Baldachin from Tost

Baldachin from Tost
Artist	Anonymous
Year	c. 1220
Type	Tempera, stucco reliefs and remains of varnished metal plate on wood
Dimensions	176.5 cm × 161 cm (69.5 in × 63 in)
Location	Museu Nacional d'Art de Catalunya, Barcelona

The Baldachin from Tost is a painted baldachin exhibited at the National Art Museum of Catalonia in Barcelona.^[1][2]

Description

The panel of the Baldachin from Tost, which covered the altar to give it more importance, corresponds to the type of liturgical furnishing that was attached by beams to the apse wall.

Another type of Romanesque Baldaccin is the one that has the form of a shrine, which could also be of wood, like the one from Toses,^[3] or else stone, like the one that used to be at the monastery of Ripoll and of which the finely carved bases have been preserved.

The Tost panel has a representation of the Lord in Majesty, with a crucifer halo and enthroned in the mandorla, which at one time must have been golden, with the book in his left hand with a Biblical citation, EGO SVM LUX MVNDI, which proclaims him as the light of the world. With his right hand, he makes the sign of blessing.

Around him are the four symbols of the Evangelists or the Tetramorph, each of which, instead of the book of the Gospel of earlier examples, has a sign or phylactery with his name. On John’s eagle and Luke’s bull can be observed, in particular, the subordination of the figure to its frame—that is, to the available space, even when this involves strange or unnatural distortion of the forms. Here, the way the configuration of these two symbols is dealt with is especially noteworthy. In addition, the pictorial style shows some figurative features of a more naturalistic type, such as the figure and face of Matthew’s angel, which comes closer to the new spirit of Gothic. This convergence of the resources of two pictorial languages shows the artistic influences and tensions of a time of change. As regards the colours, recent restoration has made it possible to recover the original very bright blue and red.

References

1. ↑ Guia del Museu Nacional d'Art de Catalunya.p. 37. MNAC, 2004. ISBN 84-8043-136-9
2. ↑ The artwork at MNAC's Website
3. ↑ (MNAC/MAC 4523-4525)

Further reading

• Castiñeiras, Manuel; Camps, Jordi (2008). Romanesque art in the MNAC collections. MNAC. ISBN 978-84-8043-196-5. Retrieved 3 September 2012. 
• Museu Nacional D'Art de Catalunya. MNAC. 1 March 2009. ISBN 978-84-8043-200-9. Retrieved 3 September 2012. 
• Carbonell, Eduard; Pagès, Montserrat; Camps, Jordi; Marot, Teresa (1998). Romanesque Art Guide: Museu Nacional D'Art de Catalunya. Museu Nacional d'Art de Catalunya. Retrieved 3 September 2012. 
• Carbonell, Eduard; Sureda i Pons, Joan (1997). The Medieval Treasures of the Museu Nacional D'Art de Catalunya. Lunwerg. Retrieved 3 September 2012. 

External links

• The artwork at Museum's website

Museu Nacional d'Art de Catalunya
Romanesque works	Altar frontal from La Seu d'Urgell or of The Apostles Southern apse from Pedret Apse of Santa Maria d'Àneu Apse of Sant Climent de Taüll Erill la Vall Descent from the Cross Batlló Majesty Altar frontal from Avià Paintings from Arlanza
Gothic Art works	Mural paintings of the Conquest of Majorca Head of Christ Virgin of the Angels Altarpiece of Saint Barbara Nativity and Saint John the Evangelist Altarpiece of the Saints John Virgin of the Consellers Saint Augustine Altarpiece Resurrection of Christ
Renaissance and Baroque works	Saint Candidus Jean-Claude Richard, abbé of Saint-Non Mural Paintings from the Herrera Chapel Saint Peter and Saint Paul Madonna of Humility Immaculate Conception Martyrdom of Saint Bartholomew St Paul
Modern Art works	The Spanish Wedding Desolation Ramon Casas and Pere Romeu on a Tandem Confidant from the Batlló House Terraced Village Paloma Cala Forn Portrait of my father Woman in Hat and Fur Collar Still life II The Corpus Christi Procession Leaving the Church of Santa Maria del Mar
See also	List of artists from the MNAC collection Museu Nacional d'Art de Catalunya Saint Agnes