Chris Wilson (Australian musician)

Chris Wilson

Wilson performing at the East Brunswick Social Club, Melbourne, April 2008
Background information
Birth name Christopher John Wilson
Born 1956 (age 60–61)
Origin Melbourne, Victoria, Australia
Genres Blues-rock, rock, country, folk
Occupation(s) Musician, songwriter, teacher
Instruments Guitar, vocals, harmonica, saxophone
Years active 1984–present
Labels Crawdaddy, Aurora/Mushroom, Black Market, Forge
Associated acts Sole Twisters, Harem Scarem, Paul Kelly and the Coloured Girls, X, Crown of Thorns, Johnny Diesel, Chris Wilson and The Spidermen
Website chriswilson.com.au

Christopher John Wilson (born 1956) is an Australian blues musician who plays harmonica, saxophone, guitar and vocals. He has performed as part of the Sole Twisters, Harem Scarem and Paul Kelly and the Coloured Girls, and fronted his band Crown of Thorns. Wilson's solo albums are Landlocked (June 1992), The Long Weekend (March 1998), Spiderman (2000) and King for a Day (July 2002).

In March 1996 Wilson collaborated with Johnny Diesel in a blues project, Wilson Diesel, which issued an album, Short Cool Ones, composed mostly of "soul and R&B standards". It peaked at No. 18 on the ARIA Albums Chart. Outside his music career Wilson has taught English in various secondary schools in Melbourne for about 20 years.

Biography

Christopher John Wilson was born in 1956.[1][2] He grew up in Alphington, an inner-Melbourne suburb.[3] He completed his tertiary studies, and worked as an English teacher at various Melbourne secondary schools for "some 20 years".[4][5] He joined Sole Twisters in 1984;[4][6] the R&B band included Brian Horne, Barry Palmer, his brother Craig Palmer, Jeff Pickard, and Nigel Sweeney.[7] His early influences were Australian blues groups, Chain and Carson.[3]

In September the following year Wilson, on harmonica and saxophone, and Barry Palmer, on lead guitar, joined a neo-Blues group, Harem Scarem, alongside Peter Jones on drums, Charles Marshall on guitar, Christopher Marshall on lead vocals and Glen Sheldon on bass guitar.[2][8][9] This line-up recorded their debut studio album, Pilgrim's Progress for Au Go Go Records, which was released in December 1986.[8]

While a member of Harem Scarem, Wilson provided harmonica on Paul Kelly and the Coloured Girls' debut album, Gossip (September 1986).[2] By May 1987 Wilson had left Harem Scarem, he joined Kelly's 45-date tour of North America promoting Gossip.[2][4] Wilson acknowledges Kelly for extending his repertoire beyond harmonica, "I was asked on as a sax player too and I didn't play all that much sax when [Kelly] asked. But he had that faith in me that I'd get my act together".[4] During that year Wilson also guested on Hunters & Collectors album, What's a Few Men? (November 1987), on Paul Kelly and the Coloured Girls' next album, Under the Sun (December), and he played with hard rockers, X.[2][4]

Wilson formed his own band, Crown of Thorns, with Barry Palmer, and Chris Rodgers on double bass, bass guitar and fiddle, in 1987.[2][4] Stuart Coupe of The Canberra Times described the group's sound as "a diverse amalgam, recalling everything from Tim Buckley to Captain Beefheart and American blues".[4] While Wilson felt his group was not only a blues band as "there's elements of country and straight rock 'n' roll".[4] Their debut release was a six-track extended play, Gnawing on the Bones of Elvis, which was produced by the band and appeared in April 1988.[2][4][10] Australian musicologist, Ian McFarlane, noted it was "sparsely recorded ... [which] mixed one side of electric blues including Willie Dixon's 'Bring It on Home', and one side of acoustic folk tunes".[2]

Crown of Thorns issued a studio album, Carnival (February 1989), using a line up of Wilson, Palmer, Rodgers, joined by Justin Brady on violin, Barbara Waters on guitar, vocals and mandolin (ex-Hollowmen), and former band mate, Jones on drums.[2][10] The album was produced by Wilson and Waters with Chris Thompson.[10] McFarlane described it as a "more fully realised work than the debut. [It] mixed blues, country and folk with a great deal of verve and authority".[2] It contained Wilson's composition "The Ballad of Slim Boy Fat",[1] which was a "highlight" of the album with its "spectacular blues/gospel" style.[2] In 1990 the group released another studio album, Babylon, with Wilson, Rodgers, and Waters joined by Ashley Davies on drums (ex-White Cross).[2][10]

Late in 1990 he formed a briefly existing group, The Pub Dogs, with Wilson on harmonica and lead vocals, Barry Palmer on electric and acoustic guitars, Graham Lee on pedal steel guitar and backing vocals (ex-The Triffids); and Marko Halstead on acoustic guitar, mandolin and backing vocals (of The Blackeyed Susans). They issued a live EP, Scatter's Liver: Pub Dogs Live on the Wireless in the next year on Shock Records,[11] which had been recorded at radio station Triple J's studios in Melbourne on 22 October 1990.[12] In August 1991 Wilson provided lead vocals for Robin Casinader's (ex-the Wreckery) debut solo album, All This Will Be Yours.[13]

During 1992 Wilson formed the Chris Wilson Band which released an EP, The Big One in May and a studio album, Landlocked in June.[2][7] The line-up were Wilson and Rodgers with Jen Anderson on violin (The Black Sorrows), Rebecca Barnard on backing vocals (ex-Stephen Cummings Band), Peter Luscombe on drums (The Black Sorrows), and Shane O'Mara on guitars (Stephen Cummings Band).[2][7] Los Angeles Times' reviewer, Mike Boehm, felt that on the album "he sometimes becomes bogged down with self-conscious attempts at poetic imagery, and that high-voltage vocal style can seem strident".[14]

During June Wilson and Crown of Thorns performed a combined tour promoting recent material.[15] Laurie White caught their gig at Tilley's which "a privileged few will remember for an age (if only I'd taken a Walkman like one lucky bootlegger)" with Wilson described as "a huge writhing gospel cyber punk, [who] sings and plays harp with such venom and power it's impossible to ignore him against melancholy songs (reminiscent of Archie Roach at his most tearful). The change in gear is exhilarating if not frightening".[15] Wilson followed with another EP, Alimony Blues, in October; it had a cover version of Booker T. Jones' "Born Under a Bad Sign", which McFarlane declared had Wilson's vocals "backed by [O'Mara's] blistering guitar work, [and] was one of the finest renditions ever committed to record".[2]

In March 1993 Wilson and fellow Australian singer-songwriters Barnard, Kelly, Archie Roach, Deborah Conway and David Bridie each performed a set at a Hollywood concert, The Melbourne Shuffle.[14] Boehm described Wilson as "a big, denim-clad slab of a man with a shaven head and the look of a street tough or a stevedore. In contrast to such reserved performers as Kelly ... he had a taste for the monumental. His big, rangy, high-impact voice supported his flair for the dramatic flourish and the grand gesture".[14] As a performer Wilson showed "a dry, laconic wit between songs, [he] was a fervent, let-it-all-out wailer when he began to sing".[14]

At the ARIA Music Awards of 1993, held in April, Wilson was nominated for Best Male Artist and Breakthrough Artist - Album for Landlocked.[16] In June that year Wilson, Charlie Owen, and three former members of The Triffids: David McComb, Robert McComb and Graham Lee guested on Acuff's Rose's debut studio album, Never Comin' Down.[17] On 20 May 1994 Wilson's performance at the Continental Hotel in Prahran was recorded for Live at the Continental, which was released in October.[2] The album provided Wilson with another nomination for Best Male Artist in October 1995.[18] Wilson toured extensively and played at many festivals, both in Australia and overseas, and has shared stages with Bob Dylan, and with Johnny Diesel. He provided backing vocals on the Merril Bainbridge song "Under the Water" for her album The Garden (1995).[7]

In March 1996 Wilson Diesel issued a collaborative album, Short Cool Ones on Mushroom Records, with Wilson on lead vocals and harmonica, and Diesel on lead vocals and lead guitar. Short Cool Ones peaked at No. 18 on the ARIA Albums Chart.[19] McFarlane described it as including "15 soul and R&B standards ... and a sole original, 'Other Man'".[2] "Other Man" was written by Diesel (aka Mark Lizotte).[20] Other performers were Dean Addison on bass guitar, Angus Diggs on drums, and Rob Woolf on keyboards and backing vocals.[21] Paul Petran of Radio National's Live on Stage felt Short Cool Ones was "one of the most successful blues albums in Australian history".[5]

Wilson's next solo album, The Long Weekend, appeared in March 1998 as a 2× CD. McFarlane noted the album had "22 excellent tracks, [it] drew on blues, gospel and country elements".[2] In May Wilson supported Kelly at the Metro in Melbourne where Wilson was "crashing through a slightly hollow mix with a bunch of the good stuff, picking the eyes out of his recent Long Weekend thing, and throwing in some older selections – the 'best done by Elvis' Mystery Train being a big blow, as is the pump action 'Shoot Out at Seven Eleven', while the big ballady 'Too Many Hearts' again is a glory and must be a single, surely".[22] At the ARIA Awards that year he received another nomination as Best Male Artist, for The Long Weekend.[23] In November he appeared at the Mushroom 25 Concert both as a solo artist and in Wilson Diesel.[2]

In January 1999 Wilson was a support act for Elvis Costello on an Australian tour.[2] By 2000 he had formed Chris Wilson and the Spidermen with Rodgers, Shannon Bourne on guitar, and Dave Folley on drums.[7][24] Wilson issued a solo album, Spiderman, which was recorded at Studio 335, Southbank with Wilson, O'Mara and Thompson co-producing; O'Mara also guested on two tracks.[7][24] Rhythms Magazine's readers' poll rated Spiderman as the Best Australian Blues Album of 2000.[5] Melbourne Blues Rock website's Tom Slingsby reviewed the album in September 2011 and noted it was "a mix of covers and originals. ... [The covers] are given a real personal touch one could easily think Wilson and gang had crafted the songs themselves".[25] Slingsby felt the "production allows both the guitar and harmonica to stand out on tracks, trade off licks, and then fall back to accompany the other instruments. Overall the album has a strong dynamic range with slower, sultry songs inserted amongst the more lively tracks without dropping off in feel".[25]

During May 2002 Wilson recorded his next album, King for a Day (July 2002), at two studios in Melbourne with Kerryn Tolhurst producing.[7][26] Along with Bourne, Folley and Rodgers, the album featured Tollhurst (guest guitars, piano, mandolin and tipple), Cindy Boste (guest lead vocals), Sarah Carroll (guest lead vocals) and Skip Sail (guest banjo).[26][27] In March 2003 Richard Sharman of I-94 Bar website reviewed Chris Wilson and The Spidermen's gig at the Bridge Hotel in Sydney, and found that Wilson's "voice was magnificent ranging from soft tenderness to a bellowing roar that raised shivers at the back of my neck. His voice sounded better than ever and his harp playing was superb – this boy can play!"[28]

On 26 October 2013 Wilson Diesel reunited to perform the entire Short Cool Ones album at the Sydney Blues & Roots Festival.[29][30]

Discography

Studio albums

Crown of Thorns
solo
Wilson Diesel

Compilation albums

Crown of Thorns

Live albums

solo
with Geoff Achison

featuring Geoff Achison – Mal Logan – Roger McLachlan – Gerry Pantazis
with Shannon Bourne & Kerri Simpson

with Mr Black & Blues

Extended plays

Crown of Thorns
The Pub Dogs
solo
Wilson Diesel

References

General
Specific
  1. 1 2 "'Ballad of Slim Boy Fat' at APRA search engine". Australasian Performing Right Association (APRA). Retrieved 27 November 2013.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 McFarlane, 'Chris Wilson' entry at the Wayback Machine (archived 19 April 2004). Archived from the original Archived 28 August 2004 at the Wayback Machine. on 19 April 2004. Retrieved 27 November 2013.
  3. 1 2 Shun Wa, Annette (22 July 1999). "Chris Wilson". Studio 22. Australian Broadcasting Corporation (ABC). Retrieved 28 November 2013.
  4. 1 2 3 4 5 6 7 8 9 Coupe, Stuart (14 August 1988). "Gentle Giant Wears a Crown of Thorns". The Canberra Times (ACT : 1926 - 1995). National Library of Australia. p. 14. Retrieved 27 November 2013.
  5. 1 2 3 Petran, Paul (3 October 2003). "Live on Stage: Chris Wilson and The Spidermen". Live on Stage. Radio National. (Australian Broadcasting Corporation (ABC)). Retrieved 1 December 2013.
  6. ↑ "Biography". Chris Wilson Official Website. Archived from the original on 21 November 2013. Retrieved 27 November 2013.
  7. 1 2 3 4 5 6 7 Holmgren, Magnus. "Chris Wilson". Australian Rock Database. Passagen (Magnus Holmgren). Archived from the original on 31 May 2012. Retrieved 1 December 2013.
  8. 1 2 McFarlane. "'Harem Scarem' entry". Archived from the original on 15 June 2004. Retrieved 15 June 2004.
  9. ↑ Holmgren, Magnus. "Harem Scarem". Australian Rock Database. Passagen (Magnus Holmgren). Retrieved 27 November 2013.
  10. 1 2 3 4 Holmgren, Magnus. "Crown of Thorns". Australian Rock Database. Passagen (Magnus Holmgren). Retrieved 27 November 2013.
  11. ↑ Holmgren, Magnus. "The Pub Dogs". Australian Rock Database. Passagen (Magnus Holmgren). Retrieved 28 November 2013.
  12. ↑ Pub Dogs; Triple J (Radio station: Melbourne, Vic.) (1991), Scatter's Liver: The Pub Dogs, Live on the Wireless, Crawdaddy Records. National Library of Australia, retrieved 28 November 2013, A JJJ recording taken from Live at the Wireless, JJJ FM, Melbourne 22nd October 1990.
  13. ↑ McFarlane, 'The Wreckery' entry at the Wayback Machine (archived 9 August 2004). Archived from the original Archived 9 August 2004 at the Wayback Machine. on 9 August 2004. Retrieved 28 November 2013.
  14. 1 2 3 4 Boehm, Mike (24 March 1993). "Pop Music Reviews: Down Underexposed: Handful of Mostly Unsung Australian Singer-Songwriters Deserve a Closer Look from U.S.". Los Angeles Times. Eddy Hartenstein. p. 2. Retrieved 28 November 2013.
  15. 1 2 "Good Times. Concert Review – Chris Wilson and Crown of Thorns, Tilley's, June 20". The Canberra Times (ACT : 1926 - 1995). National Library of Australia. 25 June 1992. p. 33. Retrieved 28 November 2013.
  16. ↑ "ARIA Awards – History: Winners by Year 1993: 7th Annual ARIA Awards". Australian Recording Industry Association (ARIA). Archived from the original on 12 May 2009. Retrieved 13 June 2012.
  17. ↑ McFarlane, 'Acuff's Rose' entry at the Wayback Machine (archived 3 August 2004). Archived from the original Archived 3 August 2004 at the Wayback Machine. on 13 August 2004. Retrieved 28 November 2013.
  18. ↑ "ARIA Awards – History: Winners by Year 1995: 9th Annual ARIA Awards". Australian Recording Industry Association (ARIA). Retrieved 13 June 2012.
  19. ↑ Hung, Steffen. "Discography Wilson Diesel". Australian Charts Portal. Hung Medien (Steffen Hung). Retrieved 1 December 2013.
  20. ↑ "'Other Man' at APRA search engine". Australasian Performing Right Association (APRA). Archived from the original on 2 December 2013. Retrieved 28 November 2013.
  21. ↑ Smith, Craig (1 May 2000). "Short Cool Ones". Australian Blues. Archived from the original on 5 June 2000. Retrieved 28 November 2013.
  22. ↑ Clelland, Ross (12 May 1998). "Paul Kelly/Chris Wilson & Crown of Thorns". The Drum Media (394). Dumbthings: Official Website of Paul Kelly. Archived from the original on 30 January 2005. Retrieved 28 November 2013.
  23. ↑ "ARIA Awards – History: Winners by Year 1998: 12th Annual ARIA Awards". Australian Recording Industry Association (ARIA). Retrieved 13 June 2012.
  24. 1 2 "Releases :: Spiderman". Australian Music Online. Archived from the original on 20 December 2004. Retrieved 1 December 2013.
  25. 1 2 Slingsby, Tom (15 September 2011). "Reviews – (Album) Chris Wilson – Spiderman". Archived from the original on 3 December 2013. Retrieved 1 December 2013.
  26. 1 2 Wilson, Chris (2002), King for a Day, Forge. National Library of Australia, retrieved 1 December 2013
  27. ↑ Purvis, Ray (5 December 2002). "King Chris II". The West Australian. Chris Wilson Official Website. Archived from the original on 26 January 2014. Retrieved 1 December 2013.
  28. ↑ Sharman, Richard (14 March 2003). "Bluesman Chris Wilson at Sydney's Bridge Hotel". Archived from the original on 30 November 2013. Retrieved 1 December 2013.
  29. ↑ "Wilson / Diesel". Sydney Blues & Roots Festival. 26 October 2013. Archived from the original on 3 December 2013. Retrieved 30 November 2013.
  30. ↑ "Chris Wilson and Diesel Reunite for Sydney Blues Festival". Rhythms Magazine. Archived from the original on 3 December 2013. Retrieved 30 November 2013.
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