Cat-Women of the Moon

Cat Women of the Moon

Directed by Arthur Hilton
Produced by Jack Rabin
Al Zimbalist
Written by Roy Hamilton
Starring Sonny Tufts
Victor Jory
Marie Windsor
Music by Elmer Bernstein
Cinematography William P. Whitley
Edited by John A. Bushelman
Distributed by Astor Pictures
Release date
  • September 3, 1953 (1953-09-03)
Running time
 64 minutes
Country United States
Language English

Cat-Women of the Moon is an independently made 1953 American black-and-white 3D science fiction film, produced by Jack Rabin and Al Zimbalist, directed by Arthur Hilton and starring Sonny Tufts, Victor Jory, and Marie Windsor. The film was released by Astor Pictures.

Notably, the musical score was composed by Academy Award-winner Elmer Bernstein,[1] though his last name is misspelled as "Bernstien" in the opening credits.

Plot

Using a spaceship furnished with wooden tables and rolling chairs, a "scientific expedition" to the Moon encounters a race of Cat-Women, the last eight survivors of a 2-million-year-old civilization. Residing deep within a cave wherein they have managed to maintain not only the remnants of a breathable atmosphere and Earth-like gravity but also a pair of gigantic spiders, the Cat-Women sport black unitards, beehive hair styles, and elaborate cosmetics. Realizing that the remaining air in the cave will soon be gone, the Cat-Women plan to steal the expedition's spaceship, migrate to Earth, and in the words of the Cat-Women's leader, Alpha (Carol Brewster), "We will get their women under our power, and soon we will rule the whole world!"

Through the use of their telepathic ability the Cat-Women have been subliminally controlling Helen Salinger (Marie Windsor), the mission navigator and only female member of the expedition. Once the expedition arrives on the Moon the Cat-Women take complete control of Helen's mind, after which she leads the entire crew - clad in heavy spacesuits and equipped with matches, cigarettes, and a gun - to the Cat-Women's cave. Although unable to control their minds, the Cat-Women are nevertheless able to influence the male crew members through the combined application of the mind-controlled Helen, their own superior intellectual abilities and feminine wiles. As explained to Helen by the Cat-Woman named Beta (Suzanne Alexander), "Show us their weak points. We'll take care of the rest."

Along with telepathy, the Cat-Women have the ability to transport themselves unseen, and instantly, from place to place within their living space. They use this ability to steal the crew's spacesuits from the mouth of the cave, where they had been left unguarded. This act forces the crew deeper into the cave and into violent confrontations with the two resident spiders and the Cat-Women themselves. Having failed to exterminate them in this manner, the Cat-Women approach the men openly, using Helen to help establish friendly relations. Kip (Victor Jory), who has been suspicious throughout the encounter, confronts Alpha about the missing spacesuits, and she promises to return them in the morning. Food and drink are then brought out, and private conversations between crew and Cat-Women commence. As the conversations progress (sample dialog: "You're too smart for me, baby. I like 'em stupid") the gun-wielding Kip sits alone, unable to intervene, while the Cat-Women successfully exploit the "weak points" of expedition commander Laird (Sonny Tufts) and the other men.

By that evening the Cat-Women have learned how to operate the spaceship. Following a modern dance performance by the Cat-Women, Walt (Douglas Fowley) is stabbed to death by Beta. The Cat-Woman named Lambda (Susan Morrow), however, falls in love with crew member Doug (William Phipps) and tells him of the plot, saying, "I love you Doug, and I must kill you." With this news, the male crew members conclude that they are in danger. Carrying three spacesuits Alpha, Beta, and Helen make a break for the spaceship. Lambda teleports ahead to delay them, and is bludgeoned to death with a rock by Beta. Kip catches up and fires several shots, killing Alpha and Beta but leaving Helen uninjured. The surviving expedition members shortly thereafter manage to escape the cave, reach the spaceship, and begin their return trip to Earth.

Cast

Critical reception

Upon the film's release, Variety magazine wrote: "This imaginatively conceived and produced science-fiction yarn [an original story by producers Zimbalist and Rabin] takes the earth-to-moon premise and embellishes it with a civilization of cat-women on the moon ... Cast ably portray their respective roles ... Arthur Hilton makes his direction count in catching the spirit of the theme, and art direction is far above average for a film of this calibre. William Whitley's 3-D photography provides the proper eerie quality".[2]

The New York Times wrote: "They (The Cat-women) try to get their hands on the visitors' rocket ship, hoping to come down here and hypnotize us all. Considering the delegation that went up, it's hard to imagine why".[3]

The Encyclopedia of Science Fiction calls the film absurd, but notes that it "qualifies as one of the most influential science fiction films ever made" as it influenced later films "in which astronauts discover decadent, all-female (or almost all-female) civilizations on other planets, including Fire Maidens from Outer Space (1956), Queen of Outer Space (1958), Nude on the Moon (1961), [and] Voyage to the Planet of Prehistoric Women (1968)."[4]

Legacy

See also

References

  1. ↑ Cat-Women of the Moon on IMDb
  2. ↑ Variety. Film review, 193. Last accessed: February 7, 2008.
  3. ↑ The New York Times, "Cat Women of the Moon at the Rialto", by H.H.T., March 20, 1954
  4. ↑ "Cat-Women of the Moon". The Encyclopedia of Science Fiction. March 30, 2015. Retrieved 2016-11-23.
  5. ↑ 3-D Film Expo
  6. ↑ L.A.Connection web site.
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