Táin Bó Cúailnge

Cú Chulainn in battle, from T. W. Rolleston, Myths & Legends of the Celtic Race, 1911; illustration by J. C. Leyendecker

Táin Bó Cúailnge (Irish pronunciation: [t̪ˠaːnʲ boː ˈkuəlʲɲə]; "the driving-off of cows of Cooley", commonly known as The Cattle Raid of Cooley or The Táin) is a legendary tale from early Irish literature, often considered an epic, although it is written primarily in prose rather than verse. It tells of a war against Ulster by the Connacht queen Medb and her husband Ailill,[1] who intend to steal the stud bull Donn Cuailnge, opposed only by the teenage Ulster hero Cú Chulainn.[2]

Traditionally set in the 1st century in an essentially pre-Christian heroic age, the Táin is the central text of a group of tales known as the Ulster Cycle. It survives in three written versions or "recensions" in manuscripts of the 12th and later centuries, the first a compilation largely written in Old Irish, the second a more consistent work in Middle Irish, and the third an Early Modern Irish version.

Synopsis

The Táin is preceded by a number of remscéla, or pre-tales, which provide background on the main characters and explain the presence of certain characters from Ulster in the Connacht camp, the curse that causes the temporary inability of the remaining Ulstermen to fight and the magic origins of the bulls Donn Cuailnge and Finnbhennach. The eight remscéla chosen by Thomas Kinsella for his 1969 translation are sometimes taken to be part of the Táin itself, but come from a variety of manuscripts of different dates. Several other tales exist which are described as remscéla to the Táin, some of which have only a tangential relation to it.

The first recension begins with Ailill and Medb assembling their army in Cruachan, the purpose of this military build-up taken for granted. The second recension adds a prologue in which Ailill and Medb compare their respective wealths and find that the only thing that distinguishes them is Ailill's possession of the phenomenally fertile bull Finnbhennach, who had been born into Medb's herd but scorned being owned by a woman so decided to transfer himself to Ailill's. Medb determines to get the equally potent Donn Cuailnge from Cooley to equal her wealth with her husband. She successfully negotiates with the bull's owner, Dáire mac Fiachna, to rent the animal for a year until her messengers, drunk, reveal that they would have taken the bull by force even if they had not been allowed to borrow it. The deal breaks down, and Medb raises an army, including Ulster exiles led by Fergus mac Róich and other allies, and sets out to capture Donn Cuailnge.

The men of Ulster are disabled by an apparent illness, the ces noínden (literally "debility of nine (days)", although it lasts several months). A separate tale explains this as the curse of the goddess Macha, who imposed it after being forced by the king of Ulster to race against a chariot while heavily pregnant.[3] The only person fit to defend Ulster is seventeen-year-old Cú Chulainn, and he lets the army take Ulster by surprise because he's off on a tryst when he should be watching the border. Cú Chulainn, assisted by his charioteer Láeg, wages a guerrilla campaign against the advancing army, then halts it by invoking the right of single combat at fords, defeating champion after champion in a stand-off lasting months. However, he is unable to prevent Medb from capturing the bull.

Cú Chulainn is both helped and hindered by supernatural figures. Before one combat the Morrígan visits him in the form of a beautiful young woman and offers him her love, but he spurns her. She then reveals herself and threatens to interfere in his next fight. She does so, first in the form of an eel who trips him in the ford, then as a wolf who stampedes cattle across the ford, and finally as a heifer at the head of the stampede, but in each form Cú Chulainn wounds her. After he defeats his opponent, the Morrígan appears to him in the form of an old woman milking a cow, with wounds corresponding to the ones Cú Chulainn gave her in her animal forms. She offers him three drinks of milk. With each drink he blesses her, and the blessings heal her wounds.

After a particularly arduous combat he is visited by another supernatural figure, Lugh, who reveals himself to be Cú Chulainn's father. Lugh puts Cú Chulainn to sleep for three days while he works his healing arts on him. While Cú Chulainn sleeps the youth corps of Ulster come to his aid but are all slaughtered. When Cú Chulainn wakes he undergoes a spectacular ríastrad or "distortion", in which his body twists in its skin and he becomes an unrecognisable monster who knows neither friend nor foe. He makes a bloody assault on the Connacht camp and avenges the youth corps sixfold.

After this extraordinary incident, the sequence of single combats resumes, although on several occasions Medb breaks the agreement by sending several men against him at once. When Fergus, his foster-father, is sent to fight him, Cú Chulainn agrees to yield to him on the condition that Fergus yields the next time they meet. Finally there is a physically and emotionally gruelling three-day duel between the hero and his foster-brother and best friend, Ferdiad. Cú Chulainn wins, killing Ferdiad.

Eventually the debilitated Ulstermen start to rouse, one by one at first, then en masse, and the final battle begins. To begin with Cú Chulainn sits it out, recovering from his wounds. Fergus has Conchobar at his mercy, but is prevented from killing him by Cormac Cond Longas, Conchobar's son and Fergus' foster-son, and in his rage cuts the tops off three hills with his sword. Finally, Cú Chulainn enters the fray and confronts Fergus, who makes good on his promise and yields to him, pulling his forces off the field. Connacht's other allies panic and Medb is forced to retreat. She does, however, manage to bring Donn Cuailnge back to Connacht, where the bull fights Finnbhennach, kills him, but is mortally wounded, and wanders around Ireland creating placenames before finally returning home to die of exhaustion.

The image of Cú Chulainn dying, tied to a post so that even in death he might face his enemies standing, a pose which was adopted by early 20th-century Irish republicans and by Ulster loyalists,[4] does not come from the Táin but from a later story. However it has been incorporated into some oral versions of the Táin, in which Cú Chulainn, like Donn Cuailnge, dies from wounds sustained during his final duel with Ferdiad.

Text

Manuscripts

Táin Bó Cúailnge has survived in three recensions. The first consists of a partial text in Lebor na hUidre (the "Book of the Dun Cow"), a late 11th-/early 12th-century manuscript compiled in the monastery at Clonmacnoise, and another partial text of the same version in the 14th-century manuscript called the Yellow Book of Lecan. These two sources overlap, and a complete text can be reconstructed by combining them. This recension is a compilation of two or more earlier versions, indicated by the number of duplicated episodes and references to "other versions" in the text.[5] Many of the episodes are superb, written in the characteristic terse prose of the best Old Irish literature, but others are cryptic summaries, and the whole is rather disjointed. Parts of this recension can be dated from linguistic evidence to the 8th century, and some of the verse passages may be even older.

The second recension is found in the 12th-century manuscript known as the Book of Leinster. This appears to have been a syncretic exercise by a scribe who brought together the Lebor na hUidre materials and unknown sources for the Yellow Book of Lecan materials to create a coherent version of the epic. While the result is a satisfactory narrative whole, the language has been modernised into a much more florid style, with all of the spareness of expression of the earlier recension lost in the process.

The Book of Leinster version ends with a colophon in Latin which says:

But I who have written this story, or rather this fable, give no credence to the various incidents related in it. For some things in it are the deceptions of demons, other poetic figments; some are probable, others improbable; while still others are intended for the delectation of foolish men.[6]

An incomplete third recension is known from twelfth-century fragments.[7]

Origins

Despite the date of the surviving manuscripts, a version of the Táin may have been put to writing already in the eighth century.[7] There is reason to suspect that the Táin had a considerable oral history before any of it was committed to writing: for example, the poem Conailla Medb michuru ("Medb enjoined illegal contracts") by Luccreth moccu Chiara, dated to c. 600, tells the story of Fergus' exile with Ailill and Medb, which the poet describes as sen-eolas ("old knowledge"). Two further seventh-century poems also allude to elements of the story: in Verba Scáthaige ("Words of Scáthach"), the warrior-woman Scáthach prophesies Cú Chulainn's combats at the ford; and Ro-mbáe laithi rordu rind ("We had a great day of plying spear-points"), attributed to Cú Chulainn himself, refers to an incident in the Boyhood Deeds section of the Táin.[8]

The high regard in which the written account was held is suggested by a ninth-century triad, that associated the Táin with the following wonders: "that the cuilmen [apparently a name for Isidore of Seville's Etymologiae] came to Ireland in its stead; the dead relating it to the living, viz. Fergus mac Róich reciting it to Ninníne the poet at the time of Cormac mac Faeláin; one year’s protection to him to whom it is related."[7]

In translation

Two translations by Irish poets are available in mass market editions: Thomas Kinsella's The Táin (1969, Oxford University Press) and Ciarán Carson's The Táin (2007, Penguin Classics). Both are based primarily on the first recension with passages added from the second, although they differ slightly in their selection and arrangement of material. Kinsella's translation is illustrated by Louis le Brocquy (see Louis le Brocquy Táin illustrations) and also contains translations of a selection of remscéla.

Cecile O'Rahilly has published academic editions/translations of both recensions, Táin Bó Cúalnge from the Book of Leinster (1967)[9] and Táin Bó Cúailnge Recension 1 (1976),[10] as well as an edition of the later Stowe Version (1984), a variant version of recension 2 in more modern language, with a few extra passages. Winifred Faraday's The Cattle-Raid of Cualnge (1904)[11] translates the first recension, and Joseph Dunn's The Ancient Irish Epic Tale Táin Bó Cúailnge (1914)[12][13][14] translates the second, with passages added from the first recension and the Stowe version.

Remscéla

The story of the Táin relies on a range of independently transmitted back-stories, known as remscéla ('fore-tales'). Some may in fact have been composed independently of the Táin and subsequently linked with it later in their transmission. As listed by Ruairí Ó hUiginn, they are:[7]

Cultural influence

See Irish mythology in popular culture

See also

Bibliography

  • Ann Dooley (2006), Playing the Hero: Reading the Táin Bó Cuailnge, University of Toronto Press, Toronto
  • Kenneth Hurlstone Jackson (1964), The Oldest Irish Tradition: A Window on the Iron Age, Cambridge
  • J. P. Mallory (ed) (1992), Aspects of the Táin, December Publications, Belfast
  • J. P. Mallory & Gerard Stockman (eds) (1994), Ulidia: Proceedings of the First International Conference on the Ulster Cycle of Tales, December Publications, Belfast
  • James MacKillop (1998), Dictionary of Celtic Mythology, Oxford University Press
  • Maria Tymoczo (1999), Translation in a Postcolonial Context, Manchester
  • Ciaran Carson (2007), The Tain, Penguin Classics

References

  1. ↑ Matson, Gienna: Celtic Mythology A to Z, page 2. Chelsea House, 2004. ISBN 978-1-60413-413-1
  2. ↑ Matson, Gienna: Celtic Mythology A to Z, page 106. Chelsea House, 2004. ISBN 978-1-60413-413-1
  3. ↑ Carney, James. "The Pangs of the Ulstermen: An Exchangist Perspective." Journal of Indo-European Studies 36. (2008): 52–66.
  4. ↑ radharc images - mural in Rathcoole, Belfast
  5. ↑ Reference is made to the fragmented nature of the story in a related tale, Dofallsigud Tána Bó Cuailnge ("The rediscovery of the Táin Bó Cuailnge"), in the Book of Leinster, which begins: "The poets of Ireland one day were gathered around Senchán Torpéist, to see if they could recall the 'Táin Bó Cuailnge' in its entirety. But they all said they knew only parts of it." Thomas Kinsella (trans., 1969), The Táin, Oxford University Press.
  6. ↑ Táin Bó Cuailnge from the Book of Leinster, ed. and trans. by Cecile O'Rahilly, Irish Texts Society, 49 (Dublin: Dublin Institute for Advanced Studies, 1967), provided at CELT.
  7. 1 2 3 4 Ruairí Ó hUiginn, ‘Táin Bó Cuailnge’, in Celtic Culture: A Historical Encyclopedia, ed. by John T. Koch (Santa Barbara: ABC-CLIO, 2005), s.v.
  8. ↑ James Carney, "Language and literature in 1169", in Dáibhí Ó Cróinín (ed.), A New History of Ireland 1: Prehistoric and Early Ireland, Oxford University Press, 2005, pp. 451–510
  9. ↑ Táin Bó Cuailnge from the Book of Leinster, ed. and trans. by Cecile O'Rahilly, Irish Texts Society, 49 (Dublin: Dublin Institute for Advanced Studies, 1967), text and translation at CELT
  10. ↑ Táin Bó Cúailnge Recension 1: Cecile O'Rahilly's text and translation at CELT
  11. ↑ Winifred Faraday's The Cattle Raid of Cualnge
  12. ↑ Ernst Windisch's text matched with Joseph Dunn's translation
  13. ↑ Dunn's translation at Sacred Texts
  14. ↑ Dunn's translation at Project Gutenberg
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