Bloody Sunday (1905)

For other events of the same name, see Bloody Sunday (disambiguation).

22 January 1905: Crowd of petitioners, led by Father Gapon, near Narva Gate, St. Petersburg

Bloody Sunday or Red Sunday[1] (Russian: Крова́вое воскресе́нье; IPA: [krɐˈvavəɪ vəskrʲɪˈsʲenʲjɪ]) is the name given to the events of Sunday, 22 January [O.S. 9 January] 1905 in St Petersburg, Russia, when unarmed demonstrators led by Father Georgy Gapon were fired upon by soldiers of the Imperial Guard as they marched towards the Winter Palace to present a petition to Tsar Nicholas II of Russia.

Bloody Sunday caused grave consequences for the Tsarist autocracy governing Imperial Russia: the events in St. Petersburg provoked public outrage and a series of massive strikes that spread quickly throughout the industrial centres of the Russian Empire. The massacre on Bloody Sunday is considered to be the start of the active phase of the Revolution of 1905. In addition to beginning the 1905 Revolution, historians such as Lionel Kochan in his book Russia in Revolution 1890-1918 view the events of Bloody Sunday to be one of the key events which led to the Russian Revolution of 1917.

Background

After the emancipation of the serfs in 1861 by Tsar Alexander II of Russia, there emerged a new peasant working class in Russia’s industrializing cities. Prior to emancipation no working class could be established because serfs working in the cities to supplement their incomes retained their ties to the land and their masters. Although the working conditions in the cities were horrific, they were only employed for short periods of time and returned to their village when their work was complete or it was time to resume agricultural work.[2]

The emancipation of the serfs resulted in the establishment of a permanent working class in urban areas, which created a strain on traditional Russian society. Peasants “were confronted by unfamiliar social relationships, a frustrating regime of factory discipline, and the distressing conditions of urban life.”[3] This new group of peasant workers made up the majority of workers in urban areas. Generally unskilled, these peasants received low wages, were employed in unsafe working environments, and worked up to fifteen hours a day. Although some workers still had a paternalistic relationship with their employer, factory employers were more present and active than the noble landowners that previously had ownership of the serfs. Under serfdom, peasants had little, if any, contact with their landowner. In the new urban setting, however, factory employers often used their absolute authority in abusive and arbitrary manners. Their abuse of power, made evident by the long working hours, low wages, and lack of safety precautions, led to strikes in Russia.

Early strikes

“The Russian term for strike, stachka, was derived from an old colloquial term, stakat’sia- to conspire for a criminal act.”[4] As such, Russian laws viewed strikes as criminal acts of conspiracy and potential catalysts for rebellion. The governmental response to strikes, however, supported the efforts of the workers and promoted strikes as an effective tool that could be used by the workers to help improve their working conditions. Tsarist authorities usually intervened with harsh punishment, especially for the leaders and spokesmen of the strike, but often the complaints of the strikers were reviewed and seen as justified and the employers were required to correct the abuses about which the strikers protested.

These corrections did not address a grossly unbalanced system that clearly favored the employers. This caused the continuation of strikes and the first major industrial strike in Russia, which occurred in the year 1870 in St. Petersburg.[5] This new phenomenon was a catalyst to many more strikes in Russia, which increased until they reached a peak between 1884 and 1885 when 4,000 workers went on strike at Morozov's cotton mill.[6] This large strike prompted officials to consider regulations that would restrain the abuses of employers and ensure safety in the work place. A new law was passed in 1886 that required employers to specify working conditions in their factories in writing. This included the treatment of the workers, the workers' hours, and the safety precautions that were taken by the employer. This new law also created factory inspectors who were charged with preserving industrial peace. Despite these changes, strike activity again reached high proportions during the 1890s, resulting in the restriction of the workday to eleven and a half hours in 1897.[7]

Father Gapon

Father Georgy Gapon, a Russian Orthodox priest, led the workers' procession to present a petition to the Tsar on January 22 [O.S. January 9] 1905 known as Bloody Sunday

During this time, Fr. Georgii Apollonovich Gapon was seeking a way to make a mark on the world by serving a noble cause.[8] Fr. Gapon, a Russian priest who was concerned about the conditions experienced by the working and lower classes, was a charismatic speaker and effective organizer who took an interest in the poor and toiling citizens of the Russian cities.

Out of his concern for helping those struggling and in need came the "Assembly of the Russian Factory and Mill Workers of the City of St. Petersburg", otherwise known as “the Assembly,” which Gapon had headed since 1903.[9] The Assembly was patronized by the Department of the Police and the St. Petersburg Okhrana (secret police); during 1904 the membership of the association had grown rapidly, although more radical groups saw it as being a "police union" - under government influence.[10] The Assembly's objectives were to defend workers' rights and to elevate their moral and religious status. In the words of Fr. Gapon, this organization served as:

"…a noble endeavor, under the guidance of truly Russian educated laymen and clergy, to foster among the workers a sober, Christian view of life and to instill the principle of mutual aid, thereby helping to improve the lives and working conditions of laborers without violent disruption of law and order in their relations with employers and the government."
— G.A. Gapon, quoted in Sablinksy, The Road to Bloody Sunday, 89

The Assembly served as a type of union for the workers of St. Petersburg. Depicted as strictly conservative in its support of the autocracy, the Assembly was a means of preventing revolutionary influences and appeasing the workers by striving for better conditions, hours, and pay. The Assembly would act as one of the catalysts for what would later be known as Bloody Sunday.

Prelude

Putilov incident

On December 1904, four workers at the Putilov Ironworks in St Petersburg were fired because of their membership of the Assembly, although the plant manager asserted that they were fired for unrelated reasons. Virtually the entire workforce of the Putilov Ironworks went on strike when the plant manager refused to accede to their requests that the workers be rehired.[11] Sympathy strikes in other parts of the city raised the number of strikers up to 150,000 workers in 382 factories.[12] By 21 January [O.S. 8 January] 1905, the city had no electricity and no newspapers whatsoever and all public areas were declared closed.

Petition and preparation for the March

The decision to prepare and present a petition was made in the course of discussions during the evening of 19 January [O.S. 6 January] 1905, at the headquarters of Father Gapon's movement—the "Gapon Hall" on the Shlisselburg Trakt in Saint Petersburg. The petition, as drafted in respectful terms by Gapon himself, made clear the problems and opinions of the workers and called for improved working conditions, fairer wages, and a reduction in the working day to eight hours. Other demands included an end to the Russo-Japanese War and the introduction of universal suffrage. The idea of a petition resonated with the traditionally minded working masses. In the 15th to the early 18th centuries individual or collective petitions were an established means of bringing grievances to the attention of the Tsar's administration. They could be submitted to the Petitions Prikaz (office) in Moscow, or directly to the Tsar or his courtiers when the tsar was making an appearance outside the palace.

The march on the Winter Palace was not a revolutionary or rebellious act. Political groups, such as the Bolsheviks, Mensheviks, and the Social Revolutionaries disapproved of the procession due to its lack of political demands.[13] Fr. Gapon even encouraged his followers to tear up leaflets that supported revolutionary aims.[14] The majority of Russian workers retained their traditional conservative values of Orthodoxy, faith in the autocracy, and indifference to political life.[15] The workers of St. Petersburg wished to receive fair treatment and better working conditions; they decided, therefore, to petition the tsar in hopes he would act on it. In their eyes, the tsar was their representative who would help them if he was made aware of their situation. God appointed the tsar, therefore the tsar had an obligation to protect the people and do what was best for them. Their petition was written in subservient terms, and ended with a reminder to the tsar of his obligation to the people of Russia and their resolve to do what it took to ensure their pleas were met.[16] It concluded: "And if Thou dost not so order and dost not respond to our pleas we will die here in this square before Thy palace". Gapon, who had an ambiguous relationship with the Tsarist authorities, sent a copy of the petition to the Minister of the Interior together with a notification of his intention to lead a procession of members of his workers' movement to the Winter Palace on the following Sunday.[17]

Troops had been deployed around the Winter Palace and at other key points. Despite the urging of various members of the imperial family to stay in St. Petersburg, the Tsar left on Saturday 21 January [O.S. 8 January] 1905 for Tsarskoye Selo. A cabinet meeting, held without any particular sense of urgency that same evening, concluded that the police would publicize his absence and that the workers would accordingly probably abandon their plans for a march.[18]

Events of Sunday 22 January

Beginning of march

Still from the Soviet movie Devyatoe Yanvarya ("9th of January") (1925) showing a line of armed soldiers facing demonstrators at the approaches to the Winter Palace in St Petersburg

In the pre-dawn winter darkness of the morning of Sunday, 22 January [O.S. 9 January] 1905, striking workers and their families began to gather at six points in the industrial outskirts of St Petersburg. Holding religious icons and singing hymns and patriotic songs (particularly "God Save the Tsar!"), a crowd of "more than 3,000"[19] proceeded without police interference towards the Winter Palace, the Tsar's official residence. The crowd, whose mood was quiet, did not know that the Tsar was not in residence. Insofar as there was firm planning, the intention was for the various columns of marchers to converge in front of the palace at about 2pm. Estimates of the total numbers involved range wildly from police figures of 3,000 to organizers' claims of 50,000. Initially it was intended that women, children and elderly workers should lead, to emphasize the united nature of the demonstration. Vera Karelina, who was one of Gapon's inner circle, had encouraged women to take part and she expected that there would be casualties. On reflection, younger men moved to the front to make up the leading ranks.[20]

Government measures

Soviet painting of the Bloody Sunday massacre in St Petersburg

A report had been made to the Tsar at Tsarskoe Selo on Saturday night on the measures being taken to contain the marchers. Substantial military forces were deployed in and around the environs of the Winter Palace. These comprised units of the Imperial Guard, who provided the permanent garrison of Saint Peterburg and cossacks, plus infantry regiments brought in by rail in the early morning of 9 January from Revel and Pskov. The troops, who now numbered about 10,000, had been ordered to halt the columns of marchers before they reached the palace square but the reaction of government forces was inconsistent and confused. Individual policemen saluted the religious banners and portraits of the Tsar carried by the crowd or joined the procession. Army officers variously told the marchers that they could proceed in smaller groups, called on them to disperse or ordered their troops to fire into the marchers without warning. When the crowds continued to press forward, cossacks and regular cavalry made charges using their sabers or trampling the people.[21]

Shootings

The first instance of shooting occurred between 10 and 11am. There was no single encounter directly before the Winter Palace, as often portrayed, but rather a series of separate collisions at the bridges or other entry points to the central city. The column led by Gapon was fired upon near the Narva Gate. Around forty people were killed or wounded, although Gapon himself was not injured.[22]

As late as 2pm large family groups were promenading on the Nevsky Prospekt as was customary on Sunday afternoons, mostly unaware of the extent of the violence elsewhere in the city. Amongst them were parties of workers still making their way to the Winter Palace as originally intended by Gapon. A detachment of the Preobrazhensky Guards previously stationed in the Palace Square where about 2,300 soldiers were being held in reserve, now made its way onto the Nevsky and formed two ranks opposite the Alexander Gardens. Following a single shouted warning a bugle sounded and four volleys were fired into the panicked crowd, many of whom had not been participants in the organized marches.[23]

Casualties

The total number killed in the day's clashes is uncertain but the Tsar's officials recorded 96 dead and 333 injured; anti-government sources claimed more than 4,000 dead; moderate estimates still average around 1,000 killed or wounded, both from shots and trampled during the panic.[23] Another source noted that the official estimate was 132 people killed.[24] Nicholas II described the day as "painful and sad".[25] As reports spread across the city, disorder and looting broke out. Gapon's Assembly was closed down that day, and Gapon quickly left Russia.

Reactions

Although the Tsar was not at the Winter Palace and did not give the order for the troops to fire, he was widely blamed for the inefficiency and callousness with which the crisis had been handled. While it was unrealistic for the marchers to expect Nicholas to ride out into the Palace Square to meet them, his absence from the city, against at least some advice, reflects a lack of imagination and perception that he was to show on other occasions. The killing of people, many of whom had seen the Tsar as their "Little Father", resulted in a surge of bitterness towards Nicholas and his autocratic rule. A widely quoted reaction was "we no longer have a Tsar".

This event was seen by the British ambassador as inflaming revolutionary activities in Russia and contributing to the Revolution of 1905. Media commentary in Britain and the United States was overwhelmingly negative towards the actions of an already unpopular regime. The writer Leo Tolstoy was emotionally impacted by the event,[26] reflecting the revulsion of liberal and intellectual opinion within Russia itself.

Consequences

The immediate consequence of Bloody Sunday was a strike movement that spread throughout the country. Strikes began to erupt outside of St. Petersburg in places such as Moscow, Riga, Warsaw, Vilna, Kovno, Tiflis, Baku, Batum, and the Baltic region. In all, about 414,000 people participated in the work stoppage during January 1905.[27] Tsar Nicholas II attempted to appease the people with a Duma; however, the autocracy eventually resorted to brute force near the end of 1905 in order to curtail the burgeoning strike movement that continued to spread. It is estimated that between October 1905 and April 1906, 15,000 peasants and workers were hanged or shot, 20,000 injured, and 45,000 sent into exile.[28]

Perhaps the most significant effect of Bloody Sunday was the drastic change in attitude of the Russian peasants and workers. Previously the tsar had been seen as the champion of the people. In dire situations, the masses would appeal to the tsar, traditionally through a petition, and the tsar would respond to his people promising to set things right. The lower classes placed their faith in the tsar. Any problems that the lower classes faced were associated with the boyars of Russia; however, after Bloody Sunday the tsar was no longer distinguished from the bureaucrats and was held personally responsible for the tragedy that occurred.[29] The social contract between the tsar and the people was broken, which delegitimized the position of the tsar and his divine right to rule. Although Bloody Sunday was not initiated as a revolutionary or rebellious movement, the repercussions of the government’s reaction laid the foundations for revolution by bringing into question autocracy and the legitimacy of the tsar.

Dmitri Shostakovich's 11th Symphony, subtitled The Year 1905, is a programmatic work centered on Bloody Sunday. The second movement, entitled "The Ninth of January", is a forceful depiction of the massacre.[30] The sixth of Shostakovich's Ten Poems on Texts by Revolutionary Poets is also called "The Ninth of January".[30] Shostakovich's father and uncle were both present at the march that day, a year before the composer's birth.[31] Maxim Gorky's novel The Life of a Useless Man (1908) portrays the effects of Bloody Sunday on the Russian working class and operations of the spies employed by the Tsar.

Soviet film director Sergei Eisenstein's Battleship Potemkin contains the sequence, subsequently considered as a "classic"[32] and one of the most influential in the history of cinema.[33][34] of troops firing on the crowd as the people are descending down the "Odessa steps." American film-critic Roger Ebert wrote, "That there was, in fact, no czarist massacre on the Odessa Steps scarcely diminishes the power of the scene ... It is ironic that [Eisenstein] did it so well that today the bloodshed on the Odessa steps is often referred to as if it really happened."[35]

References

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  1. ↑ A History of Modern Europe 1789–1968 by Herbert L. Peacock m.a.
  2. ↑ Walter Sablinksy, The Road to Bloody Sunday: Father Gapon and the St. Petersburg Massacre of 1905 (Princeton: Princeton University Press, 1976), 4.
  3. ↑ Sablinsky, The Road to Bloody Sunday, 3.
  4. ↑ Sablinsky, The Road to Bloody Sunday, 20.
  5. ↑ Sablinsky, The Road to Bloody Sunday, 21.
  6. ↑ Sablinsky, The Road to Bloody Sunday, 22.
  7. ↑ Sablinsky, The Road to Bloody Sunday, 25.
  8. ↑ Abraham Ascher, The Revolution of 1905: A Short History (Stanford: Stanford University Press, 2004), 22.
  9. ↑ Ascher, The Revolution of 1905, 23.
  10. ↑ Salisbury, Harrison E. (1981). Black Night White Snow. Da Capo Press. pp. 104–105. ISBN 0-306-80154-X.
  11. ↑ Sidney Harcave, First Blood: The Russian Revolution of 1905 (New York: The Macmillan Company, 1964), 68-71.
  12. ↑ Salisbury, Harrison E. (1981). Black Night White Snow. Da Capo Press. p. 117. ISBN 0-306-80154-X.
  13. ↑ Ascher, The Revolution of 1905 25.
  14. ↑ Harcave, First Blood, 73.
  15. ↑ Sablinsky, The Road to Bloody Sunday, 15.
  16. ↑ Phillip Blom, The Vertigo Years: Europe (New York: Basic Books, 2008), 140.
  17. ↑ Salisbury, Harrison E. (1981). Black Night White Snow. Da Capo Press. pp. 119–120. ISBN 0-306-80154-X.
  18. ↑ Salisbury, Harrison E. (1981). Black Night White Snow. Da Capo Press. p. 110. ISBN 0-306-80154-X.
  19. ↑ Gapon, Address to the Tsar, February 1905, in Ascher, The Revolution of 1905, Vol. 1
  20. ↑ Salisbury, Harrison E. (1981). Black Night White Snow. Da Capo Press. p. 121. ISBN 0-306-80154-X.
  21. ↑ Salisbury, Harrison E. (1981). Black Night White Snow. Da Capo Press. pp. 122–123. ISBN 0-306-80154-X.
  22. ↑ Ascher, Abraham. The Revolution of 1905. Stanford, Calif.: Stanford UP, 1988. p. 91. Print
  23. 1 2 Salisbury, Harrison E. (1981). Black Night White Snow. Da Capo Press. p. 125. ISBN 0-306-80154-X.
  24. ↑ Nicholas V. Riasanovsky, A History of Russia, 4th edition, Oxford University Press, 1984, ISBN 0-19-503361-2
  25. ↑ Kurth, Peter. Tsar: the Lost World of Nicholas and Alexandra. Boston: Back Bay, 1998. p. 81
  26. ↑ Rolland, Romain (1911). Life of Tolstoy. London: T. Fisher Unwin. p. 212.
  27. ↑ Ascher, The Revolution of 1905, 28.
  28. ↑ Blom, The Vertigo Years, 148.
  29. ↑ Sablinsky, The Road to Bloody Sunday, 274.
  30. 1 2 Laurel E. Fay, Symphony No. 11 in G minor, "The Year 1905," Op. 103 (1957), American Symphony Orchestra Program Notes
  31. ↑ Shostakovich: Symphony No. 11 Archived December 7, 2013, at the Wayback Machine., Classics Online
  32. ↑ Battleship Potemkin from Encyclopædia Britannica
  33. ↑ "What Eisenstein created was the action sequence, which is absolutely vital to any modern film. ... Eisenstein’s editing techniques have been used in any film made since that features any type of action sequence at all." from "20 Influential Silent Films Every Movie Buff Should See" by Dylan Rambow, Taste of Cinema, 25 April 2015
  34. ↑ "How 'Battleship Potemkin' reshaped Hollywood" by Andrew O'Hehir, Salon, 12 January 2011
  35. ↑ Ebert, Roger. "The Battleship Potemkin", Chicago Sun-Times, 19 July 1998

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