Shuai jiao

Shuai jiao
摔跤

Two Shuai Jiao wrestlers testing each other in Tianjin, China.

Two Shuai Jiao wrestlers testing each other in Tianjin, China.
Focus Jacket wrestling, Grappling, Joint locks
Country of origin China China
Creator Unknown
Parenthood Unknown
Olympic sport No
A modern Shuai jiao match. A fighter is trying to take down or "sweep" his rival with a leg hook.

Shuai jiao (Chinese: 摔跤 or 摔角; pinyin: Shuāijiāo; Wade–Giles: Shuai-chiao) is the term pertaining to the ancient jacket wrestling Kung-Fu style of Beijing, Tianjin and Baoding of Hebei Province in the North China Plain which was codified by Shan Pu Ying (善撲营 The Battalion of Excellency in Catching) of the Nei Wu Fu (内務府, Internal Administration Unit of Imperial Household Department). In modern usage it is also the general Mandarin Chinese term for any form of wrestling, both inside and outside of China. As a generic name, it may be used to cover various styles of wrestling practised in China in the form of a martial arts system or a sport. The art was introduced to Southern China in the Republican era after 1911.[1]

History

Six Shuai Jiao masters in Tianjin, 1930.

Over 6,000 years ago, the earliest Chinese term for wrestling, "jǐao dǐ" (角抵, horn butting), refers to an ancient style of military Kung-Fu in which soldiers wore horned headgear with which they attempted to butt, throw and defeat their enemies. Ancient Chinese imperial records state that "jiao di" was used in 2697 BC by the Yellow Emperor's army to gore the soldiers of a rebel army led by Chiyou.[1] In later times, young people would play a similar game, emulating the contests of domestic cattle, without the headgear. Jiao di has been described as an originating source of wrestling and latter forms of martial arts in China.[2]

"Jiao li" (角力) was first referenced in the Classic of Rites[3] during the Zhou Dynasty. Jiao li supplemented throwing techniques with strikes, blocks, joint locks and attacks on pressure points.[1] These exercises were practiced in the winter by soldiers who also practiced archery and studied military strategy.[4]

Jiao li eventually became a public sport held for court amusement as well as for recruiting the best fighters. Competitors wrestled each other on a raised platform called a "lei tai" for the potential reward of being hired as a bodyguard to the emperor or a martial arts instructor for the Imperial Military. Jiao li was taught to soldiers in China over many centuries and its popularity among the military guaranteed its influence on later Chinese martial arts through the end of the Qing dynasty.

The term "shuai jiao" was chosen by the Central Guoshu Academy (Zhong Yang Guo Shu Guan 中央國術館) of Nanjing in 1928 when competition rules were standardized .[5] The art continues to be taught in the police and military academies of China.

Translation

A wrestling match during the Tang Dynasty.

The word "shuai," , stands for "to throw onto the ground", while "jiao" may be one of two characters: the first and older, , stands for "horns" and the second and recent, 跤, stands for "wrestle or trip using the legs". In modern Chinese Shuai Jiao is always written using the more recent characters 跤, and should be translated as "to throw onto the ground through wrestling with legs". The use of the character is because in the earliest form of Shuaijiao, players wore helmet with horns and head-butting was allowed. This form of Shuaijiao is called 'Ciyou Xi'.

Styles of Shuaijiao

The practice of Jiao li in the Zhou Dynasty was recorded in the Classic of Rites[3]

Shuaijiao can be divided into the following styles:

Zhili (直隷) or Hebei (河北) Style. This style traces the lineage to the Yellow Emperor who fought two decisive battles against Chi You and Yan Emperor in modern-day Zhang Jia Kou (张家口) Region in Northern Hebei, to the NW of Beijing. The modern training methods and rules are codified by Shan Pu Ying (善撲营 The Battalion of Excellency in Catching) of the Nei Wu Fu (内務府, Internal Administration Unit of Imperial Household Department). It comprises Beijing, Tianjin and Baoding styles.

Beijing Style (北京) - This is in essence the lineage from the Manchu Buku style that was practised by the Imperial Guards Brigade, Shan Pu Ying (善扑营, literally the Expert in Wrestling Unit). The main characteristic is the use of the legs to kick and off-balance opponents, and the use of arm locks.

Tianjin Style (天津) - This is the lineage of Ming Dynasty Shuaijiao mixed with Manchu Buku (布庫). The main characteristic is the use of legs to kick and off-balance, and the use of forearms in blocking and striking.

Baoding Style (保定) - This is the lineage that is called Kuai Jiao (快跤) or "Fast Wrestling". The main characteristic is the fast application of technique. Another characteristic is the adaptation of Shaolin Quan from Ping Jingyi, a famous teacher of Shuaijiao who learned Shaolin style from the Meng family of Nanguan County even though he was a Muslim Hui.

Qing Dynasty match, a man has taken control of his rival and is about to throw him off a lei tai.

The above three styles are sometimes called Hebei Style (河北) Shuaijiao or simply Shuaijiao. Wrestlers wear a jacket called Da Lian.

Shanxi Style (山西) - This is the lineage of Song Dynasty Shuaijiao. It is mainly practised in the counties between the mining city of Datong in northern Shanxi and the provincial capital Taiyuan in central Shanxi. The main characteristic is leg catching techniques, as traditionally wrestlers wear only tight knee-length pants.

Mongolian Style - This style traces its lineage to the wrestling styles of Dong Hu (东胡) Confederation, which included Xianbei, Khitan and Mongol people.

See also

Notes and references

  1. 1 2 3 "History of Shuai Jiao". Chinese Kuoshu Institute. Retrieved 2006-01-26.
  2. Zhongyi Tong, Tim Cartmell. "The Method of Chinese Wrestling".
  3. 1 2 Classic of Rites. Chapter 6, Yuèlìng. Line 108.
  4. "Shuai Jiao: China's Indigenous Wrestling Style". Fightland.
  5. Burr, Martha. Ching, Gene. 100 "Kungfu Styles of the Past Millennium" Check |url= value (help). Kungfumagazine.com. Retrieved 2006-01-26.

General references

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