Bowli
| Carnatic music |
|---|
 Tanjavur-style Tambura |
| Concepts |
| Compositions |
| Instruments |
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Bowli is a Carnatic raga (also spelled as Bauli[1] or Bhauli[2]). This raga is a janya of the 15th Melakarta raga Mayamalavagowla. This raga is known to be a morning raga.
Structure and Lakshana
Ascending scale with C as Shadjam (tonic note)
Descending scale has one extra note N3
This ragam is an asymmetric scale and is classified as an audava-shadava ragam (five notes in the ascending scale and six notes in the descending scale).[1][2]
The notes in this scale are 'shuddha rishabham, antara gandharam, panchamam and shuddha dhaivatam in arohana and additional kakali nishadham in avarohanam.
Select compositions
Kritis
- Sriman Narayana in Adi talam composed by Annamacharya, is well known in this raga
- Melukovayya in Jhampa talam composed by Tyagaraja, an utsava sampradaya kriti is well known in this raga.
- Tappulanniyu in Rupakam composed by Muthiah Bhagavatar
- Parvati Nayaka in Adi talam composed by Swati Tirunal[3]
- Karunanidhiye thaye in Misra Chapu composed by Papanasam Sivan [4]
Related rāgams
This section covers the theoretical and scientific aspect of this rāgam.
Scale similarities
- Revagupti is a rāgam which has a symmetrical scale matching the ascending scale of Bowli (nishadham is entirely omitted). Its ārohaṇa-avarohaṇa structure is S R1 G3 P D1 S : S D1 P G3 R1 S
References
- 1 2 Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
- 1 2 Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
- ↑ http://www.karnatik.com/c6881.shtml
- ↑ https://anuradhamahesh.wordpress.com/carnatic-raga-appreciation/13-bowli-the-meditative-morning-raga/
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