Bruce Gilden

Bruce Gilden (born 1946 in Brooklyn, New York) is a street photographer. He is best known for his candid close-up photographs of people on the streets of New York City, using a flashgun.[1][2] He has had numerous books of his work published, has received the European Publishers Award for Photography and is a Guggenheim Fellow.

Life and work

While studying sociology at Penn State, Gilden saw Michelangelo Antonioni's film Blowup in 1968. Influenced by the film, he purchased his first camera and began taking night classes in photography at the School of Visual Arts of New York. Fascinated with people on the street and the idea of visual spontaneity, Gilden turned to a career in photography.[3] His work is characterized by his use of flash photography. He has worked in black and white most of his life, but he began shooting in color and digital when he was introduced to the Leica S camera as part of Magnum’s Postcards From America project.[4] Gilden has been a member of Magnum Photos since 1998.

His first major project was of people at Coney Island.[5] He has photographed people on the streets of New York,[1] Japan's yakuza mobsters, homeless people, prostitutes, and members of bike gangs between 1995 and 2000. According to Gilden, he was fascinated by the duality and double lives of the individuals he photographed.[6] He has also photographed rural Ireland and horseracing there, as well as voodoo rituals in Haiti.

Gilden is the subject of the documentary film Misery Loves Company: The Life and Death of Bruce Gilden (2007).[7]

Publications

Publications by Gilden

Publications with contributions by Gilden

Awards

Collections

Gilden's work is held in the following collections:

References

  1. 1 2 O'Hagan, Sean (8 March 2011). "Right Here, Right Now: photography snatched off the streets". The Guardian. Retrieved August 2014. Check date values in: |access-date= (help)
  2. Bayley, Bruno (16 July 2013). "Bruce Gilden Takes Street Photos Like You've Never Seen Before". Vice. Retrieved 20 January 2015.
  3. Ballentine, Sandra (2003-02-09). "Footnotes". New York Times. Retrieved 2008-08-14.
  4. Matthews, Katherine, Oktober (June 20, 2015). "In Your Face: An Interview with Bruce Gilden". GUP Magazine.
  5. "Coney Island Archived November 10, 2015, at the Wayback Machine.", Magnum Photos.
  6. "Go see...". The Observer. 2001-04-01. Retrieved 2008-08-14.
  7. "Misery Loves Company: The Life and Death of Bruce Gilden". New York Times. Retrieved 2008-09-02.
  8. 1 2 3 "Bruce Gilden Press Packet Archived September 3, 2014, at the Wayback Machine.", Bruce Silversteine. Accessed 1 September 2014.
  9. 1 2 "NYFA New York Foundation for the Arts: Directory of Artists’ Fellows 1985-2013", New York Foundation for the Arts. Accessed 1 September 2014.
  10. Sibylle Fischer, "Haiti: Fantasies of bare life", Small Axe no 23 (vol. 11 no 2), June 2007, pp. 115 (see particularly pp. 1912). PDF available here, Center for Humanities, City University of New York. Accessed 10 May 2014.
  11. "The Japan Foundation: News No. 224 1999.7.1 ISSN 0918-7189 Archived March 4, 2016, at the Wayback Machine.", Japan Foundation. Accessed 1 September 2014.
  12. "1999", Japan Foundation. Accessed 1 September 2014.
  13. "John Simon Guggenheim Foundation", John Simon Guggenheim Memorial Foundation. Accessed 31 August 2014.
  14. "Collection". Tokyo Metropolitan Museum of Photography. Retrieved 2 September 2014.
  15. "Photograph". Victoria and Albert Museum. Retrieved 2 September 2014. Museum number: PH.670-1987 Gallery location: Prints & Drawings Study Room, level H, case X, shelf 936 20thC; Gilden Bruce, Hitting the deck,(aka The Boxer)
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