Darkroom manipulation

Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning, and masking, which are undoubtedly similar to digital manipulations but everything is done physically rather than virtually. Darkroom manipulation is also used to remove unwanted areas and changing the background of the image, through many techniques this process can be done.

History

One of the forefathers of darkroom manipulation was Jerry Uelsmann.[1] To get his final product, he uses up to twelve enlargers at a time. Jerry Uelsmann seeks to reach a level of surrealist imagery of the unfathomable. He still uses this process today, as do other photographers. Some photographers believe that the darkroom is "a magical place where there is indeed a chamber of secret."[2]

Jerry Uelsmann

Jerry Uelsmann is best known for using digital tools in the darkroom before Photoshop was available. He started off with photography in high school as a hobby and then decided to go to an institution to learn photography. Uelsmann's photographs are different from those of most photographers because he uses multiple negatives to produce one picture.[3] He started with one enlarger but after waiting for some prints to dry one day, he decided to use more enlargers to get more images quickly, then began using seven enlargers at one time. His darkroom style allowed him to create images that had realism and the motion of what would be seen in dreams.

Techniques

Dodging and burning are used to lighten or darken a part of the photograph to get better details in highlights and shadows. Toning changes the color of the photograph. Black and white photographs can be changed to sepia, red, orange and even blue.[4] Toning can be used to help make the photograph last long. Cropping is used to decide what is left out in the final print.

Dodging

Dodging is a very important part of the manipulation process. Dodging holds back exposure in order to make it light. Dodging can be used by hand or specific tools such as black cardboard or opaque materials so that shadows can lighten the image.[5] Dodging is best when used in a circular motion on the image to get the desired result.

Burning

Burning is when the image receives more exposure so the image can darken.[6] Just like dodging, burning can be done by hand or by using objects that controls the size and shape of the area. To avoid a very obvious change between the burned-in area and the rest of the image, the device must stay in motion. Burning is a longer process because it needs a longer exposure and time to change the image.[7]

Masking

Masking is a very faint positive image that comes from the original negative image.[8] Masking in darkroom photography can be used with more than one mask for the image by putting the original image and the mask together to come out with the single print. The advantages of masking is that this process sharpens the image and if done correctly, the contrast of the image could change when the image prints out. The mask is a copy of the original, so the edges should line up correctly and density can be shown in the original negative. Masking can give slight texture so that true blacks and shadows look properly dark.[9]

Manipulation used today

Photo manipulation is used today in place of darkroom manipulation. Photo Manipulation started in the darkroom in the 1860s when searching for a heroic image of U.S. President Abraham Lincoln.[10] An unidentified artist appended the statesman’s head to the body of John C. Calhoun. Today, photo manipulation can be started on a photographer’s camera by formatting the image into either a JPEG or RAW format.[11] An example of manipulation with the camera itself is automatic red-eye removal in the image. After the image is on the computer many other photo editing programs such as Photoshop are used for photo manipulation.

See also

In-camera effect

References

  1. ↑ Lai, Lawrence. "Digital Darkroom: An Exploration of Altered Realities". ABC News Network. Retrieved 26 February 2013.
  2. ↑ India, Clipping Path. "Darkroom Manipulation Vs Digital Photo Manipulation". Outsource Experts Ltd. Retrieved 27 February 2013.
  3. ↑ Maher, Berman, Chris,Larry. "Master Interview; Jerry Uelsmann". Retrieved 22 March 2013.
  4. ↑ "darkroom and digital techniques". Arcsin. Nitsa. Retrieved 26 February 2013.
  5. ↑ Birnbaum,C.,Boas,Bright V.,Engdahl A.,Sribnick,Wignall,Zakia D., Hubert,Keith,Michael,David,Larry,Jeff,Richard (1984). Darkroom Expression. Rochester: KODAK Publication KW-21. p. 19. ISBN 0-87985-300-X.
  6. ↑ Birnbaum,C.,Boas,Bright V.,Engdahl A.,Sribnick,Wignall,Zakia D., Hubert,Keith,Michael,David,Larry,Jeff,Richard (1984). Darkroom Expression. Rochester: KODAK Publication KW-21. p. 20. ISBN 0-87985-300-X.
  7. ↑ Hicks,Schultz, Roger,Frances (2000). Darkroom Basics...and beyond. London: Collins & Brown Limited. p. 72. ISBN 1-84340-048-0.
  8. ↑ Phillips, James. "Unsharp Masking - A beginners primer". Retrieved 22 March 2013.
  9. ↑ Phillips, James. "Unsharp Masking - A beginners primer". Retrieved 22 March 2013.
  10. ↑ Baines, Evan. "AN ABBREVIATED HISTORY OF PHOTO-MANIPULATION". Evan Baines Photography. Archived from the original on 20 August 2012. Retrieved 14 March 2013.
  11. ↑ Chevalier, Ally. "What is Darkroom Manipulation, Really?". Bright Hub Inc. Retrieved 14 March 2013.
 12. clipping path king. "Digital Image Manipulation Differs From Darkroom Manipulation". King graphics Retrieved 11 May 2016.
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