Clarissa Munger Badger

Clarissa Munger Badger
Born Clarissa Munger
1806
East Guilford, Connecticut
Died 1889
Resting place West Cemetery, Madison, Connecticut
Nationality American
Known for botanical painting
Spouse(s) Milton Badger

Clarissa Munger Badger (1806–1889) was a mid 19th century American botanical illustrator best known for three volumes of flower paintings accompanied by poetry. She also painted on textiles.

Family

Clarissa Munger Badger, lithograph of tulips from her 1867 book Floral Belles from the Green-House and Garden.

Clarissa W. Munger was born in East Guilford, Connecticut, in 1806 to George Munger, a portrait painter and engraver, and Parnel Kelsey Munger.[1][2] Clarissa, her older brother George, and her younger sister Caroline all become artists as well, with Caroline specializing in portraits like her father and Clarissa in botanical art.[3][4]

In 1828, she married the Rev. Milton Badger, who was a minister in Andover, Massachusetts and later became the associate secretary of the American Home Missionary Society, a job requiring him to spend time in the western United States.[5][6] They had five children, of whom two survived to adulthood, both becoming doctors.[5] Milton developed Bright's disease, and the couple moved back Madison, Connecticut, where Clarissa was widowed in 1873.[6]

Works

In 1848, Clarissa Munger Badger privately published A Forget-Me-Not: Flowers from Nature with Selected Poetry under the name C. M. Badger. This was a volume of poetry by William Cullen Bryant, Lydia Sigourney, Mary Howitt, and others illustrated with 13 of her flower paintings. This may have provided a model for her 1859 book Wild Flowers Drawn and Colored from Nature (informally known as The Wild Flowers of America), which was illustrated with 22 plates of individual common flowers such as trailing arbutus, purple violet, cardinal flower, and harebell.[3] It also included poems, thought in this case to have been written by Badger herself, together with an introductory poem by Sigourney.[2] The poet Emily Dickinson owned a copy of this book.[7] The plates were widely reproduced at the time, contributing to Badger's reputation as a top-rank botanical artist.[2]

Clarissa's third book, Floral Belles from the Green-House and Garden, was published in 1867 with 16 hand-colored lithographic plates typically showing two or three flowers in clusters or bouquets. As with her first book, the flower paintings were accompanied by poetry, in this case poems about the flowers depicted.

A sketch written when Badger was 75 remarks on the "feeling and delicacy" of her watercolors and remarks that she was still painting flowers at that advanced age.[5] The popularity of Badger's graceful, stylized paintings in her own day was "dwarfed by her male counterparts; only now is she being applauded as a fine botanical artist".[4]

Recent research has revealed that Badger also painted on textiles. Extant works include a quilt with some panels featuring hand-painted flowers, and a silk scarf with roses painted at one end and morning glories at the other.[2]

Portraits of Badger and her husband were painted in 1846-47 by Nathaniel Jocelyn.[2]

Wikimedia Commons has media related to Clarissa Munger Badger.

References

  1. ↑ Bowman, Mira Chittenden, and Marjorie Lee Chittenden. "The Munger Sisters". Philip S. Platt, ed., Madison's Heritage. Madison, CT: Madison Historical Society, 1964.
  2. 1 2 3 4 5 "Clarissa Munger Badger". Madison Historical Society website.
  3. 1 2 Schroeder, Michael D. "Other 19th and Early 20th C. Artists with Surname 'Munger'". The Gilbert Munger Web Site, August 256, 2006.
  4. 1 2 Kramer, Jack. Women of Flowers: A Tribute to Victorian Women Illustrators. Stewart, Tabori & Chang, 1996.
  5. 1 2 3 Bailey, Sarah Loring. Historical Sketches of Andover (Comprising the Present Towns of North Andover and Andover), Massachusetts. Ulan Press, 2012.
  6. 1 2 Coe, D.B. "Milton Badger". The Congregational Quarterly, vol. 17, no. 1 (January 1875), pp. 11-12.
  7. ↑ Farr, Judith. The Gardens of Emily Dickinson. Harvard University Press, 2005.
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