100 Crore Club

100 Crore Club is an unofficial designation by the Indian film trade and the media, related to Indian language films that have net 100 crore (1 billion Indian rupees) or more in India after deducting the entertainment tax.[1] By 2012, the 100 crore (US$16 million) box office target had become "a new benchmark for a film to be declared a hit",[2] and those affiliated with the 100 Crore Club were considered part of the "elite strata" within the Bollywood film community.[3] It was succeeded by the Bollywood 1000 Crore Club in 2017.

History

The first Indian film to cross 100 crore worldwide was the 1982 Bollywood film Disco Dancer, directed by Babbar Subhash written by Rahi Masoom Raza, and starring Mithun Chakraborty, with over 90 crore grossed at the Soviet box office.[n 1] The first Indian film to gross over 100 crore domestically in India was the 1994 Salman Khan starrer Hum Aapke Hain Kaun.[4][5] The 100 Crore Club emerged more than a decade later, when the 2008 Aamir Khan starrer Ghajini became the first Indian film to net over 100 crore.[6] The later Aamir Khan films 3 Idiots (2009), Dhoom 3 (2013), PK (2014) and Dangal (2016) expanded the club to 200, 300, 400, 500, 600 and 700 crore. Overseas, the first Indian film to gross 100 crore in international markets was 3 Idiots.[7]

When adjusted for inflation, the first Indian film to gross an adjusted 100 crore was the 1949 film Andaz, directed by Mehboob Khan, and starring Dilip Kumar, Raj Kapoor, and Nargis.[8] The first to net an adjusted 100 crore was the 1951 film Aan, directed by Mehboob Khan and starring Dilip Kumar.[9] The first Indian film to gross an adjusted 100 crore overseas was the 1951 film Awaara, directed by Raj Kapoor, written by Khwaja Ahmad Abbas, and starring Raj Kapoor and Nargis, becoming a blockbuster in the Soviet Union.[n 2]

In their annual awards for the year 2012, Zee Cine Awards added a category "The Power Club Box Office" to recognise directors whose films had reached the 100 crore mark.[10] The 100 Crore Club designation has replaced previous Bollywood indications of success which had included great music, the "Silver Jubilee"[11] or the "Diamond Jubilee" (films that ran for 75 weeks in theatres).[12] The concentration on reaching the club has been criticised, with actor and producer Arshad Warsi stating, "I find this whole Rs. 100 crore club very stupid. How can every film releasing lately do a business of Rs. 100 crores all of a sudden? Instead of this, we need to concentrate on making good films."[13]

The Hindustan Times claims that their magazine Brunch coined the term.[14] Initially the term applied only to the lead male actor.[1] Komal Nahta stated that "excluding women from the group is characteristic of an industry which exercises gender discrimination more than other industries."[1] By 2013, the usage had expanded to variously include the film itself, the director,[10] and the lead female actor.[15]

The 100 crore domestic box office became possible in part because of a steady rise in the ticket price, a tripling in the number of theaters and an increase in the number of prints of a film being released.[16] However, DNA reported that "Filmmakers and distributors too are known to leave no stone unturned in their attempt to cross over to the right side" of the 100 crore mark."[10] The Times of India cancelled its "Box Office" column in November 2013 because "The stakes of filmmakers have increased so much that they are willing to go any distance to manipulate and jack up their numbers to beat each other's records." and the Times felt they were no longer able to provide accurate enough figures because "Films that have not reached the '100 crore mark but are close will insist that they have reached the `100 crore figure as they can't resist being in the '100 crore club.'"[17]

Shahid Kapoor called the designation a "fad" which was leading to "massy films which are very basic in their understanding and high on entertainment. But if we run only to achieve those figures then we will restrict ourselves as actors"[2] On the other hand, Dibakar Banerjee, while agreeing with Kapoor about the impact on content stated, "I hope the club stays and grows to many more crores. Films as they do more business boost the confidence of audience and investors alike and everybody benefits."[18] Priyanka Chopra said that being part of films in the 100 Crore Club allowed her to also do less commercial "women oriented films", and lamented that as of December 2013 no woman oriented films had achieved the 100 Crore Club designation.[19]

Beyond Bollywood, the first South Indian film to gross over 100 crore worldwide was 2007 Rajinikanth starring Tamil film Sivaji.[20] The first Telugu film to enter the "100 Crore club" was 2009 film by S.S Rajamouli, Magadheera.[21] In May 2016, Sairat become the first Marathi film to gross over 100 crore (US$16 million) worldwide.[22] In 2016, Pulimurugan became the first Malayalam film to enter the club.[23]

Variations of the "Bollywood 100 Crore Club" came into use, such as the "Bollywood 400 Crore Club" when the Shah Rukh Khan film Chennai Express reported box office receipts of 400 crore in 2013,[24] and the "Tollywood 600 Crore Club", which relates to Telugu films that have earned over 650 crore (US$100 million) in 2015 film Baahubali: The Beginning.[25] They were eventually succeeded by the Bollywood 1000 Crore Club, when Baahubali 2: The Conclusion and Dangal grossed over 1000 crore in 2017.

List

This is a list of the top 10 highest-grossing films in the 100 crore club, adjusted for inflation. For more details on the 1000 crore club, see Bollywood 1000 Crore Club. For the list of the highest-grossing Indian films in terms of nominal value (without adjusted inflation), see List of highest-grossing Indian films.

Gross revenue
Film Year Worldwide Worldwide
(adjusted)
Domestic Domestic
(adjusted)
Overseas
(INR)
Overseas
(USD)
Overseas
(adjusted)
Dangal 2016 2,000 crore[26] 2,000 crore (US$310 million) 542 crore[27] 542 crore (US$84.4 million) 1,453 crore[28] US$216 million 1,453 crore (US$230 million)
Mughal-e-Azam 1960 11 crore[29] 1,782 crore (US$280 million)[n 3] 11 crore[29] 1,782 crore (US$280 million)[n 3] N/A N/A N/A
Baahubali 2: The Conclusion 2017 1,708 crore[31] 1,708 crore (US$265 million)[31] 1,366 crore[32] 1,366 crore (US$210 million) 342 crore[31] US$53 million[31] 342 crore (US$53 million)
Gunga Jumna 1961 11.27 crore[n 4] in 1961 (1,063 crore (US$158 million in 2016)[n 6]
  • Soviet Union: 8.03 million SUR[n 7] (US$8.92 million,[n 8] 4.27 crore)[n 5] in 1965 (US$68 million (457 crore)[39] in 2016)

</ref>

1,520 crore (US$226 million)[n 4] 7 crore[33] 1,063 crore (US$158 million)[n 4] 4.27 crore[n 4] US$8.92 million[n 4] 457 crore (US$68 million)[n 4]
Disco Dancer 1982 100.7 crore[n 1] in 1982 (87 crore (US$14 million) in 2016)
  • Soviet Union: US$75.9 million[n 10] (94.34 crore)[n 11] in 1984 (US$175 million (1176 crore)[39] in 2016)

</ref>

1,261 crore (US$189 million)[n 1] 6.4 crore[40] 87 crore (US$14 million)[n 1] 94.34 crore[n 1] US$75.9 million[n 1] 1,176 crore (US$175 million)[n 1]
Bobby 1973 31 crore[n 12]

</ref>

1,231 crore (US$187 million) 11 crore[44] 574 crore (US$90 million)[n 12] 20 crore[n 12] US$22 million[n 12] 657 crore (US$98 million)[n 12]
Sholay 1975 35 crore[47] 1,060 crore (US$158 million)[n 16] 35 crore[47] 1,060 crore (US$158 million)[n 16] N/A N/A N/A
PK 2014 832 crore[48] 931 crore (US$150 million) 489 crore[27] 547 crore (US$85 million) 343 crore[48] US$53 million 384 crore (US$60 million)
Hum Aapke Hain Kaun 1994 135 crore[49] 756 crore (US$120 million) 123 crore[50] 705 crore (US$110 million)[51] 12 crore US$4 million[52] 55 crore (US$9 million)
Awaara 1951 5.77 crore[n 2] 733 crore (US$109 million)[n 2] 2.3 crore[53] 296 crore (US$44 million)[n 2] 3.47 crore[n 2] US$7.25 million[n 2] 733 crore (US$109 million)[n 2]

Milestones

See Bollywood 1000 Crore Club for milestones beyond ₹1,000 crore.

Worldwide

Gross revenue
Adjusted gross revenue

Domestic (gross)

Gross revenue
Adjusted gross revenue

Domestic (net)

Net revenue
Adjusted net revenue

Overseas

Gross revenue
Adjusted gross revenue

See also

Notes

  1. 1 2 3 4 5 6 7 8 9 Disco Dancer:
  2. 1 2 3 4 5 6 7 8 9 10 Awaara:
    • India: 2.3 crore[53] (US$4.8 million)[n 5] in 1951 (US$44 million (296 crore)[39] in 2016)
    • Soviet Union: 29 million SUR[54] (US$7.25 million,[n 17] 3.47 crore)[n 5] in 1954 (US$65 million (437 crore)[39] in 2016)
  3. 1 2 1,235 crore (equivalent to 18 billion or US$280 million in 2016) in 2011[30]
  4. 1 2 3 4 5 6 Gunga Jumna:
    • India: 7 crore[33] (US$14.61 million)[n 5]
  5. 1 2 3 4 5 4.79 Indian rupees per US dollar from 1948 to 1966<ref>Rupee's journey since Independence: Down by 65 times against dollar, Economic Times, 24 August 2013
  6. 737 crore in 2011[34][30]
  7. 1 2 32.1 million Soviet tickets sold in 1965,[35] average Soviet ticket price of 25 kopecks in the mid-1960s[36][37]
  8. 0.9 Soviet rubles per US dollar from 1961 to 1971[38]
  9. 9.79 Indian rupees per US dollar in 1982<ref>Monthly Commentary on Indian Economic Conditions, Volume 28, page xv, Indian Institute of Public Opinion, 1986
  10. 1 2 Disco Dancer: 60 million Soviet rubles in 1984,[41] 0.791 rubles per US dollar in 1984[42]
  11. 1 2 12.43 Indian rupees per US dollar in 1984[43]
  12. 1 2 3 4 5 6 7 Bobby:
    • India: 11 crore[44] (574 crore (US$90 million) in 2016)[45][30]
  13. 62.6 million tickets sold,[46] average ticket price of 25 kopecks[36]
  14. 0.73 Soviet rubles per US dollar in 1975[42]
  15. 8.973 Indian rupees per US dollar in 1975[43]
  16. 1 2 735 crore in 2011[30]
  17. 4 Soviet rubles per US dollar from 1950 to 1960[42]
  18. 2.8 crore[9] (US$5.85 million)[n 5] in 1952 (US$53 million (356 crore)[39] in 2016)

References

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