead of screams on the album^[6] similar to the band's previous album Hell Songs.

Guitarist Nick Sadler experimented with more commercially accessible guitar parts when writing the album. Sadler had grown tired of performing the "dizzying [and] high-pitched" songs from Hell Songs live, and wanted to add "more groove and low-end" to the band's sound. He wrote bigger-sounding songs that wouldn't "get lost in a large room", contrasting previous Daughters albums.^[7] Marshall was not pleased with the band's new sound on Daughters, citing that it was forced, not natural, and thus less artistic. In an interview with Noisecreep, Marshall commented, "It's so easy to steer it and try to be accepted, and do this because this is what's good, and this is what's going to make our band popular. That's no good. That's not art. That's shit. It's not even shit. It's less than shit. What's less than shit? I don't even know. Trying to be other bands... that's less than shit."^[8]

Reception

Band members

In an interview with Noisecreep, Marshall said, “There are definitely parts of the record that were written to see how people will respond, which is kind of disappointing. I think there’s some really good shit on there that I’m excited about. But it was definitely like a ‘Let’s put in a lot of recording time’…There was overthinking involved. We recorded it in May or June, that’s so much time to sit and look at it. Maybe I’m over-analyzing it.”^[8]

In an interview with Buddyhead, Sadler stated, "I have mixed feelings about it. its sad that the band fell apart as this record was being released because I do believe it was a sort of coming of age recording, but that it was only a peek at what was to come. Writing this album felt like a dusting of cobwebs for me and as though we were stepping into a territory that was fresh and exciting for our band; at least that was my goal when i made it. On the other hand, its great to be away from the stresses of the band. Daughters was a band that provided me with some really great memories and took me around the world, helped me make some great friends and allowed me to do what I’ve always wanted to do with my life. I feel extremely grateful to have been able to work together with dudes that I’ve known for a long time in a band I felt had integrity. I am truly blessed to have had the opportunity to write and record our last record as I am extremely proud of it, especially in the context and history of the band."^[9]

Critical

Professional ratings
Review scores
Source	Rating
AbsolutePunk	(84%)[10]
Allmusic	[11]
Alternative Press	[12]
The Aquarian Weekly	B−[13]
Decibel	(8/10)[14]
Metal Injection	(8/10)[15]
Pitchfork Media	(8.2/10)[16]
Sputnikmusic	(4/5)[17]

Daughters was met with widespread critical acclaim, with many reviewers commenting on the album's cohesiveness and accessibility in comparison to their earlier work.

Writing for Pitchfork, David Raposa wrote, "...hardcore Daughters lovers will probably have plenty of bones to pick with this album. For everyone else, Daughters is a feast to be savored."^[16] Similarly Andrew Magnotta of The Aquarian Weekly said, "Daughters is a straight-ahead, tooth-grinding sprint to no place in particular. You get the sense that the band doesn’t care where they wind up as long as everything along the way is completely devastated."

Track listing

All songs written and recorded by Daughters.^[18]

1. "The Virgin" – 2:03
2. "The First Supper" – 3:19
3. "The Hit" – 3:44
4. "The Theatre Goer" – 3:40
5. "Our Queens (One Is Many, Many Are One)" – 3:11
6. "The Dead Singer" – 4:28
7. "Sweet Georgia Brown" – 3:14
8. "The Unattractive, Portable Head" – 4:16

Personnel

Daughters personnel according to CD liner notes.^[18]

References

External links

• Daughters on Myspace
• Album stream at Revolver