Danae Kara

Danae Kara

Portrait of Danae Kara (2014) - photo by Alexandros Dimitropoulos

Portrait of Danae Kara (2014)
Native name Δανάη Καρά
Born (1953-07-27) July 27, 1953
Istanbul, Turkey
Nationality Hellenic
Education Istanbul Municipal Conservatory
Athens Conservatoire
Juilliard School
Alma mater Juilliard School
Known for Piano concerts
Style Classical music
Awards Recording Award
2000 The Union of Greek Theater & Music Critics
Hellenic Music Award
2003 National Council of Music/member of UNESCO

Danae Kara (Greek: Δανάη Καρά; born on July 27, 1953) is a Greek classical concert pianist,[1] recording artist, and educator, best known for her interpretations of 20th century Greek modernist composers.[2][3][4][5]

Early life

“ Greek pianist Danae Kara is a superb advocate in these first-recorded performances. ”
— Mark Lehman, The Absolute Sound[6]

Danae Kara was born on July 27, 1953 in Istanbul, Turkey.[7] She began music lessons at the age of five, in 1958, at the Istanbul Municipal Conservatory with Ferdi Statzer (né Friedrich von Statzer, pupil of Emil von Sauer and Friedrich Wührer).[2] Having immigrated to Greece in 1966, she continued at the Athens Conservatory with the pianist Maria Cherogeorge-Sigara (Greek: Μαρία Χαιρογιώργου-Σιγάρα, pupil of Alfredo Casella and Marguerite Long) and composer Konstantinos Kydoniatis (Greek: Κωνσταντίνος Κυδωνιάτης) for theory,[8] earning both her "Piano Soloist’s Diploma" and "Advanced Theory Diploma" with the distinction of "First Prize" and "Gold Medal of Iph. & A. Syggrou" in 1972.[2]

As a scholarship student, she graduated from the Juilliard School of Music (New York City) in 1978,[9][10] New York with the Bachelor’s and Master’s Degrees in Music (1978).[2] It was at Juilliard where her artistic identity was honed by her principal teacher, Jacob Lateiner,[11] and by composer David Diamond as well. In addition to receiving the Isabelle Vengerova legacy from Lateiner, she has been coached by Ivan Moravec, and Nina Svetlanova, student of Heinrich Neuhaus.[2]

Music career

Since her recital debut at the age of sixteen (1969) in Athens, Greece, she has given performances worldwide in major venues in European cities, in Latin America, throughout Russia and the former Soviet Republics.[11][12][13]

Kara has toured extensively during the years 1979 to 2009 performing as a soloist and recitalist in festivals and concert halls with numerous orchestras such as the Aarhus Symphony Orchestra, the Athens State Orchestra,[14] the BBC Philharmonic, the Bangkok Symphony, the Budapest Camerata, the Cervantino Festival Orchestra, the Hellenic Radio Symphony Orchestra, the London Festival Orchestra, the Lithuanian State Symphony Orchestra, the Orchestre national de Montpellier Languedoc-Roussillon, the Moscow Virtuosi, the Sofia Philharmonic, the Salzburg-Mozarteum Orchestra, the Vienna Chamber Orchestra, among many others.[9]

Among the conductors with whom she has collaborated were Giancarlo Andretta, Matthias Bamert, Hans Graf, John Georgiadis, Philippe Entremont, Miltiadis Karydis, Jakob Kowalski, Alexander Lazarev, Friedemann Layer, Christian Mandeal, Alexander Myrat, Robertas Servenikas, and Vladimir Spivakov.[2]

She has had live concert broadcasts on both radio and television by the Hellenic Broadcasting Corporation, Radio & Television Baku, Radio Educación, UNAM Radio, Radio France, France Musique, Westdeutscher Rundfunk, WGBH Boston, WQXR-FM, "Glastonbury Radio" and BBC Radio 3.[7]

As a chamber musician she has collaborated with mezzo-soprano Markella Hatziano, bass Christophoros Stamboglis, violinist Hideko Udagawa, and the string quartets "Voces", "Auer" and "Kroger".[2][15]

As Artist-in-residence, she taught at the American College of Greece from 1987 to 2012.

Her discography with Naxos Records, Universal/Decca Records, Agorá Musica, Philips/PolyGram, Millenium Archives, EMI Classics and Lyra Records was met by the international press[16][17][18] with great critical attention and acclaim.[19][20][21] More specifically, she won accolades[7] for her unusual premieres of diverse styles such as the recordings of Mendelssohn's "Three Piano Concerti",[22][23] Sicilianos's "Piano Concerto",[24][25][26] Nikos Skalkottas's "Piano Concerti",[27] Cimarosa's "62 Sonatas", Brahms's "Opus 116, Seven Fantasias, for piano", "Op. 117, Three Intermezzi, for piano", Op. 118, Six Pieces, for piano & Op. 119, Four Pieces, for piano,[28][29] Dimitri Mitropoulos's "Piano Works",[30][31] Manos Hatzidakis's "Piano Works"[32] and other of her albums. She was the recipient of the "Recording Award 2000", by "The Union of Greek Theater & Music Critics".[7]

For her enduring commitment and determination in giving premières of works outside the standard repertory, such as the monumental "Third Piano Concerto" by Nikos Skalkottas in 2003[9] in Paris, France, Danae Kara received the "Hellenic Music Award" of the "National Council of Music/member of UNESCO".[11]

Discography

Danae Kara at Columbia Studios in 1982.

Festivals

See also

Literature

References

  1. ↑ Νέα δισκογραφία με την πιανίστα Δανάη Καρά. kathimerini.gr (in Greek). Archived from the original on 30 July 2014. Retrieved 30 July 2014.
  2. 1 2 3 4 5 6 7 Η Δανάη Καρά ερμηνεύει τις σονάτες για πιάνο του Μπετόβεν στο Μέγαρο Μουσικής Αθηνών. culturenow.gr (in Greek). 27 February 2013. Archived from the original on April 27, 2013. Retrieved 30 July 2014.
  3. ↑ Η Δανάη Καρά στον Κύκλο "Οι σονάτες για πιάνο του Μπετόβεν". clickatlife.gr (in Greek). Archived from the original on 30 July 2014. Retrieved 30 July 2014.
  4. ↑ Mark Lehman. "Press Quotes" (July/August 2005). USA. American Record Guide. …Pianist Danae Kara has also championed Skalkottas and was one of the first to record his music on CD…Danae Kara brings zest and vitality to the Concertino, while finding an ideal balance of intensity and forward drive in the difficult and dense Third concerto…
  5. ↑ Scott Morrison (3 January 2009). "Press Quotes". Middlebury VT, USA. Amazon.com. This is unpretentious music whose effect, on me at least, was one of hypnotic calm leavened with occasional flashes of humor and toe-tapping. Greek pianist Danae Kara, a Juilliard trained musician who has made a specialty of the music of such Greek composers as Skalkottas, Kalomiris, Theodorakis and the great conductor/composer Dimitri Mitropoulos, bewitches with her subtle phrasing and rhythmic aptness. She is given lifelike sound on this disc, part of Naxos' 'Greek Classics' series. It was originally recorded and released in 1996 on Agorà Musica.
  6. ↑ Mark Lehman. "Danae Kara" (August/September 2005). USA. The Absolute Sound. Greek pianist Danae Kara is a superb advocate in these first-recorded performances.
  7. 1 2 3 4 "Concert Pianist Danae Kara". Musicians Gallery. Archived from the original on August 17, 2011. Retrieved 30 July 2014.
  8. ↑ Δανάη Καρά. Μεγάλη Μουσική Βιβλιοθήκη της Ελλάδας (in Greek). Archived from the original on August 12, 2007. Retrieved 30 July 2014.
  9. 1 2 3 "Danae Kara". Naxos - The World's Leading Classical Music Group. Archived from the original on April 9, 2010. Retrieved 30 July 2014.
  10. ↑ "Natalie Tsaldarakis, concert pianist". The Ivory Duo Piano Ensemble. Archived from the original on April 17, 2010. Retrieved 30 July 2014.
  11. 1 2 3 "Danae Kara". Classics Online. Archived from the original on April 9, 2010. Retrieved 30 July 2014.
  12. ↑ Kaiti Romanou (15 February 1980). "Press Quotes". Athens, Greece. Kathimerini. Retrieved 5 August 2014. ...her interpretation of Mephisto Waltz was a real spiritual waterfall a powerful generator of ideas, images, meditative thoughts. her introspective nature and amazing virtuosity contribute to a highly exciting performance... the audience was deeply moved...
  13. ↑ Volkmar Parschalk (8 May 1979). "Press Quotes". Tyrol, Austria. Tiroler Tageszeitung. Retrieved 5 August 2014. ...with an arresting originality... a flamboyant technique caused that frenzy of applause.
  14. ↑ "¡Espana! Cycle (V)". Athens State Orchestra. Archived from the original on 30 July 2014. Retrieved 30 July 2014.
  15. ↑ "Το Κουαρτέτο Kroger συναντά την πιανίστα Δανάη Καρά στο Μέγαρο Μουσικής Αθηνών". XrimaOnline.gr (in Greek). 24 October 2013. Archived from the original on 30 July 2014. Retrieved 30 July 2014.
  16. ↑ Hans G. Schürmann (14 November 1984). "Press Quotes". Bonn, Germany. General-Anzeiger. Retrieved 5 August 2014. Since the late Gina Bachauer there has been no other greek virtuoso on the international scene. With Danae Kara this has changed.
  17. ↑ "Press Quotes". Bonn, Germany: Heinz-Dieter Terschüren. Bonner Rundschau. 14 November 1984. Retrieved 5 August 2014. She has a dashing virtuosity, of manly character which is sprung from endless power reserves...equipped with a glittering arsenal of pianism she recreates the compositions she interprets... ...the public responded with the warmest ovation.
  18. ↑ Ferline Studi (26 November 1981). "Press Quotes". Lausanne, Switzerland. Nouvelle Revue de Lausanne. Retrieved 5 August 2014. ...An authentic pianistic talent of a rare communicative power... high virtuosity flying to dizzy heights rewarding one with glorious sonorities... she speaks straight to the heart...
  19. ↑ Juan Arturo Brennan (25 July 1981). "Press Quotes". Mexico City, Mexico. Unomásuno. Retrieved 5 August 2014. ...Kara has demonstrated a rare and original musical personality giving the most unusual and powerful interpretations...
  20. ↑ Richard Whitehouse. "Press Quotes" (March 2005). London, UK. The Gramophone. …in Skalkottas most ambitious work Kara’s forward impetus gives it greater overall cogency and her more flowing tempo for the Andante sostenuto makes it formally and expressively all of a piece.
  21. ↑ Jack Sullivan. "Press Quotes" (January/February 1997). USA. American Record Guide. ...Danae Kara, billed here as “the first Greek virtuoso to step into the concert word since Gina Bachauer”, plays the hell out of this stuff, with plenty of rubato in the faster pieces and delicate understatements in the slower ones. For fanciers of unusual piano music, this disc is a must.
  22. ↑ Γιάννης Σβώλος. "Press Quotes" (in Greek) (May 1998). Athens, Greece. ΕΛΕΥΘΕΡΟΤΥΠΙΑ. ...Οι ερμηνείες της Δανάης Καρά στα 3 κοντσέρτα του Mendelssohn αγγίζουν τα όρια της μεγαλοφυϊας: Το γνώριμο, στιβαρό της άγγιγμα στο πιάνο συνδιάζεται εδώ με κρυστάλλινη άρθρωση, ακρίβεια και συναρπαστικές ταχύτητες που αφαιρούν κάθε υποψία βάρους από τη μουσική, χαρίζοντας στην ακρόαση μία μεθυστική αίσθηση σφρίγους και δύναμης...
  23. ↑ Peter Cossé. "Press Quotes" (in German) (September 1998). Germany. Klassik Heute. ...Die rustikale, gleichwohl feurige Serkin-Einspielung (CBS) und die Sommernachts-träumerische Variante mit András Schiff (Decca) haben in verschliedenen interpretatorischen Gewichtungen einiges vorgelegt. Umso erstaurlicher mutet es an, wenn ...hier protegiert, die diese beiden Mendelssohn-Kostbarkeiten mit sicherem Griff, mit sicherem Gespür für Tempo, Tonfall und Atmosphäre, anzufassen verstehen. Hier spielt eine junge Pianistin sachkundig Klavier, verleiht den scnellen Ecksätzen beherrschte Fahrt und den triumphalen wie seitidigen Themen genügend Kolorit, um mit einem agilen.
  24. ↑ Richard Whitehouse. "Press Quotes" (June 1998). London, UK. The Gramophone. ...Yorgos Sicilianos's Piano Concerto has an engaging astringency. Worth acquiring.
  25. ↑ Christoph Schlüren. "Press Quotes" (in German) (November 1998). Germany. Klassik Heute. ...Auch hier (Sicilianos's Piano Concerto): hinreißende Darbietungen des Orchesters und der wendigen Pianistin, klanglich solide dokumentiert.
  26. ↑ Giuseppe Rossi. "Press Quotes" (in Italian) (December 1998). Italy. Classica CD. ...e la pianista Kara, prima interprete del Concerto di Sicilianos. mostra di saperne dominarne con disinvoltura le asperità tecniche.
  27. ↑ Charles Hopkins. "Press Quotes" (November 2004). London, UK. International Record Review. …Kara’s rhythmic buoyancy …vividly projects the contrasts… arresting in the bravura gestures …clarity and exuberance characterize the performance…
  28. ↑ Richard Whitehouse. "Press Quotes" (November 2001). London, UK. The Gramophone. …Danae Kara strikes me as preferable in the two ‘Reverias’ –Skalkottas- (VI and VII, included in her –Mitropoulos recital on Agora Musica) where she finds greater rhythmic clarity…
  29. ↑ Francesco Lo Cascio. "Press Quotes" (November 2000). Italy. Musica. ... This recording (Brahms Last Piano Works) is destined to remain as a reference point at least till the day when Pollini decides to propose his own interpretation...
  30. ↑ "Publications: Recordings (Kompositions)". Dimitris Mitropoulos. Archived from the original on 30 July 2014. Retrieved 30 July 2014.
  31. ↑ Akira Takahisa. "Press Quotes" (June 1997). Japan. The Record Geijutsu: The Editor's Choice. ...Danae Kara has been brought to our attention by her previous CD recordings...this time she displays an entirely new facet of her talent through this crystal clear rendition of Mitropoulos’s highly complex piano music...
  32. ↑ Emili Blasco. "Press Quotes" (December 2009). Madrid, Spain. SCHERZO magazine. Virtuosic performances with fluency, precision, eloquence, communicating emotions ranging from the intimate moments to sonorous explosions, always with sensibility and a singing tone quality….Excellent performances of an unknown but certainly intriguing music.
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