Cola di Rienzo

Statue of Cola Di Rienzo by Girolamo Masini, erected in 1877 near the Campidoglio, where he was killed.

Cola di Rienzo (or de Rienzi; Italian pronunciation: [ˌkɔːla di ˈrjɛnt͜so] or [de ˈrjɛnt͜si]) (c. 1313 – 8 October 1354) was an Italian medieval politician and popular leader, tribune of the Roman people in the mid-14th century.

Biography

Early career

Cola was born in Rome of humble origins. He claimed to be the natural child of Henry VII, the Holy Roman Emperor, but in fact his parents were a washer-woman and a tavern-keeper named Lorenzo Gabrini. His father's forename was shortened to Rienzo, and his own, Nicola, to Cola; hence the Cola di Rienzo, or Rienzi, by which he is generally known.

His early years were passed at Anagni. Having devoted much time to the study of the Latin writers, historians, orators and poets, and having nourished his mind with stories of the glories and the power of ancient Rome, he turned his thoughts to the task of restoring his native city, then in degradation and wretchedness, not only to good order, but even to her pristine greatness. His zeal for this work was quickened by the desire to avenge his brother who had been killed by a noble.

Rienzi vowing to obtain justice for the death of his young brother. By William Holman Hunt, 1848–9.

He became a notary[1] and a person of some importance in the city, and was sent in 1343 on a public errand to Pope Clement VI at Avignon. He discharged his duties with ability and success, and although the boldness with which he denounced the aristocratic rulers of Rome drew down upon him the enmity of powerful men, he won the favour and esteem of the pope, who gave him an official position at his court.

Leader of revolt

Returning to Rome about April 1344 he worked for three years at the great object of his life, the restoration of the city to its former position of power. He gathered together a band of supporters, plans were drawn up, and at length all was ready for the insurrection.

On 19 May 1347 heralds invited the people to a parliament on the Capitol, and on 20th of May, the day being Whit-Sunday, the meeting took place. Dressed in full armor and attended by the papal vicar, Cola headed a procession to the Capitol; here he addressed the assembled crowd, speaking "with fascinating eloquence of the servitude and redemption of Rome." A new series of laws was published and accepted with acclaim, and unlimited authority and power was given to the author of the revolution.

Without striking a blow the nobles left the city or went into hiding, and a few days later Rienzo took the title of tribune[1] (Nicholaus, severus et clemens, libertatis, pacis justiciaeque tribunus, et sacræ Romanæ Reipublicæ liberator).

Tribune of Rome

His authority quickly and quietly accepted by all classes, the new ruler governed the city with a stern justice which was in marked contrast to the recent reign of license and disorder. In great state the tribune moved through the streets of Rome, being received at St. Peter's with the hymn Veni Creator spiritus, while in a letter the poet Petrarch urged him to continue his great and noble work, and congratulated him on his past achievements, calling him the new Camillus, Brutus and Romulus. All the nobles submitted, though with great reluctance; the roads were cleared of robbers; tranquillity was restored at home; some severe examples of justice intimidated offenders; and the tribune was regarded by all the people as the destined restorer of Rome and Italy.

Attempt to unify Italy

In July in a sonorous decree he proclaimed the sovereignty of the Roman people over the empire, but before this he had set to work upon his task of restoring the authority of Rome over the cities and provinces of Italy, of making the city again caput mundi. He wrote letters to the cities of Italy, asking them to send representatives to an assembly which would meet on 1 August, when the formation of a great federation under the headship of Rome would be considered. On the appointed day a number of representatives appeared, and after some elaborate and fantastic ceremonials Cola, as dictator, issued an edict citing Louis IV, Holy Roman Emperor and his rival Charles, afterwards Charles IV, Holy Roman Emperor, and also the imperial electors and all others concerned in the dispute, to appear before him in order that he might pronounce judgment in the case.

Statue of di Rienzo

On the following day the festival of the unity of Italy was celebrated, but neither this nor the previous meeting had any practical result. Cola's power, however, was recognized in the Kingdom of Naples, whence both Joan I of Naples and her bitter foe, Louis I of Hungary, appealed to him for protection and aid, and on 15 August with great pomp he was crowned Tribune. Ferdinand Gregorovius says this ceremony "was the fantastic caricature in which ended the imperium of Charles the Great. A world where political action was represented in such guise was ripe for overthrow, or could only be saved by a great mental reformation."

End of rule

He then seized, but soon released, Stefano Colonna and some other barons who had spoken disparagingly of him. But his power was already beginning to wane.

Cola di Rienzo's character has been described as a combination of knowledge, eloquence, and enthusiasm for ideal excellence, with vanity, inexperience of mankind, unsteadiness, and physical timidity. As these latter qualities became conspicuous, they eclipsed his virtues, and caused his benefits to be forgotten. His extravagant pretensions only served to excite ridicule. His government was costly, and to meet its many expenses he was obliged to lay heavy taxes upon the people. He offended the pope by his arrogance and pride, and both pope and emperor by his proposal to set up a new Roman Empire, the sovereignty of which would rest directly upon the will of the people. In October Clement gave power to a legate to depose him and bring him to trial, and the end was obviously in sight.

Taking heart, the exiled barons gathered together some troops, and war began in the neighbourhood of Rome. Cola di Rienzo obtained aid from Louis of Hungary and others, and on 20 November his forces defeated the nobles in the Battle of Porta San Lorenzo. just outside the Porta Tiburtina, a battle in which the tribune himself took no part, but in which his most distinguished foe, Stefano Colonna, was killed.

But this victory did not save him. He passed his time in feasts and pageants, while in a bull the pope denounced him as a criminal, a pagan and a heretic, until, terrified by a slight disturbance on 15 December, he abdicated his government and fled from Rome. He sought refuge in Naples, but soon he left that city and spent over two years in an Italian mountain monastery.

Life in captivity

Emerging from his solitude, Cola journeyed to Prague in July 1350, throwing himself upon the protection of the emperor Charles IV. Denouncing the temporal power of the pope he implored the emperor to deliver Italy, and especially Rome, from their oppressors; but, heedless of his invitations, Charles kept him in prison for more than a year in the fortress of Raudnitz, and then handed him over to Pope Clement.[1]

At Avignon, where he appeared in August 1352, Cola was tried by three cardinals, and was sentenced to death, but this judgment was not carried out, and he remained in prison in spite of appeals from Petrarch for his release.

Freedom, however, was at hand. In December 1352 Clement died, and his successor, Pope Innocent VI, anxious to strike a blow at the baronial rulers of Rome, and seeing in the former tribune an excellent tool for this purpose, pardoned and released his prisoner.

Senator of Rome

Giving him the title of senator, he sent him to Italy with the legate, Cardinal Albornoz, and having collected a few mercenary troops on the way, Cola di Rienzo entered Rome in August 1354. He was received with great rejoicings and quickly regained his former position of power.

But this latter term of office was destined to be even shorter than his former one. Having vainly besieged the fortress of Palestrina, he returned to Rome, where he treacherously seized the soldier of fortune Giovanni Moriale, who was put to death, and where, by other cruel and arbitrary deeds, he soon lost the favour of the people.

Their passions were quickly aroused and a tumult broke out on 8 October. Cola attempted to address them, but the building in which he stood was set on fire, and while trying to escape in disguise he was murdered by the mob.

Legacy

The so-called Casa di Rienzi still in its urban context before the opening of the Via del Mare in a watercolour by Ettore Roesler Franz (about 1880).
Epistolario di Cola di Rienzo

Cola di Rienzo was the hero of one of the finest of Petrarch's odes, Spirito gentil.

Having advocated both the abolition of the Pope's temporal power and the Unification of Italy, Cola re-emerged in the 19th century, transformed into a romantic figure among politically liberal nationalists and adopted as a precursor of the 19th century Risorgimento, which struggled for and eventually achieved both aims. In this process he was reimagined as "the romantic stereotype of the inspired dreamer who foresees the national future" as Adrian Lyttleton expressed it, illustrating his point with Federico Faruffini's Cola di Rienzo Contemplating the Ruins of Rome (1855) of which he remarks, "The language of martyrdom could be freed from its religious context and used against the Church."[2]

Cola di Rienzo's life and fate have formed the subject of a novel by Edward Bulwer-Lytton, 1st Baron Lytton, a tragedy by Julius Mosen and also of some verses by George Gordon Byron, 6th Baron Byron. He is also the subject of a play by Friedrich Engels.

Richard Wagner's first success Rienzi (Dresden, 1842), based on Bulwer-Lytton's novel, took Cola for a central figure, and at the same time, unaware of the Dresden production, Giuseppe Verdi, an ardent and anti-clerical patriot of the Risorgimento, contemplated a Cola di Rienzo.[3]

In 1873 – immediately after the new Kingdom of Italy effected the Capture of Rome from papal forces – the rione Prati was laid out, with the new quarter's main street being "Via Cola di Rienzo" and a conspicuous square, Piazza Cola di Rienzo. Pointedly, the name was bestowed precisely on the street connecting the Tiber with the Vatican – at the time the headquarters of a Catholic Church still far from reconciled to the loss of its temporal power. To further drive home the point, the Piazza del Risorgimento was located at the Via Cola di Rienzo's eastern end, directly touching upon the Church's headquarters.

In 1877 a statue of the tribune by Girolamo Masini, was erected at the foot of Rome's Capitoline Hill. In Rome, in rione Ripa, near the Bocca della Verità still exists a brick decorated house of the Middle Ages, distinguished by the appellation of "The House of Pilate", but also traditionally known as Cola di Rienzo's house (in fact it belonged to the patrician Crescenzi family).

His letters, edited by A. Gabrielli, are published in vol. vi. of the Fonti per la storia d’Italia (Rome, 1890).

According to August Kubizek, a childhood friend of Adolf Hitler's, it was at a performance of Wagner's opera "Rienzi" that Hitler, as a teenager, had his first ecstatic vision of the reunification of the German people.[4]

See also

References

  1. 1 2 3 Musto, Ronald G., "Cola Di Rienzo", Oxford Biographies, 21 November 2012, DOI: 10.1093/obo/9780195399301-0122
  2. ↑ The cultural context of this refiguration of Cola is examined by Adrian Lyttelton, "Creating a National Past: History, Myth and Image in the Risorgimento", in Making and Remaking Italy: the cultivation of national identity around the Risorgimento, 2001:27–76; Cola is examined in pp 61–63 (quote p 63).
  3. ↑ George Martin, Verdi, His Music, Life and Times, 1963:126, mentioning Bulwer-Lytton's "immensely popular historical novel" and remarking "As a leader sprung from the people, Rienzi was at the time a favorite symbol and hero of liberals and republicans throughout Europe."
  4. ↑ Kubizek, A. (1955). The Young Hitler I Knew: The Memoirs of Hitler's Childhood Friend ISBN 978-1848326071

Further reading

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