Blood Bitch
Blood Bitch | ||||
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Studio album by Jenny Hval | ||||
Released | September 30, 2016 | |||
Genre | Art pop, avant-garde, electronica, ambient, drone | |||
Length | 36:26 | |||
Label | Sacred Bones Records | |||
Producer | Jenny Hval & Lasse Marhaug | |||
Jenny Hval chronology | ||||
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Singles from Blood Bitch | ||||
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Blood Bitch is the sixth studio album by Norwegian musician Jenny Hval, released on September 30, 2016 on Sacred Bones Records. Co-produced by Hval and Lasse Marhaug, the album was preceded by the singles, "Female Vampire", "Conceptual Romance" and "Period Piece".
Described as "an investigation of blood," Blood Bitch is a concept album which draws parallels between a fictional time-travelling vampire, named Orlando, and Hval's own experiences touring her previous studio album, Apocalypse, girl (2015).[1] The album's lyrical content is also influenced by menstruation, 1970s horror and exploitation films and Virginia Woolf.[2]
Writing and composition
During the writing process for Blood Bitch, Hval was influenced by vampiric imagery and 1970s horror and exploitation films: “I was amazed about how much taboo they could contain without moral compass, how much incest there could be.”[3] In a statement released unpon the album's announcement, she elaborated: "Blood Bitch is a fictitious story, fed by characters and images from horror and exploitation films of the '70s. With that language, rather than smart, modern social commentary, I found I could tell a different story about myself and my own time: a poetic diary of modern transience and transcendence."[1]
Describing the album has her "most fictional and most personal album,"[1] Hval noted that its dark lyrical and musical content reconnected her with her goth and metal roots: "It’s also the first album where I’ve started reconnecting with the [sic] scene I started out playing in many years ago, by remembering the drony qualities of Norwegian Black Metal. It’s an album of vampires, lunar cycles, sticky choruses, and the smell of warm leaves and winter."[1]
Orlando, the vampiric character whom much of the album focuses upon, was influenced by the Virginia Woolf novel, Orlando: A Biography.[2] Hval elaborated: "[Woolf's] Orlando is a character that lives through several centuries. He starts out being a male growing up. At some point through history, he changes into a she. So it’s a coming of age story that is very fluid, traveling through time and gender. It’s a really lovely book and I think all of my albums are inspired by it in some way because it’s one of those things I read quite early on. It really influenced the way I think about art. For example: With this album, I didn’t intend to do anything in particular beyond beautiful songs when I started writing it. A horror theme and a vampire theme quickly came into it almost subconsciously. When it was all finished, I realized it was just Orlando."[2]
Recording
Hval co-produced the album with Norwegian noise music musician Lasse Marhaug, who had previously collaborated with Hval on her previous album, Apocalypse, girl. Regarding his initial scepticism over working alongside Hval, he noted: "I come from the noise, underground, contemporary, and improvised music [scenes], and I had no experience making pop music. It didn’t make sense to ask me to produce to a pop album. [But Jenny’s] a very smart person, and she obviously saw something in me that I didn’t realize that I had."[3] On working with Marhaug, Hval noted, "Lasse relates to sound in an abstract way. That’s a better way to look at it than as individual songs because many times you end up with an illusion that can’t be broken. Looking at the album as a whole and then putting holes in it means you have these bits of reality peaking through. I love those moments."[4]
Critical reception
Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 84/100[5] |
Review scores | |
Source | Rating |
AllMusic | [6] |
Blood Bitch received widespread acclaim from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 84 based on 23 reviews, indicating "universal acclaim".[5]
Writing for Allmusic, Heather Phares praised Hval's dedication to the album's themes, alongside its overall aesthetic and unexpected pop-based songwriting: "a bewitching album from an artist at the peak of her powers."[6]
Accolades
Publication | Accolade | Year | Rank | Ref. |
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Consequence of Sound | Top 50 Albums of 2016 | 2016 | 21 |
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FACTmag | 50 Best Albums of the Year 2016 | 2016 | 1 |
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The Guardian | The Best Albums of 2016 | 2016 | 26 |
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The Independent | Best Albums of 2016 | 2016 | 4 |
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Paste | The 50 Best Albums of 2016 | 2016 | 42 |
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Pitchfork | The 50 Best Albums of 2016 | 2016 | 23 |
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Pitchfork | The 20 Best Experimental Albums of 2016 | 2016 | N/A | |
The Quietus | Albums of the Year 2016 | 2016 | 10 |
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Rough Trade | Albums of the Year | 2016 | 75 |
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Stereogum | The 50 Best Albums of 2016 | 2016 | 38 |
Track listing
All tracks written by Jenny Hval except for tracks 3 and 8, co-written by Lasse Marhaug..
No. | Title | Length |
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1. | "Ritual Awakening" | 1:42 |
2. | "Female Vampire" | 3:37 |
3. | "In the Red" | 2:21 |
4. | "Conceptual Romance" | 4:32 |
5. | "Untamed Region" | 4:51 |
6. | "The Great Undressing" | 4:00 |
7. | "Period Piece" | 2:41 |
8. | "The Plague" | 5:57 |
9. | "Secret Touch" | 4:39 |
10. | "Lorna" | 2:06 |
Personnel
- Jenny Hval - vocals, background vocals, composer, arranger, instruments, production, programming (all tracks), concept
- Lasse Marhaug - art direction, composer (tracks 3 & 8), mixing, production (all tracks)
- Marcus Schmickler - mastering
References
- 1 2 3 4 Minsker, Evan (26 May 2016). "Jenny Hval Announces New Album Blood Bitch, Shares "Female Vampire"". Pitchfork. Retrieved 28 October 2016.
- 1 2 3 Huff, Rob (28 September 2016). [Interview: http://thekey.xpn.org/2016/09/28/interview-jenny-hval/ "Bleeding out with Jenny Hval"] Check
|url=
value (help). Retrieved 28 October 2016. - 1 2 Brodsky, Rachel (1 September 2016). "Jenny Hval’s Art of Failure". Spin. Retrieved 28 October 2016.
- ↑ Wright, Danny (30 September 2016). "Jenny Hval // Interview". London In Stereo. Retrieved 28 October 2016.
- 1 2 "Critic Reviews for Blood Bitch - Metacritic". Metacritic. CBS Interactive. Retrieved 28 October 2016.
- 1 2 Phares, Heather. "Blood Bitch - Jenny Hval". Allmusic. Retrieved 28 October 2016.
- ↑ "Top 50 Albums of 2016". Consequence of Sound. November 28, 2016. Retrieved November 28, 2016.
- ↑ best-albums-of-2016/ "FACTmag Albums of the Year 2016" Check
|url=
value (help). FACTmag. December 13, 2016. Retrieved December 13, 2016. - ↑ "The Best Albums of 2016: 40-31". The Guardian. November 30, 2016. Retrieved November 30, 2016.
- ↑ "Best Albums of 2016". The Independent. November 30, 2016. Retrieved December 1, 2016.
- ↑ "The 50 Best Albums of 2016". Paste. November 30, 2016. Retrieved December 1, 2016.
- ↑ "The 50 Best Albums of 2016 - Page 3 | Pitchfork". pitchfork.com. Retrieved 2017-02-09.
- ↑ "The 20 Best Experimental Albums of 2016". Pitchfork. December 9, 2016. Retrieved December 9, 2016.
- ↑ "The Quietus Albums of the Year 2016". The Quietus. December 6, 2016. Retrieved December 6, 2016.
- ↑ "Albums of the Year". Rough Trade. November 14, 2016. Retrieved November 15, 2016.
- ↑ "The 50 Best Albums of 2016". Stereogum. December 1, 2016. Retrieved December 1, 2016.