Celia Álvarez Muñoz

Celia Álvarez Muñoz
Born Celia Limón Álvarez
1937 (age 79–80)
El Paso, Texas
Nationality American
Alma mater North Texas State University
Style photography
conceptual art

Celia Álvarez Muñoz (born 1937) is a Chicana mixed-media conceptual artist and photographer based in Arlington, Texas.[1]

Álvarez Muñoz was born in El Paso, Texas to Enriqueta Limón Alvarez and Francisco Pompa Alvarez.[1] Prior to becoming an artist, Álvarez Muñoz worked as fashion illustrator and an elementary school art educator.[2] She decided to commit to creating art in the 1970s, by 1977 she enrolled in graduate school to study art.[1][3] She earned her Masters of Fine Arts at North Texas State University, Denton.[4]

Álvarez Muñoz's work addresses the dichotomy of the two worlds and common themes in her work include; Catholic and Mexican-American but living near the Mexico boarder, the past verses the present and the English language verses Spanish.[3] She also incorporates themes of family and "communal memories" in her work.[5] She uses text and images in her work to explore the ambiguous signs and signifiers where cultures meet, and to communicate stories of American history, culture, and society.[6] She has exhibited her work in museums and galleries in the U.S. and abroad, and is included in the collection of the Museum of New Mexico Museum of Fine Arts.[7] Her work has been written about by art historians, Lucy Lippard, Benito Huerta, and others.[8][9][10] In Roberto Tejada's monograph on Muñoz, he includes a teaching guide (Vol. 3) using principles from her work in the teaching of multicultural art, and border issues.

Exhibitions

Álvarez Muñoz has exhibited at;

References

  1. 1 2 3 "Oral history interview with Celia Alvarez Muñoz, 2004 Feb. 7-28". Archives of American Art, Smithsonian Institution. Retrieved 2016-03-15.
  2. 1 2 3 4 5 6 FREUDENHEIM, SUSAN (March 3, 1991). "ART : Cultural Concepts : Celia Munoz draws on her childhood and heritage to tell stories in challenging, conceptual multimedia works". Los Angeles Times. Retrieved 5 March 2016.
  3. 1 2 A Ver teacher’s guide: Celia Alvarez Muñoz (PDF). UCLA Chicano Studies Research Press & Regents of the University of California. 2010-01-01.
  4. ↑ "Celia Alvarez Muñoz (American, 1937- )". Museum of New Mexico-Museum of Fine Arts. Retrieved 5 March 2016.
  5. ↑ Desert Modern and Beyond: El Paso Art 1960-2012. El Paso, Texas: El Paso Museum of Art. 2012. p. 32. ISBN 9780978538354.
  6. ↑ Tejada, Roberto (2009). Celia Alvarez Muñoz. University of Minnesota Press. ISBN 978-0-89551-112-6. Retrieved 27 December 2016.
  7. ↑ "Celia Alvarez Muñoz". Idea Photographic: After Modernism. Museum of New Mexico. Retrieved 27 December 2016.
  8. ↑ Huerta, Benito (Fall, 1999). "Celia Alvarez Muñoz". Artlies: 59–62. Retrieved 27 December 2016. Check date values in: |date= (help)
  9. ↑ Lippard, Lucy (1990). Mixed Blessings: New Art in a Multicultural Forum. New York: Pantheon Books. ISBN 978-1-56584-573-2. Retrieved 27 December 2016.
  10. ↑ Lippard, Lucy (1996). Listening to Roswell's Heartbeat: Celia Muñoz's Herencia. New Mexico: Roswell Museum and Art Center.
  11. ↑ "Concentrations 26: Celia Alvarez Munoz, Abriendo Tierra/Breaking Ground". Texas History. Retrieved 2016-03-14.
  12. ↑ "Celia Alvarez Munoz - Capp Street Project Archive". libraries.cca.edu. Retrieved 2016-03-15.
  13. ↑ Clark, Judi. "Celia Alvarez Muñoz: Stories Your Mother Never Told You - Lannan Foundation". www.lannan.org. Retrieved 2016-03-15.
  14. ↑ "Frontera 450+". Station Museum. Retrieved 2016-03-15.
  15. ↑ "Chicana Badgirls: Las Hociconas". 516 ARTS. Retrieved 2016-03-15.
  16. ↑ "Rastros Y Crónicas: Mujeres De Juárez". Hispago.com (in Spanish). 2009-10-17. Retrieved 2016-03-15.
  17. ↑ Campana, Joseph (2012-04-06). "Photographs merge truth and illusion in Station Museum's Artifactual Realities". CultureMap Houston. CultureMap LLC. Retrieved 2016-03-14.
  18. ↑ "Unbound: Contemporary Art After Frida Kahlo". Museum of Contemporary Art, Chicago (MCA). 2014. Retrieved 2016-03-15.
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