Carmine Gallone
Carmine Gallone | |
---|---|
Born |
Taggia, Liguria, Italy | 10 September 1885
Died |
4 April 1973 86) Frascati, Latium | (aged
Occupation |
Film director Screenwriter |
Spouse(s) | Soava Gallone |
Carmine Gallone (10 September 1885[1] – 4 April 1973) was an early acclaimed Italian film director, screenwriter, and film producer. Considered one of Italian cinema's top early directors, he directed over 120 films in his fifty-year career between 1913 and 1963.
Life and career
Carmine Gallone was born on 10 September 1885 in Taggia (in the province of Imperia), but grew up in Naples. His father was Italian, from Sorrento, and his mother was French, from Nice.[2] He began writing plays at 15 and in 1911 won first prize at a national drama competition for his drama Brittanico.
He later moved to Rome where in 1912 he was hired as a general worker by the Teatro Argentina company, all the while continuing to write plays. In the same year he had his first experience working in film at the Cines studio. In 1912 he also met and married the Polish actress Stanislava Winaver, better known to the public as Soava Gallone, whom he directed in many of his films.
Promoted to director at Cines, he directed thirteen titles in 1914 alone, including Amore senza veli, Il romanzo di un torero, La donna nuda and Le campane di Sorrento. In 1915 he was selected to direct the film Avatar.
In 1918 he made his most successful film to date, Redenzione (Redemption) for the Medusa Film company. The film had a great success with audiences and critics. In 1924, together with Augusto Genina he directed Il corsaro. The following year due to the Italian film industry's troubles Gallon moved abroad where he worked for many years in France, Germany, England and Austria.
Due to his predilection for historical epics he was compared to Cecil B. DeMille. His best remembered films like Gli ultimi giorni di Pompei (The Last Days of Pompeii) in 1926 and many years later, the massive epic Scipione l'Africano in 1937, were used to enhance the imperial aspirations of the Mussolini regime, through the depiction of the greatness of ancient Rome. About Scipio l'Africano, Gallone is said to have remarked "If the film does not please il Duce I will shoot myself." The film in fact did not impress Mussolini, but still premiered at the Venice Film Festival and was quite successful. In 1943 he made Harlem, set in the US and critical about the American lifestyle, with afro-American and colonial British war prisoners employed in extra roles as colored characters.
Gallone also had a passion for making films that were linked to, or inspired by, the world of opera. These include Casta Diva (1935), Il sogno di Butterfly (Butterfly's Dream) (1939 and the remake of 1954) and Puccini (1953).
After the revival of Italian film Gallone went back to work at home permanently in 1940. He directed not only more historical films like Messalina (1951) and Cartagine in fiamme (1960), but also some comic films in the Don Camillo series starring Fernandel and Gino Cervi. The comedy Carmen di Trastevere, made in 1963, was the last film of his long career. Having directed more than one hundred films, Gallone is noted as one of the most prolific filmmakers in the history of Italian cinema, active both in the silent and sound eras.
Filmography
- Il bacio di Cirano (1913)
- La donna nuda (1914)
- Senza colpa! (1915)
- Fior di male (1915)
- La marcia nuziale (1915)
- Sotto le tombe (1915)
- Avatar (1916)
- La falena (1916)
- Malombra (1917)
- La storia dei tredici (1917)
- La storia di un peccato (1918)
- Redenzione (1919)
- Maman poupée (1919)
- Il mare di Napoli (1919)
- Amleto e il suo clown (1920)
- Nemesis (1920)
- Marcella (1921)
- All'ombra di un trono (1921)
- S. E. l'Ambasciatrice (1922)
- La fanciulla, il poeta e la laguna (1922)
- Il corsaro (1923)
- The Faces of Love (1924)
- The Fiery Cavalcade (1925)
- The Last Days of Pompeii (1926)
- The City of a Thousand Delights (1927)
- Pawns of Passion (1928)
- Land Without Women (1929)
- Ship in Distress (1929)
- The Singing City (1930)
- Un soir de rafle (1931)
- La città canora (1931)
- Di notte a Parigi (1931)
- My Cousin from Warsaw (1931)
- A Son from America (1932)
- Sailor's Song (1932)
- Going Gay (1933)
- My Heart Calls You (1934)
- Two Hearts in Waltz Time (1934)
- My Heart is Calling (1935)
- E lucean le stelle (1935)
- Casta Diva (1935)
- If It Were Not for Music (1935)
- The Divine Spark (1935)
- Al sole (1936)
- Thank You, Madame (1936)
- Scipione l'Africano (1937)
- Divine armonie (1938)
- Un dramma al circo (1938)
- Giuseppe Verdi (1938)
- Solo per te (1938)
- Marionette (1939)
- L'allegro cantante (1939)
- Il sogno di Butterfly (1939)
- Eternal Melodies (1940)
- Manon Lescaut (1940)
- Amami Alfredo! (1940)
- Oltre l'amore (1940)
- The Secret Lover (1941)
- First Love (1941)
- The Two Orphans (1942)
- The Queen of Navarre (1942)
- Odessa in fiamme (1942)
- Sad Loves (1943)
- Harlem (1943)
- Il canto della vita (1945)
- Biraghin (1945)
- Before Him All Rome Trembled (1946)
- Rigoletto (1947)
- Addio Mimì (1947)
- La signora delle camelie (1947)
- The Legend of Faust (1949)
- Il trovatore (1949)
- The Force of Destiny (1950)
- Taxi di notte (1950)
- Messalina (1951)
- Puccini (1952)
- We're Dancing on the Rainbow (1952)
- Cartagine in fiamme (1953)
- Senza veli (1953)
- Fatal Desire (1953)
- Madame Butterfly (1954)
- House of Ricordi (1954)
- Casta Diva (1954)
- Don Camillo e l'Onorevole Peppone (1955)
- Michel Strogoff (1956)
- Tosca (1956)
- Polikuska (1958)
- Cartagine in fiamme (1959)
- Don Camillo monsignore... ma non troppo (1961)
- Carmen di Trastevere (1962)
- La monaca di Monza (1962)
References
- ↑ Note: some sources indicate 18 September 1886 as Gallone's date of birth http://www.mymovies.it/biografia/?r=288
- ↑ G. Martini, Patchwork: 100 anni di cinema in Italia : un viaggio attraverso le regioni, Finzioni, 1997, p. 168
External links
- Carmine Gallone on IMDb
- Carmine Gallone at Mymovies.it