Belkis Ayón

Ayón Belkis
Born (1967-01-23)January 23, 1967
Havana, Cuba
Died September 11, 1999(1999-09-11)
Havana, Cuba
Nationality Cuban
Known for Collography
Movement Cuban art
Website www.://ayonbelkis.cult.cu/

Belkis Ayón (1967-1999) was a Cuban printmaker who specialized in the technique of collography. Ayón is known for her highly detailed allegorical collographs based on the Afro-Cuban secret men-only society of Abakuá. Her work is largely monochromatic, consisting of dark silhouettes and ghost-white figures with oblong heads and empty, almond-shaped eyes. [1] She was born in Havana, Cuba in 1967 and died in 1999 by suicide.

Education

Ayón attended the prestigious Instituto Superior de Arte in Havana, and joined its faculty after graduation.[2]

Influences

A central theme of Ayon's art is the mythology of Abakuá, a secret, exclusively male association. The fraternal association began in Africa and was brought to Haiti and Cuba through slave trade in the 19th century. [3] Ayón researched the history of Abakuá extensively, with special emphasis on the only female figure in the religion, Princess Sikan. According to a central Abakuán myth, Sikan once accidentally captured an enchanted fish, which imparted great power to those who heard its voice. Upon taking the fish to her father, he warned her to remain silent, never speaking of it again. She did divulge the information, however, to a leader of another tribe and was sentenced to death as her punishment. Imposed silence is major theme throughout Ayon's work, as evident in the lack of mouths in all of her figures.

Ayón was the only prominent artist to devote her art to the Abakuán society. Because the society had very few visual representations of its myths, she was free to create her own interpretations. Numerous Abakan rituals are represented in her colographs, many of which draw on Christian as well as Afro-Cuban mythical traditions. This was in sharp contrast to the atheistic anti-religion position of the government of Cuba at the time. [4]

Style and technique

Known as a master of collography, Ayón perfected the technique by painstakingly attaching materials of widely differing textures (e.g.vegetable peelings, bits of paper, acrylic and abrasives) to a cardboard substrate. The resulting elaborate collage was then run through a hand cranked printing press[5] She often painted or carved the resulting prints, creating intricate patterns and embossments that added even more depth and texture and relief. An example of her exceptional detail is (Untitled, (Sikan With Goat)) for which she cut and placed hundreds of pieces paper on cardboard to represent individual scales on a figure of Sikan. Her later work was very often large, almost human in scale. To create these prints she joined as many as 18 sheets together.[6]

Ayón is best known for working mainly in black, white and shades of grey. In these prints stark and haunting white figures are dramatically contrasted with dark images and backgrounds. Notable examples are "Longing" (1988), "Resurrection" (1998) and "Untitled ("Black figure carrying a white one") (1996) She did use vibrant colors in some early work and studies for new prints. A notable example is La Cerna, the study of which portrayed bright pink, red, yellow and green figures. Other examples of bright colors early in her career are "Nasako Began" (1986), "Syncretism I" (1986) and "Careful Women! Sikan Careful!! (1987).

Ayón sometimes mixed images the Abakuán and Christian religions, for example "Giving and Taking" (1997). In this work she depicted a Christian priest or saint with a white halo and a red robe next to an Abakan figure with a black diamond behind his head and clothed in black. She also replaced men with female figures, for example in La Cerna where she portrayed some of the disciples at the Last Supper with females. She also replaced Jesus with the image of Sikan. [7] By raising the importance of women and depicting them is such controversial ways, her bold work defied the society of Abuka, if not the Cuban government itself.

Exhibitions and Residencies

Ayon's work has been shown widely in prestigious exhibitions around the world. It is also in permanent museum collections including the Museum of Contemporary Art Los Angeles and the Museum of Modern Art in New York. In 1993, she exhibited at the 16th Venice Biennale and won the international prize at the International Graphics Biennale in Maastricht, Holland.[8] Other group exhibitions exhibitions were in Canada, South Korea, Holland and Spain (2010). [9]. During the year of 1998 Ayón was given four residencies in the United States working at Temple University's Tyler School of Art, Philadelphia College of Art, Rhode Island School of Design, and at the Brandywine Workshop.[10]

References

  1. ↑ http://www.latimes.com/entertainment/arts/la-ca-cm-belkis-ayon-20160912-snap-htmlstory.html
  2. ↑ https://www.nytimes.com/2017/06/22/arts/design/how-an-afro-cuban-visionary-made-a-mans-world-her-own.html?rref=collection%2Fsectioncollection%2Farts&action=click&contentCollection=arts&region=rank&module=package&version=highlights&contentPlacement=1&pgtype=sectionfront&_r=0
  3. ↑ http://www.artandantiquesmag.com/2016/11/belkis-ayon-art/
  4. ↑ Holland Cotter, "From Cuba, A Stolen Myth," New York Times, June 23, 2017.
  5. ↑ http://www.latimes.com/entertainment/arts/la-ca-cm-belkis-ayon-20160912-snap-htmlstory.html
  6. ↑ http://www.latimes.com/entertainment/arts/la-ca-cm-belkis-ayon-20160912-snap-htmlstory.html
  7. ↑ http://hyperallergic.com/346366/the-masterful-unsettling-work-of-a-female-cuban-printmaker/
  8. ↑ http://www.artandantiquesmag.com/2016/11/belkis-ayon-art/
  9. ↑ http://www.ayonbelkis.cult.cu/en/expos/collective
  10. ↑ Belkis, Ayon (2014). "Statements by and About the Deceased Artist". Callaloo. 37: 769–775 – via Project MUSE.

http://www.ayonbelkis.cult.cu/en

http://www.fowler.ucla.edu/exhibitions/nkame-belkis-ayon/

http://www.latimes.com/entertainment/arts/la-ca-cm-belkis-ayon-20160912-...

http://southernworldartsnews.blogspot.fr/

http://artishockrevista.com/2016/11/05/primera-individual-eeuu-belkis-ay...

http://cubacounterpoints.com/archives/4280

http://www.cubanartnews.org/es/news/the-mysterious-world-of-belkis-ayon

https://www.artforum.com/picks/id=64969

http://www.artandantiquesmag.com/2016/11/belkis-ayon-art/

http://hyperallergic.com/346366/the-masterful-unsettling-work-of-a-femal...

http://artillerymag.com/fowler-museum-belkis-ayon/

http://hyperallergic.com/347988/best-of-2016-our-top-10-los-angeles-art-...

http://www.huffingtonpost.com/entry/belkis-ayón-artist_us_58682398e4b0d...

https://www.artslant.com/ew/articles/show/47166

http://www.thefarbercollection.com/artists/belkis_ayon_manso

http://www.afrocubaweb.com/belkisayon.htm

http://www.elmuseo.org/nkame-belkis-ayon/

http://www.luag.org/artist/ayon/

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