Chekhov's gun

Chekhov's gun is a dramatic principle that states that every element in a story must be necessary, and irrelevant elements should be removed; elements should not appear to make "false promises" by never coming into play. The statement is recorded in letters by Anton Chekhov several times, with some variation:[1][2][3]

See also

References

  1. Petr Mikhaĭlovich Bit︠s︡illi (1983), Chekhov's art, a stylistic analysis, Ardis, p. x
  2. Daniel S. Burt (2008), The Literature 100: A Ranking of the Most Influential Novelists, Playwrights, and Poets of All Time, Infobase Publishing
  3. 1 2 Valentine T. Bill (1987), Chekhov: The Silent Voice of Freedom, Philosophical Library
  4. С.Н. Щукин [Sergius Shchukin] (1911). "Из воспоминаний об А.П. Чехове" [Memoirs]. Русская Мысль [Russian Thought]: 44.
  5. "Quotations by Berlin". ox.ac.uk.
  6. Чехов А. П. (1 November 1889), "Чехов — Лазареву (Грузинскому) А. С.", Чехов А. П. Полное собрание сочинений и писем, АН СССР. Ин-т мировой лит.
  7. Leah Goldberg (1976), Russian Literature in the Nineteenth Century: Essays, Magnes Press, Hebrew University, p. 163
  8. In 1889, 24-year-old Ilia Gurliand noted these words down from Chekhov's conversation: "If in Act I you have a pistol hanging on the wall, then it must fire in the last act". Donald Rayfield, Anton Chekhov: A Life, New York: Henry Holt and Company, 1997, ISBN 0-8050-5747-1, 203. Ernest. J. Simmons says that Chekhov repeated the point later (which may account for the variations). Ernest J. Simmons, Chekhov: A Biography, Chicago: University of Chicago Press, 1962, ISBN 0-226-75805-2, 190.
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