Barry Barclay

Barry Ronald Barclay, MNZM (12 May 1944 – 19 February 2008) was a New Zealand filmmaker and writer of Maori (Ngati Apa) and Pākehā (European) descent.

Background

Barclay was born in Masterton and was raised on farms in the Wairarapa. He was educated at St Joseph's College, Masterton.[1] He spent six years from the age of 15 in Redemptorist monasteries in Australia and had begun training to be a Catholic priest in that order[1] when he returned to New Zealand and embarked on a lengthy career in film, television and media. Later in life, he was based in Omapere, Hokianga, New Zealand before his death from a stroke at the age of 63.

Films

His early career in radio, then in film and television led to great recognition as a documentary maker in the 1970s and 1980s. His early experimental short documentaries Ashes, The Town That Lost a Miracle, and All That We Need, led to an invitation to direct Tangata Whenua, a six-part television documentary series that presented the language, culture and politics of New Zealand's Maori people to a mainstream prime-time audience (in 1974) for the first time. The series was made in collaboration with producer John O'Shea of Pacific Films and historian and writer Michael King. Barclay wrote and directed The Neglected Miracle, a feature-length political documentary on the ownership of plant genetic resources. The project was shot over two years in eight countries. [2]

After this success, Barclay left New Zealand for a time to live in Europe. He returned to make The Neglected Miracle, a documentary on the legal and societal challenges presented by assertions of ownership of genetic material, especially seed stocks, and an eponymous documentary on Indira Gandhi, then- Prime Minister of India. After these documentary projects, Barclay collaborated with screenwriter Tama Poata on the feature film, Ngati (1987), produced by John O'Shea. Ngati featured veteran Maori actor Wi Kuki Kaa in the lead role of 'Iwi.' The film was well received at several international film-festivals, and attracted critical acclaim.

Barry's second feature film Te Rua (Pacific Films 1991), concerns an iwi's attempts to repatriate stolen carvings from a German museum back to their rightful place in Aotearoa. Te Rua was a German/New Zealand coproduction, and is acknowledged as a more complex and less successful film than Ngati. The issues raised in Te Rua - of 'ownership' versus 'guardianship' would form the basis of much of Barry's subsequent work.

Since the 1990s, Barclay has completed The Feathers of Peace a documentary on the persecution of the Moriori people, as well as The Kaipara Affair, on the wide-ranging implications of dwindling fish populations in the Kaipara harbour.

His first book was Our Own Image (1990), about his film-making practices and the creation of Indigenous cinema. His second book Mana Tuturu (2005) makes proposals about Indigenous intellectual property rights.

Recognition and Laureate Award

In 2004, Barclay received an Arts Foundation of New Zealand Laureate Award.

In 2007, he was awarded a Member of the Order of New Zealand in the Queen's Birthday Honours List for his services to the film industry.

After his death, Barclay's body was returned to Whangaehu Marae near Whanganui on Wednesday, 20 February 2008. His tangi (funeral) was held on Saturday, 23 February 2008.

Documentary on Barclay (2009)

A documentary on Barclay's life and work, Barry Barclay: The Camera on The Shore, (duration 102 minutes) directed by Graeme Tuckett and produced by Anne Keating, was completed in February 2009. It screened at international film festivals, and on Maori Television Service in 2009 and 2012.

Filmography

As Director:

As Writer

Books

References

  1. 1 2 Stuart Murray, Images of Dignity: Barry Barclay and Fourth Cinema, Huia, Wellington, 2008, pp. 7-8.
  2. ↑ "Kiwi film-maker Barry Barclay dies". Stuff.co.nz. 19 February 2008. Retrieved 17 September 2011.
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