List of compositions by Johann Sebastian Bach

Canon triplex a 6: first printed in 1747 (below), it appears on both versions of the portrait Haussmann made of Bach (1746, 1748 – above). In the 19th-century Bach Gesellschaft edition the canon was published in Volume 45¹, p. 138. In 1950 the piece was assigned the number 1076 in Schmieder's catalogue of Bach's works (BWV). The 1998 edition of that catalogue (BWV^2a) mentions Haussmann's paintings as original sources for the work (p. 438), and likewise the Bach Digital website gives a description of both paintings as sources for the piece (linked from Bach Digital Work page 1262).

Compositions by Johann Sebastian Bach
Lists of
BWV Cantatas (sacred – secular) Motets Masses, Passions and Oratorios Chorale harmonisations Songs and arias Organ compositions Keyboard and lute compositions Chamber music Orchestral works Fugal works Transcriptions Printed during the composer's lifetime

Johann Sebastian Bach composed cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, cello, flute, chamber ensemble and orchestra.

There are over 1000 known compositions by Bach. Nearly all of them are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Listing Bach's compositions

The earliest lists of Bach's compositions are given by his biographers, starting from his obituary which gives a list of instrumental works printed during the composer's lifetime (from Clavier-Übung I to The Art of Fugue), followed by a list which groups other types of compositions he wrote. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same setup: its ninth chapter first lists printed works (adding four-part chorales that were published in the second half of the 18th century), followed by a rough overview of the unpublished ones. In the first half of the 19th century more works were published, so the next biographies (Schauer and Hilgenfeldt in 1850) had more elaborate appendices listing printed works, referring to these works by publisher, and the number or page number given to the works in these publications. So, for example, the Prelude and Fugue in E-flat major can be indicated as "C. F. Peters Vol. III No. 1", or any of the variants ("Griepenkerl and Roitzsch Vol. 3 p. 2", "Peters Book 242 p. 2", "P. S. V., Cah. 3 (242), No. 1", etc.)

BG

The Prelude in F minor of The Well-Tempered Clavier book 1, in the BGA known as Vol. 14, p. 44, over eighty years before it got the number 857 in the Bach-Werke-Verzeichnis

In the second half of the 19th century the Bach-Gesellschaft (BG) published all of Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA).^[1] This offered a unique identification of all of Bach's known works, a system that was quickly adopted, for instance by the biographers: Philipp Spitta used it complementarily to the Peters edition numbering for the BG volumes that had appeared when he was writing his Bach-biography in the second half of the 19th century (e.g. "B. G., III., p. 173" for the above-mentioned Prelude in E-flat major), and Terry used it in the third Appendix to his 20th-century translation of Forkel's biography.^[2]

But there was still a lot of confusion: some authors preferred to list Bach's works according to Novello's editions, or Augener's, or Schirmer's,... giving rise to various conversion tables at the end of books on Bach's compositions (e.g. Harvey Grace's in a 1922 book on Bach's organ compositions).

NBG

In 1900 the BG published its last volume, and dissolved itself, as its primary goal, publishing all of Bach's known works, was accomplished. The BG was succeeded by the Neue Bachgesellschaft (NBG), with a new set of goals (Bach yearbook, Bach festivals, and a Bach museum). Occasionally however the NBG published newly discovered works, or variants not published in the BGA. For instance the 1740s version of O Jesu Christ, meins Lebens Licht was published in NBG XVII¹ in 1916 (the 1730s version of the same piece, with a different orchestration, had been published in BG 24, pp. 185–192).^[2]

BWV

In 1950 the Bach-Werke-Verzeichnis was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following BG for the collation (e.g. BG cantata number = BWV number of the cantata):^[3]

The BWV is a thematic catalogue, thus it identifies every movement of every composition by its first measures, like the opening of BWV 1006, movement 2 (Loure) above.

Kantaten (Cantatas), BWV 1–224
Motetten (Motets), BWV 225–231
Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243
Passionen, Oratorien (Passions, Oratorios), BWV 244–249
Vierstimmige Choräle (Four-part chorales), BWV 250–438
Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524
Werke für Orgel (Works for organ), BWV 525–771
Werke für Klavier (Keyboard compositions), BWV 772–994
Werke für Laute (Lute compositions), BWV 995–1000
Kammermusik (Chamber music), BWV 1001–1040
Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071)
Kanons (Canons), BWV 1072–1078
Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080

For instance, the Prelude and Fugue in E-flat major now became BWV 552, situated in the range of the works for organ. In contrast to other catalogues such as the Köchel catalogue for Mozart's compositions there is no attempt at chronological organization in the BWV numbering, for instance BWV 992 is an early composition by Bach. Exceptionally BWV numbers are also indicated as Schmieder (S) numbers (e.g. S. 225 = BWV 225).^[4]

Another consequence of the ordering principles of the BWV was that it tore known collections apart, for instance Clavier-Übung III was partly in the organ compositions range (BWV 552 and 669–689), with the four duets listed among the keyboard compositions (BWV 802–805).

BWV Anh.

The Anhang (Anh.), i.e. Appendix, of the BWV listed works that were not suitable for the main catalogue, in three sections:

I – lost works, or works of which only a tiny fraction had survived (Anh. 1–23)
II – works of dubious authenticity (Anh. 24–155)
III – works that were once attributed to Bach, but for which it had been established they were not composed by him (Anh. 156–189)

Within each section of the Anhang the works are sorted by genre, following the same sequence of genres as the main catalogue.

BWV^2a

Minuet in G major, BWV Anh. 114

Minuet in G minor, BWV Anh. 115

Minuet in G minor, BWV Anh. 115
Both Minuets were moved from Anh. II (doubtful works) to Anh. III (spurious works) in BWV^2a, after they were attributed to Christian Petzold.

Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the Anhang. A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. For example, BWV 11, formerly listed as a Cantata, was moved to the fourth chapter of the main catalogue as an Oratorio. Rather than renumbering a composition, an arrow indicated where the composition was inserted: "BWV 11/249b->" meaning "BWV 11, inserted after BWV 249b" (4th chapter). Similarly, BWV 1083/243a-> meant BWV 1083, inserted after BWV 243a (3rd chapter). Also authenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "BWV Anh. II 114" became "Anh. II 114/Anh. III 183-> indicating it was now considered a spurious work.^[5]

In 1998 Alfred Dürr and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV^2a, contained a few further updates and collation rearrangements.^[6]

New additions (Nachträge) to BWV²/BWV^2a included:

A few exceptions to the principle that compositions weren't renumbered were when a composition from the Anhang could be recovered and/or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV²) → BWV 1121 (BWV^2a, where it is in section 7 as a work for organ).^[7]

Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. Examples:

BWV 243a: 1723 E♭ major version of the 1733 Magnificat in D major BWV 243
BWV 1071 renumbered to BWV 1046a (early version of the first Brandenburg Concerto)
BWV Anh. 198 renumbered to BWV 149/1a (earlier abandoned version of the opening movement of Cantata BWV 149)

Some versions were completely removed from the catalogue, e.g. BWV 655b and c

Slashes indicate movements: e.g. BWV 149/1 indicates the first movement of the Cantata BWV 149. Another example: the Agnus Dei of the Mass in B minor can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232^IV/4 (BWV 232, fourth movement of Part IV).

21st-century additions

Numbers above BWV 1126 were added in the 21st century.

Reconstructed versions

An upper case R added to a BWV number indicates a reconstructed version, that is a conjectured earlier version of a known composition. One of such reconstructions, the Concerto for oboe and violin, as published in NBA VII/7 (Supplement) p. 75, based on the double harpsichord concerto BWV 1060, is known as BWV 1060R.

NBA

The NBA illustrates its score editions with facsimiles from manuscripts or contemporary editions: for instance NBA Series IV Volume 4 (Clavier-Übung III) contains a facsimile of the title page of the 1739 first edition of that collection.

In the meantime, the New Bach Edition (Neue Bach-Ausgabe, abbreviated as NBA) was being published,^[8] offering a new system to refer to Bach's works, e.g. NBA IV/4: 2, 105, which is Series IV, Volume 4, p. 2 (Prelude) and p. 105 (Fugue), for BWV 552.

NBArev

Some years after the completion of the NBA in 2007 its publisher Bärenreiter joined with the Bach Archive again to publish revised editions of some of Bach's scores. These revised editions, aligning with the NBA editions (format, layout), but outside that group of publications, were published under the name Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition (Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke – Revidierte Edition), in short: New Bach Edition – Revised (Neue Bach-Ausgabe – Revidierte Edition), abbreviated as NBArev. Where the original NBA editions were exclusively in German, the volumes of the Revised series have their introductions both in German and English. Its first volume, NBArev 1, was a new edition of the Mass in B minor, appearing in 2010.^[9]

BC

The Bach Compendium (BC), a catalogue covering Bach's vocal works, was published in 1985.^[10] Occasionally works that have no BWV number can be identified by their BC number, e.g. BC C 8 for "Der Gerechte kömmt um" an arrangement attributed to Bach on stylistic grounds, however unmentioned in the BWV.^[11]

BNB

Bachs Notenbibliothek (BNB) is a list of works Bach had at his disposition. Works of other composers which were arranged by Bach and/or which he (had) copied for performance usually have a BNB number.^[12]

SBB

The Berlin State Library (Staatsbibliothek zu Berlin = SBB) holds an important collection of composition manuscripts relating to Bach. Some versions of works are best known by their principal manuscript in the SBB, for instance BWV 525a = SBB St 345, or according to the abbreviations used at the Bach-digital website D-B Mus. ms. Bach St 345.

BD

The Bach Digital website provides on-line images of Bach's manuscripts and other primary documents, for instance the page for BWV 639 (Bach Digital Work 0727) links to the primary source page of SBB P 283 containing an image of Bach's autograph pictured above.

Bach Digital, a website managed by the Leipzig Bach Archive, the Saxon State and University Library Dresden (Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden = SLUB), SBB and Leipzig University, hosts separate pages for compositions by Bach (and by many of his relatives). The static URLs for these pages start with "http://www.bachdigital.de/receive/BachDigitalWork_work_" and end with an eight-digit number (the first four being trailing zeros for works in the BWV catalogue). Each of these numbers thus identify a work, e.g.:^[13]

No. 00000001 → http://www.bachdigital.de/receive/BachDigitalWork_work_00000001 = BWV 1
No. 00000632 → http://www.bachdigital.de/receive/BachDigitalWork_work_00000632 = BWV 552
No. 00001524 → http://www.bachdigital.de/receive/BachDigitalWork_work_00001524 = BWV Anh. 213

Apart from later additions and corrections these numbers follow the collation of BWV numbers, however with alternative versions of the same composition inserted immediately after the BWV number of the composition to which they belong, e.g.:

BWV 80 = Bach Digital Work (BDW) No. 0099
BWV 80a = BDW 0100
BWV 80b = BDW 0101
BWV 81 = BDW 0102

An example of a later addition/correction:

BWV Anh. 71 → renumbered to BWV 1128 → new Bach Digital Work number beyond the one for BWV Anh. 213: BDW 1725

Primary sources described on separate webpages (many with a facsimile of the original source) similarly have a unique number, which preceded by "http://www.bachdigital.de/receive/BachDigitalSource_source_" gives the static URL for that page, e.g.

No. 00002542 → http://www.bachdigital.de/receive/BachDigitalSource_source_00002542 = SBB St 345

By opus number, and chronological lists

Title page of Bach's Opus 1 (Clavier-Übung I, 1731), the only time he seems to have used an opus number

Apart from indicating his first published keyboard composition as Opus 1, Bach didn't use opus numbers, so Bach's works can't be listed by opus number. Lists following publication chronologies are for example implied in the first list in Bach's obituary, and BG numbers (within the BGA sequence of publication) – overall lists covering all of Bach's compositions in order of first publication are however not a way Bach's compositions are usually presented.

Listing Bach's works according to their time of composition can't be done comprehensively: for many works the period in which they were composed is a very wide range. For Bach's larger vocal works (cantatas, Passions,...) research has led to some more or less generally accepted chronologies, covering most of these works: a catalogue in this sense is Philippe (and Gérard) Zwang's list giving a chronological number to the cantatas BWV 1–215 and 248–249.^[14] This list was published in 1982 as Guide pratique des cantates de Bach in Paris, ISBN 2-221-00749-2. A revised edition was published in 2005 (ISBN 2747598888).

Other composers

Various catalogues with works by other composers have intersections with collections of works associated with Bach:^[15]

BR-WFB (or) BR

Bach-Repertorium numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = BR A49

Other BRs:

BR-CPEB: works by Carl Philipp Emanuel Bach (for this composer Helm and/or Wotquenne numbers are however more often used)
BR-JCFB: works by Johann Christoph Friedrich Bach

Fk (or) F

Falck catalogue numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = F 25/2

H

Helm numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = H 569

HWV

Works by George Frideric Handel, e.g. BWV Anh. 106 = HWV 605

TWV

Compositions by Georg Philipp Telemann, e.g. BWV 824 = TWV 32:14

Warb (or) W

Warburton numbers for works by Johann Christian Bach, e.g. BWV Anh. II 131 = W A22 (or: Warb A 22)

Wq

Wotquenne numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = Wq 145

Works in Bach's catalogues and collections

There are over 1500 works that feature in a catalogue of works by Bach, like the Bach-Werke-Verzeichnis, and/or in a collection of works associated with Bach (e.g. in one of the Notebooks for Anna Magdalena Bach). Of these around a thousand are original compositions by Bach, that is: more than a mere copy or transcription of an earlier work by himself or another composer.

Table sections (collated as in BWV^2a for BWV 1–1126 and Anhang)
BWV (original ranges in parentheses)
1. Cantatas (1–224) • 2. Motets (225–231) • 3. Masses, Mass movements, Magnificat (232–243) • 4. Passions, Oratorios (244–249) • 5. Four-part chorales (250–438) • 6. Songs, Arias and Quodlibet (439–524) • 7. Works for organ (525–771) • 8. Keyboard compositions (772–994) • 9. Lute compositions (995–1000) • 10. Chamber music (1001–1040) • 11. Works for orchestra (1041–1071) • 12. Canons (1072–1078) • 13. Musical Offering, The Art of Fugue (1079–1080) • Later additions (1081–...) • Reconstructions
BWV Anhang (Appendix)
I: Lost/fragmentary (1–23) • II: Doubtful (24–155) • III: Spurious (156–189) • N: Nachträge (New additions, 190–213)
Not in BWV (BWV deest)
Sorted by BC, BGA, BNB, NBA, etc.

Background colors
Color	Meaning
green	partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision
yellow	manuscript (copy) in whole or in part by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. / C. P. E. / J. C. F. / J. Christian) or son-in-law (Altnickol)
orange-brown	manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther, ...), or distant family member

Collections
Without resorting the table (i.e. collection kept together in BWV^2a)
Cello Suites BWV 1007–1012 • Christmas Oratorio, BWV 248 • Clavier-Übung IV = Goldberg Variations BWV 988 • Inventions BWV 772–786 • Sinfonias BWV 787–801 • Sonatas and partitas for solo violin BWV 1001–1006
Using the sort function (not available in all browsers)
Cantatas by function (Advent I → Trinity XXVII; other Feasts, celebrations and church services; Secular cantatas): sort by NBA → I/1 Clavier-Übung I (1731): sort by NBA → V/1 Clavier-Übung II (1735): sort by NBA → V/2 Clavier-Übung III (1739): sort by NBA → IV/4 Kirnberger collection of chorale preludes: sort by BWV → BWV 690 Klavierbüchlein für Wilhelm Friedemann Bach (1720): sort by NBA → V/5 Twelve Little Preludes: sort by BG → 36: 118 Neumeister Chorales by J. S. Bach (without BWV 601, 639, 723 and 751): sort by NBA → IV/9 Notebook for Anna Magdalena Bach (1722): sort by Name → Notebook A. M. Bach (1722) Notebook for Anna Magdalena Bach (1725): sort by Name → Notebook A. M. Bach (1725) Vivaldi arrangements: sort by Additional info → after Vivaldi The Well-Tempered Clavier book I (1722): sort by BG → Vol. 14 The Well-Tempered Clavier book II (1739–1742): sort by NBA → V/6.2 The Well-Tempered Clavier book II (1744): sort by BG → 14: 91

See also Legend to the table below

Works in Bach's catalogues and collections
BWV	^2a	Date	Name	Key	Scoring	BG	NBA	Additional info	BD
1.	Cantatas (see also: List of Bach cantatas, Church cantata (Bach) and List of secular cantatas by Johann Sebastian Bach)								Up ↑
1	1.	1725-03-25	Cantata Wie schön leuchtet der Morgenstern (Annunciation)	F major	stbSATB 2Hn 2Odc 2Vl Str Bc	1: 1	I/28.2: 3		0001
2	1.	1724-06-18	Cantata Ach Gott, vom Himmel sieh darein (Trinity II)	G minor	atbSATB 4Tbn 2Ob Str Bc	1: 53	I/16: 81		0002
3	1.	1725-01-14	Cantata Ach Gott, wie manches Herzeleid (Epiphany II)	A major	satbSATB Hn Tbn 2Oba Str Bc	1: 73	I/5: 189		0003
4	1.	1724-04-09	Cantata Christ lag in Todes Banden (Easter)	E minor	satbSATB Cnt 3Tbn Str Bc	1: 95	I/9: 1	text by Luther; after BWV 4 (early version)	0004
4, e. v.	1.	1707-04-24	Cantata Christ lag in Todes Banden (Easter; early version, lost)		satbSATB 2Vl 2Va Bc		I/9	text by Luther; → BWV 4	0005
5	1.	1724-10-15	Cantata Wo soll ich fliehen hin (Trinity XIX)	G minor	satbSATB Tdt 2Ob Str Bc	1: 125	I/24: 133		0006
6	1.	1725-04-02	Cantata Bleib bei uns, denn es will Abend werden (Easter 2)	C minor	satbSATB 2Ob Odc Str Vc Bc	1: 151	I/10: 43	→ BWV 649	0007
7	1.	1724-06-24	Cantata Christ unser Herr zum Jordan kam (24 June: feast of John the Baptist)	E minor	atbSATB 2Oba 2Vl Str Bc	1: 177	I/29: 25		0008
8, v1	1.	1724-09-24	Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 1st version)	E major	satbSATB Hn Fl Fl 2Oba Str Bc	1: 211	I/23: 105	→ BWV 8, v2	0009
8, v2	1.	1747-09-17	Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 2nd version)	D major	satbSATB Fl 2Oba Tai 2Vl Str Bc		I/23: 163	after BWV 8, v1	0010
9	1.	1732-07-20	Cantata Es ist das Heil uns kommen her (Trinity VI)	E major	satbSATB Fl Oba Str Bc	1: 243	I/17.2: 83	→ BWV 648	0011
10	1.	1724-07-02	Cantata Meine Seel erhebt den Herren a.k.a. German Magnificat (Visitation)	G minor	satbSATB Tr 2Ob Str Bc	1: 275	I/28.2: 131		0012
12	1.	1714-04-22 1724-04-30	Cantata Weinen, Klagen, Sorgen, Zagen (Jubilate; two versions)	F Dorian G minor	atbSATB Tr Ob 2Vl 2Va Bas Bc	2: 59	I/11.2: 1	text by Franck, S.?; → BWV 69a/6	0014
13	1.	1726-01-20	Cantata Meine Seufzer, meine Tränen (Epiphany II)		satbSATB 2Fl Odc Str Bc	2: 79	I/5: 229	text by Lehms (except /6)	0015
14	1.	1735-01-30	Cantata Wär Gott nicht mit uns diese Zeit (Epiphany IV)		stbSATB Hn 2Ob Str Bc	2: 99	I/6: 139		0016
16	1.	1726-01-01	Cantata Herr Gott, dich loben wir (New Year/Circumcision)	C major	atbSATB Hn 2Ob Odc Str Va Bc	2: 173	I/4: 103	text by Lehms	0018
17	1.	1726-09-22	Cantata Wer Dank opfert, der preiset mich (Trinity XIV)		satbSATB 2Ob Str Bc	2: 199	I/21: 147	→ BWV 236/6	0019
18	1.	1724-02-13	Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima)	A minor Kammer- ton	stbSATB 2Fl Bas 4Va Vc Bc	2: 227	I/7: 107	text by Neumeister; after BWV 18 (early version)	0020
18, e. v.	1.	1715-02-24	Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima; early version)	G minor Chorton	stbSATB Bas 4Va Vc Bc		I/7: 81	text by Neumeister; → BWV 18	0021
19	1.	1726-09-29	Cantata Es erhub sich ein Streit (Michaelmas)		stbSATB 3Tr Tmp 2Ob 2Oba Tai Str Bc	2: 253	I/30: 55	text by Picander	0022
20	1.	1724-06-11	Cantata O Ewigkeit, du Donnerwort (Trinity I)		atbSATB Tdt Tmp 3Ob Str Bc	2: 291	I/15: 133		0023
21, v1	1.	1714-06-17	Cantata Ich hatte viel Bekümmernis (1st version: Trinity III)	C minor	satbSATB 3Tr Tmp Ob Str Bc		I/16: 109	text by Franck, S.?; → BWV 21, v2	0024
21, v2	1.	autumn 1720	Cantata Ich hatte viel Bekümmernis (2nd version)	D minor	satbSATB 3Tr Tmp Ob Str Bc		I/16	text by Franck, S.?; after BWV 21, v1; → v3	0025
21, v3	1.	1723-06-13	Cantata Ich hatte viel Bekümmernis (3rd version: Trinity III)	C minor	satbSATB 3Tr Tmp 4Tne Ob Str Bc	5¹: 1	I/16	text by Franck, S.?; after BWV 21, v2	0026
22	1.	1723-02-07	Cantata Jesus nahm zu sich die Zwölfe (Estomihi)		satbSATB Ob Str Bc	5¹: 65	I/8: 1		0027
23, v1	1.	1722	Cantata Du wahrer Gott und Davids Sohn (1st version, 3 movements: Estomihi)	C minor	satbSATB 2Ob Str Bc	5¹: 93	I/8: 35	→ BWV 23, v2, v3	0028
23, v2	1.	1723-02-07	Cantata Du wahrer Gott und Davids Sohn (2nd version, 4 movements: Estomihi)	B minor	satbSATB Crn 3Tbn 2Oba Str Bc		I/8: 71	after BWV 23, v1; → v3	0029
23, v3	1.	1728–1731	Cantata Du wahrer Gott und Davids Sohn (3rd version, 4 movements: Estomihi)	C minor	satbSATB 2Ob Str Bc	5¹: 93	I/8: 35	after BWV 23, v1, v2	0030
24	1.	1723-06-20	Cantata Ein ungefärbt Gemüte (Trinity IV)	F major	satbSATB Cl 2Ob 2Oba Str Bc	5¹: 125	I/17.1: 47	text by Neumeister	0031
25	1.	1723-08-29	Cantata Es ist nichts Gesundes an meinem Leibe (Trinity XIV)		stbSATB Crn 3Tbn 3Fl 2Ob Str Bc	5¹: 153	I/21: 79		0032
26	1.	1724-11-19	Cantata Ach wie flüchtig, ach wie nichtig (Trinity XXIV)	A minor	satbSATB Hn Fl 3Ob Str Bc	5¹: 189	I/27: 29		0033
27	1.	1726-10-06	Cantata Wer weiß, wie nahe mir mein Ende? (Trinity XVI)		satbSSATB Hn 2Ob Odc Str Org Bc	5¹: 217	I/23: 221	after BWV Anh. 170	0034
28	1.	1725-12-30	Cantata Gottlob! nun geht das Jahr zu Ende (Christmas I)	A minor	satbSATB Cnt 3Tbn 2Ob Tai Str Bc	5¹: 245	I/3.2: 75	text by Neumeister; → BWV 28/2a, Anh. 160/2	0035
28/2a	1.	1725?	Motet Sei Lob und Preis mit Ehren	C major	SATB	39: 167	III/3: 15	after BWV 28/2; → Anh. 160/2; was BWV 231	0036
29	1.	1731-08-27	Cantata Wir danken dir, Gott, wir danken dir (council election)	D major	satbSATB 3Tr Tmp 2Ob Str Org Bc	5¹: 273	I/32.2: 1	after BWV 120a/4	0037
30	1.	1738-06-24	Cantata Freue dich, erlöste Schar (24 June: feast of John the Baptist)		satbSATB 2Fl 2Ob Oba Vl Str Bc	5¹: 321	I/29: 59	text by Picander?; after BWV 30a (parody)	0038
30a	1.	1737-09-28	Secular cantata Angenehmes Wiederau (for Hennicke at Wiederau manor)	D major	satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Bc	34: 325	I/39: 51	text by Picander?; → BWV 30, 195, v2/6, /8	0039
31, Leipzig version	1.	1724-04-09	Cantata Der Himmel lacht! Die Erde jubilieret (Leipzig version: Easter)		stbSSATB 3Tr Tmp Ob 2Oba Bas 2Vl 2Va Bc		I/9: 41 rev 2	text by Franck, S; after BWV 31, Weimar version	0040
31, Weimar version	1.	1715-04-21	Cantata Der Himmel lacht! Die Erde jubilieret (Weimar version: Easter)	C major	stbSSATB 3Tr Tmp 3Ob Tai Bas 2Vl 2Va Bc	7: 1	I/9 rev 2	text by Franck, S; → BWV 31, Leipzig version	0041
32	1.	1726-01-13	Cantata Liebster Jesu, mein Verlangen (Epiphany I)	E minor	sbSATB Ob Str Bc	7: 53	I/5: 143	text by Lehms	0042
33	1.	1724-09-03	Cantata Allein zu dir, Herr Jesu Christ (Trinity XIII)	A minor	atbSATB 2Ob Str Bc	7: 81	I/21: 23		0043
34	1.	1727-06-01	Cantata O ewiges Feuer, o Ursprung der Liebe (Pentecost)	D major	atbSATB 3Tr Tmp 2Fl 2Ob Str Bc	7: 115	I/13: 129	→ BWV 34a	0044
34a	1.	after 1727	Cantata O ewiges Feuer, o Ursprung der Liebe (marriage; incomplete)		satbSATB Vl Va Bc		I/33: 27	after BWV 34	0045
35	1.	1726-09-08	Cantata Geist und Seele wird verwirret (Trinity XII)		a 2Ob Tai Str Org Bc	7: 171	I/20: 215	text by Lehms	0046
36, e. v.	1.	1725–1730	Cantata Schwingt freudig euch empor (Advent I; early version)		stbSATB Oba Str Bc	7: 395	I/1: 17	after BWV 36c; → BWV 36	0048
36	1.	1731-12-02	Cantata Schwingt freudig euch empor (Advent I)		satbSATB 2Oba Str Bc	7: 221	I/1: 41	after BWV 36, early version	0047
36a	1.	1726-11-30 or 1725-11-30	Secular cantata Steigt freudig in die Luft (birthday of Charlotte Friederike Wilhelmine of Anhalt-Köthen; music lost)		stbSATB Oba Va Str Bc (?)		I/35	text by Picander; after BWV 36c/1, /3, /5, /7, /9	0049
36b	1.	1735-07-27	Secular cantata Die Freude reget sich (birthday of Rivinus, J. F.?)		satSATB Fl Oba Str Bc	34: 39	I/38: 255	after BWV 36c/1, /3, /5, /7, /8	0050
36c	1.	April–May 1725	Secular cantata Schwingt freudig euch empor (birthday of Mencke, J. B.?)		stbSATB Oba Str Va Bc	34: 39	I/39: 1	→ BWV 36, early version	0051
37	1.	1724-05-18	Cantata Wer da gläubet und getauft wird (Ascension)	A major	satbSATB 2Oba Str Bc	7: 259	I/12: 79		0052
38	1.	1724-10-29	Cantata Aus tiefer Not schrei ich zu dir (Trinity XXI)	E minor	satbSATB 2Ob 4Tbn Str Bc	7: 283	I/25: 217		0053
39	1.	1726-06-23	Cantata Brich dem Hungrigen dein Brot (Trinity I)		sabSATB 2Fl 2Ob Str Bc	7: 336	I/15 179		0054
40	1.	1723-12-26	Cantata Darzu ist erschienen der Sohn Gottes (Christmas 2)	F major	atbSATB 2Hn 2Ob Str Bc	7: 349	I/3.1: 3	→ BWV 233/6	0055
41	1.	1725-01-01	Cantata Jesu, nun sei gepreiset (New Year)	C major	satbSATB 3Tr Tmp 3Ob Str Vc Bc	10: 1	I/4: 37		0056
42	1.	1725-04-08	Cantata Am Abend aber desselbigen Sabbats (Quasimodogeniti)		satbSATB 2Ob Bas Str Bc	10: 63	I/11.1: 61		0057
43	1.	1726-05-30	Cantata Gott fähret auf mit Jauchzen (Ascension)		satbSATB 3Tr Tmp 2Ob Str Bc	10: 93	I/12: 133	after BWV 43/11	0058
44	1.	1724-05-21	Cantata Sie werden euch in den Bann tun (Exaudi)		satbSATB 2Ob Str Bc	10: 127	I/12: 165		0059
45	1.	1726-08-11	Cantata Es ist dir gesagt, Mensch, was gut ist (Trinity VIII)	E major	atbSATB 2Fl Ob Oba Str Bc	10: 151	I/18: 197		0060
46	1.	1723-08-01	Cantata Schauet doch und sehet, ob irgend ein Schmerz sei (Trinity X)		atbSATB Tdt Hn 2Fl 2Odc Str Bc	10: 187	I/19: 109		0061
47	1.	1726-10-13	Cantata Wer sich selbst erhöhet, der soll erniedriget werden (Trinity XVII)	G minor	sbSATB 2Ob Str Org Bc	10: 239	I/23: 319	text by Helbig	0062
48	1.	1723-10-03	Cantata Ich elender Mensch, wer wird mich erlösen (Trinity XIX)	G minor	atSATB Tr 2Ob Str Bc	10: 275	I/24: 105		0063
49	1.	1726-11-03	Cantata Ich geh und suche mit Verlangen (Trinity XX)	G minor	sb Oba Str Vl Org Bc	10: 299	I/25: 107	→ BWV 1053/3	0064
50	1.		Cantata Nun ist das Heil und die Kraft (single movement; arrangement or fragment of a cantata for Michaelmas?)	D major	2SATB 3Tr Tmp 3Ob Str Bc	10: 341	I/30: 141	text after Rev. 12: 10; in SBB P 136	0065
51	1.	1730-09-17	Cantata Jauchzet Gott in allen Landen (Trinity XV)	C major	s (2)Tr (Tmp) Str Bc	12²: 1	I/22: 77		0066
52	1.	1726-11-24	Cantata Falsche Welt, dir trau ich nicht (Trinity XXIII)	F major	sSATB 2Hn 3Ob Bas Str Bc	12²: 25	I/26: 131	text by Birkmann; after BWV 1046a/1	0067
54	1.	1714–1717?	Cantata Widerstehe doch der Sünde (Oculi)	E♭ major	a 2Vl 2Va Bc	12²: 59	I/18: 3	text by Lehms; → BWV 247/53?	0069
55	1.	1726-11-17	Cantata Ich armer Mensch, ich Sündenknecht (Trinity XXII)	G minor	tSATB Fl Oba Str Bc	12²: 73	I/26: 55	text by Birkmann	0070
56	1.	1726-10-27	Cantata Ich will den Kreuzstab gerne tragen (Trinity XIX)		bSATB 2Ob Tai Str Vc Bc	12²: 87	I/24: 173	text by Birkmann	0071
57	1.	1725-12-26	Cantata Selig ist der Mann (Christmas 2)	G minor	sbSATB 2Ob Tai Str Bc	12²: 105	I/3.1: 83	text by Lehms	0072
58	1.	1733-01-04 or 1734-01-03	Cantata Ach Gott, wie manches Herzeleid (New Year I)	C major	sb 2Ob Tai Vl Str Bc	12²: 133	I/4: 217	text by Birkmann; after BWV 58, early version	0073
58, e. v.	1.	1727-01-05	Cantata Ach Gott, wie manches Herzeleid (New Year I; early version)	C major	sb Vl Str Bc		I/4: 241	text by Birkmann; → BWV 58	0074
59	1.	1724-05-28	Cantata Wer mich liebet, der wird mein Wort halten (Pentecost)	C major	sbSATB 2Tr Tmp Str Bc	12²: 151	I/13: 65	text by Neumeister; → BWV 74/1 and /2, 175/7	0075
60	1.	1723-11-07	Cantata O Ewigkeit, du Donnerwort (Trinity XXIV)	D major	atbSATB Hn 2Oba Str Bc	12²: 169	I/27: 1		0076
61	1.	1714-12-02	Cantata Nun komm, der Heiden Heiland (Advent I – first setting)		stbSATB Fag 2Vl 2Va Bc	16: 1	I/1: 1	text by Neumeister	0077
62	1.	1724-12-03	Cantata Nun komm, der Heiden Heiland (Advent I – second setting)	B minor	satbSATB Hn 2Ob Str Bc	16: 19	I/1: 75		0078
63	1.	1714-12-25 1723-12-25	Cantata Christen, ätzet diesen Tag (Christmas; two versions)	C major	satbSATB 4Tr Tmp 3Ob Bas Str Bc	16: 51	I/2: 1	text by Heineccius, J. M.?	0079
64	1.	1723-12-27	Cantata Sehet, welch eine Liebe hat uns der Vater erzeiget (Christmas 3)	E minor	sabSATB Cnt 3Tbn Oba Str Bc	16: 111, 371	I/3.1: 113	text by Knauer (modified)	0080
65	1.	1724-01-06	Cantata Sie werden aus Saba alle kommen (Epiphany)		tbSATB 2Hn 2Fl 2Odc Str Bc	16: 133	I/5: 1		0081
66	1.	1724-04-10	Cantata Erfreut euch, ihr Herzen (Easter 2)		atbSATB Tr 2Ob Str Bc	16: 167	I/10: 1	after BWV 66a/8, /1–/4	0082
66a	1.	1718-12-10	Secular cantata Der Himmel dacht auf Anhalts Ruhm und Glück (birthday of Leopold of Anhalt-Köthen)		atbSATB 2Ob Bas Str Bc (?)		I/35	text by Hunold; → BWV 66/1–/5	0083
67	1.	1724-04-16	Cantata Halt im Gedächtnis Jesum Christ (Quasimodogeniti)	A major	atbSATB Hn Fl 2Oba Str Bc	16: 215	I/11.1: 1	→ BWV 234/2	0084
68	1.	1725-05-21	Cantata Also hat Gott die Welt geliebt (Pentecost 2)	D minor	sbSATB Hn Cnt 3Tbn 2Ob Tai Str Vc Bc	16: 247	I/14: 31	text by Ziegler, C. M.; after BWV 208/13 and /7	0085
69	1.	1748-08-26	Cantata Lobe den Herrn, meine Seele (council election)	D major	satbSATB 3Tr Tmp 3Ob Oba Bas Str Bc	16: 281	I/32.2: 111	after BWV 69a/1, /3 and /5	0086
69a	1.	1723-08-15	Cantata Lobe den Herrn, meine Seele (Trinity XII)		satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc		I/20: 117	text by Knauer (modified); after BWV 12/7; → BWV 69/1, /3 and /5	0087
70	1.	1723-11-21	Cantata Wachet! Betet! Betet! Wachet! (Trinity XXVI)	C major	satbSATB Tr Ob Str Vc Bc	16: 327	I/27: 107	text by Franck, S (reworked); after BWV 70a	0088
70a	1.	1716-12-06	Cantata Wachet! Betet! Betet! Wachet! (Advent II)		satbSATB Tr Ob Str Vc Bc		I/1	text by Franck, S; → BWV 70/1, /3, /5, /8, /10, /11	0089
71	1.	1708-02-04	Cantata Gott ist mein König (council election)	D major	satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org	18: 1	I/32.1: 3	text by Eilmar?	0090
72	1.	1726-01-27	Cantata Alles nur nach Gottes Willen (Epiphany III)	A minor	sabSATB 2Ob Str Bc	18: 55	I/6: 59	text by Franck, S; → BWV 235/2	0091
73	1.	1724-01-23	Cantata Herr, wie du willt, so schicks mit mir (Epiphany III)	G minor	stbSATB Hn 2Ob Str Bc	18: 85	I/6: 3		0092
74	1.	1725-05-20	Cantata Wer mich liebet, der wird mein Wort halten (Pentecost)		satbSATB 3Tr Tmp 2Ob Odc Str Bc	18: 105	I/13: 83	text by Ziegler, C. M.; after BWV 59/1, /4	0093
75	1.	1723-05-30	Cantata Die Elenden sollen essen (Trinity I)		satbSATB Tr 2Ob Oba Bas Str Bc	18: 147	I/15: 85	→ BWV 100/6	0094
76	1.	1723-06-06	Cantata Die Himmel erzählen die Ehre Gottes (Trinity II)	C major	satbSATB Tr 2Ob Oba Str Vdg Bc	18: 189	I/16: 1	→ BWV 528/1	0095
77	1.	1723-08-22	Cantata Du sollt Gott, deinen Herren, lieben (Trinity XIII)		satbSATB Tdt 2Ob Str Bc	18: 233	I/21: 1	text by Knauer	0096
78	1.	1724-09-10	Cantata Jesu, der du meine Seele (Trinity XIV)	G minor	satbSATB Hn Fl 2Ob Str Vne Bc	18: 255	I/21: 115		0097
79	1.	1725-10-31	Cantata Gott der Herr ist Sonn und Schild (Reformation Day; two versions: Fl associated with 2nd c.1730)	G major	sabSATB 2Hn Tmp (2Fl) 2Ob Str Bc	18: 287	I/31: 1	→ BWV 236/2, /4, 234/5	0098
80	1.	1727-10-31 1731-10-31	Cantata Ein feste Burg ist unser Gott (Reformation Day; 2nd Leipzig v.; Tr & Tmp in BGA likely W. F. Bach's addition)	D major	satbSATB 3Ob 2Oba Odc Str Bc	18: 317	I/31: 71	text by Franck, S; after BWV 80a, 80b	0099
80a	1.	1715-03-24 1716-03-16	Cantata Alles, was von Gott geboren (Oculi; music lost)		satb(?)SATB Ob Str Bc		I/8.2: V	text by Franck, S; → BWV 80b, 80	0100
80b	1.	1723-10-31 1731-10-31	Cantata Ein feste Burg ist unser Gott (Reformation Day; 1st Leipzig version)		sbSATB Ob Str Bc		I/31: 65	text by Franck, S; after BWV 80a; → BWV 80	0101
81	1.	1724-01-30	Cantata Jesus schläft, was soll ich hoffen? (Epiphany IV)	E minor	atbSATB 2Fl 2Oba Str Bc	20¹: 1	I/6: 111		0102
82, v1	1.	1727-02-02	Cantata Ich habe genug (Purification; 1st version)	C minor	b Ob Str Bc	20¹: 25	I/28.1: 111	text by Birkmann; → BWV 82, v2–4	0103
82, v2	1.	1731-02-02	Cantata Ich habe genug (Purification; 2nd version)	E minor	s Fl Str Bc		I/28.1: 155	text by Birkmann; after BWV 82, v1; → 82, v3–4	0104
82/2–/3, v2	1.	c.1731 (AMB)	Notebook A. M. Bach (1725) No. 34 Recitative "Ich habe genug"; Aria "Schlummert ein, ihr matten Augen"	E minor	s Bc	43²: 46	V/4	text by Birkmann; after BWV 82, v2	0104
82/3, v2	1.	c.1731 (AMB)	Notebook A. M. Bach (1725) No. 38 Aria "Schlummert ein, ihr matten Augen" (incomplete)	E minor	s Bc	43²: 49	V/4	text by Birkmann; after BWV 82, v2	0104
82, v3	1.	c.1735	Cantata Ich habe genug (Purification; 3rd version)	C minor	b or mezzo Ob Str Bc		I/28.1: 111	text by Birkmann; after BWV 82, v1–2; → 82, v4	0105
82, v4	1.	1746–1748	Cantata Ich habe genug (Purification; 4th version)	C minor	b (or mezzo) Ob Odc Str Bc		I/28.1: 111	text by Birkmann; after BWV 82, v1–3	0106
83	1.	1724-02-02	Cantata Erfreute Zeit im neuen Bunde (Purification)		atbSATB 2Hn 2Ob Vl Str Bc	20¹: 51	I/28.1: 3		0107
84	1.	1727-02-09	Cantata Ich bin vergnügt mit meinem Glücke (Septuagesimae)	E minor	sSATB Ob Str Bc	20¹: 77	I/7: 21	text by Picander (reworked)?	0108
85	1.	1725-04-15	Cantata Ich bin ein guter Hirt (Misericordias Domini)	C minor	satbSATB 2Ob Str Vc Bc	20¹: 99	I/11.1: 157		0109
86	1.	1724-05-14	Cantata Wahrlich, wahrlich, ich sage euch (Rogate)	E major	satbSATB 2Oba Str Bc	20¹: 119	I/12: 45		0110
87	1.	1725-05-06	Cantata Bisher habt ihr nichts gebeten in meinem Namen (Rogate)	D minor	atbSATB 2Ob 2Odc Str Bc	20¹: 135	I/12: 61	text by Ziegler, C. M. (reworked)	0111
88	1.	1726-07-21	Cantata Siehe, ich will viel Fischer aussenden (Trinity V)	D major B minor	satbSATB 2Hn 2Oba Tai Str Bc	20¹: 153	I/17.2: 33		0112
89	1.	1723-10-24	Cantata Was soll ich aus dir machen, Ephraim? (Trinity XXII)		sabSATB Hn 2Ob Str Bc	20¹: 179	I/26: 1		0113
90	1.	1723-11-14	Cantata Es reißet euch ein schrecklich Ende (Trinity XXV)	D minor	atbSATB (Tr) Str Bc	20¹: 195	I/27: 59		0114
91	1.	after 1740	Cantata Gelobet seist du, Jesu Christ (Christmas; later version)	G major	satbSATB 2Hn Tmp 3Ob Str Bc	22: 1	I/2: 131	after BWV 91, early version	0115
91, e. v.	1.	1724-12-25	Cantata Gelobet seist du, Jesu Christ (Christmas; early version)	G major	satbSATB 2Hn Tmp 3Ob Str Bc	22: 1, 333	I/2: 164	→ BWV 91	0116
92	1.	1725-01-28	Cantata Ich hab in Gottes Herz und Sinn (Septuagesimae)	B minor	satbSATB 2Oba Str Bc	22: 33	I/7: 41		0117
93	1.	1724-07-09	Cantata Wer nur den lieben Gott läßt walten (Trinity V)	C minor	satbSATB 2Ob Str Bc	22: 69	I/17.2: 3	→ BWV 647	0118
94	1.	1724-08-06	Cantata Was frag ich nach der Welt (Trinity IX)	D major	satbSATB Fl 2Ob 2Oba Str Bc	22: 95	I/19: 43		0119
95	1.	1723-09-12	Cantata Christus, der ist mein Leben (Trinity XVI)	G major	stbSATB Hn or Cnt 2Ob 2Oba Str Bc	22: 129	I/23: 65		0120
96	1.	1724-10-08	Cantata Herr Christ, der einge Gottessohn (Trinity XVIII)	F major	satbSATB Hn or Tbn Fl/Fl or Vl 2Ob Str Bc	22: 155	I/24: 1		0121
97	1.	1734-07-25 ?; after 1735	Cantata In allen meinen Taten (two versions; Trinity V?)	B♭ major	satbSATB 2Ob Str Bc	22: 185, 336	I/34: 197	text by Fleming	0122
98	1.	1726-11-10	Cantata Was Gott tut, das ist wohlgetan (Trinity XXI)	B♭ major	satbSATB 2Ob Str Bc	22: 231	I/25: 241	text by Birkmann	0123
99	1.	1724-09-17	Cantata Was Gott tut, das ist wohlgetan (Trinity XV)	G major	satbSATB Hn Fl Oba Str Bc	22: 251	I/22: 41	text by Rodigast (reworked); → BWV 100/1	0124
100	1.	1732–1735	Cantata Was Gott tut, das ist wohlgetan	G major	satbSATB 2Hn Tmp Fl Oba Str Bc	22: 277	I/34: 239	text by Rodigast; after BWV 99/1, 75/7	0125
101	1.	1724-08-13	Cantata Nimm von uns, Herr, du treuer Gott (Trinity X)	G major	satbSATB 2Hn Tmp Fl Oba Str Bc	23: 1	I/19: 173		0126
102	1.	1726-08-25	Cantata Herr, deine Augen sehen nach dem Glauben (Trinity X)	G minor	atbSATB Fl Vl 2Ob Str Bc	23: 33	I/19: 229	→ BWV 235/1, 233/4, /5	0127
103	1.	1725-04-22 1731-04-15	Cantata Ihr werdet weinen und heulen (Jubilate, 2 versions)	B minor	atSATB Tr Fl Fl (or) Vl 2Oba Str Bc	23: 67	I/11.2: 25	text by Ziegler, C. M.	0128
104	1.	1724-04-23	Cantata Du Hirte Israel, höre (Misericordias)		tbSATB 2Ob 2Oba Tai Str Bc	23: 95	I/11.1: 113		0129
105	1.	1723-07-25	Cantata Herr, gehe nicht ins Gericht mit deinem Knecht (Trinity IX)	G minor	satbSATB Hn 2Ob Str Bc	23: 117	I/19: 1		0130
106	1.	1708-09-16?	Cantata Gottes Zeit ist die allerbeste Zeit (funeral; "Actus tragicus")	E♭ major	satbSATB 2Fl 2Vdg Bc	23: 147	I/34: 1	text by Olearius (reworked)	0131
107	1.	1724-07-23	Cantata Was willst du dich betrüben (Trinity VII)	B minor	stbSATB Hn 2Fl 2Oba Str Bc	23: 179	I/18: 55	text by Heermann	0132
108	1.	1725-04-29	Cantata Es ist euch gut, daß ich hingehe (Cantate)	A major B minor	atbSATB 2Oba Str Bc	23: 203	I/12: 17	text by Ziegler, C. M.	0133
109	1.	1723-10-17	Cantata Ich glaube, lieber Herr, hilf meinem Unglauben (Trinity XXI; 2 versions)	D minor	atSATB (Hn) 2Ob Str Bc	23: 231	I/25: 157		0134
110	1.	1725-12-25	Cantata Unser Mund sei voll Lachens (Christmas)	D major B minor	satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc	23: 263	I/2: 71	text by Lehms	0135
111	1.	1725-01-25	Cantata Was mein Gott will, das g'scheh allzeit (Epiphany III)	A minor	satbSATB 2Ob Str Bc	24: 1	I/6: 27		0136
112	1.	1731-04-08	Cantata Der Herr ist mein getreuer Hirt (Misericordias)	G major	satbSATB 2Hn 2Oba Str Bc	24: 29	I/11.1: 179	text by Meuslin after Ps. 23	0137
113	1.	1724-08-20	Cantata Herr Jesu Christ, du höchstes Gut (Trinity XI)	B minor	satbSATB Fl 2Oba Str Bc	24: 49	I/20: 79		0138
114	1.	1724-10-01	Cantata Ach, lieben Christen, seid getrost (Trinity XVII)	G minor	satbSATB Hn Fl 2Ob Str Bc	24: 81	I/23: 287		0139
115	1.	1724-11-05	Cantata Mache dich, mein Geist, bereit (Trinity XXII)	G major	satbSATB Hn Fl Oba Str Vc Bc	24: 109	I/26: 21	text by Freystein (reworked)	0140
116	1.	1724-11-26	Cantata Du Friedefürst, Herr Jesu Christ (Trinity XXV)	A major	satbSATB Hn 2Oba Str Bc	24: 133	I/27: 79	text by Ebert (reworked)	0141
117	1.	1728–1731	Cantata Sei Lob und Ehr dem höchsten Gut	G major	atbSATB 2Fl 2Ob 2Oba Str Bc	24: 159	I/34: 151	text by Schütz, J. J.	0142
119	1.	1723-08-30	Cantata Preise, Jerusalem, den Herrn (council election)	C major	satbSATB 4Tr Tmp 2Fl 3Ob 2Odc Str Bc	24: 193	I/32.1: 129		0144
120	1.	c.1742	Cantata Gott, man lobet dich in der Stille (council election)		satbSATB 3Tr 2Ob 2Oba Vl Str Bc	24: 247	I/32.2: 53	after BWV 120b/1, /2, /4; → BWV 232^II/9	0145
120a	1.	1729?	Cantata Herr Gott, Beherrscher aller Dinge (wedding; incomplete)		satbSATB 3Tr Tmp 2Ob 2Oba Str Org Bc	41: 149	I/33: 75	after BWV 1006/1, 137/5; → BWV 120b/2, /1, 1019a/3, 29/1	0146
120b	1.	1730-06-26	Cantata Gott, man lobet dich in der Stille (200th anniversary of the Augsb. Confess.; music lost, partially reconstructable)		saSATB 3Tr Tmp 2Oba Vl Str Bc ?		I/34 I/32.2	text by Picander; after BWV 120a/6, /1, 1019a/3; → BWV 120/1, /2, /4	0147
121	1.	1724-12-26	Cantata Christum wir sollen loben schon (Christmas 2)		satbSATB Cnt 3Tbn Oba Str Bc	26: 1	I/3.1: 57		0148
122	1.	1724-12-31	Cantata Das neugeborne Kindelein (Christmas I)	G minor	satbSATB 3Fl 2Ob Tai Str Bc	26: 21	I/3.2: 53		0149
123	1.	1725-01-06	Cantata Liebster Immanuel, Herzog der Frommen (Epiphany)	B minor	atbSATB 2Fl 2Oba Str Bc	26: 41	I/5: 47		0150
124	1.	1725-01-07	Cantata Meinen Jesum laß ich nicht (Epiphany I)	E major	satbSATB Hn Oba Str Bc	26: 61	I/5: 115		0151
125	1.	1725-02-02	Cantata Mit Fried und Freud ich fahr dahin (Purification)	E minor	atbSATB Hn Fl Ob Oba Str Bc	26: 83	I/28.1: 31		0152
126	1.	1725-02-04	Cantata Erhalt uns, Herr, bei deinem Wort (Sexagesimae)	A minor	atbSATB Tr 2Ob Str Bc	26: 111	I/7: 155		0153
127	1.	1725-02-11	Cantata Herr Jesu Christ, wahr' Mensch und Gott (Estomihi)	F major	stbSATB Tr 2Fl 2Ob Str Bc	26: 133	I/8: 107	→ BWV 127/1 (variant)	0154
127/1 (var.)	1.	c.1750	Chorus "Herr Jesu Christ, wahr' Mensch und Gott" (Passion oratorio movement)	E♭ major	SATB 2Fl 2Ob Str Bc		I/41: 95	after BWV 127/1; → BC D 10	0155
128	1.	1725-05-10	Cantata Auf Christi Himmelfahrt allein (Ascension)	G major	atbSATB Tr 2Hn 2Ob 2Oba Odc Str Bc	26: 163	I/12: 101	text by Ziegler, C. M.	0156
129	1.	1727-06-08	Cantata Gelobet sei der Herr, mein Gott (Trinity)	D major	sabSATB 3Tr Tmp Fl 2Ob Oba Str Bc	26: 185	I/15: 37	text by Olearius	0157
130, v1	1.	1724-09-29	Cantata Herr Gott, dich loben alle wir (Michaelmas; 1st version)	C major	satbSATB 3Tr Tmp Fl 3Ob Str Bc	26: 231	I/30: 48	text by Eber (reworked)	0158
130, v2	1.	1732–1735	Cantata Herr Gott, dich loben alle wir (Michaelmas; 2nd version)	C major	satbSATB 3Tr Tmp Fl 3Ob Str Bc		I/30: 48	text by Eber (reworked)	0159
131	1.	1707–1708	Cantata Aus der Tiefen rufe ich, Herr, zu dir	G minor	satbSATB Ob Bas Str Bc	28: 1	I/34: 67	text by Bach or Eilmar after Ps. 130; → BWV 131a	0160
132	1.	1715-12-22	Cantata Bereitet die Wege, bereitet die Bahn (Advent IV)	A major	satbSATB Ob Bas Str Vc Bc	28: 33	I/1: 99 rev 2	text by Franck, S.	0162
133	1.	1724-12-27	Cantata Ich freue mich in dir (Christmas 3)	A major	satbSATB Cnt 2Oba Str Bc	28: 51	I/3.1: 135	text by Ziegler, C. (/1, /6)	0163
134	1.	1731-03-27 1735-04-12	Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; later version)		atSATB 2Ob Str Bc	28: 81	I/10: 69	after BWV 134, e. v.	0164
134, e. v.	1.	1724-04-11	Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; early version)		atSATB 2Ob Str Bc	28: 81, 287	I/10: 106	after BWV 134a; → BWV 134	0165
134a	1.	1719-01-01	Secular cantata Die Zeit, die Tag und Jahre macht (congratulation for New Year)		atSATB 2Ob Str Bc	29: 209	I/35: 49	text by Hunold; → BWV 134, e. v.	0166
135	1.	1724-06-25	Cantata Ach Herr, mich armen Sünder (Trinity III)		atbSATB Cnt Tbn 2Ob Str Bc	28: 119	I/16: 197		0167
136	1.	1723-07-18	Cantata Erforsche mich, Gott, und erfahre mein Herz (Trinity VIII)		atbSATB Hn 2Ob 2Oba Str Bc	28: 137	I/18: 129	→ BWV 234/6	0168
137	1.	1725-08-19	Cantata Lobe den Herren, den mächtigen König der Ehren (Trinity XII)		satbSATB 3Tr Tmp 2Ob Str Bc	28: 165	I/20: 171	text by Neander; → BWV 650	0169
138	1.	1723-09-05	Cantata Warum betrübst du dich, mein Herz (Trinity XV)		satbSATB 2Oba Str Bc	28: 197	I/22: 19	→ BWV 236/3	0170
139	1.	1724-11-12	Cantata Wohl dem, der sich auf seinen Gott (Trinity XXIII)		satbSATB 2Oba Str Bc	28: 223	I/26: 97	text by Rube (reworked)	0171
140	1.	1731-11-25	Cantata Wachet auf, ruft uns die Stimme (Trinity XXVII)		stbSATB Hn 2Ob Tai Vl Str Bc	28: 249	I/27: 149	text by Nicolai (reworked); → BWV 645	0172
143	1.		Cantata Lobe den Herrn, meine Seele (New Year)		stbSATB 3Hn Tmp Bas Str Bc	30: 43	I/4: 165 rev 2		0175
144	1.	1724-02-06	Cantata Nimm, was dein ist, und gehe hin (Septuagesima)		satSATB 2Ob Oba Str Bc	30: 75	I/7: 1		0176
145	1.	1729-04-19	Cantata Ich lebe, mein Herze, zu deinem Ergötzen (Easter 3)		stbSATB Tr Fl 2Ob Str Bc	30: 93	I/10: 111	text by Picander; after BWV 145/b	0177
146	1.	1726-05-12	Cantata Wir müssen durch viel Trübsal (Jubilate)		satbSATB Fl 2Ob 2Oba Tai Str Org Bc	30: 123	I/11.2: 65	after BWV 1052R/1, /2?; → BWV 1052/1, /2	0179
147	1.	1723-07-02	Cantata Herz und Mund und Tat und Leben (Visitation)	D major	satbSATB Tr 2Ob Oba 2Odc Str Bc	30: 191	I/28: 63	text by Franck, S. (reworked); after BWV 147a	0180
147a	1.	1716-12-20	Cantata Herz und Mund und Tat und Leben (Advent IV)	D major			I/1	text by Franck, S.; → BWV 147/1, /3, /7, /5	0181
148	1.	1723-09-19	Cantata Bringet dem Herrn Ehre seines Namens (Trinity XVII)		atSATB Tr 2Oba Odc Str Bc	30: 235	I/23: 253	text by Picander	0182
149	1.	1729-09-29	Cantata Man singet mit Freuden vom Sieg (Michaelmas)		satbSATB 3Tr Tmp 3Ob Bas Str Vne Bc	30: 261	I/30: 97	text by Picander; after BWV 208/15	0183
149/1a	1.	Fall 1729	Cantata opening: "Concerto" (incomplete; abandoned alternative start of BWV 149?)	D major	SATB 3Tr Tmp 2Ob Str Bc		I/40 I/30	in SBB P 175; was BWV Anh. 198	1509
150	1.	1707-07-10	Cantata Nach dir, Herr, verlanget mich (Trinity III)		satbSATB Bas 2Vl Bc	30: 301	I/41: 3		0184
151	1.	1725-12-27	Cantata Süßer Trost, mein Jesus kömmt (Christmas 3)		satbSATB Fl Vl Oba Str Bc	32: 1	I/3.1: 169	text by Lehms	0185
152	1.	1714-12-30	Cantata Tritt auf die Glaubensbahn (Christmas I)		sb Fl Ob Va Vdg Bc	32: 17	I/3.2: 3	text by Franck, S.; ↔ BWV 536/2; → 536a/2	0186
153	1.	1724-01-02	Cantata Schau, lieber Gott, wie meine Feind (Christmas II)		atbSATB Str Bc	32: 41	I/4: 199		0187
154	1.	1724-01-09	Cantata Mein liebster Jesus ist verloren (Epiphany I)		atbSATB 2Oba Str Hc Bc	32: 59	I/5: 89		0188
155	1.	1716-01-19 1724-01-16	Cantata Mein Gott, wie lang, ach lange? (Epiphany II)		satbSATB Bas Str Bc	32: 83	I/5: 173	text by Franck, S.	0189
156	1.	1729-01-23	Cantata Ich steh mit einem Fuß im Grabe (Epiphany III)	F major	satbSATB Ob Str Bc	32: 97	I/6: 91	text by Picander; after BWV 1056R/2?; → BWV 1056/2	0190
157	1.	1727-02-06	Cantata Ich lasse dich nicht, du segnest mich denn (funeral; later: Purification)		tbSATB Fl Oba Str Bc	32: 115	I/34: 41	text by Picander	0191
158	1.		Cantata Der Friede sei mit dir (Purification; later: Easter 3)		sbSATB Ob Vl Bc	32: 141	I/10: 129	in SBB P 1047, St 634	0192
159	1.	1729-02-27	Cantata Sehet, wir gehn hinauf gen Jerusalem (Estomihi)		satbSATB Ob Str Bc	32: 155	I/8: 153	text by Picander	0193
161, v1	1.	1716-09-27	Cantata Komm, du süße Todesstunde (Trinity XVI; 1st version)		atSATB 2Fl Str Org Bc	33: 1	I/23: 1	text by Franck, S.; → BWV 161, v2	0195
161, v2	1.	1723–1750?	Cantata Komm, du süße Todesstunde (Trinity XVI; 2nd version)		satSATB 2Fl Str Bc	33: 1	I/23: 33	text by Franck, S.; after BWV 161, v1	0196
162	1.	1716-10-25 1723-10-10	Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX)		satbSATB Hn Str Bc	33: 29	I/25: 21	text by Franck, S.	0197
163	1.	1715-11-24	Cantata Nur jedem das Seine (Trinity XXIII)		satbSATB Str 2Vc Bc	33: 47	I/26: 77	text by Franck, S.	0198
164	1.	1725-08-26	Cantata Ihr, die ihr euch von Christo nennet (Trinity XIII)		satbSATB 2Fl 2Ob Str Bc	33: 65	I/21: 57	text by Franck, S.	0199
165	1.	1715-06-16 1724-06-04	Cantata O heilges Geist- und Wasserbad (Trinity)		satbSATB Fag Str Bc	33: 89	I/15: 1	text by Franck, S.; in SBB Am.B 105	0200
166	1.	1724-05-07	Cantata Wo gehest du hin? (Cantate)		satbSATB Ob Str Bc	33: 105	I/12: 1	text by Franck, S.; → BWV 584	0201
167	1.	1723-06-24	Cantata Ihr Menschen, rühmet Gottes Liebe (24 June: feast of John the Baptist)		satbSATB Tr Ob Odc Str Bc	33: 123	I/29: 1		0202
168	1.	1725-07-29	Cantata Tue Rechnung! Donnerwort (Trinity IX)		satbSATB 2Oba Str Bc	33: 147	I/19: 87	text by Franck, S.	0203
169	1.	1726-10-20	Cantata Gott soll allein mein Herze haben (Trinity XVIII)		aSATB 2Oba Tai Str Org Bc	33: 167	I/24: 59	text by Birkmann; → BWV 1053/1, /2	0204
170	1.	1726-07-28	Cantata Vergnügte Ruh, beliebte Seelenlust (Trinity VI)		a Oba Fl Str Org Bc	33: 193	I/17.2: 61	text by Lehms	0205
171	1.	1729-01-01	Cantata Gott, wie dein Name, so ist auch dein Ruhm (New Year)		satbSATB 3Tr Tmp 2Ob Str Bc	35: 1	I/4: 131	text by Picander; after BWV 205	0206
172, v1	1.	1714-05-20	Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 1st version = Weimar version; incomplete)	C major	(SATB) 3Tr Tmp (Fl? Ob 2)Vl 2Va Vc Bas (Bc)		I/13	text by Franck, S.?; → BWV 172, v2	0207
172, v2	1.	1724-05-28	Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 2nd version = 1st Leipzig version)	D major	satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc	35: 35	I/13: 1	text by Franck, S.?; after BWV 172, v1; → BWV 172, v3	0208
172, v3	1.	1731-05-13	Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 3rd version = 2nd Leipzig version)	C major	satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc	35: 35	I/13: 33	text by Franck, S.?; after BWV 172, v2	0209
173	1.	1727-06-02 1731-05-14	Cantata Erhöhtes Fleisch und Blut (Pentecost 2)		satbSATB 2Fl Str Bc	35: 71	I/14: 1	after BWV 173a	0210
173a	1.	1722-12-10	Secular cantata Durchlauchtster Leopold (birthday of Leopold of Anhalt-Köthen)		satbSATB 2Fl Str Bc	34: 1	I/35: 95	→ BWV 173	0211
174	1.	1729-06-06	Cantata Ich liebe den Höchsten von ganzem Gemüte (Pentecost 2)		atbSATB 2Cdc 2Ob Tai 3Vl 3Va 3Vc Str Bc	35: 103	I/14: 63	text by Picander; after BWV 1048/1	0212
175	1.	1725-05-22	Cantata Er rufet seinen Schafen mit Namen (Pentecost 3)		atbSATB 2Tr 3Fl Str Vc Bc	35: 159	I/14: 147	text by Ziegler, C. M.	0213
176	1.	1725-05-27	Cantata Es ist ein trotzig und verzagt Ding (Trinity)		sabSATB 2Ob Odc Str Bc	35: 179	I/15: 17	text by Ziegler, C. M.	0214
177	1.	1732-07-06	Cantata Ich ruf zu dir, Herr Jesu Christ (Trinity IV)		satSATB 2Ob Odc Bas Vl Str Bc	35: 199	I/17.1: 77	text by Agricola, J.	0215
178	1.	1724-07-30	Cantata Wo Gott der Herr nicht bei uns hält (Trinity VIII)		atbSATB Hn 2Ob 2Oba Str Bc	35: 235	I/18: 159		0216
179	1.	1723-08-08	Cantata Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Trinity XI)		stbSATB 2Ob 2Odc Str Bc	35: 273	I/20: 55	→ BWV 236/1, /5, 234/4	0217
180	1.	1724-10-22	Cantata Schmücke dich, o liebe Seele (Trinity XX)		satbSATB 2Fl Fl Ob Odc Str Vc Bc	35: 293	I/25: 41		0218
181	1.	1724-02-13	Cantata Leichtgesinnte Flattergeister (Sexagesima)		satbSATB Tr Fl Ob Str Bc	37: 1	I/7: 133		0219
182	1.	1714-03-25 1724-03-25 1728-03-21	Cantata Himmelskönig, sei willkommen (Palm Sunday)	G major	atbSATB Fl (Ob 2)Vl 2Va Bc	37: 21	I/8.2: 1	text by Franck, S.?	0220
183	1.	1725-05-13	Cantata Sie werden euch in den Bann tun (Exaudi)		satbSATB 2Oba 2Odc Str Vc Bc	37: 59	I/12: 187	text by Ziegler, C. M.	0221
184	1.	1724-05-30 1727-06-03 1731-05-15	Cantata Erwünschtes Freudenlicht (Pentecost 3)		satSATB 2Fl Str Bc	37: 75	I/14: 119	after BWV 184a/1–/4, /6	0222
184a	1.	1721-01-01	Secular cantata for New Year (incomplete)		sb 2Fl Vl Str Bc (?)		I/35	→ BWV 184/1–/4, /6	0223
185	1.	1715-07-14 1723-06-20	Cantata Barmherziges Herze der ewigen Liebe (Trinity IV)		satbSATB Ob/Tr Str Bc Bas	37: 101	I/17.1: 1	text by Franck, S.	0224
186	1.	1723-07-11	Cantata Ärgre dich, o Seele, nicht (Trinity VII)		satbSATB 2Ob Tai Bas Str Bc	37: 119	I/18: 15	text by Franck, S. (reworked); after BWV 186a/1–/5	0225
186a	1.	1716-12-13	Cantata Ärgre dich, o Seele, nicht (Advent III; incomplete)		stbSATB 2Ob Odc Tai Bas Str Bc		I/1	text by Franck, S.; → BWV 186/1, /3, /5, /8, /10	0226
187	1.	1726-08-04	Cantata Es wartet alles auf dich (Trinity VII)		sabSATB 2Ob Str Bc	37: 155	I/18: 91	→ BWV 235/6, /4, /3, /5	0227
188	1.	1728-10-17	Cantata Ich habe meine Zuversicht (Trinity XXI)	D minor	satbSATB 2Ob Tai Str Org Bc	37: 193	I/25: 265	text by Picander; after BWV 1052R/3?; → BWV 1052/3	0228
190	1.	1724-01-01	Cantata Singet dem Herrn ein neues Lied (New Year; incomplete)		atbSATB 3Tr Tmp 3Ob Oba Bas Str Bc	37: 227	I/4: 1	→ BWV 190a/1, /2, /3, /5	0230
190a	1.	1730-06-25	Cantata Singet dem Herrn ein neues Lied (200th anniversary of the Augsb. Confess.; incomplete)		atbSATB 3Tr Tmp 3Ob Str Bc (?)		I/34	text by Picander; after BWV 190/1, /2, /3, /5	0231
191	1.	1743–1746	Cantata Gloria in excelsis Deo (Christmas)		stSSATB 3Tr Tmp 2Fl 2Ob Str Bc	41: 1	I/2: 171	after BWV 232/4, /5, /8, /12	0232
192	1.	autumn 1730?	Cantata Nun danket alle Gott (incomplete)		sbSATB 2Fl 2Ob Str Bc	41: 65	I/34: 107	text by Rinkart	0233
193	1.	1727-08-25	Cantata Ihr Tore zu Zion (council election; incomplete)		saSA(TB) 2Ob Str (Bc)	41: 91	I/32.1: 201	after BWV 193a/1, /7, /9	0234
193a	1.	1727-08-03	Secular cantata Ihr Häuser des Himmels, ihr scheinenden Lichter (name day of Friedrich August II; incomplete)		saSA(TB) 2Ob Str (Bc)		I/36	text by Picander; → BWV 193/1, /3, /5	0235
194, 1st Leipz. v.	1.	1724-06-04 1731-05-20	Cantata Höchsterwünschtes Freudenfest (Trinity; 1st Leipzig version)	B♭ major	stbSATB 3Ob Bas Str Bc	29: 99	I/31	after BWV 194, Störmth. v.; → 2nd Leipz. v.	0236
194, 2nd Leipz. v.	1.	1726-06-16	Cantata Höchsterwünschtes Freudenfest? (Trinity; 2nd Leipzig version)	B♭ major	stbSATB 3Ob Bas Str Bc	29: 99	I/31: 235	after BWV 194, 1st Leipz. v./12, /2, /3, /4, /5, /7, /10	0237
194, Störmth. v.	1.	1723-11-02	Cantata Höchsterwünschtes Freudenfest (Störmthal version: consecration of church and organ)	B♭ major	sabSATB 3Ob Bas Str Bc	29: 99	I/31: 123	after BWV 194a/1, /3, /5, /7, /9; → 1st Leipz. v.	0238
194a	1.	1717–1723?	Secular cantata model for BWV 194 (incomplete)	B♭ major	3Ob Str &?		I/35	→ BWV 194, Störmth. v./1, /3, /5, /8, /10	0239
195, last v.	1.	c.1748–1749	Cantata Dem Gerechten muß das Licht (wedding; last version)		satbSATB 3Tr Tmp 2Hn 2Fl 2Ob 2Oba Str Bc	13¹: 1	I/33: 171	after BWV 195, v2	0242
195, v1	1.	1727–1731	Cantata Dem Gerechten muß das Licht (wedding; 1st version, lost)		SATB 3Tr Tmp 2Fl 2Ob Str Bc		I/33	→ BWV 195, v2	0240
195, v2	1.	c.1742	Cantata Dem Gerechten muß das Licht (wedding; 2nd version, incomplete)		SATB &?		I/33	after BWV 195, v1, 30a/5, /1; → last v.	0241
196	1.	1708-06-05?	Cantata Der Herr denket an uns (wedding)		stbSATB Str Bc	13¹: 71	I/33: 1	text after Ps. 115: 12–15	0243
197	1.	1736–1737	Cantata Gott ist unsre Zuversicht (wedding)		sabSATB 3Tr Tmp 2Ob 2Oba Bas Str Bc	13¹: 95	I/33: 117	after BWV 197a	0244
197a	1.	1728-12-25	Cantata Ehre sei Gott in der Höhe (Christmas; incomplete)		abSATB 2Fl Oba Bas Str Vc Bc	41: 109	I/2: 63	text by Picander; → BWV 197	0245
198	1.	1727-10-17	Secular cantata Laß, Fürstin, laß noch einen Strahl a.k.a. Trauer-Ode (funeral ceremony for Christiane Eberhardine)		satbSATB 2Fl 2Ob 2Oba Str 2Vdg 2Lu Bc	13³: 1 44: 54	I/38: 179	text by Gottsched, J. C.; ↔ BWV 244a, 247	0246
199, Köth. v.	1.	1720–1721	Cantata Mein Herze schwimmt im Blut (Trinity XI; Köthen version; incomplete)	D minor	s Ob Str Vdg Bc	41: 202	I/20: 48	text by Lehms; after BWV 199, Weim. v.; → Leipz. v.	0247
199, Leipz. v.	1.	1723-08-08	Cantata Mein Herze schwimmt im Blut (Trinity XI; Leipzig version)	D minor	s Ob Str Vc Bc		I/20: 23	text by Lehms; after BWV 199, Köth. v.	0248
199, Weim. v.	1.	1714-08-12	Cantata Mein Herze schwimmt im Blut (Trinity XI; Weimar version)	C minor	s Ob Str Bc	NBG 13²	I/20: 1	text by Lehms; → BWV 199, Köth. v.	0249
200	1.	1742–1743 (JSB)	Aria Bekennen will ich seinen Namen (from a cantata for Purification?)		a (2Vl) Bc		I/28.1: 189	by Stölzel; arr. by Bach	0250
201	1.	autumn 1729	Secular cantata Geschwinde, ihr wirbelnden Winde a.k.a. Der Streit zwischen Phoebus und Pan (dramma per musica)		sattbb 3Tr Tmp 2Fl 2Ob Oba Str Bc	11²: 1 44: 85	I/40: 117	text by Picander	0251
202	1.	c.1718?	Secular cantata Weichet nur, betrübte Schatten (wedding)	G major	s Ob Str Bc	11²: 73	I/40: 1	in D-LEb Peters Ms. R 8	0252
203	1.	c.1720?	Secular cantata Amore traditore	A minor	b Hc	11²: 91	I/41: 31		0253
204	1.	1726–1727	Secular cantata Ich bin in mir vergnügt a.k.a. Von der Vergnügsamkeit	B♭ major	s Fl 2Ob Str Bc	11²: 103	I/40: 79	text by Hunold (reworked)	0254
205	1.	1725-08-03	Secular cantata Zerreißet, zersprenget, zertrümmert die Gruft a.k.a. Der zufriedengestellte Aeolus (dramma per musica for August Friedrich Müller)	D major	satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc	11²: 137 44: 39	I/38: 1	text by Picander; → BWV 205a/1–/7, /9–/11, /13, /15, 171, 216	0255
205a	1.	1734-02-19	Secular cantata Blast Lärmen, ihr Feinde (dramma per musica; music lost but largely reconstructable; coronation of Augustus III)	D major	satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc		I/37	after BWV 205/1–/7, /9–/11, /13, /15	0256
206, v1	1.	1736-10-07 (1734?)	Secular cantata Schleicht, spielende Wellen (dramma per musica; 1st version: birthday of Augustus III)	D major	satbSATB 3Tr Tmp 3Fl 2Oba Str Bc	20²: 1	I/36: 157	→ BWV 206, v2	0257
206, v2	1.	1740-08-03	Secular cantata Schleicht, spielende Wellen (dramma per musica; 2nd version: name day of Augustus III)	D major	satbSATB 3Tr Tmp 3Fl 2Ob 2Oba Str Bc		I/36: 157	after BWV 206, v1	0258
207	1.	1726-12-11	Secular cantata Vereinigte Zwietracht der wechselnden Saiten (dramma per musica; appointment of professor Gottlieb Kortte)	D major	satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc	20²: 71	I/38: 97	after BWV 1046/3; → BWV 207a/1, /3, /5, /7–/9	0259
207a	1.	1735-08-03	Secular cantata Auf, schmetternde Töne der muntern Trompeten (dramma per musica; name day of Augustus III)	D major	satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc	20²: 139 34: 345	I/37: 1	after BWV 207/1, /3, /5, /7–/9	0260
208, v1	1.	1713-02-23	Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (1st version: birthday of Christian of Saxe-Weissenfels)	F major	sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)	29: 1	I/35: 1	text by Franck, S.; → BWV 208, v2; 1040	0261
208, v2	1.	c.1715	Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (2nd version: for Ernst August I of Saxe-Weimar)	F major	sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)	29: 1	I/35: 1	text by Franck, S.; after BWV 208, v1; → BWV 208a, 68/4, /2, 149/1	0262
1040	1.	1713-02-23	Trio (a.k.a. (Canonic) Trio Sonata; postlude to the Hunting Cantata?)	F major	Vl Ob Bc	29: 230	I/35: 1	after BWV 208/13; =BWV 208/13a	1222
208a	1.	1742-08-03	Secular cantata Was mir behagt, ist nur die muntre Jagd (3rd version: name day of Augustus III)	F major	sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)?		I/37	text by Franck, S.; after BWV 208, v2	0263
209	1.	1747?	Secular cantata Non sa che sia dolore (farewell of Lorenz Albrecht Beck?)	B minor	s Fl Str Bc	29: 43	I/41: 43		0264
210	1.	1741-09-19	Secular cantata O holder Tag, erwünschte Zeit (wedding)	A major	s Fl Oba Str Hc Vne	29: 67	I/40: 35	after BWV 210a/1–/2, /4, /8, /10	0265
210a	1.	1729-01-12	Secular cantata O angenehme Melodei (incomplete; homage to Christian of Saxe-Weissenfels)	A major	s (Fl Oba Str Bc)?	29: 245	I/39: 141	→ BWV 210/1–/2, /4, /8, /10	0266
211	1.	c.1734	Secular cantata Schweigt stille, plaudert nicht a.k.a. Coffee Cantata	G major	stb Fl Str Hc Bc	29: 139 44: 86	I/40: 193	text by Picander	0267
212	1.	1742-08-30	Secular cantata Mer hahn en neue Oberkeet a.k.a. Peasant Cantata (Cantate burlesque; homage to Carl Heinrich von Dieskau)	G major	sb Hn Fl Str Bc	29: 173 44: 132	I/39: 151	text by Picander	0268
213	1.	1733-09-05	Secular cantata Laßt uns sorgen, laßt uns wachen a.k.a. Hercules auf dem Scheidewege (dramma per musica; birthday of Frederick Christian of Saxony)		satbSATB 2Hn 2Ob Oba 2Vl 2Va Bc	34: 119	I/36: 1	text by Picander; → BWV 248	0269
214	1.	1733-12-08	Secular cantata Tönet, ihr Pauken! Erschallet, Trompeten! (birthday of queen Maria Josepha)	D major	satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Vne Bc	34: 175	I/36: 89	text by Picander; → BWV 248	0270
215	1.	1734-10-05	Secular cantata Preise dein Glücke, gesegnetes Sachsen (anniversary of the election of Augustus III as king of Poland)	D major	stb2SATB 3Tr Tmp 2Fl 2Ob Oba Str Va Bc	34: 243	I/37: 85	text by Clauder	0271
216	1.	1728-02-05	Secular cantata Vergnügte Pleißenstadt (wedding; incomplete)		sa &?		I/40: 21	text by Picander; after BWV 205/13; → BWV 216a/1, /3, /5, /7	0272
216a	1.	1728–1731	Secular cantata Erwählte Pleißenstadt a.k.a. Apollo et Mercurius (incomplete)		sa &?		I/39	after BWV 216/1, /3, /5, /7	0273
2.	Motets (see also: List of motets by Johann Sebastian Bach)								Up ↑
225	2.	1726–1727 New Year?	Motet Singet dem Herrn ein neues Lied	B♭ major	2SATB (+colla parte instruments?)	39: 3	III/1: 1	text by Gramann (/2: after Ps. 103), after Ps. 149: 1–3 (/1) and Ps. 150: 2, 6 (/3)^[16]	0282
226	2.	1729-10-20	Motet Der Geist hilft unser Schwachheit auf (funeral of Johann Heinrich Ernesti)	B♭ major	2SATB Str Vc 2Ob Tai Bas	39: 41	III/1: 39	text by Luther and after Rom. 8: 26–27^[16]	0283
227	2.	before c.1735	Motet Jesu, meine Freude (funeral)	E minor	SSATB (+colla parte instr.?)	39: 61	III/1: 77	text by Franck, J. and after Rom. 8: 1–2, 9–11^[16]	0284
228	2.	c.1715	Motet Fürchte dich nicht (funeral)	A major	2SATB (+colla parte instr.?)	39: 87	III/1: 107	text by Gerhardt and after Is. 41: 10 and 43: 1^[16]	0285
229	2.	before 1731–1732	Motet Komm, Jesu, komm (funeral)	G minor	2SATB (+colla parte instr.)	39: 109	III/1: 127	text by Thymich^[16]	0286
230	2.	?	Motet Lobet den Herrn, alle Heiden	C major	SATB Bc (+colla parte instr.?)	39: 129	III/1: 149	text after Ps. 117^[16]	0287
231								see BWV 28/2a	0288
118, v1	2.	1736–1737	Motet O Jesu Christ, meins Lebens Licht (funeral)		SATB 2Hn Cnt 3Tbn	24: 185	III/1: 163	text by Behm; → BWV 118 v2^[16]	0143
118, v2	2.	1746–1747	Motet O Jesu Christ, meins Lebens Licht (funeral)		SATB 2Ob Tai Bas 2Hn Str Bc	NBG 17¹	III/1: 171	text by Behm; after BWV 118 v1^[16]	0143
3.	Masses, Mass movements, Magnificat (see also: List of Masses, Mass movements and Magnificats by Johann Sebastian Bach)								Up ↑
232	3.	Aug. 1748 – Oct. 1749 (compilation, completion)	Mass a.k.a. Hohe Messe, Mass in B minor	B minor	ssatbSSAATB 3Tr Tmp Hn 2Fl 3Ob 2Oba 2Bas Vl Str Bc	6	II/1 rev 1	after BWV 232^I e. v., ^II/1 e. v., ^III e. v., 171/1, 12/2, 120/2, Anh. 11/1, Anh. 196/3	0289
232^I e. v.	3.	1733-07-27	Kyrie–Gloria Mass for the Dresden court (Mass in B Minor, Part I: Missa; early version)	B minor	ssatbSSATB 3Tr Tmp Hn 2Fl 2Oba 2Bas Vl Str Bc		II/1a	after BWV 29/1, 46/1; → BWV 191, 232^I	0290
233	3.	1738–1739?	Kyrie–Gloria Mass	F major	sabSATB 2Hn 2Ob Bas Str Bc	8: 1	II/2: 197	after BWV 233a, 102/3, /5, 40/1	0291
233a	3.	1708-04-06?	Kyrie "Christe, du Lamm Gottes"	F major	SSATB Bc	41: 187	II/2: 285	text after Ordinarium Missae; → BWV 233/1	0292
234	3.	c.1738	Kyrie–Gloria Mass	A major	sabSATB 2Fl Str Bc	8: 51	II/2: 1	after BWV 67/6, 138/5, 179/5, 79/2	0293
235	3.	1738–1739?	Kyrie–Gloria Mass	G minor	atbSATB 2Ob Str Bc	8: 99	II/2: 127	after BWV 102/1, 72/1, 187/4, /3, /5, /1	0294
236	3.	1738–1739?	Kyrie–Gloria Mass	G major	satbSATB 2Ob Str Bc	8: 155	II/2: 61	after BWV 179/1, /3, 79/1, /5, 138/5, 17/1	0295
1081	3.	c.1747 – Aug. 1748	Credo intonation for Mass No. 5 in F major of G. B. Bassani's Acroama Missale	F major	SATB Bc		II/2	→ BNB I/B/48	1267
237	3.	1723-06-24?	Sanctus	C major	SATB 3Tr Tmp 2Ob Str Bc	11¹: 67	II/2: 311		0296
238	3.	1723-12-25 1736–1737	Sanctus	D major	SATB Cnt Str Bc	11¹: 79	II/2: 325		0297
240	3.	1742 (JSB)	Sanctus	G major	SATB 2Ob Str Bc	11¹: 93	II/9: 3		0299
241	3.	Jul. 1747 – Aug. 1748 (JSB)	Sanctus of Missa superba	D major	2SATB 2Oba 2Vl 3Va Bas Vc Vne Bc	41: 177	II/9: 45	by Kerll; arr. by Bach	0300
242	3.	1727–1732 (JSB)	Christe eleison for a Kyrie-Gloria Mass in C minor by F. Durante	G minor	SA Bc	41: 197	II/2: 295	→ BWV Anh. 26/2	0301
243	3.	1733-07-02? 1732–1735	Magnificat (2nd version: Visitation?)	D major	ssatbSSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bas Vc Vne Bc	11¹: 1	II/3: 65	after BWV 243a	0302
243a	3.	1723-07-02 1723-12-25	Magnificat (1st version:Visitation, and with 4 laudes added: Christmas)	E♭ major	ssatbSSATB 3Tr Tmp 2Fl 2Ob Str Bc	11¹: 103	II/3: 1	→ BWV 243	0303
1082	3.	1740–1742 (JSB)	Suscepit Israel from a Magnificat by A. Caldara	E minor	SATB 2Vl Bc		II/9: 59	by Caldara (BNB I/C/1); arr. by Bach	1268
1083	3.	1745–1747 (JSB)	Cantata Tilge, Höchster, meine Sünden		sa 2Vl Str Vne Vc Bc		I/41: 169	by Pergolesi; arr. by Bach; text after Ps. 51	1269
4.	Passions, Oratorios (see also: List of Passions and Oratorios by Johann Sebastian Bach)								Up ↑
244	4.	1736-03-30 1742 1743–1746	Passion St Matthew Passion (later versions; Good Friday)	E minor	2satb2SATB 2Fl 4Fl 4Ob 4Oba 2Odc 2Str 2Vdg 2Bc	4 44: 58	II/5	text by Picander, Albert of Prussia, Decius, Gerhardt, Heermann, Heyden, Reusner, Rist; after BWV 244b	0304
244a	4.	1729-03-24	Cantata Klagt, Kinder, klagt es aller Welt (funeral of Leopold of Anhalt-Köthen; music lost but partially reconstructable)				I/34	text by Picander; ↔ BWV 198/1, /10, 244b/6, /8, /39, /49, /57, /23, /20, /65, /13, /68	0305
244b	4.	1727-04-11 and/or 1729-04-15	Passion St Matthew Passion (early version; Good Friday)	E minor	satb2SATB 4Fl 4Ob 4Oba 2Odc 2Str Lu Bc		II/5a II/5b	text by Picander, Albert of Prussia, Decius, Gerhardt, Heermann, Keymann, Reusner, Rist; ↔ BWV 198, 244a; → BWV 244	0306
245, v1	4.	1724-04-07	Passion St John Passion (1st version; Good Friday)		satbSATB (2Fl?) 2Ob 2Odc Str 2Va Vdg Lu Bc	12¹ 44: 26	II/4: 40	text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; → BWV 245, v2–v4	0307
245, v2 245a 245b 245c	4.	1725-03-30	Passion St John Passion (2nd version; Good Friday)		satbSATB 2Fl 2Ob 2Odc Str Vdg Bc	12¹	II/4: 167	text by Heyden, Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; after BWV 23/4, 245, v1; → BWV 244/29, 245, v3	0308
245, v3	4.	1732-04-11	Passion St John Passion (3rd version; Good Friday)		satbSATB 2Fl 2Ob Str Vdg Org Bc	12¹ 44: 26	II/4: 206	text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; after BWV 245, v1, v2; → BWV 245, v4	0309
245, v4	4.	1749-04-04	Passion St John Passion (4th version; Good Friday)		satbSATB 2Fl 2Ob 2Oba Odc Bas Str Vdg Hc Bc	12¹ 44: 26	II/4	text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; after BWV 245, v1–v3	0310
245, rev. version	4.	1739–1749	Passion St John Passion (revised version; never performed during lifetime)		satbSATB 2Fl 2Ob 2Odc Str 2Va Vdg Lu Bc	12¹ 44: 26	II/4	text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; → BWV 245, v2–v4	0311
246/40a	4.	1743–1745 (JSB)	Chorale Aus der Tiefen rufe ich, No. 40 of St Luke Passion		t Str Bc (?)		II/9: 65	after BWV 246/40	0312
247	4.	1731-03-23 1744-04-03	Passion St Mark Passion (Good Friday; music lost but in part reconstructable)		satbSATB 2Fl 2Ob 2Oba 2Vl 2Va (2Vdg 2Lu) Org Bc (?)		II/5	text by Picander, Jonas, Reusner, Gerhardt, Rist, Kritzelmann, Schein, Stockmann, Franck, J., Homburg, Luther, Spee; after BWV 198/1, /5, /3, /8, /10 (or 244a/7), 54/1, 248/28?, /45, 7/2?	0313
1088	4.	c.1750?	Arioso So heb ich denn mein Auge sehnlich auf, No. 20 in Passion Oratorio Wer ist der, so von Edom kömmt (Good Friday)		b 2Bas Bc (?)		I/41: 125		1274
248^I	4.	1734-12-25	Cantata Jauchzet, frohlocket, auf, preiset die Tage (Christmas Oratorio, Part I; Christmas)	D major	satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc	5¹: 2 44: 125	II/6	text by Picander?, Gerhardt, Luther; after BWV 214/1, /7, 213/9	0314
248^II	4.	1734-12-26	Cantata Und es waren Hirten in derselben Gegend (Christmas Oratorio, Part II; Christmas 2)	G major	satbSATB 2Fl 2Oba 2Odc Str Bc	5¹: 50 44: 126	II/6	text by Picander?, Rist, Gerhardt; after BWV 214/5, 213/3	0314
248^III	4.	1734-12-27	Cantata Herrscher des Himmels, erhöre das Lallen (Christmas Oratorio, Part III; Christmas 3)	D major	satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc	5¹: 94	II/6	text by Picander?, Gerhardt, Luther, Runge; after BWV 214/9, 213/11	0314
248^IV	4.	1735-01-01	Cantata Fallt mit Danken, fallt mit Loben (Christmas Oratorio, Part IV; New Year)	F major	satbSATB 2Hn 2Ob Str Bc	5¹: 128	II/6	text by Picander?, Rist; after BWV 213/1, /5, /7	0314
248^V	4.	1735-01-02	Cantata Ehre sei dir, Gott, gesungen (Christmas Oratorio, Part V; New Year I)	A major	satbSATB 2Oba Str Bc	5¹: 128	II/6	text by Picander?, Weissel, Franck, J.; after BWV 247/39b, 215/7	0314
248^VI	4.	1735-01-06	Cantata Herr, wenn die stolzen Feinde schnauben (Christmas Oratorio, Part VI; Epiphany)	D major	satbSATB 3Tr Tmp 2Ob 2Oba Str Bc	5¹: 210	II/6	text by Picander?, Gerhardt, Werner; after BWV 248^VIa	0314
248^VIa	4.	1734 or earlier	Cantata model for BWV 248^VI	D major	satbSATB 3Tr Tmp 2Ob 2Oba Str Bc		II/6	after BWV Anh. 10/1; → 248/54, /56–/57, /61–/64	0315
249	4.	1743–1746 1749-04-06 1750-03-26	Oratorio Kommt, eilet und laufet (Easter Oratorio; Easter)		satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc	21³	II/7: 1	text by Picander?; after BWV 249, e. v.	0316
249, e. v.	4.	1725-04-01 c.1738	Cantata Kommt, fliehet und eilet (Easter Oratorio, early versions: first version as cantata; Easter)		satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Vl Str Bc		II/7: 97	text by Picander?; after BWV 249a; → BWV 249	0317
249a	4.	1725-02-23	Secular cantata Entfliehet, verschwindet, entweichet, ihr Sorgen, a.k.a. Shepherd Cantata (birthday of Christian of Saxe-Weissenfels; music lost but in part reconstructable)		satbSATB 3Tr Tmp Fl 2Fl 2Ob Str Bc		I/35	text by Picander; → BWV 249, e. v./1–/3, /5, /7, /9, /11; 249b	0318
249b	4.	1726-08-25	Secular cantata Verjaget, zerstreuet, zerrüttet, ihr Sterne a.k.a. Die Feier des Genius (dramma per musica; birthday of Joachim Friedrich von Flemming; music lost but in part reconstructable)				I/39	text by Picander; after BWV 249a/1–/3, /5, /7, /9, /11	0319
11	4.	1735-05-19	Oratorio Lobet Gott in seinen Reichen (Ascension Oratorio; Ascension)		satbSATB 3Tr Tmp 2Fl 2Ob Str Bc	2: 1	II/8	text by Picander?, Rist, Sacer	0013
5.	Four-part chorales (see also: List of chorale harmonisations by Johann Sebastian Bach)								Up ↑
250	5.	1734–1738	Chorale Was Gott tut, das ist wohlgetan (Three wedding chorales No. 1)		SATB 2Hn Ob Oba Str Bc	13¹: 147	III/2.1: 3	text by Rodigast	0320
251	5.	1734–1738	Chorale Sei Lob und Ehr dem höchsten Gut (Three wedding chorales No. 2)		SATB 2Hn Ob Oba Str Bc	13¹: 148	III/2.1: 4	text by Schütz, J. J.	0321
252	5.	1734–1738	Chorale Nun danket alle Gott (Three wedding chorales No. 3)		SATB 2Hn Ob Oba Str Bc	13¹: 149	III/2.1: 5	text by Rinkart	0322
253	5.		Chorale Ach bleib bei uns, Herr Jesu Christ		SATB	39: 177	III/2	text by Calvisius; ↔ BWV 414	0323
254	5.		Chorale Ach Gott, erhör mein Seufzen		SATB	39: 177	III/2		0324
255	5.		Chorale Ach Gott und Herr		SATB	39: 177	III/2		0325
256	5.		Chorale Ach lieben Christen, seid getrost		SATB	39: 177	III/2		0326
259	5.		Chorale Ach, was soll ich Sünder machen		SATB	39: 177	III/2		0329
260	5.		Chorale Allein Gott in der Höh sei Ehr		SATB	39: 177	III/2		0330
261	5.		Chorale Allein zu dir, Herr Jesu Christ		SATB	39: 177	III/2		0331
262	5.		Chorale Alle Menschen müssen sterben		SATB	39: 177	III/2		0332
263	5.		Chorale Alles ist an Gottes Segen		SATB	39: 177	III/2		0333
264	5.		Chorale Als der gütige Gott		SATB	39: 177	III/2		0334
265	5.		Chorale Als Jesus Christus in der Nacht		SATB	39: 177	III/2		0335
266	5.		Chorale Als vierzig Tag nach Ostern warn		SATB	39: 177	III/2		0336
267	5.		Chorale An Wasserflüssen Babylon (or) Ein Lämmlein geht und trägt die Schuld		SATB	39: 177	III/2		0337
268	5.		Chorale Auf, auf, mein Herz, und du mein ganzer Sinn		SATB	39: 177	III/2		0338
269	5.		Chorale Aus meines Herzens Grunde		SATB	39: 177	III/2		0339
270	5.		Chorale Befiehl du deine Wege		SATB	39: 177	III/2		0340
271	5.		Chorale Befiehl du deine Wege		SATB	39: 177	III/2		0341
272	5.		Chorale Befiehl du deine Wege		SATB	39: 177	III/2		0342
273	5.		Chorale Christ, der du bist der helle Tag		SATB	39: 177	III/2		0343
274	5.		Chorale Christe, der du bist Tag und Licht		SATB	39: 177	III/2		0344
275	5.		Chorale Christ, du Beistand deiner Kreuzgemeine		SATB	39: 177	III/2		0345
276	5.		Chorale Christ ist erstanden		SATB	39: 177	III/2		0346
277	5.		Chorale Christ lag in Todesbanden		SATB	39: 177	III/2		0347
278	5.		Chorale Christ lag in Todesbanden		SATB	39: 177	III/2		0348
279	5.		Chorale Christ lag in Todesbanden		SATB	39: 177	III/2		0349
280	5.		Chorale Christ unser Herr zum Jordan kam		SATB	39: 177	III/2		0350
281	5.		Chorale Christus, der ist mein Leben		SATB	39: 177	III/2		0351
282	5.		Chorale Christus, der ist mein Leben		SATB	39: 177	III/2		0352
283	5.		Chorale Christus, der uns selig macht		SATB	39: 177	III/2		0353
284	5.		Chorale Christus ist erstanden, hat überwunden		SATB	39: 177	III/2		0354
285	5.		Chorale Da der Herr Christ zu Tische saß		SATB	39: 177	III/2		0355
286	5.		Chorale Danket dem Herrn, denn er ist sehr freundlich		SATB	39: 177	III/2		0356
287	5.		Chorale Dank sei Gott in der Höhe		SATB	39: 177	III/2		0357
288	5.		Chorale Das alte Jahr vergangen ist		SATB	39: 177	III/2		0358
289	5.		Chorale Das alte Jahr vergangen ist		SATB	39: 177	III/2		0359
290	5.		Chorale Das walt Gott Vater und Gott Sohn		SATB	39: 177	III/2		0360
291	5.		Chorale Das walt mein Gott		SATB	39: 177	III/2		0361
292	5.		Chorale Den Vater dort oben		SATB	39: 177	III/2		0362
293	5.		Chorale Der du bist drei in Einigkeit		SATB	39: 177	III/2		0363
294	5.		Chorale Der Tag, der ist so freudenreich		SATB	39: 177	III/2		0364
295	5.		Chorale Des Heilgen Geistes reiche Gnad		SATB	39: 177	III/2		0365
296	5.		Chorale Die Nacht ist kommen		SATB	39: 177	III/2		0366
297	5.		Chorale Die Sonn hat sich mit ihrem Glanz gewendet		SATB	39: 177	III/2		0367
298	5.		Chorale Dies sind die heilgen zehn Gebot		SATB	39: 177	III/2		0368
299	5.		Chorale Dir, dir, Jehova, will ich singen		SATB	39: 177	III/2	↔ BWV 299 AMB2	0369
300	5.		Chorale Du großer Schmerzensmann		SATB	39: 177	III/2		0370
301	5.		Chorale Du, o schönes Weltgebäude		SATB	39: 177	III/2		0371
302	5.		Chorale Ein feste Burg ist unser Gott		SATB	39: 177	III/2		0372
303	5.		Chorale Ein feste Burg ist unser Gott		SATB	39: 177	III/2		0373
304	5.		Chorale Eins ist not, ach Herr, dies Eine		SATB	39: 177	III/2		0374
305	5.		Chorale Erbarm dich mein, o Herre Gott		SATB	39: 177	III/2		0375
306	5.		Chorale Erstanden ist der heilig Christ		SATB	39: 177	III/2		0376
307	5.		Chorale Es ist gewisslich an der Zeit		SATB	39: 177	III/2		0377
308	5.		Chorale Es spricht der Unweisen Mund wohl		SATB	39: 177	III/2		0378
309	5.		Chorale Es stehn vor Gottes Throne		SATB	39: 177	III/2		0379
310	5.		Chorale Es wird schier der letzte Tag herkommen		SATB	39: 177	III/2		0380
311	5.		Chorale Es woll uns Gott gnädig sein		SATB	39: 177	III/2		0381
312	5.		Chorale Es woll uns Gott gnädig sein		SATB	39: 177	III/2		0382
327	5.		Chorale Vor deinen Thron tret ich hiermit		SATB	39: 177	III/2		0397
313	5.		Chorale Für Freuden lasst uns springen		SATB	39: 177	III/2		0383
314	5.		Chorale Gelobt seist du, Jesu Christ		SATB	39: 177	III/2		0384
315	5.		Chorale Gib dich zufrieden und sei stille		SATB	39: 177	III/2	text by Gerhardt; ↔ BWV 512	0385
316	5.		Chorale Gott, der du selber bist das Licht		SATB	39: 177	III/2		0386
317	5.		Chorale Gott der Vater wohn uns bei		SATB	39: 177	III/2		0387
318	5.		Chorale Gottes Sohn ist kommen		SATB	39: 177	III/2		0388
319	5.		Chorale Gott hat das Evangelium		SATB	39: 177	III/2		0389
320	5.		Chorale Gott lebet noch		SATB	39: 177	III/2		0390
321	5.		Chorale Gottlob, es geht nunmehr zum Ende		SATB	39: 177	III/2		0391
322	5.		Chorale Gott sei gelobet und gebenedeiet		SATB	39: 177	III/2		0392
323	5.		Chorale Gott sei uns gnädig und barmherzig		SATB	39: 177	III/2		0393
325	5.		Chorale Heilig, heilig (or) Sanctus, Sanctus Dominus Deus Sabaoth		SATB	39: 177	III/2		0395
326	5.		Chorale Herr Gott, dich loben alle wir		SATB	39: 177	III/2		0396
328	5.		Chorale Herr Gott, dich loben wir		SATB	39: 177	III/2		0398
329	5.		Chorale Herr, ich denk an jene Zeit		SATB	39: 177	III/2		0399
330	5.		Chorale Herr, ich habe missgehandelt		SATB	39: 177	III/2		0400
331	5.		Chorale Herr, ich habe missgehandelt		SATB	39: 177	III/2		0401
332	5.		Chorale Herr Jesu Christ, dich zu uns wend		SATB	39: 177	III/2		0402
333	5.		Chorale Herr Jesu Christ, du hast bereit'		SATB	39: 177	III/2		0403
334	5.		Chorale Herr Jesu Christ, ich schrei zu dir (or) Herr Jesu Christ, du höchstes Gut		SATB	39: 177	III/2		0404
335	5.		Chorale Herr Jesu Christ, meins Lebens Licht (or) O Jesu, du mein Bräutigam		SATB	39: 177	III/2		0405
336	5.		Chorale Herr Jesu Christ, wahr' Mensch und Gott		SATB	39: 177	III/2		0406
337	5.		Chorale Herr, nun lass in Friede		SATB	39: 177	III/2		0407
338	5.		Chorale Herr, straf mich nicht in deinem Zorn		SATB	39: 177	III/2		0408
339	5.		Chorale Wer in dem Schutz des Höchsten ist (or) Herr, wie du willt, so schicks mit mir		SATB	39: 177	III/2		0409
340	5.		Chorale Herzlich lieb hab ich dich, o Herr		SATB	39: 177	III/2		0410
341	5.		Chorale Heut ist, o Mensch, ein großer Trauertag		SATB	39: 177	III/2		0411
342	5.		Chorale Heut triumphieret Gottes Sohn		SATB	39: 177	III/2		0412
343	5.		Chorale Hilf, Gott, dass mirs gelinge		SATB	39: 177	III/2		0413
344	5.		Chorale Hilf, Herr Jesu, lass gelingen		SATB	39: 177	III/2		0414
345	5.		Chorale Ich bin ja, Herr, in deiner Macht		SATB	39: 177	III/2		0415
346	5.		Chorale Ich dank dir, Gott, für deine Wohltat		SATB	39: 177	III/2		0416
347	5.		Chorale Ich dank dir, lieber Herre		SATB	39: 177	III/2		0417
348	5.		Chorale Ich dank dir, lieber Herre		SATB	39: 177	III/2		0418
349	5.		Chorale Ich dank dir schon durch deinen Sohn		SATB	39: 177	III/2		0419
350	5.		Chorale Ich danke dir, Herr Gott, in deinem Throne		SATB	39: 177	III/2		0420
351	5.		Chorale Ich hab mein Sach Gott heimgestellt		SATB	39: 177	III/2		0421
366	5.		Chorale Ihr Gestirn, ihr hohlen Lüfte		SATB	39: 177	III/2		0436
367	5.		Chorale In allen meinen Taten		SATB	39: 177	III/2		0437
368	5.		Chorale In dulci jubilo		SATB	39: 177	III/2		0438
352	5.		Chorale Jesu, der du meine Seele		SATB	39: 177	III/2		0422
353	5.		Chorale Jesu, der du meine Seele		SATB	39: 177	III/2		0423
354	5.		Chorale Jesu, der du meine Seele		SATB	39: 177	III/2		0424
355	5.		Chorale Jesu, der du selbsten wohl		SATB	39: 177	III/2		0425
356	5.		Chorale Jesu, du mein liebstes Leben		SATB	39: 177	III/2		0426
357	5.		Chorale Jesu, Jesu, du bist mein		SATB	39: 177	III/2		0427
358	5.		Chorale Jesu, meine Freude		SATB	39: 177	III/2		0428
360	5.		Chorale Jesu, meiner Seelen Wonne		SATB	39: 177	III/2		0430
359	5.		Chorale Jesu, meiner Seelen Wonne		SATB	39: 177	III/2		0429
361	5.		Chorale Jesu, meines Herzens Freud		SATB	39: 177	III/2		0431
362	5.		Chorale Jesu, nun sei gepreiset		SATB	39: 177	III/2		0432
364	5.		Chorale Jesus Christus, unser Heiland, der den Tod überwand		SATB	39: 177	III/2		0434
363	5.		Chorale Jesus Christus, unser Heiland		SATB	39: 177	III/2		0433
365	5.		Chorale Jesus, meine Zuversicht		SATB	39: 177	III/2		0435
369	5.		Chorale Keinen hat Gott verlassen		SATB	39: 177	III/2		0439
370	5.		Chorale Komm, Gott Schöpfer, Heiliger Geist		SATB	39: 177	III/2		0440
371	5.		Chorale Kyrie, Gott Vater in Ewigkeit		SATB	39: 177	III/2		0441
372	5.		Chorale Lass, o Herr, dein Ohr sich neigen		SATB	39: 177	III/2		0442
373	5.		Chorale Liebster Jesu, wir sind hier		SATB	39: 177	III/2		0443
374	5.		Chorale Lobet den Herren, denn er ist sehr freundlich		SATB	39: 177	III/2		0444
375	5.		Chorale Lobt Gott, ihr Christen, allzugleich		SATB	39: 177	III/2		0445
376	5.		Chorale Lobt Gott, ihr Christen allzugleich		SATB	39: 177	III/2		0446
377	5.		Chorale Machs mit mir, Gott, nach deiner Güt		SATB	39: 177	III/2		0447
378	5.		Chorale Mein Augen schließ ich jetzt in Gottes Namen zu		SATB	39: 177	III/2		0448
379	5.		Chorale Meinen Jesum lass ich nicht		SATB	39: 177	III/2		0449
380	5.		Chorale Meinen Jesum lass ich nicht		SATB	39: 177	III/2		0450
324	5.		Chorale Meine Seele erhebet den Herren		SATB	39: 177	III/2		0394
381	5.		Chorale Meines Lebens letzte Zeit		SATB	39: 177	III/2		0451
382	5.		Chorale Mit Fried und Freud ich fahr dahin		SATB	39: 177	III/2		0452
383	5.		Chorale Mitten wir im Leben sind		SATB	39: 177	III/2		0453
384	5.		Chorale Nicht so traurig, nicht so sehr		SATB	39: 177	III/2		0454
385	5.		Chorale Nun bitten wir den Heiligen Geist		SATB	39: 177	III/2		0455
386	5.		Chorale Nun danket alle Gott		SATB	39: 177	III/2		0456
387	5.		Chorale Nun freut euch, Gottes Kinder all		SATB	39: 177	III/2		0457
388	5.		Chorale Nun freut euch, lieben Christen gmein		SATB	39: 177	III/2		0458
389	5.		Chorale Nun lob, mein Seel, den Herren		SATB	39: 177	III/2		0459
390	5.		Chorale Nun lob, mein Seel, den Herren		SATB	39: 177	III/2		0460
391	5.		Chorale Nun preiset alle Gottes Barmherzigkeit		SATB	39: 177	III/2		0461
392	5.		Chorale Nun ruhen alle Wälder		SATB	39: 177	III/2		0462
396	5.		Chorale Nun sich der Tag geendet hat		SATB	39: 177	III/2		0466
397	5.		Chorale O Ewigkeit, du Donnerwort		SATB	39: 177	III/2	text by Rist; ↔ BWV 513	0467
398	5.		Chorale O Gott, du frommer Gott		SATB	39: 177	III/2	↔ BWV 197a/7	0468
399	5.		Chorale O Gott, du frommer Gott		SATB	39: 177	III/2		0469
400	5.		Chorale O Herzensangst		SATB	39: 177	III/2		0470
401	5.		Chorale O Lamm Gottes, unschuldig		SATB	39: 177	III/2		0471
402	5.		Chorale O Mensch, bewein dein Sünde groß		SATB	39: 177	III/2		0472
403	5.		Chorale O Mensch, schau Jesum Christum an		SATB	39: 177	III/2		0473
404	5.		Chorale O Traurigkeit, o Herzeleid		SATB	39: 177	III/2		0474
393	5.		Chorale O Welt, sieh hier dein Leben		SATB	39: 177	III/2		0463
394	5.		Chorale O Welt, sieh hier dein Leben		SATB	39: 177	III/2		0464
395	5.		Chorale O Welt, sieh hier dein Leben		SATB	39: 177	III/2		0465
405	5.		Chorale O wie selig seid ihr doch, ihr Frommen		SATB	39: 177	III/2		0475
406	5.		Chorale O wie selig seid ihr doch, ihr Frommen		SATB	39: 177	III/2		0476
407	5.		Chorale Es ist gewisslich an der Zeit		SATB	39: 177	III/2		0477
408	5.		Chorale Schaut, ihr Sünder		SATB	39: 177	III/2		0478
409	5.		Chorale Seelenbräutigam		SATB	39: 177	III/2		0479
410	5.		Chorale Sei gegrüßet, Jesu gütig		SATB	39: 177	III/2		0480
411	5.		Chorale Singt dem Herrn ein neues Lied		SATB	39: 177	III/2		0481
412	5.		Chorale So gibst du nun, mein Jesu, gute Nacht		SATB	39: 177	III/2		0482
413	5.		Chorale Sollt ich meinem Gott nicht singen		SATB	39: 177	III/2		0483
414	5.		Chorale Uns ist ein Kindlein heut geborn		SATB	39: 177	III/2		0484
415	5.		Chorale Valet will ich dir geben		SATB	39: 177	III/2		0485
416	5.		Chorale Vater unser im Himmelreich		SATB	39: 177	III/2		0486
417	5.		Chorale Von Gott will ich nicht lassen		SATB	39: 177	III/2		0487
418	5.		Chorale Von Gott will ich nicht lassen		SATB	39: 177	III/2		0488
419	5.		Chorale Helft mir Gotts Güte preisen (or) Von Gott will ich nicht lassen		SATB	39: 177	III/2		0489
257	5.		Chorale Wär Gott nicht mit uns diese Zeit		SATB	39: 177	III/2		0327
420	5.		Chorale Warum betrübst du dich, mein Herz		SATB	39: 177	III/2		0490
421	5.		Chorale Warum betrübst du dich, mein Herz		SATB	39: 177	III/2		0491
422	5.		Chorale Warum sollt ich mich denn grämen		SATB	39: 177	III/2		0492
423	5.		Chorale Was betrübst du dich, mein Herze		SATB	39: 177	III/2		0493
424	5.		Chorale Was bist du doch, o Seele, so betrübet		SATB	39: 177	III/2		0494
425	5.		Chorale Was willst du dich, o meine Seele, kränken		SATB	39: 177	III/2		0495
426	5.		Chorale Weltlich Ehr und zeitlich Gut		SATB	39: 177	III/2		0496
427	5.		Chorale Wenn ich in Angst und Not		SATB	39: 177	III/2		0497
428	5.		Chorale Wenn mein Stündlein vorhanden ist		SATB	39: 177	III/2		0498
429	5.		Chorale Wenn mein Stündlein vorhanden ist		SATB	39: 177	III/2		0499
430	5.		Chorale Wenn mein Stündlein verhanden ist		SATB	39: 177	III/2		0500
431	5.		Chorale Wenn wir in höchsten Nöten sein		SATB	39: 177	III/2		0501
432	5.		Chorale Wenn wir in höchsten Nöten sein		SATB	39: 177	III/2		0502
433	5.		Chorale Wer Gott vertraut, hat wohl gebaut		SATB	39: 177	III/2		0503
434	5.		Chorale Wer weiß, wie nahe mir mein Ende (or) Wer nur den lieben Gott lässt walten		SATB	39: 177	III/2		0504
435	5.		Chorale Wie bist du, Seele, in mir so gar betrübt		SATB	39: 177	III/2		0505
436	5.		Chorale Wie schön leuchtet der Morgenstern		SATB	39: 177	III/2		0506
437	5.		Chorale Wir glauben all an einen Gott		SATB	39: 177	III/2		0507
258	5.		Chorale Wo Gott der Herr nicht bei uns hält		SATB	39: 177	III/2		0328
438	5.		Chorale Wo Gott zum Haus nicht gibt sein Gunst		SATB	39: 177	III/2		0508
500a	5.	1726-04-19	Chorale So gehst du nun, mein Jesu, hin (in Bach's Leipzig versions of St Mark Passion attributed to Keiser)		SATB Str Bc		II/9: 75	text by Nachtenhöfer; ↔ BWV 500	0571
1084	5.	1726-04-19	Chorale O hilf Christe, Gottes Sohn (in Bach's Leipzig versions of St Mark Passion attributed to Keiser)		SATB Str Bc		II/9: 76	text by Weiße; after BC D 5a/14	1270
1089	5.		Chorale Da Jesus an dem Kreuze stund		SATB		III/2.2: 216	text by Lilius	1275
1122	5.	before c.1735	Chorale Denket doch, ihr Menschenkinder		SATB		III/2.1: 31	text by Hübner?; in D-LEb Peters Ms. R 18	1720
1123	5.	before c.1735	Chorale Wo Gott zum Haus gibt nicht sein Gunst		SATB		III/2.1: 40	text by Kolrose; in D-LEb Peters Ms. R 18	1721
1124	5.	before c.1735	Chorale Ich ruf zu dir, Herr Jesu Christ		SATB		III/2.1: 51	text by Agricola, J.; in D-LEb Peters Ms. R 18	1722
1125	5.	before c.1735	Chorale O Gott, du frommer Gott		SATB		III/2.1: 79	text by Heermann; in D-LEb Peters Ms. R 18	1723
1126	5.		Chorale Lobet Gott, unsern Herren		SATB		III/2.2: 218		1724
6.	Songs, Arias and Quodlibet (see also: List of songs and arias of Johann Sebastian Bach)								Up ↑
439	6.	1736 (or earlier)	Schemellis Gesangbuch No. 831: "Ach, dass nicht die letzte Stunde" (song 56/69)		V Bc	39: 277	III/2.1: 104	text by Neumeister	0509
440	6.	1736 (or earlier)	Schemellis Gesangbuch No. 171: "Auf, auf! die rechte Zeit ist hier" (song 11/69)		V Bc	39: 277	III/2.1: 104		0510
441	6.	1736 (or earlier)	Schemellis Gesangbuch No. 320: "Auf, auf, mein Herz, mit Freuden" (song 27/69)		V Bc	39: 277	III/2.1: 104		0511
442	6.	1736 (or earlier)	Schemellis Gesangbuch No. 570: "Beglückter Stand getreuer Seelen" (song 39/69)		V Bc	39: 277	III/2.1: 104		0512
443	6.	1736 (or earlier)	Schemellis Gesangbuch No. 689: "Beschränkt, ihr Weisen dieser Welt" (song 47/69)		V Bc	39: 277	III/2.1: 104		0513
444	6.	1736 (or earlier)	Schemellis Gesangbuch No. 303: "Brich entzwei, mein armes Herze" (song 24/69)		V Bc	39: 277	III/2.1: 104		0514
445	6.	1736 (or earlier)	Schemellis Gesangbuch No. 335: "Brunnquell aller Güter" (song 29/69)		V Bc	39: 277	III/2.1: 104		0515
446	6.	1736 (or earlier)	Schemellis Gesangbuch No. 39: "Der lieben Sonnen Licht und Pracht" (song 2/69)		V Bc	39: 277	III/2.1: 104		0516
447	6.	1736 (or earlier)	Schemellis Gesangbuch No. 40: "Der Tag ist hin, die Sonne gehet nieder" (song 3/69)		V Bc	39: 277	III/2.1: 104		0517
448	6.	1736 (or earlier)	Schemellis Gesangbuch No. 43: "Der Tag mit seinem Lichte" (song 4/69)		V Bc	39: 277	III/2.1: 104		0518
449	6.	1736 (or earlier)	Schemellis Gesangbuch No. 396: "Dich bet ich an, mein höchster Gott" (song 31/69)		V Bc	39: 277	III/2.1: 104		0519
450	6.	1736 (or earlier)	Schemellis Gesangbuch No. 258: "Die bittre Leidenszeit beginnet abermal" (song 17/69)		V Bc	39: 277	III/2.1: 104		0520
451	6.	1736 (or earlier)	Schemellis Gesangbuch No. 13: "Die güldne Sonne" (song 1/69)		V Bc	39: 277	III/2.1: 104		0521
452	6.	1736 (or earlier)	Schemellis Gesangbuch No. 397: "Dir, dir, Jehova, will ich singen" (song 32/69)		V Bc	39: 277	III/2.1: 104		0522
453	6.	1736 (or earlier)	Schemellis Gesangbuch No. 112: "Eins ist not! ach Herr, dies Eine" (song 7/69)		V Bc	39: 277	III/2.1: 104		0523
454	6.	1736 (or earlier)	Schemellis Gesangbuch No. 187: "Ermuntre dich, mein schwacher Geist" (song 12/69)		V Bc	39: 277	III/2.1: 104		0524
455	6.	1736 (or earlier)	Schemellis Gesangbuch No. 580: "Erwürgtes Lamm, das die verwahrten Siegel" (song 43/69)		V Bc	39: 277	III/2.1: 104		0525
456	6.	1736 (or earlier)	Schemellis Gesangbuch No. 572: "Es glänzet der Christen inwendiges Leben" (song 40/69)		V Bc	39: 277	III/2.1: 104		0526
457	6.	1736 (or earlier)	Schemellis Gesangbuch No. 847: "Es ist nun aus mit meinem Leben" (song 57/69)		V Bc	39: 277	III/2.1: 104		0527
458	6.	1736 (or earlier)	Schemellis Gesangbuch No. 306: "Es ist vollbracht! Vergiss ja nicht dies Wort" (song 25/69)		V Bc	39: 277	III/2.1: 104		0528
459	6.	1736 (or earlier)	Schemellis Gesangbuch No. 522: "Es kostet viel, ein Christ zu sein" (song 38/69)		V Bc	39: 277	III/2.1: 104		0529
460	6.	1736 (or earlier)	Schemellis Gesangbuch No. 647: "Gib dich zufrieden und sei stille" (song 45/69)		V Bc	39: 277	III/2.1: 104		0530
461	6.	1736 (or earlier)	Schemellis Gesangbuch No. 488: "Gott lebet noch" (song 37/69)		V Bc	39: 277	III/2.1: 104		0531
462	6.	1736 (or earlier)	Schemellis Gesangbuch No. 360: "Gott wie groß ist deine Güte" (song 30/69)		V Bc	39: 277	III/2.1: 104		0532
463	6.	1736 (or earlier)	Schemellis Gesangbuch No. 78: "Herr, nicht schicke deine Rache" (song 5/69)		V Bc	39: 277	III/2.1: 104		0533
464	6.	1736 (or earlier)	Schemellis Gesangbuch No. 861: "Ich bin ja, Herr, in deiner Macht" (song 58/69)		V Bc	39: 277	III/2.1: 104		0534
465	6.	1736 (or earlier)	Schemellis Gesangbuch No. 194: "Ich freue mich in dir" (song 13/69)		V Bc	39: 277	III/2.1: 104		0535
466	6.	1736 (or earlier)	Schemellis Gesangbuch No. 657: "Ich halte treulich still" (song 46/69)		V Bc	39: 277	III/2.1: 104		0536
467	6.	1736 (or earlier)	Schemellis Gesangbuch No. 734: "Ich lass dich nicht" (song 51/69)		V Bc	39: 277	III/2.1: 104		0537
468	6.	1736 (or earlier)	Schemellis Gesangbuch No. 737: "Ich liebe Jesum alle Stund" (song 52/69)		V Bc	39: 277	III/2.1: 104		0538
469	6.	1736 (or earlier)	Schemellis Gesangbuch No. 195: "Ich steh an deiner Krippen hier" (song 14/69)		V Bc	39: 277	III/2.1: 104		0539
476	6.	1736 (or earlier)	Schemellis Gesangbuch No. 197: "Ihr Gestirn, ihr hohlen Lüfte" (song 15/69)		V Bc	39: 277	III/2.1: 104		0546
471	6.	1736 (or earlier)	Schemellis Gesangbuch No. 139: "Jesu, deine Liebeswunden" (song 10/69)		V Bc	39: 277	III/2.1: 104		0541
470	6.	1736 (or earlier)	Schemellis Gesangbuch No. 741: "Jesu, Jesu, du bist mein" (song 53/69)		V Bc	39: 277	III/2.1: 104		0540
472	6.	1736 (or earlier)	Schemellis Gesangbuch No. 119: "Jesu, meines Glaubens Zier" (song 8/69)		V Bc	39: 277	III/2.1: 104		0542
473	6.	1736 (or earlier)	Schemellis Gesangbuch No. 696: "Jesu, meines Herzens Freud" (song 48/69)		V Bc	39: 277	III/2.1: 104		0543
474	6.	1736 (or earlier)	Schemellis Gesangbuch No. 463: "Jesus ist das schönste Licht" (song 33/69)		V Bc	39: 277	III/2.1: 104		0544
475	6.	1736 (or earlier)	Schemellis Gesangbuch No. 333: "Jesus, unser Trost und Leben" (song 28/69)		V Bc	39: 277	III/2.1: 104		0545
477	6.	1736 (or earlier)	Schemellis Gesangbuch No. 869: "Kein Stündlein geht dahin" (song 60/69)		V Bc	39: 277	III/2.1: 104		0547
478	6.	1736 (or earlier)	Schemellis Gesangbuch No. 868: "Komm, süßer Tod" (song 59/69)		V Bc	39: 277	III/2.1: 104		0548
479	6.	1736 (or earlier)	Schemellis Gesangbuch No. 936: "Kommt, Seelen, dieser Tag" (song 67/69)		V Bc	39: 277	III/2.1: 104		0549
480	6.	1736 (or earlier)	Schemellis Gesangbuch No. 938: "Kommt wieder aus der finstern Gruft" (song 68/69)		V Bc	39: 277	III/2.1: 104		0550
481	6.	1736 (or earlier)	Schemellis Gesangbuch No. 281: "Lasset uns mit Jesu ziehen" (song 18/69)		V Bc	39: 277	III/2.1: 104		0551
482	6.	1736 (or earlier)	Schemellis Gesangbuch No. 467: "Liebes Herz, bedenke doch" (song 34/69)		V Bc	39: 277	III/2.1: 104		0552
483	6.	1736 (or earlier)	Schemellis Gesangbuch No. 873: "Liebster Gott, wann werd ich sterben" (song 61/69)		V Bc	39: 277	III/2.1: 104		0553
484	6.	1736 (or earlier)	Schemellis Gesangbuch No. 874: "Liebster Herr Jesu, wo bleibst du so lange" (song 62/69)		V Bc	39: 277	III/2.1: 104		0554
485	6.	1736 (or earlier)	Schemellis Gesangbuch No. 761: "Liebster Immanuel, Herzog der Frommen" (song 54/69)		V Bc	39: 277	III/2.1: 104		0555
488	6.	1736 (or earlier)	Schemellis Gesangbuch No. 881: "Meines Lebens letzte Zeit" (song 63/69)		V Bc	39: 277	III/2.1: 104		0558
486	6.	1736 (or earlier)	Schemellis Gesangbuch No. 121: "Mein Jesu, dem die Seraphinen" (song 9/69)		V Bc	39: 277	III/2.1: 104		0556
487	6.	1736 (or earlier)	Schemellis Gesangbuch No. 283: "Mein Jesu! was vor Seelenweh" (song 19/69)		V Bc	39: 277	III/2.1: 104		0557
489	6.	1736 (or earlier)	Schemellis Gesangbuch No. 574: "Nicht so traurig, nicht so sehr" (song 41/69)		V Bc	39: 277	III/2.1: 104		0559
490	6.	1736 (or earlier)	Schemellis Gesangbuch No. 700: "Nur mein Jesus ist mein Leben" (song 49/69)		V Bc	39: 277	III/2.1: 104		0560
491	6.	1736 (or earlier)	Schemellis Gesangbuch No. 284: "O du Liebe meiner Liebe" (song 20/69)		V Bc	39: 277	III/2.1: 104		0561
492	6.	1736 (or earlier)	Schemellis Gesangbuch No. 891: "O finstre Nacht, wenn wirst du doch vergehen" (song 64/69)		V Bc	39: 277	III/2.1: 104		0562
493	6.	1736 (or earlier)	Schemellis Gesangbuch No. 203: "O Jesulein süß, o Jesulein mild" (song 16/69)		V Bc	39: 277	III/2.1: 104		0563
494	6.	1736 (or earlier)	Schemellis Gesangbuch No. 575: "O liebe Seele, zieh die Sinnen" (song 42/69)		V Bc	39: 277	III/2.1: 104		0564
495	6.	1736 (or earlier)	Schemellis Gesangbuch No. 894: "O wie selig seid ihr doch, ihr Frommen" (song 65/69)		V Bc	39: 277	III/2.1: 104		0565
496	6.	1736 (or earlier)	Schemellis Gesangbuch No. 472: "Seelenbräutigam" (song 35/69)		V Bc	39: 277	III/2.1: 104		0566
497	6.	1736 (or earlier)	Schemellis Gesangbuch No. 710: "Seelenweide" (song 50/69)		V Bc	39: 277	III/2.1: 104		0567
499	6.	1736 (or earlier)	Schemellis Gesangbuch No. 293: "Sei gegrüßet, Jesu gütig" (song 22/69)		V Bc	39: 277	III/2.1: 104		0569
498	6.	1736 (or earlier)	Schemellis Gesangbuch No. 292: "Selig, wer an Jesum denkt" (song 21/69)		V Bc	39: 277	III/2.1: 104		0568
500	6.	1736 (or earlier)	Schemellis Gesangbuch No. 296: "So gehst du nun, mein Jesu hin" (song 23/69)		V Bc	39: 277	III/2.1: 104	text by Nachtenhöfer; ↔ BWV 500a	0570
501	6.	1736 (or earlier)	Schemellis Gesangbuch No. 315: "So gibst du nun, mein Jesu, gute Nacht" (song 26/69)		V Bc	39: 277	III/2.1: 104		0572
502	6.	1736 (or earlier)	Schemellis Gesangbuch No. 901: "So wünsch ich mir zu guter Letzt" (song 66/69)		V Bc	39: 277	III/2.1: 104		0573
503	6.	1736 (or earlier)	Schemellis Gesangbuch No. 945: "Steh ich bei meinem Gott" (song 69/69)		V Bc	39: 277	III/2.1: 104		0574
504	6.	1736 (or earlier)	Schemellis Gesangbuch No. 475: "Vergiss mein nicht" (song 36/69)		V Bc	39: 277	III/2.1: 104		0575
505	6.	1736 (or earlier)	Schemellis Gesangbuch No. 627: "Vergiss mein nicht" (song 44/69)		V Bc	39: 277	III/2.1: 104		0576
506	6.	1736 (or earlier)	Schemellis Gesangbuch No. 779: "Was bist du doch, o Seele, so betrübt" (song 55/69)		V Bc	39: 277	III/2.1: 104		0577
507	6.	1736 (or earlier)	Schemellis Gesangbuch No. 108: "Wo ist mein Schäflein, das ich liebe" (song 6/69)		V Bc	39: 277	III/2.1: 104		0578
508	6.	after 1733–1734 (AMB)	Notebook A. M. Bach (1725) No. 25: aria "Bist du bei mir"		V Bc	43²: 36 39: 309	V/4: 102	by Stölzel	0579
299 AMB2	6.	1725–1735	Notebook A. M. Bach (1725) No. 39: chorale Dir, dir, Jehova, will ich singen		S(AT)B (V Bc)	43²: 50	V/4: 126	↔ BWV 299	0369
509	6.	1725–1733 (AMB)	Notebook A. M. Bach (1725) No. 41: aria "Gedenke doch, mein Geist, zurücke"		V Bc	43²: 52 39: 310	V/4: 128		0580
510	6.	1725–1733	Notebook A. M. Bach (1725) No. 12: song "Gib dich zufrieden und sei stille"	F major	V Bc	43²: 30 39: 311	V/4: 91		0581
511	6.	1725–1733	Notebook A. M. Bach (1725) No. 13a: song "Gib dich zufrieden und sei stille"	G minor	V Bc	43²: 31 39: 287	V/4: 91	text by Gerhardt; → BWV 512	0582
512	6.	1725–1733	Notebook A. M. Bach (1725) No. 13b: song "Gib dich zufrieden und sei stille"	E minor	V Bc	43²: 31 39: 287	V/4: 91	text by Gerhardt; after BWV 511; ↔ 315	0583
513	6.	1725–1733 (AMB)	Notebook A. M. Bach (1725) No. 42: song "O Ewigkeit, du Donnerwort"		V Bc	43²: 52 39: 301	V/4: 129	text by Rist; ↔ BWV 397	0584
514	6.	1725–1733 (AMB)	Notebook A. M. Bach (1725) No. 35: song "Schaffs mit mir, Gott"		V Bc	43²: 48 39: 303	V/4: 125	text by Schmolck	0585
515	6.	after 1733–1734	Notebook A. M. Bach (1725) No. 20a: aria "So oft ich meine Tobackspfeife"	D minor	V Bc	43²: 34	V/4: 98	by Bach, G. H.?; → BWV 515a	0586
515a	6.	after 1733–1734	Notebook A. M. Bach (1725) No. 20b: aria "So oft ich meine Tobackspfeife"	G minor	V Bc	43²: 34 39: 309	V/4: 98	after BWV 515	0587
516	6.	after 1733–1734 (AMB)	Notebook A. M. Bach (1725) No. 33: aria "Warum betrübst du dich"		V Bc	43²: 46 39: 307	V/4: 121		0588
517	6.	after 1733–1734 (AMB)	Notebook A. M. Bach (1725) No. 40: song "Wie wohl ist mir, o Freund der Seelen"		V Bc	43²: 51 39: 307	V/4: 128	text by Dreßler	0589
518	6.	after 1725	Notebook A. M. Bach (1725) No. 37: aria "Willst du dein Herz mir schenken" a.k.a. "Aria di G(i)ovannini"		V Bc	43²: 49 39: 311	V/4: 126		0590
519	6.	c.1736?	Five Hymns from SBB Bach P 802 No. 1: "Hier lieg ich nun, o Vater aller Gnaden"		V Bc			by Krebs, J. L.?; in Spitta III, pp. 401–403	0591
520	6.	c.1736?	Five Hymns from SBB Bach P 802 No. 2: "Das walt mein Gott, Gott Vater, Sohn und heilger Geist"		V Bc			by Krebs, J. L.?; in Spitta III, pp. 401–403	0592
521	6.	c.1736?	Five Hymns from SBB Bach P 802 No. 3: "Gott, mein Herz dir Dank zusendet"		V		III/3	by Krebs, J. L.?; in Spitta III, pp. 401–403	0593
522	6.	c.1736?	Five Hymns from SBB Bach P 802 No. 4: "Meine Seele, lass es gehen, wie es in der Welt jetzt geht"		V			by Krebs, J. L.?; in Spitta III, pp. 401–403	0594
523	6.	c.1736?	Five Hymns from SBB Bach P 802 No. 5: "Ich gnüge mich an meinem Stande"		V			by Krebs, J. L.?; in Spitta III, pp. 401–403	0595
524	6.	1707 – July 1708	Quodlibet (incomplete; wedding?)		SATB (SBBB) Bc	NBG 32²	I/41: 69		0596
7.	Works for organ (see also: List of organ compositions by Johann Sebastian Bach)								Up ↑
525	7.	c.1730	Trio Sonata No. 1/6	E♭ major	Organ	15: 1	IV/7: 1	→ BWV 525a	0597
526	7.	c.1730	Trio Sonata No. 2/6	C minor	Organ	15: 13	IV/7: 14		0598
527	7.	c.1730	Trio Sonata No. 3/6 (+e. v. for /1)	D minor	Organ	15: 26	IV/7: 28	→ BWV 1044/2	0599
528	7.	c.1730	Trio Sonata No. 4/6 (+e. v. for /2, /3)	E minor	Organ	15: 40	IV/7: 44	after BWV 76/8	0600
529	7.	c.1730	Trio Sonata No. 5/6 (+e. v. for /2)	C major	Organ	15: 50	IV/7: 56		0601
530	7.	c.1730	Trio Sonata No. 6/6	G major	Organ	15: 66	IV/7: 76		0602
531	7.	c.1700–1703	Prelude and Fugue	C major	Organ	15: 81	IV/5: 3	in Möllersche Handschrift	0603
532	7.	c.1708–1712	Prelude and Fugue	D major	Organ	15: 88	IV/5: 58	↔ BWV 912, 532/2a	0604
532/2a	7.		Fugue	D major	Organ		IV/6: 95	↔ BWV 532/2	0605
533	7.	c.1704	Prelude and Fugue ("Cathedral")	E minor	Organ	15: 100	IV/5: 90	↔ BWV 533a	0606
533a	7.		Prelude and Fugue	E minor	Keyboard		IV/6: 106	↔ BWV 533	0607
534	7.	c.1712–1717	Prelude and Fugue	F minor	Organ	15: 104	IV/5: 130		0608
535	7.	after 1717	Prelude and Fugue	G minor	Organ	15: 112	IV/5: 157	after BWV 535a	0609
535a	7.	c.1702–1704	Prelude and Fugue (incomplete)	G minor	Organ		IV/6: 109	→ BWV 535; in Möllersche Handschrift	0610
536	7.	1708–1717	Prelude and Fugue	A major	Organ	15: 120	IV/5: 180	↔ BWV 152/1; → 536a	0611
537	7.	1729–1750	Fantasia and Fugue	C minor	Organ	15: 129	IV/5: 47		0613
538	7.	1712–1717	Toccata and Fugue ("Dorian")	D minor	Organ	15: 136	IV/5: 76		0614
539	7.	1724–1750?	Prelude and Fugue	D minor	Organ	15: 148	IV/5: 70	after BWV 1001/2, 1000	0615
540	7.	c.1712–1717?	Toccata and Fugue	F major	Organ	15: 154	IV/5: 112		0616
541 528/3	7.	c.1712–1717?	Toccata and Fugue (Trio BWV 528/3 e. v. as possible middle movement)	G major	Organ	15: 169	IV/5: 146	→ BWV 528/3	0617
542	7.	c.1714–1720?	Fantasia and Fugue ("Great"; independent compositions?; fugue also in F minor)	G minor	Organ	15: 177	IV/5: 167		0618
543	7.	after c.1730	Prelude and Fugue	A minor	Organ	15: 189	IV/5: 186	after BWV 543/1a	0619
543/1a	7.	bef. c.1725	Prelude	A minor	Organ		IV/6: 121	→ BWV 543/1	0620
544	7.	1725–1728	Prelude and Fugue	B minor	Organ	15: 199	IV/5: 198		0621
545 529/2	7.	1708–1717 after 1722	Prelude and Fugue (middle movement BWV 529/2 e. v. removed after 1722)	C major	Organ	15: 212	IV/5: 10	after BWV 545a, b; → 529/2	0622
545a	7.	1708–1717	Prelude and Fugue (early version)	C major	Organ		IV/6: 77	→ BWV 545b, 545	0623
546	7.	1708–1750	Prelude and Fugue	C minor	Organ	15: 218	IV/5: 35		0625
547	7.	1719–1750	Prelude and Fugue	C major	Organ	15: 228	IV/5: 20		0626
548	7.	1725–1728	Prelude and Fugue ("Wedge")	E minor	Organ	15: 236	IV/5: 94		0627
549	7.	1705–1750	Prelude and Fugue	C minor	Organ	38: 3	IV/5: 30	after BWV 549a	0628
549a	7.	c.1701	Prelude (or: Fantasia) and Fugue	D minor	Organ		IV/6: 101	→ BWV 549; in Möllersche Handschrift	0629
550	7.	1706–1708	Prelude and Fugue	G major	Organ	38: 9	IV/5: 138		0630
551	7.	c.1699	Prelude and Fugue	A minor	Organ	38: 17	IV/6: 63		0631
552	7.	1739	Prelude and Fugue ("St Anne") from Clavier-Übung III	E♭ major	Organ	3: 173, 254	IV/4: 2, 105		0632
562	7.	1720–c.1748	Fantasia and Fugue (unfinished fugue added c.1747–1748)	C minor	Organ	38: 64, 209 44: 4	IV/5: 54		0642
563	7.	c.1704	Fantasia and Imitatio	C major	Organ	38: 59	IV/6: 68	in Andreas-Bach-Buch	0643
564	7.	bef. c.1712	Toccata, Adagio and Fugue	C major	Organ	15: 253	IV/6: 3		0644
565	7.	c.1704?	Toccata and Fugue	D minor	Organ	15: 267	IV/6: 31		0645
566	7.	1700–1750	Prelude and Fugue (earliest manuscripts: C major; /1 as Toccata in BGA)	E major C major	Organ	15: 276	IV/6: 40		0646
568	7.	c.1700–1705?	Prelude	G major	Organ	38: 85	IV/6: 51		0648
569	7.	1703–c.1704	Prelude	A minor	Organ	38: 89	IV/6: 59		0649
1121	7.	1706–1710	Fantasia	C minor	Organ		IV/11: 54	in Andreas-Bach-Buch; was Anh. 205	1516
570	7.	c.1698–1704	Fantasia	C major	Organ	38: 62	IV/6: 16	in Andreas-Bach-Buch	0650
572	7.	1708–c.1712	Fantasia, a.k.a. Pièce d'Orgue (+reworked version)	G major	Organ	38: 75	IV/7: 130, 144		0652
573	7.	c.1722–1725	Notebook A. M. Bach (1722) No. 6 Fantasia (incomplete?)	C minor	Keyboard	38: 209 43²: 003	V/4: 39 IV/6: 18		0653
574	7.	after c.1708?	Fugue on a theme by Legrenzi	C minor	Organ	38: 94	IV/6: 19	after BWV 574b; ↔ 574a	0654
574a	7.	after c.1708?	Fugue on a theme by Legrenzi (variant)	C minor	Organ	38: 205	IV/6: 82	after BWV 574b; ↔ 574	0655
574b	7.	c.1707–1713 or earlier	Fugue on a theme by Legrenzi (early version)	C minor	Organ		IV/6: 88	after Legrenzi (theme); → BWV 574a, 574; in Andreas-Bach-Buch	0656
575	7.	1708–1717?	Fugue	C minor	Organ	38: 101	IV/6: 26		0657
578	7.	c.1713 or earlier	Fugue ("Little")	G minor	Organ	38: 116	IV/6: 55	in Andreas-Bach-Buch	0660
579	7.	1708–1717?	Fugue on a theme by Corelli	B minor	Organ	38: 121	IV/6: 71	after Corelli (theme)	0661
582	7.	bef. 1707 1707–1708	Passacaglia (and Fugue)	C minor	Organ	15: 289	IV/7: 98	in Andreas-Bach-Buch	0664
583	7.	c.1730 or earlier?	Trio	D minor	Organ	38: 143	IV/7: 94		0665
585	7.	c.1726–1727 (JSB)	Trio	C minor	Organ	38: 219	IV/8: 73	after Fasch J. F., FaWV N:c2/1, /2; arr. by Bach	0667
586	7.	bef. c.1740	Trio	G major	Organ		IV/8: 78	after Telemann?	0668
587	7.	after 1726	Aria	F major	Organ	38: 222	IV/8: 82	after Couperin, Les Nations^III/4	0669
588	7.	c.1704–1707 or earlier	Canzona	D minor	Organ	38: 126	IV/7: 118	in Möllersche Handschrift	0670
589	7.	1700–1720?	Alla breve	D major	Organ	38: 131	IV/7: 114		0671
590	7.	bef. c.1727	Pastorella (/1 incomplete?)	F major	Organ	38: 135	IV/7: 122		0672
592	7.	c.1714–1717	Concerto	G major	Organ	38: 149	IV/8: 56	after J. E. of Saxe-Weimar, Violin Concerto in G major; → BWV 592a	0674
592a	7.	c.1714–1717	Concerto	G major	Keyboard	42: 282	V/11: 150	after BWV 592	0675
593	7.	c.1714–1717	Concerto	A minor	Organ	38: 158	IV/8: 16	after Vivaldi, Op. 3 No. 8 (RV 522)	0676
594	7.	c.1714–1717	Concerto	C major	Organ	38: 171	IV/8: 30	after Vivaldi, RV 208 (Grosso Mogul)	0677
595	7.	c.1714–1717	Concerto	C major	Organ	38: 196	IV/8: 65	after BWV 984/1	0678
596	7.	c.1714–1717	Concerto (arrangement previously attributed to W. F. Bach)	D minor	Organ		IV/8: 3	after Vivaldi, Op. 3 No. 11 (RV 565)	0679
599	7.	1713–1715 or earlier	Chorale prelude Nun komm, der Heiden Heiland (Orgelbüchlein No. 1)	A minor	Organ	25²: 1	IV/1: 3		0682
600	7.	1713–1715 or earlier	Chorale prelude Gott durch deine Güte (or) Gottes Sohn ist kommen (Orgelbüchlein No. 2)	F major	Organ	25²: 1	IV/1: 4		0683
601	7.	1713–1715 or earlier	Chorale prelude Herr Christ, der ein'ge Gottes Sohn (or) Herr Gott, nun sei gepreiset (Orgelbüchlein No. 3; also in Neumeister Collection)	A major	Organ	25²: 1	IV/1: 6		0684
602	7.	1713–1715 or earlier	Chorale prelude Lob sei dem allmächtigen Gott (Orgelbüchlein No. 4)	D minor	Organ	25²: 1	IV/1: 7		0685
603	7.	1713–1715 or earlier	Chorale prelude Puer natus in Bethlehem (Orgelbüchlein No. 5)	G minor	Organ	25²: 1	IV/1: 8		0686
604	7.	1713–1715 or earlier	Chorale prelude Gelobet seist du, Jesu Christ (Orgelbüchlein No. 6)	G major	Organ	25²: 1	IV/1: 11		0687
605	7.	1713–1715 or earlier	Chorale prelude Der Tag, der ist so freudenreich (Orgelbüchlein No. 7)	G major	Organ	25²: 1	IV/1: 11		0688
606	7.	1713–1715 or earlier	Chorale prelude Vom Himmel hoch, da komm ich her (Orgelbüchlein No. 8)	D major	Organ	25²: 1	IV/1: 13		0689
607	7.	1713–1715 or earlier	Chorale prelude Vom Himmel kam der Engel Schar (Orgelbüchlein No. 9)	G minor	Organ	25²: 1	IV/1: 14		0690
608	7.	1713–1715 or earlier	Chorale prelude In dulci jubilo (Orgelbüchlein No. 10)	A major	Organ	25²: 1	IV/1: 16		0691
609	7.	1713–1715 or earlier	Chorale prelude Lobt Gott, ihr Christen allzugleich (Orgelbüchlein No. 11)	G major	Organ	25²: 1	IV/1: 18		0692
610	7.	1713–1715 or earlier	Chorale prelude Jesu, meine Freude (Orgelbüchlein No. 12)	C minor	Organ	25²: 1	IV/1: 19		0693
611	7.	1713–1715 or earlier	Chorale prelude Christum wir sollen loben schon (Orgelbüchlein No. 13)	E minor	Organ	25²: 1	IV/1: 20		0694
612	7.	1713–1715 or earlier	Chorale prelude Wir Christenleut (Orgelbüchlein No. 14)	G minor	Organ	25²: 1	IV/1: 22		0695
613	7.	after 1724?	Chorale prelude Helft mir Gotts Güte preisen (Orgelbüchlein No. 15)	B minor	Organ	25²: 1	IV/1: 24		0696
614	7.	1713–1715 or earlier	Chorale prelude Das alte Jahr vergangen ist (Orgelbüchlein No. 16)	A minor	Organ	25²: 1	IV/1: 25		0697
615	7.	1713–1715 or earlier	Chorale prelude In dir ist Freude (Orgelbüchlein No. 17)	G major	Organ	25²: 1	IV/1: 27		0698
616	7.	1713–1715 or earlier	Chorale prelude Mit Fried und Freud ich fahr dahin (Orgelbüchlein No. 18)	D minor	Organ	25²: 1	IV/1: 30		0699
617	7.	1713–1715 or earlier	Chorale prelude Herr Gott, nun schleuß den Himmel auf (Orgelbüchlein No. 19)	A minor	Organ	25²: 1	IV/1: 32		0700
618	7.	1713–1715 or earlier	Chorale prelude O Lamm Gottes, unschuldig (Orgelbüchlein No. 20)	F major	Organ	25²: 1	IV/1: 34		0701
619	7.	1713–1715 or earlier	Chorale prelude Christe, du Lamm Gottes (Orgelbüchlein No. 21)	F major	Organ	25²: 1	IV/1: 36		0702
620	7.	after 1724?	Chorale prelude Christus, der uns selig macht (Orgelbüchlein No. 22)	A minor	Organ	25²: 1	IV/1: 37	after BWV 620a	0703
620a	7.	1713–1715 or earlier	Chorale prelude Christus, der uns selig macht (Orgelbüchlein No. 22, e. v.)	A minor	Organ	25²: 149	IV/1: 78	→ BWV 620	0704
621	7.	1713–1715 or earlier	Chorale prelude Da Jesus an dem Kreuze stund (Orgelbüchlein No. 23)	A minor	Organ	25²: 1	IV/1: 39		0705
622	7.	1713–1715 or earlier	Chorale prelude O Mensch, bewein dein Sünde groß (Orgelbüchlein No. 24)	E♭ major	Organ	25²: 1	IV/1: 40	→ BWV 622 (var.)	0706
622 (var.)	7.	1716–1789	Chorale prelude O Mensch, bewein dein Sünde groß (variant)		Organ			after BWV 622	0707
623	7.	1713–1715 or earlier	Chorale prelude Wir danken dir, Herr Jesu Christ (Orgelbüchlein No. 25)	G major	Organ	25²: 1	IV/1: 42		0708
624	7.	1713–1715 or earlier	Chorale prelude Hilf Gott, dass mir's gelinge (Orgelbüchlein No. 26)	G minor	Organ	25²: 1	IV/1: 44		0709
625	7.	1713–1715 or earlier	Chorale prelude Christ lag in Todesbanden (Orgelbüchlein No. 27)	D minor	Organ	25²: 1	IV/1: 46		0710
626	7.	1713–1715 or earlier	Chorale prelude Jesus Christus, unser Heiland, der den Tod überwand (Orgelbüchlein No. 28)	A minor	Organ	25²: 1	IV/1: 48		0711
627	7.	1713–1715 or earlier	Chorale prelude Christ ist erstanden (Orgelbüchlein No. 29)	D minor	Organ	25²: 1	IV/1: 49		0712
628	7.	1713–1715 or earlier	Chorale prelude Erstanden ist der heilge Christ (Orgelbüchlein No. 30)	D major	Organ	25²: 1	IV/1: 54		0713
629	7.	1713–1715 or earlier	Chorale prelude Erschienen ist der herrliche Tag (Orgelbüchlein No. 31)	D minor	Organ	25²: 1	IV/1: 55		0714
630	7.	1713–1715 or earlier	Chorale prelude Heut triumphieret Gottes Sohn (Orgelbüchlein No. 32)	D minor	Organ	25²: 1	IV/1: 56	after BWV 630a	0715
630a	7.	bef. 1716	Chorale prelude Heut triumphieret Gottes Sohn (Orgelbüchlein No. 32, e. v.)		Organ		IV/1: 80	→ BWV 630	0716
631	7.	1723–1750	Chorale prelude Komm, Gott Schöpfer, heiliger Geist (Orgelbüchlein No. 33)	D minor	Organ	25²: 1	IV/1: 58	after BWV 631a	0717
631a	7.	1713–1715 or earlier	Chorale prelude Komm, Gott Schöpfer, heiliger Geist (Orgelbüchlein No. 33, e. v.)	G major	Organ	25²: 150	IV/1: 82	→ BWV 631	0718
632	7.	1713–1715 or earlier	Chorale prelude Herr Jesu Christ, dich zu uns wend (Orgelbüchlein No. 34)	F major	Organ	25²: 1	IV/1: 59		0719
633	7.	1713–1715 or earlier	Chorale prelude Liebster Jesu, wir sind hier distinctus (Orgelbüchlein No. 36)	A major	Organ	25²: 1	IV/1: 61	after BWV 634	0720
634	7.	1713–1715 or earlier	Chorale prelude Liebster Jesu, wir sind hier (Orgelbüchlein No. 35)	A major	Organ	25²: 1	IV/1: 60	→ BWV 633	0721
635	7.	1713–1715 or earlier	Chorale prelude Dies sind die heilgen zehn Gebot (Orgelbüchlein No. 37)	C major	Organ	25²: 1	IV/1: 62		0722
636	7.	1713–1715 or earlier	Chorale prelude Vater unser im Himmelreich (Orgelbüchlein No. 38)	D minor	Organ	25²: 1	IV/1: 64		0723
637	7.	1713–1715 or earlier	Chorale prelude Durch Adams Fall ist ganz verderbt (Orgelbüchlein No. 39)	A minor	Organ	25²: 1	IV/1: 65		0724
638	7.	1713–1715 or earlier	Chorale prelude Es ist das Heil uns kommen her (Orgelbüchlein No. 40)	D major	Organ	25²: 1	IV/1: 66	after BWV 638a	0725
638a	7.	bef. c.1715	Chorale prelude Es ist das Heil uns kommen her (Orgelbüchlein No. 40, e. v.)		Organ		IV/1: 83	→ BWV 638	0726
639	7.	1713–1715 or earlier	Chorale prelude Ich ruf zu dir, Herr Jesu Christ (Orgelbüchlein No. 41; also in Neumeister Collection)	F minor	Organ	25²: 1	IV/1: 68	→ BWV Anh. 73	0727
640	7.	1713–1715 or earlier	Chorale prelude In dich hab ich gehoffet, Herr (Orgelbüchlein No. 42)	E minor	Organ	25²: 1	IV/1: 70		0728
641	7.	1713–1715 or earlier	Chorale prelude Wenn wir in höchsten Nöten sein (Orgelbüchlein No. 43)	G major	Organ	25²: 1	IV/1: 71		0729
642	7.	1713–1715 or earlier	Chorale prelude Wer nur den lieben Gott lässt walten (Orgelbüchlein No. 44)	A minor	Organ	25²: 1	IV/1: 72		0730
643	7.	1713–1715 or earlier	Chorale prelude Alle Menschen müssen sterben (Orgelbüchlein No. 45)	G major	Organ	25²: 1	IV/1: 74		0731
644	7.	1713–1715 or earlier	Chorale prelude Ach wie nichtig, ach wie flüchtig (Orgelbüchlein No. 46)	G minor	Organ	25²: 1	IV/1: 75		0732
645	7.	1748–1749	Chorale prelude Wachet auf, ruft uns die Stimme (Schübler Chorales No. 1)	E♭ major	Organ	25²: 61	IV/1: 86	after BWV 140/4	0733
646	7.	1748–1749	Chorale prelude Wo soll ich fliehen hin (or) Auf meinen lieben Gott (Schübler Chorales No. 2)	E minor	Organ	25²: 61	IV/1: 90		0734
647	7.	1748–1749	Chorale prelude Wer nur den lieben Gott lässt walten (Schübler Chorales No. 3)	C minor	Organ	25²: 61	IV/1: 92	after BWV 93/4	0735
648	7.	1748–1749	Chorale prelude Meine Seele erhebt den Herren (Schübler Chorales No. 4)	D minor	Organ	25²: 61	IV/1: 94	after BWV 10/5	0736
649	7.	1748–1749	Chorale prelude Ach bleib bei uns, Herr Jesu Christ (Schübler Chorales No. 5)	B♭ major	Organ	25²: 61	IV/1: 95	after BWV 6/3	0737
650	7.	1748–1749	Chorale prelude Kommst du nun, Jesu, vom Himmel herunter (Schübler Chorales No. 6)	G major	Organ	25²: 61	IV/1: 98	after BWV 137/2	0738
651	7.	1747–1748	Chorale prelude Komm, heiliger Geist (Fantasia; Leipzig Chorales 1/18)	F major	Organ	25²: 77	IV/2: 3	after BWV 651a	0739
651a	7.	1708–1717	Chorale prelude Komm, heiliger Geist, Herre Gott (Fantasia; e. v.: Weimar)		Organ	25²: 151	IV/2: 117	→ BWV 651	0740
652	7.	1747–1748	Chorale prelude Komm, heiliger Geist, Herre Gott (alio modo; Leipzig Chorales 2/18)	G major	Organ	25²: 77	IV/2: 13	after BWV 652a	0741
652a	7.	1708–1717	Chorale prelude Komm, heiliger Geist, Herre Gott (e. v.: Weimar)		Organ		IV/2: 121	→ BWV 652	0742
653	7.	1747–1748	Chorale prelude An Wasserflüssen Babylon (Leipzig Chorales 3/18)	G major	Organ	25²: 77	IV/2: 22	after BWV 653a	0743
653a	7.	1708–1717	Chorale prelude An Wasserflüssen Babylon (alio modo; 2nd v.: Weimar)		Organ	25²: 157	IV/2: 133	after BWV 653b; → BWV 653	0744
653b	7.	1708–1717	Chorale prelude An Wasserflüssen Babylon (à 5; 1st v.: Weimar)		Organ	40: 41	IV/2: 130	→ BWV 653a	0745
654	7.	1747–1748	Chorale prelude Schmücke dich, o liebe Seele (Leipzig Chorales 4/18)	E♭ major	Organ	25²: 77	IV/2: 26	after BWV 654a	0746
654a	7.	1708–1717	Chorale prelude Schmücke dich, o liebe Seele (e. v.: Weimar)		Organ		IV/2: 136	→ BWV 654	0747
655	7.	1747–1748	Chorale prelude Herr Jesu Christ, dich zu uns wend (Trio; Leipzig Chorales 5/18)	G major	Organ	25²: 77	IV/2: 31	after BWV 655a; ↔ 655 var. 1–4; → 655b–c	0748
655, var. 1	7.	1708–1798	Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 1)		Organ			↔ 655(a), var. 2–4	0749
655, var. 2	7.	1708–1798	Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 2)	F major	Organ			↔ 655(a), var. 1, 3–4	0750
655, var. 3	7.	1708–1798	Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 3)		Organ			↔ 655(a), var. 1–2, 4	0751
655, var. 4	7.	1708–1798	Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 4)		Organ			↔ 655(a), var. 1–3	0752
655a	7.	1708–1717	Chorale prelude Herr Jesu Christ, dich zu uns wend (Trio; e. v.: Weimar)		Organ	25²: 162	IV/2: 140	→ BWV 655(b–c); ↔ 655 var. 1–4	0753
656	7.	1747–1748	Chorale prelude O Lamm Gottes, unschuldig (Leipzig Chorales 6/18)	A major	Organ	25²: 77	IV/2: 38	after BWV 656a	0756
656a	7.	1708–1717	Chorale prelude O Lamm Gottes, unschuldig (e. v.: Weimar)		Organ	25²: 166	IV/2: 146	→ BWV 656	0757
657	7.	1708–1717	Chorale prelude Nun danket alle Gott (Leipzig Chorales 7/18)	G major	Organ	25²: 77	IV/2: 46		0758
658	7.	1747–1748	Chorale prelude Von Gott will ich nicht lassen (Leipzig Chorales 8/18)	F minor	Organ	25²: 77	IV/2: 51	after BWV 658a	0759
658a	7.	1708–1717	Chorale prelude Von Gott will ich nicht lassen (Fantasia; e. v.: Weimar)		Organ	25²: 170	IV/2: 154	→ BWV 658	0760
659	7.	1747–1748	Chorale prelude Nun komm, der Heiden Heiland (Leipzig Chorales 9/18)	G minor	Organ	25²: 77	IV/2: 55	after BWV 659a	0761
659a	7.	1708–1717	Chorale prelude Nun komm, der Heiden Heiland (Fantasia; e. v.: Weimar)		Organ	25²: 172	IV/2: 157	→ BWV 659	0762
660	7.	1747–1748	Chorale prelude Nun komm, der Heiden Heiland (Trio; Leipzig Chorales 10/18)	G minor	Organ	25²: 77	IV/2: 59	after BWV 660a	0763
660a	7.	1708–1717	Chorale prelude Nun komm, der Heiden Heiland (Trio; e. v.: Weimar)		Organ	25²: 174	IV/2: 160	→ BWV 660, 660b	0764
660b	7.	1708–1719	Chorale prelude Nun komm, der Heiden Heiland (arrangement)		Organ	25²: 176		by Krebs, J. T. (arr.)?; after BWV 660a	0765
661	7.	1747–1748	Chorale prelude Nun komm, der Heiden Heiland (Leipzig Chorales 11/18)	G minor	Organ	25²: 77	IV/2: 62	after BWV 661a	0766
661a	7.	1708–1717	Chorale prelude Nun komm, der Heiden Heiland (e. v.: Weimar)		Organ	25²: 178	IV/2: 164	→ BWV 661	0767
662	7.	1747–1748	Chorale prelude Allein Gott in der Höh sei Ehr (Leipzig Chorales 12/18)	A major	Organ	25²: 77	IV/2: 67	after BWV 662a	0768
662a	7.	1708–1717	Chorale prelude Allein Gott in der Höh sei Ehr (e. v.: Weimar)		Organ		IV/2: 168	→ BWV 662	0769
663	7.	1747–1748	Chorale prelude Allein Gott in der Höh sei Ehr (Leipzig Chorales 13/18)	G major	Organ	25²: 77	IV/2: 72	after BWV 663a	0770
663a	7.	1708–1717	Chorale prelude Allein Gott in der Höh sei Ehr (e. v.: Weimar)		Organ	25²: 180	IV/2: 172	→ BWV 663	0771
664	7.	1747–1748	Chorale prelude Allein Gott in der Höh sei Ehr (Trio; Leipzig Chorales 14/18)	A major	Organ	25²: 77	IV/2: 79	after BWV 664a–b	0772
664a	7.	1708–1717	Chorale prelude Allein Gott in der Höh sei Ehr (Trio; e. v.: Weimar; fair copy)		Organ	25²: 183	IV/2	after BWV 664b; → BWV 664	0773
664b	7.	1708–1717	Chorale prelude Allein Gott in der Höh sei Ehr (Trio; e. v.: Weimar; sketch)		Organ		IV/2: 179	→ BWV 664(a)	0774
665	7.	1747–1748	Chorale prelude Jesus Christus, unser Heiland (Leipzig Chorales 15/18)	E minor	Organ	25²: 77	IV/2: 87	after BWV 665a	0775
665a	7.	1708–1717	Chorale prelude Jesus Christus, unser Heiland (e. v.: Weimar)		Organ	25²: 188	IV/2: 187	→ BWV 665	0776
666	7.	1708–1748	Chorale prelude Jesus Christus, unser Heiland (alio modo; Leipzig Chorales 16/18)	E minor	Organ	25²: 77	IV/2: 91	after BWV 666a	0777
666a	7.	1708–1717	Chorale prelude Jesus Christus, unser Heiland (alio modo; e. v.: Weimar)		Organ		IV/2: 191	→ BWV 666	0778
667	7.	1747–1748	Chorale prelude Komm, Gott Schöpfer, heiliger Geist (Leipzig Chorales 17/18)	C major	Organ	25²: 77	IV/2: 94	after BWV 667a	0779
667a	7.	1708–1717	Chorale prelude Komm, Gott Schöpfer, heiliger Geist (e. v.: Weimar)		Organ		IV/2	after BWV 667b; → BWV 667	0780
667b	7.	1708–1717	Chorale prelude Komm, Gott Schöpfer, heiliger Geist (e. v.: Weimar; sketch)		Organ		IV/2: 194	→ BWV 667(a)	0781
668	7.	1747–1748	Chorale prelude Vor deinen Thron tret ich hiermit (fragment; Leipzig Chorales 18/18)	G major	Organ	25²: 77	IV/2: 113	after BWV 668a	0782
668a	7.	1708–1748	Chorale prelude Wenn wir in höchsten Nöten (e. v.)		Organ		IV/2: 212	→ BWV 668	0783
669	7.	1739	Chorale prelude Kyrie, Gott Vater in Ewigkeit from Clavier-Übung III		Organ	3: 184	IV/4: 16		0784
670	7.	1739	Chorale prelude Christe, aller Welt Trost from Clavier-Übung III		Organ	3: 184	IV/4: 18		0785
671	7.	1739	Chorale prelude Kyrie, Gott heiliger Geist from Clavier-Übung III		Organ	3: 184	IV/4: 20		0786
672	7.	1739	Chorale prelude Kyrie, Gott Vater in Ewigkeit from Clavier-Übung III		Org/man.	3: 184	IV/4: 27		0787
673	7.	1739	Chorale prelude Christe, aller Welt Trost from Clavier-Übung III		Org/man.	3: 184	IV/4: 28		0788
674	7.	1739	Chorale prelude Kyrie, Gott heiliger Geist from Clavier-Übung III		Org/man.	3: 184	IV/4: 29		0789
675	7.	1739	Chorale prelude Allein Gott in der Höh sei Ehr from Clavier-Übung III		Organ	3: 184	IV/4: 30		0790
676	7.	1739	Chorale prelude Allein Gott in der Höh sei Ehr from Clavier-Übung III		Organ	3: 184	IV/4: 33	→ BWV 676a	0791
677	7.	1739	Chorale prelude Allein Gott in der Höh sei Ehr (Fughetta) from Clavier-Übung III		Org/man.	3: 184	IV/4: 41		0793
678	7.	1739	Chorale prelude Dies sind die heiligen zehen Gebot from Clavier-Übung III		Organ	3: 184	IV/4: 42		0794
679	7.	1739	Chorale prelude Dies sind die heiligen zehen Gebot (Fughetta) from Clavier-Übung III		Org/man.	3: 184	IV/4: 49		0795
680	7.	1739	Chorale prelude Wir gläuben all an einen Gott from Clavier-Übung III		Organ	3: 184	IV/4: 52		0796
681	7.	1739	Chorale prelude Wir gläuben all an einen Gott (Fughetta) from Clavier-Übung III		Org/man.	3: 184	IV/4: 57		0797
682	7.	1739	Chorale prelude Vater unser im Himmelreich from Clavier-Übung III		Organ	3: 184	IV/4: 58		0798
683	7.	1739	Chorale prelude Vater unser im Himmelreich from Clavier-Übung III		Org/man.	3: 184	IV/4: 66	→ BWV 683a	0799
684	7.	1739	Chorale prelude Christ unser Herr zum Jordan kam from Clavier-Übung III		Organ	3: 184	IV/4: 68		0801
685	7.	1739	Chorale prelude Christ unser Herr zum Jordan kam from Clavier-Übung III		Org/man.	3: 184	IV/4: 73		0802
686	7.	1739	Chorale prelude Aus tiefer Not schrei ich zu dir from Clavier-Übung III		Organ	3: 184	IV/4: 74		0803
687	7.	1739	Chorale prelude Aus tiefer Not schrei ich zu dir from Clavier-Übung III		Org/man.	3: 184	IV/4: 78		0804
688	7.	1739	Chorale prelude Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt from Clavier-Übung III		Organ	3: 184	IV/4: 81		0805
689	7.	1739	Chorale prelude Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt (Fugue) from Clavier-Übung III		Org/man.	3: 184	IV/4: 89		0806
690	7.	c.1700–1717	Chorale prelude Wer nur den lieben Gott lässt walten (Kirnberger collection No. 1)		Organ	40: 1	IV/3: 98		0807
691	7.	c.1720 or earlier	Notebook A. M. Bach (1725) No. 11 Chorale prelude Wer nur den lieben Gott lässt walten (WFB No. 3; Kirnb. coll. No. 2)		Organ	40: 1 43²: 30 45¹: 214	V/5: 6 V/4: 90 IV/3: 98	→ BWV 691a	0808
694	7.	c.1700–1717	Chorale prelude Wo soll ich fliehen hin (Kirnb. coll. No. 5)		Organ	40: 1	IV/3: 103		0813
695	7.	c.1700–1717	Chorale prelude Christ lag in Todesbanden (Fantasia; Kirnb. coll. No. 6)		Organ	40: 1	IV/3: 20	→ BWV 695a	0814
695a	7.	1700–1789	Chorale prelude Christ lag in Todesbanden (variant)		Organ	40: 153		after BWV 695	0815
696	7.	c.1700–1717	Chorale prelude Christum wir sollen loben schon (or) Was fürchtest du Feind, Herodes, sehr (Fughetta; Kirnb. coll. No. 7)		Organ	40: 1	IV/3: 23		0816
697	7.	c.1700–1717	Chorale prelude Gelobet seist du, Jesu Christ (Fughetta; Kirnb. coll. No. 8)		Organ	40: 1	IV/3: 32		0817
698	7.	c.1700–1717	Chorale prelude Herr Christ, der ein'ge Gottes Sohn (Fughetta; Kirnb. coll. No. 9)		Organ	40: 1	IV/3: 35		0818
699	7.	c.1700–1717	Chorale prelude Nun komm, der Heiden Heiland (Fughetta; Kirnb. coll. No. 10)		Organ	40: 1	IV/3: 73		0819
700	7.	c.1699	Chorale prelude Vom Himmel hoch da komm ich her (Kirnb. coll. No. 11)		Organ	40: 1	IV/3: 92		0820
701	7.	c.1700–1717	Chorale prelude Vom Himmel hoch da komm ich her (Fughetta; Kirnb. coll. No. 12)		Organ	40: 1	IV/3: 96		0821
702	7.	c.1700–1717	Chorale prelude Das Jesulein soll doch mein Trost (Fughetta; Kirnb. coll. No. 13)		Organ	40: 1	IV/3: 45		0822
703	7.	c.1700–1717	Chorale prelude Gottes Sohn ist kommen (Fughetta; Kirnb. coll. No. 14)		Organ	40: 1	IV/3: 34		0823
704	7.	c.1700–1717	Chorale prelude Lob sei dem allmächtigen Gott (Fughetta; Kirnb. coll. No. 15)		Organ	40: 1	IV/3: 62		0824
705	7.	c.1700–1717	Chorale prelude Durch Adams Fall ist ganz verderbt (Kirnb. coll. No. 16)		Organ	40: 1	IV/10: 47		0825
706/1 706/2	7.	c.1700–1717	Chorale prelude Liebster Jesu, wir sind hier (/2 = alio modo; Kirnb. coll. No. 17)		Organ	40: 1	IV/3: 59		0826
707	7.	c.1700–1717	Chorale prelude Ich hab mein Sach Gott heimgestellt (Kirnb. coll. No. 18)		Organ	40: 1	IV/10: 87		0827
708	7.	1700–1789	Chorale prelude Ich hab mein Sach Gott heimgestellt (alio modo; Kirnb. coll. No. 19)		Organ	40: 1			0828
708a	7.	1700–1789	Chorale prelude Ich hab mein Sach Gott heimgestellt		Organ	40: 152			0829
709	7.	c.1700–1717	Chorale prelude Herr Jesu Christ, dich zu uns wend (Kirnb. coll. No. 20)		Organ	40: 1	IV/3: 43		0830
710	7.	c.1700–1717	Chorale prelude Wir Christenleut habn jetzund Freud (Kirnb. coll. No. 21)		Organ	40: 1	IV/3: 100		0831
711	7.	c.1700–1717	Chorale prelude Allein Gott in der Höh sei Ehr (bicinium; Kirnb. coll. No. 22)		Organ	40: 1	IV/3: 11		0832
712	7.	c.1708	Chorale prelude In dich hab ich gehoffet, Herr (Kirnb. coll. No. 23)		Organ	40: 1	IV/3: 48		0833
713	7.	c.1700–1717	Chorale prelude Jesu, meine Freude (Kirnb. coll. No. 24)		Organ	40: 1	IV/3: 54		0834
713a	7.	1700–1789	Chorale prelude Jesu, meine Freude (Fantasia; variant)		Organ	40: 155	IV/10: 93		0835
714	7.	1708–1717	Chorale prelude Ach Gott und Herr (Neumeister Chorales No. 13)		Organ	40: 41	IV/9: 26 IV/3: 3		0836
715	7.	1703–1717	Chorale prelude Allein Gott in der Höh sei Ehr		Organ	40: 41	IV/3: 14		0837
716	7.	c.1700–1717	Chorale prelude Allein Gott in der Höh sei Ehr (Fantasia)		Organ	40: 41	IV/10: 14		0838
717	7.	1708–1717	Chorale prelude Allein Gott in der Höh sei Ehr		Organ	40: 41	IV/3: 8		0839
718	7.	c.1700–1717	Chorale prelude Christ lag in Todesbanden		Organ	40: 41	IV/3: 16		0840
719	7.	c.1704	Chorale prelude Der Tag, der ist so freudenreich (Neumeister Chorales No. 1)		Organ	40: 41	IV/9: 2, 72		0841
720	7.	1709?	Chorale prelude Ein feste Burg ist unser Gott		Organ	40: 41	IV/3: 24	by Bach, J. Michael?	0842
721	7.	c.1704	Chorale prelude Erbarm dich mein, o Herre Gott		Organ	40: 41	IV/3: 28		0843
722	7.	1708–1717	Chorale prelude Gelobet seist du, Jesu Christ		Organ	40: 41	IV/3: 31	after BWV 722a	0844
722a	7.	1709?	Chorale prelude Gelobet seist du, Jesu Christ (sketch)		Organ	40: 158	IV/3: 30	→ BWV 722	0845
723	7.	c.1700–1717	Chorale prelude Gelobet seist du, Jesu Christ (also in Neumeister Collection)		Organ	40: 41		by Bach, J. Michael?	0846
724	7.	c.1699	Chorale prelude Gott durch deine Güte (or) Gottes Sohn ist kommen		Organ	40: 41	IV/3: 33	in Andreas-Bach-Buch	0847
725	7.	c.1700–1717	Chorale prelude Herr Gott, dich loben wir		Organ	40: 41	IV/3: 36		0848
726	7.	1708–1717	Chorale prelude Herr Jesu Christ, dich zu uns wend		Organ	40: 41	IV/3: 45		0849
727	7.	1708–1717	Chorale prelude Herzlich tut mich verlangen		Organ	40: 41	IV/3: 46		0850
728	7.	1722–1723 or earlier	Notebook A. M. Bach (1722) No. 8 Chorale prelude Jesus, meine Zuversicht		Organ	43²: 5 40: 41	V/4: 41 IV/3: 58		0851
729	7.	1708–1717	Chorale prelude In dulci jubilo		Organ	40: 41	IV/3: 52	after BWV 729a	0852
729a	7.	1708–1717	Chorale prelude In dulci jubilo (sketch)		Organ	40: 158	IV/3: 50	→ BWV 729	0853
730	7.	1708–1717	Chorale prelude Liebster Jesu, wir sind hier		Organ	40: 41	IV/3: 60		0854
731	7.	1708–1717	Chorale prelude Liebster Jesu, wir sind hier		Organ	40: 41	IV/3: 61		0855
732	7.	1708–1717	Chorale prelude Lobt Gott, ihr Christen, allzugleich		Organ	40: 41	IV/3: 64	after BWV 732a	0856
732a	7.	1708–1717	Chorale prelude Lobt Gott, ihr Christen, allzugleich (draft)		Organ	40: 159	IV/3: 63	→ BWV 732	0857
733	7.	1708–1717	Chorale prelude Meine Seele erhebt den Herren (fugue)		Organ	40: 41	IV/3: 65	by Krebs, J. L.?	0858
734	7.	1708–1717	Chorale prelude Nun freut euch, lieben Christen g'mein		Organ	40: 41	IV/3: 70	→ BWV 734a	0859
734a	7.	1708–1789	Chorale prelude Nun freut euch, lieben Christen g'mein		Organ	40: 160	IV/10	by Scholz (arr.)?; after BWV 734	0860
735	7.	c.1700–1717	Chorale prelude Valet will ich dir geben (Fantasia)		Organ	40: 41	IV/3: 77	after BWV 735a	0861
735a	7.	c.1706	Chorale prelude Valet will ich dir geben (early version)		Organ	40: 161	IV/3: 81	→ BWV 735	0862
736	7.	1713–1717	Chorale prelude Valet will ich dir geben		Org (V Bc)	40: 41	IV/3: 84		0863
737	7.	c.1704	Chorale prelude Vater unser im Himmelreich (Neumeister Chorales No. 18)		Organ	40: 41	IV/9: 36 IV/3: 90		0864
738	7.	1708–1717	Chorale prelude Vom Himmel hoch, da komm ich her		Organ	40: 41	IV/3: 94	after BWV 738a	0865
738a	7.	1708–1717	Chorale prelude Vom Himmel hoch, da komm ich her (sketch)		Organ	40: 158	IV/3: 94	→ BWV 738	0866
739	7.	c.1704	Chorale prelude Wie schön leuchtet der Morgenstern		Organ	40: 41	IV/10: 2		0867
740	7.	1700–1780	Chorale prelude Wir glauben all an einen Gott		Organ	40: 41		by Krebs, J. L.?	0868
741	7.	c.1701	Chorale prelude Ach Gott, vom Himmel sieh darein		Organ	40: 167	IV/3: 4		0869
742	7.	c.1704	Chorale prelude Ach Herr, mich armen Sünder (Neumeister Chorales No. 14)		Organ		IV/9: 28		0870
743	7.	c.1700–1717	Chorale prelude Ach, was ist doch unser Leben		Organ		IV/10: 11		0871
744	7.	c.1700–1717	Chorale prelude Auf meinen lieben Gott		Organ	40: 170	IV/10: 20	by Krebs, J. L.	0872
745	7.	1700–1788	Chorale prelude Aus der Tiefe rufe ich		Organ	40: 171	IV/10: 22	by Bach, C. P. E.?	0873
747	7.	c.1700–1717	Chorale prelude Christus, der uns selig macht		Organ		IV/10: 38		0875
749	7.	c.1700–1717	Chorale prelude Herr Jesu Christ, dich zu uns wend		Organ		IV/10: 80	by Telemann?; by Bach, J. Christoph?	0878
750	7.	c.1700–1703	Chorale prelude Herr Jesu Christ, meins Lebens Licht		Organ		IV/10: 81		0879
752	7.	c.1700–1717	Chorale prelude Jesu, der du meine Seele		Organ				0881
753	7.	c.1720	Chorale prelude Jesu, meine Freude (unfinished; WFB No. 5)		Organ	40: 163 45¹: 214	V/5: 8		0882
754	7.	c.1700–1717	Chorale prelude Liebster Jesu, wir sind hier		Organ				0883
755	7.	c.1700–1717	Chorale prelude Nun freut euch, lieben Christen g'mein		Organ				0884
756	7.	c.1700–1717	Chorale prelude Nun ruhen alle Wälder		Organ				0885
757	7.	c.1700–1717	Chorale prelude O Herre Gott, dein göttlichs Wort		Organ				0886
758	7.	c.1700–1717	Chorale prelude O Vater, allmächtiger Gott		Organ	40: 179	IV/11: 69		0887
762	7.	c.1700–1717	Chorale prelude Vater unser im Himmelreich		Organ		IV/10: 142		0891
763	7.	c.1700–1717	Chorale prelude Wie schön leucht uns der Morgenstern		Organ				0892
764	7.	c.1704–1705	Chorale prelude Wie schön leuchtet der Morgenstern		Organ	40: 164	IV/10: 6		0893
765	7.	c.1706	Chorale prelude Wir glauben all an einen Gott		Organ	40: 187			0894
1085	7.	c.1700–1717	Chorale prelude O Lamm Gottes unschuldig		Organ		IV/3: 76		1683
1090	7.	c.1704	Chorale prelude Wir Christenleut (Neumeister Chorales No. 2)		Organ		IV/9: 4		1276
1091	7.	c.1699	Chorale prelude Das alte Jahr vergangen ist (Neumeister Chorales No. 3)		Organ		IV/9: 6		1277
1092	7.	c.1701	Chorale prelude Herr Gott, nun schleuß den Himmel auf (Neumeister Chorales No. 4)		Organ		IV/9: 8		1278
1093	7.	c.1704	Chorale prelude Herzliebster Jesu, was hast du verbrochen (Neumeister Chorales No. 5)		Organ		IV/9: 10		1279
1094	7.	c.1699	Chorale prelude O Jesu, wie ist dein Gestalt (Neumeister Chorales No. 6)		Organ		IV/9: 12		1280
1095	7.	c.1704	Chorale prelude O Lamm Gottes unschuldig (Neumeister Chorales No. 7)		Organ		IV/9: 14		1281
1097	7.	c.1699	Chorale prelude Ehre sei dir Christe, der du leidest Not (Neumeister Chorales No. 9)		Organ		IV/9: 18		1283
1098	7.	c.1704	Chorale prelude Wir glauben all an einen Gott (Neumeister Chorales No. 10)		Organ		IV/9: 20		1284
1099	7.	c.1701	Chorale prelude Aus tiefer Not schrei ich zu dir (Neumeister Chorales No. 11)		Organ		IV/9: 22		1285
1100	7.	c.1704	Chorale prelude Allein zu dir, Herr Jesu Christ (Neumeister Chorales No. 12)		Organ		IV/9: 24		1286
1101	7.	c.1704	Chorale prelude Durch Adams Fall ist ganz verderbt (Neumeister Chorales No. 15)		Organ		IV/9: 30		1287
1102	7.	c.1706	Chorale prelude Du Friedefürst, Herr Jesu Christ (Neumeister Chorales No. 16)		Organ		IV/9: 33		1288
1103	7.	1699–1709	Chorale prelude Erhalt uns Herr, bei deinem Wort (Neumeister Chorales No. 17)		Organ		IV/9: 35		1289
1104	7.	1699–1709	Chorale prelude Wenn dich Unglück tut greifen an (Neumeister Chorales No. 19)		Organ		IV/9: 38		1290
1105	7.	c.1701	Chorale prelude Jesu, meine Freude (Neumeister Chorales No. 20)		Organ		IV/9: 39		1291
1106	7.	c.1704	Chorale prelude Gott ist mein Heil, mein Hilf und Trost (Neumeister Chorales No. 21)		Organ		IV/9: 40		1292
1107	7.	c.1704	Chorale prelude Jesu, meines Lebens Leben (Neumeister Chorales No. 22)		Organ		IV/9: 42		1293
1108	7.	c.1704	Chorale prelude Als Jesus Christus in der Nacht (Neumeister Chorales No. 23)		Organ		IV/9: 44		1294
1109	7.	1699–1709	Chorale prelude Ach Gott, tu dich erbarmen (Neumeister Chorales No. 24)		Organ		IV/9: 46		1295
1110	7.	c.1704	Chorale prelude O Herre Gott, dein göttlich Wort (Neumeister Chorales No. 25)		Organ		IV/9: 48		1296
1111	7.	c.1701	Chorale prelude Nun lasset uns den Leib begraben (Neumeister Chorales No. 26)		Organ		IV/9: 50		1297
1112	7.	c.1699	Chorale prelude Christus, der ist mein Leben (Neumeister Chorales No. 27)		Organ		IV/9: 52		1298
1113	7.	c.1699	Chorale prelude Ich hab mein Sach Gott heimgestellt (Neumeister Chorales No. 28)		Organ		IV/9: 54		1299
1114	7.	c.1701	Chorale prelude Herr Jesu Christ, du höchstes Gut (Neumeister Chorales No. 29)		Organ		IV/9: 56		1300
1115	7.	c.1701	Chorale prelude Herzlich lieb hab ich dich, o Herr (Neumeister Chorales No. 30)		Organ		IV/9: 58		1301
1116	7.	c.1701	Chorale prelude Was Gott tut, das ist wohlgetan (Neumeister Chorales No. 31)		Organ		IV/9: 60		1302
1117	7.	c.1701	Chorale prelude Alle Menschen müssen sterben (Neumeister Chorales No. 32)		Organ		IV/9: 62		1303
1118	7.	c.1701	Chorale prelude Werde munter, mein Gemüte (Neumeister Chorales No. 34)		Organ		IV/9: 66		1304
1119	7.	c.1699	Chorale prelude Wie nach einer Wasserquelle (Neumeister Chorales No. 35)		Organ		IV/9: 68		1305
1120	7.	c.1704	Chorale prelude Christ, der du bist der helle Tag (Neumeister Chorales No. 36)		Organ		IV/9: 70		1306
957	7.	c.1701	Chorale prelude Machs mit mir, Gott, nach deiner Güt (Neumeister Chorales No. 33; a.k.a. Fugue = first half in later arr.)	G major	Organ	42: 203	IV/9: 64, 74		1134
766	7.	c.1706	Chorale partita Christ, der du bist der helle Tag		Organ	40: 107	IV/1: 114		0895
767	7.	c.1708	Chorale partita O Gott, du frommer Gott		Organ	40: 114	IV/1: 122		0896
768	7.	1708–1717 or earlier	Chorale partita Sei gegrüßet, Jesu gütig		Organ	40: 122	IV/1: 132, 152		0897
769	7.	c.1747–1748	Chorale variations Vom Himmel hoch da komm ich her (canonic variations; print version)		Organ	40: 137	IV/2: 197	→ BWV 769a	0898
769a	7.	c.1747–1748	Chorale variations Vom Himmel hoch da komm ich her (canonic variations; autograph)		Organ		IV/2: 98	after BWV 769	0899
770	7.	c.1704	Chorale variations Ach, was soll ich Sünder machen		Organ	40: 189	IV/1: 104		0900
8.	Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach)								Up ↑
772	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 1 – Invention No. 1 = WFB No. 32: Preamb. 1	C major	Keyboard	3: 1 45¹: 221	V/5: 48 V/3: 2	→ BWV 772a^[17]^[18]^[19]	0902
772a	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 1a – Invention No. 1a	C major	Keyboard		V/3: 4	after BWV 772	0903
773	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 2 – Invention No. 2 = WFB No. 46: Preamb. 15	C minor	Keyboard	3: 2 45¹: 223	V/5: 76 V/3: 6	^[17]^[18]^[19]	0904
774	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 3 – Invention No. 3 = WFB No. 45: Preamb. 14	D major	Keyboard	3: 3 45¹: 223	V/5: 74 V/3: 8	^[17]^[18]^[19]	0905
775	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 4 – Invention No. 4 = WFB No. 33: Preamb. 2	D minor	Keyboard	3: 4 45¹: 221	V/5: 50 V/3: 10	^[17]^[18]^[19]	0906
776	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 5 – Invention No. 5 = WFB No. 44: Preamb. 13	E♭ major	Keyboard	3: 6 45¹: 222	V/5: 72 V/3: 12	^[17]^[18]^[19]	0907
777	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 6 – Invention No. 6 = WFB No. 43: Preamb. 12	E major	Keyboard	3: 7 45¹: 222	V/5: 70 V/3: 14	^[17]^[18]^[19]	0908
778	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 7 – Invention No. 7 = WFB No. 34: Preamb. 3	E minor	Keyboard	3: 9 45¹: 221	V/5: 52 V/3: 16	^[17]^[18]^[19]	0909
779	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 8 – Invention No. 8 = WFB No. 35: Preamb. 4	F major	Keyboard	3: 10 45¹: 221	V/5: 54 V/3: 18	^[17]^[18]^[19]	0910
780	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 9 – Invention No. 9 = WFB No. 42: Preamb. 11	F minor	Keyboard	3: 11 45¹: 222	V/5: 68 V/3: 20	^[17]^[18]^[19]	0911
781	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 10 – Invention No. 10 = WFB No. 36: Preamb. 5	G major	Keyboard	3: 12 45¹: 221	V/5: 56 V/3: 22	^[17]^[18]^[19]	0912
782	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 11 – Invention No. 11 = WFB No. 41: Preamb. 10	G minor	Keyboard	3: 13 45¹: 222	V/5: 66 V/3: 24	^[17]^[18]^[19]	0913
783	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 12 – Invention No. 12 = WFB No. 40: Preamb. 9	A major	Keyboard	3: 14 45¹: 222	V/5: 64 V/3: 26	^[17]^[18]^[19]	0914
784	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 13 – Invention No. 13 = WFB No. 37: Preamb. 6	A minor	Keyboard	3: 15 45¹: 221	V/5: 58 V/3: 28	^[17]^[18]^[19]	0915
785	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 14 – Invention No. 14 = WFB No. 39: Preamb. 8	B♭ major	Keyboard	3: 16 45¹: 222	V/5: 62 V/3: 30	^[17]^[18]^[19]	0916
786	8.	1720-01-22 1725-01-22	Inventions and Sinfonias No. 15 – Invention No. 15 = WFB No. 38: Preamb. 7	B minor	Keyboard	3: 18 45¹: 222	V/5: 60 V/3: 32	^[17]^[18]^[19]	0917
787	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 16 – Sinfonia No. 1 = WFB No. 49: Fantasia 1	C major	Keyboard	3: 19 45¹: 227	V/5: 90 V/3: 34	^[17]^[18]^[19]	0918
788	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 17 – Sinfonia No. 2 = WFB No. 63: Fantas. 15	C minor	Keyboard	3: 20 45¹: 231	V/5: 118 V/3: 36	^[17]^[18]^[19]	0919
789	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 18 – Sinfonia No. 3 = WFB No. 62: Fantas. 14	D major	Keyboard	3: 22 45¹: 230	V/5: 116 V/3: 38	^[17]^[18]^[19]	0920
790	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 19 – Sinfonia No. 4 = WFB No. 50: Fantasia 2	D minor	Keyboard	3: 23 45¹: 227	V/5: 92 V/3: 40	^[17]^[18]^[19]	0921
791	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 20 – Sinfonia No. 5 = WFB No. 61: Fantas. 13	E♭ major	Keyboard	3: 24 45¹: 230	V/5: 114 V/3: 42	→ BWV 791a^[17]^[18]^[19]	0922
791a	8.	1723	Sinfonias and Inventions No. 20a – Sinfonia No. 5a	E♭ major	Keyboard		V/3: 44, 80	after BWV 791^[17]^[18]^[19]	0923
792	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 21 – Sinfonia No. 6 = WFB No. 60: Fantas. 12	E major	Keyboard	3: 26 45¹: 229	V/5: 112 V/3: 46	^[17]^[18]^[19]	0924
793	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 22 – Sinfonia No. 7 = WFB No. 51: Fantasia 3	E minor	Keyboard	3: 28 45¹: 227	V/5: 94 V/3: 48	^[17]^[18]^[19]	0925
794	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 23 – Sinfonia No. 8 = WFB No. 52: Fantasia 4	F major	Keyboard	3: 29 45¹: 227	V/5: 96 V/3: 50	^[17]^[18]^[19]	0926
795	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 24 – Sinfonia No. 9 = WFB No. 59: Fantas. 11	F minor	Keyboard	3: 30 45¹: 229	V/5: 110 V/3: 52	^[17]^[18]^[19]	0927
796	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 25 – Sinfonia No. 10 = WFB No. 53: Fantasia 5	G major	Keyboard	3: 32 45¹: 228	V/5: 98 V/3: 54	^[17]^[18]^[19]	0928
797	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 26 – Sinfonia No. 11 = WFB No. 58: Fantas. 10	G minor	Keyboard	3: 34 45¹: 229	V/5: 108 V/3: 56	^[17]^[18]^[19]	0929
798	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 27 – Sinfonia No. 12 = WFB No. 57: Fantasia 9	A major	Keyboard	3: 36 45¹: 229	V/5: 106 V/3: 58	^[17]^[18]^[19]	0930
799	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 28 – Sinfonia No. 13 = WFB No. 54: Fantasia 6	A minor	Keyboard	3: 38 45¹: 228	V/5: 100 V/3: 60	^[17]^[18]^[19]	0931
800	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 29 – Sinfonia No. 14 = WFB No. 56: Fantasia 8	B♭ major	Keyboard	3: 40 45¹: 228	V/5: 104 V/3: 62	^[17]^[18]^[19]	0932
801	8.	1720-01-22 1725-01-22	Sinfonias and Inventions No. 30 – Sinfonia No. 15 = WFB No. 55: Fantasia 7	B minor	Keyboard	3: 41 45¹: 228	V/5: 102 V/3: 64	^[17]^[18]^[19]	0933
802	8.	1739	Duet No. 1 from Clavier-Übung III	E minor	Organ	3: 242	IV/4: 92		0934
803	8.	1739	Duet No. 2 from Clavier-Übung III	F major	Organ	3: 242	IV/4: 96		0935
804	8.	1739	Duet No. 3 from Clavier-Übung III	G major	Organ	3: 242	IV/4: 99		0936
805	8.	1739	Duet No. 4 from Clavier-Übung III	A minor	Organ	3: 242	IV/4: 102		0937
806	8.	1714–1723	English Suite No. 1	A major	Keyboard	45¹: 3	V/7: 2		0938
806a	8.	1714–1717	English Suite No. 1a	A major	Keyboard		V/7: 116		0939
807	8.	1725 or earlier	English Suite No. 2	A minor	Keyboard	45¹: 3	V/7: 20		0940
808	8.	1725 or earlier	English Suite No. 3	G minor	Keyboard	45¹: 3	V/7: 38		0941
809	8.	1725 or earlier	English Suite No. 4	F major	Keyboard	45¹: 3	V/7: 54		0942
810	8.	1725 or earlier	English Suite No. 5	E minor	Keyboard	45¹: 3	V/7: 70		0943
811	8.	1725 or earlier	English Suite No. 6	D minor	Keyboard	45¹: 3	V/7: 90		0944
812 AMB1	8.	1720–1722	Notebook A. M. Bach (1722) No. 1 French Suite No. 1	D minor	Keyboard		V/4: 3		0945
812 AMB2	8.	1725 (AMB)	Notebook A. M. Bach (1725) No. 30 French Suite No. 1	D minor	Keyboard		V/4: 109		0945
812 v.A	8.	early 1750s	French Suite No. 1 – Version A (Altnickol)	D minor	Keyboard		V/8: 2		0945
812 v.B	8.		French Suite No. 1 – Version B	D minor	Keyboard	45¹: 89	V/8: 64		0945
813 AMB1	8.	1720–1722	Notebook A. M. Bach (1722) No. 2, 9 French Suite No. 2	C minor	Keyboard		V/4: 10		0946
813 AMB2	8.	1725 (AMB)	Notebook A. M. Bach (1725) No. 31 French Suite No. 2	C minor	Keyboard		V/4: 116		0946
813 v.A	8.	early 1750s	French Suite No. 2 – Version A (Altnickol)	C minor	Keyboard		V/8: 10		0946
813a	8.		French Suite No. 2 – Version B	C minor	Keyboard	45¹: 89	V/8: 72		0947
814 AMB1	8.	1720–1722	Notebook A. M. Bach (1722) No. 3, 10 French Suite No. 3	B minor	Keyboard		V/4: 16		0948
814 v.A	8.	early 1750s	French Suite No. 3 – Version A (Altnickol)	B minor	Keyboard		V/8: 20		0948
814 v.B	8.		French Suite No. 3 – Version B	B minor	Keyboard	45¹: 89			0948
814a	8.	1720–1739	French Suite No. 3 – Variant	B minor	Keyboard		V/8: 166	after BWV 929	0949
815 AMB1	8.	1720–1722	Notebook A. M. Bach (1722) No. 4 French Suite No. 4	E♭ major	Keyboard		V/4: 23		0950
815 v.A	8.	early 1750s	French Suite No. 4 – Version A (Altnickol)	E♭ major	Keyboard		V/8: 30		0950
815 v.B	8.		French Suite No. 4 – Version B	E♭ major	Keyboard	45¹: 89	V/8: 92		0950
815a	8.		French Suite No. 4 – Variant	E♭ major	Keyboard		V/8: 176		0951
816 AMB1	8.	1724–1725	Notebook A. M. Bach (1722) No. 5 French Suite No. 5	G major	Keyboard		V/4: 30		0952
816 v.A	8.	early 1750s	French Suite No. 5 – Version A (Altnickol)	G major	Keyboard		V/8: 40		0952
816 v.B	8.		French Suite No. 5 – Version B	G major	Keyboard	45¹: 89	V/8: 102		0952
817 v.A	8.	early 1750s	French Suite No. 6 – Version A (Altnickol)	E major	Keyboard		V/8: 52		0953
817 v.B	8.	after 1724?	French Suite No. 6 – Version B	E major	Keyboard	45¹: 89	V/8: 114		0953
818	8.	1720–1722	Suite for keyboard (early version)	A minor	Keyboard	36: 3	V/8: 129		0954
818a	8.	after 1721	Suite for keyboard (later version)	A minor	Keyboard	36: 213	V/8: 146		0955
819	8.	before 1726	Suite for keyboard (early version)	E♭ major	Keyboard	36: 8	V/8: 136		0956
819a	8.	1725–1728	Suite for keyboard (later version)	E♭ major	Keyboard	36: 217	V/8: 156		0957
820	8.	1705–1713	Suite (Ouverture) for keyboard	F major	Keyboard	36: 14	V/10: 43		0958
822	8.		Suite for keyboard	G minor	Keyboard		V/10: 68	after unknown model?	0960
823	8.	before 1727	Suite for keyboard	F minor	Keyboard	36: 229	V/10: 50		0961
825	8.	1725–1726	Partita No. 1 from Clavier-Übung I	B♭ major	Keyboard	3: 46	V/1: 2		0963
826	8.	1725–1727	Partita No. 2 from Clavier-Übung I	C minor	Keyboard	3: 56	V/1: 15		0964
827	8.	1725–1727	Notebook A. M. Bach (1725) No. 1 = Partita No. 3 from Clavier-Übung I	A minor	Keyboard	3: 70	V/1: 35 V/4: 47		0964
828	8.	1725–1728	Partita No. 4 from Clavier-Übung I	D major	Keyboard	3: 82	V/1: 50		0966
829	8.	1725–1730	Partita No. 5 from Clavier-Übung I	G major	Keyboard	3: 102	V/1: 72		0967
830	8.	1725–1730	Notebook A. M. Bach (1725) No. 2 = Partita No. 6 from Clavier-Übung I	E minor	Keyboard	3: 116	V/1: 90 V/4: 60	after BWV 1019a/3 /5	0968
831	8.	1733–1735	Overture in the French style (Clavier-Übung II No. 2)	B minor	Harpsichord	3: 154	V/2: 20	after BWV 831a	0969
831a	8.	1727–1733	Overture in the French style (early version)	C minor	Keyboard		V/2: 43	→ BWV 831	0970
832	8.	before 1707	Suite for keyboard	A major	Keyboard	42: 255	V/10: 54	in Möllersche Handschrift	0971
833	8.	before 1707	Prelude and partita for keyboard	F major	Keyboard		V/10: 60	in Möllersche Handschrift	0972
836	8.	1720–1721	Allemande, Klavierbüchlein WFB No. 6	G minor	Keyboard	45¹: 214	V/5: 8	by Bach, W. F. & J. S.?	0975
837	8.	1720–1721	Allemande, Klavierbüchlein WFB No. 7 (incomplete)	G minor	Keyboard	45¹: 215	V/5: 10	by Bach, W. F. & J. S.?	0976
841	8.	1720–1721	Notebook A. M. Bach (1722) No. 11 Menuet = WFB No. 11: Menuet 1	G major	Keyboard	36: 209 45¹: 215	V/5: 16 V/4: 44	by Bach, W. F. & J. S.?	0980
842	8.	1720–1721	Klavierbüchlein WFB No. 12: Menuet 2	G minor	Keyboard	36: 209 45¹: 216	V/5: 17	by Bach, W. F. (BR A43) & J. S.?	0981
843	8.	1720–1721	Klavierbüchlein WFB No. 13: Menuet 3	G major	Keyboard	36: 210 45¹: 216	V/5: 18		0982
846	8.	1722	Well-Tempered Clavier I, P. & F. No. 1	C major	Keyboard	14: 3	V/6.1: 2	after BWV 846a	0986
846/1	8.	1725 (AMB)	Notebook A. M. Bach (1725) No. 29 Prelude (short version of WTC I No. 1/1)	C major	Keyboard		V/4: 107		0986
846a	8.	1720	Klavierbüchlein WFB No. 14: Praeludium 1 (early WTC I No. 1/1)	C major	Keyboard	45¹: 216	V/5: 19 V/6.1: 127	→ BWV 846/1	0987
847	8.	1722	Well-Tempered Clavier I, P. & F. No. 2 (/1 = WFB No. 15: Praeludium 2)	C minor	Keyboard	14: 6 45¹: 216	V/5: 20 V/6.1: 2	after BWV 847a	0988
847a	8.		Prelude and Fughetta (early WTC I No. 2)	C minor	Keyboard		V/6.1: 130	→ BWV 847	0989
848	8.	1722	Well-Tempered Clavier I, P. & F. No. 3 (/1 = WFB No. 21: Praeludium [8])	C♯ major	Keyboard	14: 10 45¹: 218	V/5: 30 V/6.1: 2	after BWV 848a	0990
848a	8.		Prelude and Fughetta (early WTC I No. 3)	C♯ major	Keyboard		V/6.1: 134	→ BWV 848	0991
849	8.	1722	Well-Tempered Clavier I, P. & F. No. 4 (/1 = WFB No. 22: Praeludium [9])	C♯ minor	Keyboard	14: 14 45¹: 218	V/5: 32 V/6.1: 2	after BWV 849a	0992
849a	8.		Prelude and Fughetta (early WTC I No. 4)	C♯ minor	Keyboard		V/6.1: 140	→ BWV 849	0993
850	8.	1722	Well-Tempered Clavier I, P. & F. No. 5 (/1 = WFB No. 17: Praeludium 4)	D major	Keyboard	14: 18 45¹: 217	V/5: 23 V/6.1: 2	after BWV 850a	0994
850a	8.		Prelude and Fughetta (early WTC I No. 5)	D major	Keyboard		V/6.1: 146	→ BWV 850	0995
851	8.	1722	Well-Tempered Clavier I, P. & F. No. 6 (/1 = WFB No. 16: Praeludium 3)	D minor	Keyboard	14: 22 45¹: 217	V/5: 22 V/6.1: 2	after BWV 851a	0996
851a	8.		Prelude and Fughetta (early WTC I No. 6)	D minor	Keyboard		V/6.1: 150	→ BWV 851	0997
852	8.	1722	Well-Tempered Clavier I, P. & F. No. 7	E♭ major	Keyboard	14: 26	V/6.1: 32	after BWV 852a	0998
852a	8.		Prelude and Fughetta (early WTC I No. 7)	E♭ major	Keyboard		V/6.1: 154	→ BWV 852	0999
853	8.	1722	Well-Tempered Clavier I, P. & F. No. 8 (/1 = WFB No. 23: Praeludium [10])	E♭ minor D♯ minor	Keyboard	14: 32 45¹: 218	V/5: 34 V/6.1: 38	after BWV 853a; → K. 404a/1	1000
853a	8.		Prelude and Fughetta (early WTC I No. 8)	E♭ minor D♯ minor	Keyboard		V/6.1: 160	→ BWV 853	1001
854	8.	1722	Well-Tempered Clavier I, P. & F. No. 9 (/1 = WFB No. 19: Praeludium 6)	E major	Keyboard	14: 36 45¹: 218	V/5: 26 V/6.1: 44	after BWV 854a	1002
854a	8.		Prelude and Fughetta (early WTC I No. 9)	E major	Keyboard		V/6.1: 166	→ BWV 854	1003
855	8.	1722	Well-Tempered Clavier I, P. & F. No. 10	E minor	Keyboard	14: 38	V/6.1: 48	after BWV 855a	1004
855a	8.	c.1720	Prelude and Fughetta (early WTC I No. 10) (/1 = WFB No. 18: Praeludium 5)	E minor	Keyboard	45¹: 217	V/5: 24 V/6.1: 170	→ BWV 855	1005
856	8.	1722	Well-Tempered Clavier I, P. & F. No. 11 (/1 = WFB No. 20: Praeludium 7)	F major	Keyboard	14: 42 45¹: 218	V/5: 28 V/6.1: 54	after BWV 856a	1006
856a	8.		Prelude and Fughetta (early WTC I No. 11)	F major	Keyboard		V/6.1: 174	→ BWV 856	1007
857	8.	1722	Well-Tempered Clavier I, P. & F. No. 12 (/1 = WFB No. 24: Praeludium [11])	F minor	Keyboard	14: 44 45¹: 218	V/5: 36 V/6.1: 58	after BWV 857a	1008
857a	8.		Prelude and Fughetta (early WTC I No. 12)	F minor	Keyboard		V/6.1: 178	→ BWV 857	1009
858	8.	1722	Well-Tempered Clavier I, P. & F. No. 13	F♯ major	Keyboard	14: 48	V/6.1: 64	after BWV 858a	1010
858a	8.		Prelude and Fughetta (early WTC I No. 13)	F♯ major	Keyboard		V/6.1: 184	→ BWV 858	1011
859	8.	1722	Well-Tempered Clavier I, P. & F. No. 14	F♯ minor	Keyboard	14: 50	V/6.1: 64	after BWV 859a	1012
859a	8.		Prelude and Fughetta (early WTC I No. 14)	F♯ minor	Keyboard		V/6.1: 188	→ BWV 859	1013
860	8.	1722	Well-Tempered Clavier I, P. & F. No. 15	G major	Keyboard	14: 52	V/6.1: 72	after BWV 860a	1014
860a	8.		Prelude and Fughetta (early WTC I No. 15)	G major	Keyboard		V/6.1: 192	→ BWV 860	1015
861	8.	1722	Well-Tempered Clavier I, P. & F. No. 16	G minor	Keyboard	14: 57	V/6.1: 78	after BWV 861a	1016
861a	8.		Prelude and Fughetta (early WTC I No. 16)	G minor	Keyboard		V/6.1: 198	→ BWV 861	1017
862	8.	1722	Well-Tempered Clavier I, P. & F. No. 17	A♭ major	Keyboard	14: 60	V/6.1: 82	after BWV 862a	1018
862a	8.		Prelude and Fughetta (early WTC I No. 17)	A♭ major	Keyboard		V/6.1: 202	→ BWV 862	1019
863	8.	1722	Well-Tempered Clavier I, P. & F. No. 18	G♯ minor	Keyboard	14: 64	V/6.1: 86	after BWV 863a	1020
863a	8.		Prelude and Fughetta (early WTC I No. 18)	G♯ minor	Keyboard		V/6.1: 206	→ BWV 863	1021
864	8.	1722	Well-Tempered Clavier I, P. & F. No. 19	A major	Keyboard	14: 66	V/6.1: 90	after BWV 864a	1022
864a	8.		Prelude and Fughetta (early WTC I No. 19)	A major	Keyboard		V/6.1: 210	→ BWV 864	1023
865	8.	1722	Well-Tempered Clavier I, P. & F. No. 20	A minor	Keyboard	14: 70	V/6.1: 96	after BWV 865a	1024
865a	8.		Prelude and Fughetta (early WTC I No. 20)	A minor	Keyboard		V/6.1: 216	→ BWV 865	1025
866	8.	1722	Well-Tempered Clavier I, P. & F. No. 21	B♭ major	Keyboard	14: 74	V/6.1: 104	after BWV 866a	1026
866a	8.		Prelude and Fughetta (early WTC I No. 21)	B♭ major	Keyboard		V/6.1: 224	→ BWV 866	1027
867	8.	1722	Well-Tempered Clavier I, P. & F. No. 22	B♭ minor	Keyboard	14: 78	V/6.1: 108	after BWV 867a; → Hess 38	1028
867a	8.		Prelude and Fughetta (early WTC I No. 22)	B♭ minor	Keyboard		V/6.1: 228	→ BWV 867	1029
868	8.	1722	Well-Tempered Clavier I, P. & F. No. 23	B major	Keyboard	14: 82	V/6.1: 112	after BWV 868a	1030
868a	8.		Prelude and Fughetta (early WTC I No. 23)	B major	Keyboard		V/6.1: 232	→ BWV 868	1031
869	8.	1722	Well-Tempered Clavier I, P. & F. No. 24	B minor	Keyboard	14: 84	V/6.1: 116	after BWV 869a	1032
869a	8.		Prelude and Fughetta (early WTC I No. 24)	B minor	Keyboard		V/6.1: 236	→ BWV 869	1033
870b 870/2	8.	1739–1742	Well-Tempered Clavier II, P. & F. No. 1 (version A)	C major	Keyboard	45¹: 243 14: 94	V/6.2: 2, 6, 342		1036
871	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 2	C minor	Keyboard	14: 96	V/6.2: 8, 160	→ K. 405/1	1037
872	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 3	C♯ major	Keyboard	14: 100	V/6.2: 12, 164, 352	after BWV 872a	1038
872a/1	8.	1739–1740	Prelude (early WTC II, P. & F. No. 3/1)	C major	Keyboard	14: 243	V/6.2: 344	→ BWV 872/1	1039
872a/2	8.	1738	Fughetta (early WTC II, P. & F. No. 3/2)	C major	Keyboard	36: 224	V/6.2: 358	→ BWV 872/2	1039
873	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 4	C♯ minor	Keyboard	14: 104	V/6.2: 16, 168		1040
874	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 5	D major	Keyboard	14: 108	V/6.2: 24, 176	→ K. 405/5	1041
875	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 6	D minor	Keyboard	14: 112	V/6.2: 30 182, 348, 356	after BWV 875a	1042
875a	8.	1739–1740	Preambulum (early WTC II, P. & F. No. 6/1)	D minor	Keyboard	36: 224	V/6.2: 346	→ BWV 875/1	1043
876	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 7	E♭ major	Keyboard	14: 116	V/6.2: 36, 188, 354	→ K. 405/2	1044
877	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 8	D♯ minor	Keyboard	14: 120	V/6.2: 42, 194	→ K. 405/4	1045
878	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 9	E major	Keyboard	14: 124	V/6.2: 48, 200	→ K. 405/3	1046
879	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 10	E minor	Keyboard	14: 128	V/6.2: 54, 206		1047
880	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 11	F major	Keyboard	14: 134	V/6.2: 62, 215		1048
881	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 12	F minor	Keyboard	14: 138	V/6.2: 69, 221		1049
882	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 13	F♯ major	Keyboard	14: 142	V/6.2: 76, 228	→ K. 404a/3	1050
883	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 14	F♯ minor	Keyboard	14: 146	V/6.2: 84, 236	→ K. 404a/2	1051
884	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 15	G major	Keyboard	14: 150	V/6.2: 90, 242, 350	after BWV 902/2	1052
885	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 16	G minor	Keyboard	14: 154	V/6.2: 94, 246		1053
886	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 17	A♭ major	Keyboard	14: 160	V/6.2: 100, 108, 252	after BWV 901/2	1054
887	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 18	G♯ minor	Keyboard	14: 166	V/6.2: 112, 260		1055
888	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 19	A major	Keyboard	14: 172	V/6.2: 120, 268		1056
889	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 20	A minor	Keyboard	14: 176	V/6.2: 124, 272		1057
890	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 21	B♭ major	Keyboard	14: 180	V/6.2: 128, 276		1058
891	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 22	B♭ minor	Keyboard	14: 186	V/6.2: 134, 282		1059
892	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 23	B major	Keyboard	14: 192	V/6.2: 142, 290		1060
893	8.	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 24	B minor	Keyboard	14: 198	V/6.2: 150, 298		1061
870	8.	1744	Well-Tempered Clavier II, P. & F. No. 1 (version B)	C major	Keyboard	14: 91	V/6.2: 156	after BWV 870a	1034
894	8.	1710–1717 (JTK)	Prelude and Fugue	A minor	Keyboard	36: 91	V/9.2: 40	→ BWV 1044/1, /3; in SBB P 801, P 804	1062
895	8.	1709 (JCB)	Prelude and Fugue	A minor	Keyboard	36: 104	V/9.2: 69	in Yale LM 4982	1063
896	8.	1704–1707	Prelude and Fugue	A major	Keyboard	36: 157	V/9.2: 72	in Möllersche Handschrift	1064
870a	8.	before 1727	Prelude and Fughetta	C major	Keyboard	36: 224	V/6.2: 307, 310	→ BWV 870; in SBB P 804, P 1089	1035
899	8.	before 1727	Prelude and Fughetta	D minor	Keyboard	36: 106	V/6.2: 314 V/12: 24	in SBB P 804, P 1089	1068
900	8.	before 1727	Prelude and Fughetta	E minor	Keyboard	36: 108	V/6.2 V/12	in SBB P 804, P 1089	1069
901	8.	before 1727	Prelude and Fughetta	F major	Keyboard	36: 112	V/6.2: 324	→ BWV 886/2; in SBB P 1089	1070
902	8.	c.1729	Prelude and Fughetta	G major	Keyboard	36: 114	V/6.2: 328	→ BWV 884/2; in SBB P 804, P 1089	1071
902/1a	8.	before 1727	Prelude (previous Prelude to BWV 902/2)	G major	Keyboard	36: 220	V/6.2: 334, 338	→ BWV 884/2; in SBB P 804	1072
903	8.		Chromatic Fantasia and Fugue	D minor	Keyboard	36: 71	V/9.2: 76	after BWV 903a; in SBB P 803, P 651	1073
903a	8.		Fantasia (early BWV 903/1)	D minor	Keyboard	36: 219	V/9.2: 90	→ BWV 903/1; in D-DS Mus. ms. 69	1074
904	8.	before 1727	Fantasia and Fugue	A minor	Keyboard	36: 81	V/9.2	in SBB P 804	1075
906	8.	before 1729 c.1738	Fantasia and Fugue (Fugue incomplete)	C minor	Keyboard	36: 145, 238	V/9.2: 110	in US-BETbc, D-Dl Mus.2405-T-52	1077
910	8.	1707–1713	Toccata	F♯ minor	Kb (or) Org	3: 311	V/9.1: 1	in Andreas-Bach-Buch	1081
911	8.	1707–1713	Toccata	C minor	Kb (or) Org	3: 322	V/9.1: 13	in Andreas-Bach-Buch	1082
912	8.	1707–1713	Toccata	D major	Kb (or) Org	36: 26	V/9.1: 38	after BWV 912a; ↔ BWV 532/1	1083
912a	8.	1704–1707	Toccata	D major	Kb (or) Org	36: 218	V/9.1: 26	→ BWV 912; in Möllersche Handschrift	1084
913	8.	1707–1709	Toccata	D minor	Kb (or) Org	36: 36	V/9.1: 50, 63	after BWV 913a	1085
913a	8.		Toccata	D minor	Kb (or) Org		V/9.1: 52	→ BWV 913; publ. 1801	1086
914	8.	1707–1709	Toccata	E minor	Kb (or) Org	36: 47	V/9.1: 78		1087
915	8.	1707–1709	Toccata	G minor	Kb (or) Org	36: 54	V/9.1: 87		1088
916	8.	1707–1713	Toccata	G major	Kb (or) Org	36: 63	V/9.1: 100	in Andreas-Bach-Buch	1089
917	8.	1704–1707	Fantasia	G minor	Keyboard	36: 143	V/9.1: 14, 16	in Möllersche Handschrift	1090
918	8.		Fantasia on a Rondo	C minor	Keyboard	36: 148	V/9.1: 14, 18		1091
921	8.	1707–1713	Prelude	C minor	Keyboard	36: 136	V/9.1: 24	in Andreas-Bach-Buch	1094
922	8.	1710–1714 (JTK)	Prelude (Fantasia)	A minor	Keyboard	36: 138	V/9.2: 27, 34	in SBB P 803	1095
923	8.	c.1723?	Prelude	B minor	Keyboard	42: 211	V/9.2: 116	by Pachelbel, W. H.?; → BWV 923a; in SBB P 401	1096
924	8.	c.1720	Twelve Little Preludes No. 1: Preambulum (WFB No. 2)	C major	Keyboard	36: 118 45¹: 214	V/5: 4	→ BWV 924a	1098
924a	8.	1720–1726	Twelve Little Preludes No. 1a: Preludium ex c♮ (WFB No. 26)	C major	Keyboard	36: 221 45¹: 220	V/5: 41	after BWV 924; BR A44 F(add) 206	1099
925	8.	1720–1726	Twelve Little Preludes No. 4: Preludium ex d♮ (WFB No. 27)	D major	Keyboard	36: 121 45¹: 220	V/5: 42	BR A45 F(add) 206	1100
926	8.	c.1720	Twelve Little Preludes No. 5: Preludium (WFB No. 4)	D minor	Keyboard	36: 122 45¹: 214	V/5: 6		1101
927	8.	1720–1726	Twelve Little Preludes No. 8: Preambulum (WFB No. 8)	F major	Keyboard	36: 124 45¹: 215	V/5: 10		1102
928	8.	1720–1726	Twelve Little Preludes No. 9: Preludium (WFB No. 10)	F major	Keyboard	36: 124 45¹: 215	V/5: 14		1103
929	8.	1720–1726	Twelve Little Preludes No. 10: Trio for a Minuet by Stölzel (WFB No. 48^e)	G minor	Keyboard	36: 126 45¹: 226	V/5: 89		1104
930	8.	1720–1726	Twelve Little Preludes No. 11: Preambulum (WFB No. 9)	G minor	Keyboard	36: 126 45¹: 215	V/5: 12		1105
931	8.	1720–1726	Preludium, Klavierbüchlein WFB No. 29	A minor	Keyboard	36: 237 45¹: 220	V/5: 45	BR A47 F(add) 206	1106
932	8.	1720–1726	Preludium ex e♭, Klavierbüchlein WFB No. 28 (incomplete)	E minor	Keyboard	36: 237 45¹: 220	V/5: 44	BR A46 F(add) 206	1107
933	8.	1717–1723?	Six Little Preludes No. 1	C major	Keyboard	36: 128	V/9.2: 3	in SBB P 542, P 885	1108
934	8.	1717–1723?	Six Little Preludes No. 2	C minor	Keyboard	36: 128	V/9.2: 4	in SBB P 542, P 885	1109
935	8.	1717–1723?	Six Little Preludes No. 3	D minor	Keyboard	36: 130	V/9.2: 5	in SBB P 542, P 885	1110
936	8.	1717–1723?	Six Little Preludes No. 4	D major	Keyboard	36: 131	V/9.2: 6	in SBB P 542, P 885	1111
937	8.	1717–1723?	Six Little Preludes No. 5	E major	Keyboard	36: 132	V/9.2: 8	in SBB P 542, P 885	1112
938	8.	1717–1723?	Six Little Preludes No. 6	E minor	Keyboard	36: 133	V/9.2: 10	in SBB P 542, P 885	1113
939	8.	1726–1727	Five Little Preludes No. 1 (=12 L. P. No. 2)	C major	Keyboard	36: 119	V/12: 50	by Bach?; in SBB P 804	1114
940	8.	1726–1727	Five Little Preludes No. 2 (=12 L. P. No. 6)	D minor	Keyboard	36: 123	V/12: 50	by Bach?; in SBB P 804	1115
941	8.	1726–1727	Five Little Preludes No. 3 (=12 L. P. No. 7)	E minor	Keyboard	36: 123	V/12: 51	by Bach?; in SBB P 804	1116
942	8.	1726–1727	Five Little Preludes No. 4 (=12 L. P. No. 12)	A minor	Keyboard	36: 127	V/12: 52	by Bach?; in SBB P 804	1117
943	8.	1725–1727	Five Little Preludes No. 5	C major	Org (Kb?)	36: 134	V/12: 53	in SBB P 804	1118
944	8.	1707–1713	Fantasia and Fugue	A minor	Keyboard	3: 334	V/9.2: 133	in Andreas-Bach-Buch	1119
946	8.	early work?	Fugue on a theme by Albinoni	C major	Keyboard	36: 159	V/9.2: 153	after Albinoni, Op. 1, No. 12/4 (theme)	1121
947	8.	early work?	Fugue	A minor	Keyboard	36: 161	V/12: 55	by Bach?	1122
948	8.	early work?	Fugue	D minor	Keyboard	36: 164	V/9.2: 156	in D-B N. Mus. ms. 10580	1123
949	8.	1707–1713	Fugue	A major	Keyboard	36: 169	V/9.2: 163	after Albinoni (theme)?; in Andreas-Bach-Buch	1124
950	8.	before 1725	Fugue on a theme by Albinoni	A major G major	Keyboard	36: 173	V/9.2: 168	after Albinoni (theme); in SBB P 804	1125
951	8.	1714–1717	Fugue on a theme by Albinoni	B minor	Keyboard	36: 178	V/9.2: 118	after BWV 951a; in SBB P 801	1126
951a	8.	1714–1717	Fugue on a theme by Albinoni (early version)	B minor	Keyboard	36: 221	V/9.2: 127	after Albinoni (theme); → BWV 951; in D-LEm Poel. mus. Ms. 9	1127
952	8.		Fugue	C major	Keyboard	36: 184	V/9.2: 176		1128
953	8.	1720–1726	Fugue a 3, Klavierbüchlein WFB No. 31	C major	Keyboard	36: 186 45¹: 220	V/5: 46		1129
954	8.	early work?	Fugue on a theme by Reincken	B♭ major	Keyboard	42: 50	V/11: 200	after Reincken, Hortus Musicus No. 2/2 (theme)^[20]	1130
955	8.	early work	Fugue	B♭ major	Keyboard	42: 55	V/12: 60	after BWV 955a; in SBB P 425, P 804	1131
955a	8.	early work	Fugue	B♭ major	Organ	42: 298	V/12: 65	by Erselius?; → BWV 955; in SBB P 247, P 595	1132
959	8.		Fugue	A minor	Keyboard	42: 208	V/9.2: 178	by Bach?	1136
961	8.	?	Fughetta	C minor	Keyboard	36: 154	V/9.2: 182	in SBB P 823	1138
963	8.	early work	Sonata for keyboard	D major	Keyboard	36: 19	V/10: 32	in SBB P 804	1140
965	8.	c.1714–1717 or earlier	Sonata for keyboard after Reincken	A minor	Keyboard	42: 29	V/11: 173	after Reincken, Hortus Musicus No. 1/1–/5; in SBB P 803	1142
966	8.	c.1714–1717 or earlier	Sonata for keyboard after Reincken	A minor	Keyboard	42: 42	V/11: 188	after Reincken, Hortus Musicus No. 3/1–/5; in SBB P 803	1143
967	8.	1704–1707	Sonata transcription, 1st movement	A minor	Keyboard	45¹: 168	V/9.2: 184	in SBB P 804	1144
971	8.	1733–1735	Italian Concerto (Clavier-Übung II No. 1)	F major	Harpsichord	3: 139	V/2: 2		1148
972	8.	July 1713– July 1714	Concerto for solo keyboard (1/16)	D major	Keyboard	42: 59	V/11: 3	after Vivaldi, Op. 3 No. 9	1149
972a	8.	July 1713– July 1714	Concerto for solo keyboard (1/16), early version	D major	Keyboard		V/11: 161	after Vivaldi, Op. 3 No. 9	1150
973	8.	July 1713– July 1714	Concerto for solo keyboard (2/16)	G major	Keyboard	42: 59	V/11: 12	after Vivaldi, Op. 7 No. 8	1151
974	8.	July 1713– July 1714	Concerto for solo keyboard (3/16)	D minor	Keyboard	42: 59	V/11: 20	after Marcello, A., Oboe Concerto	1152
975	8.	July 1713– July 1714	Concerto for solo keyboard (4/16)	G minor	Keyboard	42: 59	V/11: 30	after Vivaldi, Op. 4 No. 6	1153
976	8.	July 1713– July 1714	Concerto for solo keyboard (5/16)	C major	Keyboard	42: 59	V/11: 39	after Vivaldi, Op. 3 No. 12	1154
977	8.	July 1713– July 1714	Concerto for solo keyboard (6/16)	C major	Keyboard	42: 59	V/11: 50	after unknown model	1155
978	8.	July 1713– July 1714	Concerto for solo keyboard (7/16)	F major	Keyboard	42: 59	V/11: 56	after Vivaldi, Op. 3 No. 3 (RV 310)	1156
979	8.	July 1713– July 1714	Concerto for solo keyboard (8/16)	B minor	Keyboard	42: 59	V/11: 64	after Vivaldi, RV 813 (previously: Torelli)^[21]	1157
980	8.	July 1713– July 1714	Concerto for solo keyboard (9/16)	G major	Keyboard	42: 59	V/11: 79	after Vivaldi, Op. 4 No. 1 (RV 381)	1158
981	8.	July 1713– July 1714	Concerto for solo keyboard (10/16)	C minor	Keyboard	42: 59	V/11: 90	after Marcello, B., Op. 1 No. 2	1159
982	8.	July 1713– July 1714	Concerto for solo keyboard (11/16)	B♭ major	Keyboard	42: 59	V/11: 100	after J. E. of Saxe-Weimar, Op. 1 No. 1	1160
983	8.	July 1713– July 1714	Concerto for solo keyboard (12/16)	G minor	Keyboard	42: 59	V/11: 110	after unknown model	1161
984	8.	July 1713– July 1714	Concerto for solo keyboard (13/16)	C major	Keyboard	42: 59	V/11: 118	after J. E. of Saxe-Weimar, Concerto; → BWV 595	1162
985	8.	July 1713– July 1714	Concerto for solo keyboard (14/16)	G minor	Keyboard	42: 59	V/11: 128	after Telemann, TWV 51:g1^[22]	1163
986	8.	July 1713– July 1714	Concerto for solo keyboard (15/16)	G minor	Keyboard	42: 59	V/11: 137	after unknown model	1164
987	8.	July 1713– July 1714	Concerto for solo keyboard (16/16)	D minor	Keyboard	42: 59	V/11: 142	after J. E. of Saxe-Weimar, Op. 1 No. 4	1165
988	8.	1741–1742	Goldberg Variations (Clavier-Übung IV)	G major	Harpsichord	3: 263	V/2: 69	→ BWV 1087	1166
988/1	8.	c.1740? (AMB)	Notebook A. M. Bach (1725) No. 26 Aria of the Goldberg Variations	G major	Harpsichord	3: 263	V/4: 103	→ BWV 1087	1166
989	8.	1707–1713	Aria variata	A minor	Keyboard	36: 203	V/10: 21	in Andreas-Bach-Buch	1167
991	8.	1722	Notebook A. M. Bach (1722) No. 7 Air with variations (incomplete)	C minor	Keyboard	43²: 4	V/4: 40		1169
992	8.	1704–1707	Capriccio on the departure of a beloved brother	B♭ major	Keyboard	36: 190	V/10: 3	in Möllersche Handschrift	1170
993	8.	c.1705	Capriccio in honorem Johann Christoph Bachii Ohrdrufiensis	E major	Keyboard	36: 197	V/10: 12	in SBB P 804	1171
994	8.	1720	Klavierbüchlein WFB No. 1: Applicatio	C major	Keyboard	36: 237 45¹:214	V/5: 4		1172
9.	Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach)								Up ↑
995	9.	Fall 1727 – Winter 1731	Suite for lute	G minor	Lu		V/10: 81	after BWV 1011^[23]^[24]^[25] ^[26]^[27]^[28]^[29]^[30]^[31] ^[32]^[33]^[34]^[35]^[36]^[37]	1173
996	9.	1710–1717 (JGW)	Suite for lute	E minor	Lu (Lw?)	45¹: 149	V/10: 94	in SBB P 801, pp. 385–395^[38]^[39] ^[29]^[31]^[32]^[40]^[41]^[42]	1174
997	9.	1720–1739	Suite for lute	C minor	Lu (Lw?)	45¹: 156	V/10: 102	in SBB P 650, MB Lpz III.11.5^[26]^[29]^[43] ^[31]^[32]^[36]^[37]^[40]^[41]	1175
998	9.	1735–1745	Prelude, Fugue and Allegro	E♭ major	Lu (or) Hc	45¹: 141	V/10: 114	^[29]^[44]^[45] ^[30]^[31]^[32]^[37]^[41]^[46]	1176
999	9.	1717–1723	Prelude for lute (Twelve Little Preludes No. 3)	C minor	Lu	36: 119	V/10: 122	in SBB P 804, pp. 101–103^[29]^[31]^[47]^[48]	1177
1000	9.	after 1720	Fugue	G minor	Lu		V/10: 124	after BWV 1001/2; → 539/2; in MB Lpz III.11.4^[26]^[43] ^[29]^[31]^[36]^[37]^[40]^[49]	1178
1006a	9.	c.1736–1737	Suite for lute	E major	Lu?	42: 16	V/10: 134	after BWV 1006^[24]^[29]^[50] ^[31]^[37]^[46]^[51]^[52]^[53]	1185
10.	Chamber music (see also: List of chamber music works by Johann Sebastian Bach)								Up ↑
1001	10.	1720	Sonatas and partitas for solo violin No. 1 – Sonata No. 1	G minor	Vl	27¹: 3	VI/1: 3 rev 3: 3	→ BWV 1000, 539/2	1179
1002	10.	1720	Partitas and sonatas for solo violin No. 2 – Partita No. 1	B minor	Vl	27¹: 3	VI/1: 10 rev 3: 10		1180
1003	10.	1720	Sonatas and partitas for solo violin No. 3 – Sonata No. 2	A minor	Vl	27¹: 3	VI/1: 20 rev 3: 20	→ BWV 964	1181
1004	10.	1720	Partitas and sonatas for solo violin No. 4 – Partita No. 2	D minor	Vl	27¹: 3	VI/1: 30 rev 3: 30		1182
1005	10.	1720	Sonatas and partitas for solo violin No. 5 – Sonata No. 3	C major	Vl	27¹: 3	VI/1: 42 rev 3: 42	after "Komm, Heiliger Geist, Herre Gott"; → BWV 968	1183
1006	10.	1720	Partitas and sonatas for solo violin No. 6 – Partita No. 3	E major	Vl	27¹: 3	VI/1: 54 rev 3: 54	→ BWV 1006a, 29/1 and 120a/4	1184
1007	10.	1720 (AMB)	Suite for cello No. 1	G major	Vc	27¹: 59	VI/2: 2		1186
1008	10.	1720 (AMB)	Suite for cello No. 2	D minor	Vc	27¹: 59	VI/2: 8		1187
1009	10.	1720 (AMB)	Suite for cello No. 3	C major	Vc	27¹: 59	VI/2:14		1188
1010	10.	1720 (AMB)	Suite for cello No. 4	E♭ major	Vc	27¹: 59	VI/2: 22		1189
1011	10.	1720 (AMB)	Suite for cello No. 5	C minor	Vc	27¹: 59	VI/2: 32	→ BWV 995	1190
1012	10.	1720 (AMB)	Suite for cello No. 6	D major	Vc	27¹: 59	VI/2:40		1191
1013	10.	1717–1723?	Partita for flute	A minor	Fl		VI/3: 3		1192
1014	10.	1717–1723?	Sonata for violin and harpsichord No. 1	B minor	Vl Hc	9: 69	VI/1: 83 rev 3: 83		1193
1015	10.	1717–1723?	Sonata for violin and harpsichord No. 2	A major	Vl Hc	9: 84	VI/1: 99 rev 3: 99		1194
1016	10.	1717–1723?	Sonata for violin and harpsichord No. 3	E major	Vl Hc	9: 98	VI/1: 115 rev 3: 115		1195
1017	10.	1717–1723?	Sonata for violin and harpsichord No. 4	C minor	Vl Hc	9: 120	VI/1: 136 rev 3: 136		1196
1018	10.	1717–1723?	Sonata for violin and harpsichord No. 5	F minor	Vl Hc	9: 136	VI/1: 153 rev 3: 153	after BWV 1018a	1197
1018a	10.	1717–1723?	Sonata for violin and harpsichord No. 5a	F minor	Vl Hc	9: 250	VI/1: 195 rev 3: 194	→ BWV 1018	1198
1019	10.	after 1729?	Sonata for violin and harpsichord No. 6	G major	Vl Hc	9: 154	VI/1: 172 rev 3: 172	after BWV 1019a	1199
1019a	10.	1717–1729?	Sonata for violin and harpsichord No. 6, early versions	G major	Vl Hc	9: 252	VI/1: 197 rev 3: 196	after BWV 120a/4, 830/3, /6; → BWV 120/4, 1019	1200
1021	10.	1732–1733	Sonata for violin and continuo	G major	Vl Bc		VI/1: 65 rev 3: 65	→ BWV 1022, 1038	1202
1023	10.	c.1714–1717?	Sonata for violin and continuo	E minor	Vl Bc	43¹: 31	VI/1: 73 rev 3: 73		1204
1025	10.	c.1746–1747?	Suite for violin and keyboard	A major	Vl Kb	9: 43	VI/5: 67	after Weiss, Suite for Lute in A major	1206
1026	10.	c.1714–1717	Fugue for violin and continuo	G minor	Vl Bc	43¹: 39	VI/5: 59		1207
1027	10.	c.1742	Sonata for gamba and harpsichord No. 1	G major	Gam Hc	9: 175	VI/4: 3	after BWV 1039; → 1027/1a /2a /4a	1208
1028	10.		Sonata for gamba and harpsichord No. 2	D major	Gam Hc	9: 175	VI/4: 21		1210
1029	10.		Sonata for gamba and harpsichord No. 3	G minor	Gam Hc	9: 175	VI/4: 36	→ BWV 545b	1211
1030	10.	1736–1737	Sonata for flute and harpsichord	B minor	Fl Hc	9: 3	VI/3: 33	after BWV 1030a	1212
1030a	10.	1717–1736	Sonata for unknown instrument and harpsichord	G minor	v Hc		VI/3: 89	→ BWV 1030	1212
1032	10.	1736–1737	Sonata for flute and harpsichord (/1 incomplete)	A major	Fl Hc	9: 32, 245	VI/3: 54	→ BWV 525a	1214
1034	10.	1717–1723?	Sonata for flute and continuo	E minor	Fl Bc	43¹: 9	VI/3: 11		1216
1035	10.	1717–1723?	Sonata for flute and continuo	E major	Fl Bc	43¹: 21	VI/3: 23		1217
1039	10.	1708–1726	Sonata	G major	2Fl Bc	9: 260	VI/3: 71	→ BWV 1027	1221
11.	Works for orchestra (see also: List of orchestral works by Johann Sebastian Bach)								Up ↑
1041	11.	1730	Concerto for violin and orchestra No. 1	A minor	Vl Str Bc	21¹: 3 45¹: 233	VII/3: 3	→ BWV 1058	1223
1042	11.		Concerto for violin and orchestra No. 2	E major	Vl Str Bc	21¹: 21	VII/3: 35	→ BWV 1054	1224
1043	11.	1730–1731 or earlier	Concerto for 2 violins and orchestra – Double Concerto	D minor	2Vl Str Bc	21¹: 41	VII/3: 71	→ BWV 1062	1225
1044	11.	1727 or later	Concerto for flute, violin, harpsichord and orchestra – Triple Concerto	A minor	Fl Vl Hc Str Bc	17: 223	VII/3: 105	after BWV 894/1, 527/2, 894/2	1226
1045	11.	1743–1746	Cantata opening: "Concerto" (Symphonic movement for violin and orchestra)	D major	Vl 3Tr Tmp 2Ob Str Bc	21¹: 65	I/34: 305	after unknown model by other composer?^[54]^[55]^[56]	1227
1046	11.	1721-03-24	Brandenburg Concerto No. 1	F major	2Nho 3Ob Bas Vlp Str Bc	19: 3	VII/2: 3	after BWV 1046a; /3, /7 → BWV 207(a)/1, /5a	1228
1046a	11.	c.1712- 1713?	Sinfonia (opening of BWV 208?)	F major	2Nho 3Ob Str Bas Bc	31¹: 69	VII/2: 225	→ BWV 1046; /1 → BWV 52/1; was BWV 1071^[54]	1229
1047	11.	1721-03-24	Brandenburg Concerto No. 2	F major	Tr Fl Ob Vl Str Vne Bc	19: 3	VII/2: 43		1230
1048	11.	1721-03-24	Brandenburg Concerto No. 3	G major	3Vl 3Vla 3Vc Vne Hc	19: 3	VII/2: 73	→ BWV 174/1	1231
1049	11.	1721-03-24	Brandenburg Concerto No. 4	G major	Vl 2Fl Str Vc Vne Bc	19: 3	VII/2: 99	→ BWV 1057	1232
1050	11.	1721-03-24	Brandenburg Concerto No. 5	D major	Fl Vl Hc Vl Va Vc Vne	19: 3	VII/2: 145	after BWV 1050a	1233
1050a	11.	1720–1721	Brandenburg Concerto No. 5a	D major	Fl Vl Hc Vl Va Vne	19: 3	VII/2: 145	→ BWV 1050	1234
1051	11.	1721-03-24	Brandenburg Concerto No. 6	B♭ major	2Vla 2Gam Vc Vne Hc	19: 3	VII/2: 197		1235
1052	11.	c.1738	Concerto for harpsichord and orchestra No. 1	D minor	Hc Str Bc	17: 3	VII/4: 3	after BWV 146/1, /2 and 188/1	1236
1052a	11.	c.1734	Concerto for harpsichord and orchestra No. 1a	D minor	Hc Str Bc	17: 3	VII/4: 317	by Bach, C. P. E.; after BWV 146/1, /2 and 188/1	1237
1053	11.	c.1738	Concerto for harpsichord and orchestra No. 2	E major	Hc Str Bc	17: 3	VII/4: 79	after BWV 169/1, /5 and 49/1	1238
1054	11.	c.1738	Concerto for harpsichord and orchestra No. 3	D major	Hc Str Bc	17: 3	VII/4: 127	after BWV 1042	1239
1055	11.	c.1738	Concerto for harpsichord and orchestra No. 4	A major	Hc Str Bc	17: 3	VII/4: 161	after BWV 1055R?	1240
1056	11.	c.1738	Concerto for harpsichord and orchestra No. 5	F minor	Hc Str Bc	17: 3	VII/4: 197	after BWV 1056R?; /2 after BWV 156/1	1241
1057	11.	c.1738	Concerto for harpsichord and orchestra No. 6	F major	Hc 2Fl Str Bc	17: 3	VII/4: 221	after BWV 1049	1242
1058	11.	c.1738	Concerto for harpsichord and orchestra No. 7	G minor	Hc Str Bc	17: 3	VII/4: 283	after BWV 1041	1243
1059	11.	c.1738	Concerto for harpsichord and orchestra No. 8 (abandoned fragment of 1st movement)	D minor	Hc Ob Str Bc	17: 3	VII/4: 313	after BWV 35/1 and earlier model (for oboe?); completions/ reconstructions usually based on BWV 35/1, /2 and /5	1244
1060	11.	c.1736	Concerto for 2 harpsichords and orchestra No. 1	C minor	2Hc Str Bc	21²: 3	VII/5: 3	after BWV 1060R?	1245
1061	11.		Concerto for 2 harpsichords and orchestra No. 2	C major	2Hc Str Bc	21²: 39	VII/5: 109	after BWV 1061a	1246
1061a	11.	1732–1733	Concerto for 2 harpsichords (No. 2)	C major	2Hc		VII/5: 83	→ BWV 1061	1247
1062	11.	1736	Concerto for 2 harpsichords and orchestra No. 3	C minor	2Hc Str Bc	21²: 83	VII/5: 43	after BWV 1043	1248
1063	11.	c.1730	Concerto for 3 harpsichords and orchestra No. 1	D minor	3Hc Str Bc	31³: 3	VII/6: 3	after unknown model?	1249
1064	11.	c.1730	Concerto for 3 harpsichords and orchestra No. 2	C major	3Hc Str Bc	31³: 53	VII/6: 55	after BWV 1064R?	1250
1065	11.	c.1730	Concerto for 4 harpsichords and orchestra	A minor	4Hc Str Bc	43¹: 71	VII/6: 117	after Vivaldi, Op. 3 No. 10	1251
1066	11.	May 1724–End 1725	Orchestral Suite No. 1	C major	2Ob Bas Str Bc	31¹: 3	VII/1: 3	Ouverture Courante 2Gavotte Forlane 2Minuet 2Bourrée 2Passepied	1252
1067	11.	1738–1739	Orchestral Suite No. 2	B minor	Fl Str Bc	31¹: 24	VII/1: 27	Ouverture Rondeau Sarabande 2Bourrée 2Polonaise Minuet Badinerie	1253
1068	11.	c.1730	Orchestral Suite No. 3	D major	3Tr Tmp 2Ob (Vl) Str Bc	31¹: 40	VII/1: 49, 119	Ouverture Air 2Gavotte Bourrée Gigue	1254
1069	11.	before late 1727	Orchestral Suite No. 4	D major	3Tr Tmp 2Ob Bas Str Bc	31¹: 66	VII/1: 79	Ouverture 2Bourrée Gavotte 2Minuet Réjouissance; /1 → BWV 110/1	1255
1071								see BWV 1046a	1257
12.	Canons (see also: List of canons by Johann Sebastian Bach)								Up ↑
1072	12.		Canon trias harmonica a 8	D major	8V	45¹: 131	VIII/l: 3, 6	^[32]^[57]	1258
1073	12.	1713-08-02	Canon â 4. Voc: perpetuus	A minor	4V	45¹: 132	VIII/l: 3	in US-CAh bMS Eng 870 (35b)^[58]^[59]^[60]^[61]^[62]	1259
1074	12.	1727	Canon a 4 (for Ludwig Friedrich Hudemann)	A minor	4V	45¹: 134	VIII/l: 3	^[63]^[64] ^[32]^[60]^[65]^[66]^[67]^[68]	1260
1075	12.	1734-01-10	Canon a 2. perpetuus	D major	2V		VIII/l: 3	^[60]	1261
1076	12.	1746	Canon triplex a 6	G major	6V	45¹: 138	VIII/l: 3	after BWV 1087/13 ^[46]^[69]^[70]^[71] ^[32]^[72]^[73]^[74]^[75]^[76]	1262
1077	12.	1747-10-15	Canone doppio sopr' il soggetto (dedicated to Johann Fulde)	G major	4V Bc		VIII/1: 4 IX/2: 81	after BWV 1087/11^[50]^[60]^[76]^[77]	1263
1078	12.	1749-03-01	Canon Fa Mi, et Mi Fa est Tota Musica, a.k.a. Canon super Fa Mi, a 7. post Tempus Musicum	F major	7V Bc	45¹: 136	VIII/l: 4	in SBB P 611^[60]^[78]^[79]	1264
1086	12.	1750?	Canon Concordia discors	D major	2V		VIII/l: 4 III/1: VIII	in SLB Dresden R 291^s^[32]^[80]^[81]^[82]^[83]	1272
1087	12.	1747/1748 or earlier	14 Canons on the first eight notes of the Goldberg ground	G major	6V		V/2: 119	after BWV 988/1; /11 → BWV 1077; /13 → 1076; in BN Paris Ms. 17669, Bl. 18v ^[46]^[84]^[85]^[86]^[87]^[88]	1273
13.	Musical Offering, Art of the Fugue (see also: List of late contrapuntal works by Johann Sebastian Bach)								Up ↑
1079	13.	1747-07-07	Musical Offering		Kb Fl 2Vl Bc	31²	VIII/1: 46	^[89]	1265
1080	13.	1742–1750	The Art of Fugue		2Kb (etc.?)	Sppl.	VIII/2: 3	in SBB P 200^[90]	1266
Later	Later additions to the main catalogue								Up ↑
1127		1713-10-30	Aria "Alles mit Gott und nichts ohn' ihn"		s Str Bc		Sppl: 237	text by Mylius, J. A.	1307
1128		1725-08-27	Chorale fantasia Wo Gott der Herr nicht bei uns hält		Organ			was BWV Anh. 71^[91]	1725
R	Reconstructions								Up ↑
1052R	R	1970	Concerto	D minor	Vl Str Bc		VII/7: 3	by Fischer; after BWV 1052^[92]	1236
1055R	R	1970	Concerto	A major	Oba Str Bc		VII/7: 33	by Fischer; after BWV 1055^[92]	1240
1056R	R	1970	Concerto	G minor	Vl Str Bc		VII/7: 59	by Fischer; after BWV 1056^[92]	1241
1060R	R	1970	Concerto	C minor	Vl Ob Str Bc		VII/7: 75	by Fischer; after BWV 1060^[92]	1245
1064R	R	1970	Concerto	D major	3Vl Str Bc		VII/7: 103	by Fischer; after BWV 1064^[92]	1250
Anh. I	Fragments – lost works								Up ↑
I 1	I	1725-07-15?	Cantata Gesegnet ist die Zuversicht (Trinity VII)		SATB 2Fl Str Bc			by Telemann (TWV 1:617)?; text by Neumeister?^[93]^[94]^[95]	1308
I 2	I	1729-10-20?	Cantata for Trinity XIX Gott, du Richter der Gedanken? (sketch)		SATB Vl Str Bc		III/1	in SBB P 36: 18; text by Picander?^[96]	1309
I 3	I	1730-08-25	Cantata Gott, gib dein Gerichte dem Könige (council election)				I/32.2	text by Picander^[97]^[98]	1310
I 4	I	1725-08-27	Cantata Wünschet Jerusalem Glück (council election)					text by Picander^[40]^[98]	1311
I 4a	I	1730-06-27	Cantata Wünschet Jerusalem Glück (200th anniversary of the Augsburg Confession)					text by Picander; after BWV Anh. 4^[97]	1312
I 5	I	1718-12-10	Cantata Lobet den Herrn, alle seine Heerscharen (birthday of Leopold of Anhalt-Köthen)				I/34	text by Hunold^[99]	1313
I 6	I	1720-01-01	Secular cantata Dich loben die lieblichen Strahlen der Sonne (congratulation of Leopold of Anhalt-Köthen)				I/35	text by Hunold^[100]^[101]	1314
I 7	I	1720-12-10	Secular cantata Heut ist gewiß ein guter Tag (birthday of Leopold of Anhalt-Köthen)				I/35	text by Hunold^[102]^[103]	1315
I 8	I	1723-01-01	Secular cantata for New Year (congratulation of Leopold of Anhalt-Köthen and his wife Frederica Henriette)				I/35	^[104]	1316
I 9	I	1727-05-12	Secular cantata Entfernet euch, ihr heitern Sterne (57th birthday of Augustus II)				I/36	text by Haupt, C. F.; /1 → BWV 232^II/6?^[105]^[106]^[107]	1317
I 10	I	1731-08-25	Secular cantata So kämpfet nur, ihr muntern Töne (birthday of Joachim Friedrich von Flemming)				I/39	text by Picander; /1 → BWV 248^VIa/1?^[108]^[109]	1318
I 11	I	1732-08-03	Secular cantata Es lebe der König, der Vater im Lande (name day of Augustus II)				I/36	text by Picander; /1 & /11 → BWV 215/1 → 232^IV/1=/3; /7 → 248/39?; /9 → 212/14^[98]^[108]^[110]	1319
I 12	I	1733-08-03	Secular cantata Frohes Volk, vergnügte Sachsen (name day of Augustus III)				I/36	text by Picander; after BWV Anh. 18; /1 → BWV 11/1^[98]^[108]^[111]	1320
I 13	I	1738-04-28	Secular cantata Willkommen! Ihr herrschenden Götter der Erden in honour of the royal couple (Augustus III and Maria Josepha), and for the forthcoming marriage of princess Maria Amalia with Charles of Sicily				I/37	text by Gottsched, J. C. in Riemersche Chronik ^[98]^[112]^[113]^[114]	1321
I 14	I	1725-02-12	Cantata Sein Segen fließt daher wie ein Strom (wedding)					^[115]^[116]	1322
I 15	I	1724-04-27	Cantata Siehe, der Hüter Israel (doctorate)		SATB 3Tr Tmp 2Ob 3Vl Va Bc		I/34	^[117]^[118]	1323
I 16	I	1735-11-09	Cantata Schließt die Gruft, ihr Trauerglocken (mourning of Hedwig of Merseburg)					by Roemhildt; text by Hoffmann, B.^[119]^[120]^[121]^[122]	1324
I 17	I		Cantata Mein Gott, nimm die gerechte Seele (funeral)		SATB 2Oba Str Bas Bc		I/33	^[123]	1325
I 18	I	1732-06-05	Secular cantata Froher Tag, verlangte Stunden (inauguration of St. Thomas school after renovation)				I/39	text by Winckler; /1 → BWV 11/1; /1 /3 /5 /6 /8 /10 → BWV Anh. 12^[124]^[125]^[126]	1326
I 19	I	1734-11-21	Secular cantata Thomana saß annoch betrübt (welcome to Johann August Ernesti as new rector of St. Thomas school)				I/39	text by Johann August Landvoigt?; /9 after BWV 201/15?^[127]^[128]	1327
I 20	I	1723-08-09	Ode in Latin (birthday of Frederick II of Saxe-Gotha)				I/38	^[129]^[130]	1328
N 190	I	1729-04-18	Cantata Ich bin ein Pilgrim auf der Welt (Easter 2)		b Bc ...		I/33	text by Picander; fragment of /4 in SBB P 670^[131]	1501
N 191	I	1715-05-19	Cantata Leb ich oder leb ich nicht (Cantate)					text by Franck, S.^[132]^[133]	1502
N 192	I	1709-02-04	Cantata for Ratswahl in Mühihausen No. 2					^[134]	1503
N 193	I	1740-08-29	Cantata Herrscher des Himmels, König der Ehren (council election)				I/32.2	text in Nützliche Nachrichten; last mvt. → BWV 208/15 ^[135]^[136]^[137]	1504
N 194	I	1722-07-29	Cantata for the 45th birthday of John Augustus, Prince of Anhalt-Zerbst					^[138]^[139]	1505
N 195	I	1723-06-09	Secular cantata Murmelt nur, ihr heitern Bäche (celebration of Johann Florenz Rivinus)					text in Acta Lipsiensium Academica (1723)^[140]	1506
N 196	I	1725-11-27	Secular cantata Auf, süß entzückende Gewalt (wedding of Peter, eldest son of Peter Hohmann, and Christiana Sibylla Mencke)				I/40	text by Gottsched, C.; /3 → BWV 11/4 → 232^IV/4; /5 → BWV 11/8^[141]^[142]^[143]^[144]	1507
N 197	I		Cantata Ihr wallenden Wolken (1 January: New Year)					^[145]^[146]	1508
N 198								see BWV 149/1a	1509
N 199	I	1724-03-25	Cantata Siehe, eine Jungfrau ist schwanger (25 March: Annunciation)					text in Texte Zur Leipziger Kirchen-Music^[147]^[148]^[149]	1510
N 200	I	c.1713–1715	Chorale prelude O Traurigkeit, o Herzeleid (unused sketch for Orgelbüchlein)		Organ		IV/1: 46	in SBB P 283^[50]	1511
N 209	I	1725-09-09? 1727-02-06	Cantata Liebster Gott, vergißt du mich (1711: libretto for Trin. VII; 1725: Trin. XV?; 1727: funeral in Pomßen)					text by Lehms; in Pomßen with BWV 157^[150]^[151]	1520
N 210	I	1734-10-04	Cantata Wo sind meine Wunderwerke (leave-taking of Johann Matthias Gesner)					text in 2° Poet. Germ. I, 6425: 4 Rara; /1 → BWV 193a/7, 193/3?^[152]^[153]^[154]	1521
N 211	I	1729-01-18	Cantata Der Herr ist freundlich dem, der auf ihn harret (wedding)					text by Picander (1732)^[155]^[156]	1522
N 212	I	1729-07-26	Cantata Vergnügende Flammen, verdoppelt die Macht (wedding)					text by Picander^[108]^[157] no music^[156]	1523
N 213	I		Concerto	F major	Org			by Telemann; arr. by Bach	1524
223	I	1717–1718?	Cantata Meine Seele soll Gott loben	B♭ major			I/34	by Handel?^[158]	0280
224	I	1732	Aria "Reißt euch los, bekränkte Sinnen" (fragment)		S		I/41	by Bach, C. P. E.?; in SBB P 491^[159]	0281
Anh. II	Works of doubtful authenticity								Up ↑
53	II		Aria "Schlage doch, gewünschte Stunde"	E major	a Bel Str Bc	12²: 53	I/41	by Hoffman, M.?^[160]^[161]	0068
142	II		Cantata Uns ist ein Kind geboren (Christmas)	A minor	atbSATB 2Fl 2Ob Str Bc	30: 19	I/41	text by Neumeister (reworked)^[162]	0174
189	II		Cantata Meine Seele rühmt und preist (German Magnificat)	B♭ major	t Fl Ob Vl Bc	37: 213	I/41	by Hoffman, M.?^[163]^[164]	0229
217	II		Cantata Gedenke, Herr, wie es uns gehet (Epiphany I)		satbSATB Fl Str Bc	41: 207		by Altnickol?^[165]	0274
220	II		Cantata Lobt ihn mit Herz und Munde (24 June: feast of John the Baptist)		atbSATB Fl 2Ob Str Bc	41: 259	I/41	^[166]	0277
221	II		Cantata Wer sucht die Pracht, wer wünscht den Glanz		tb 2Vl Bas Vc Org		I/41	in SBB P 191: 83–113^[167]	0278
III 159	II	1712–1713 or earlier	Motet Ich lasse dich nicht, du segnest mich denn		2SATB	39: 157	III/3	by Bach, J. Christoph?; in SBB P 4/1^[16]^[168]	1470
II 25	II	1740–1742 (JSB)	Kyrie–Gloria Mass	C major	SATB 2Tr 2Vl Org	11¹: XVI	II/9	by Bach, J. L.?^[165]	1333
239	II	1738–1741 (JSB)	Sanctus	D minor	SATB Str Bc	11¹: 89	II/9	in SBB P 13 No. 3, BKraków St 113^[169]	0298
II 28	II		Sanctus	B♭ major	SATB 2Ob 2Cor Str Bc	11¹: XVII	II/9	^[170]	1336
II 29	II	c.1714–17	Kyrie–Gloria Mass (only cello part extant)	C minor			II/9	in BKraków St 547	1337
III 167	II		Kyrie–Gloria Mass for two choirs	G major	2SATB 3Ob Tai 2Vl 2Va 2Vne Bc		II/9	by Bach, J. L. or Lotti?; in SBB P 659, P 660, Am.B.4/4a^[76]^[171]	1478
II 30	II	1690s (Tor.) c.1742 (JSB)	Magnificat	C major	2SATB 3Tr Tmp 2Vl 2Vla Bc	11¹: XV	II/9	by Torri; Tr3 and Tmp added by Bach^[172]^[173]	1338
246	II	1730-04-07 (JSB)	Passion St Luke Passion		ssatbSATB 2Fl 2Ob Tai Bas Str Bc	45²	II/9: 65	→ BWV 246/40a; in SBB P 1017^[174]	0311
II 31	II		Chorale Herr Gott, dich loben alle wir		SATB 2Tr 3Ob Str Bc			in SBB P 101^[175]	1339
N 201	II		Chorale Du Friedefürst, Herr Jesu Christ		SATB			by Vetter, D.^[176]	1512
N 202	II		Chorale Gott hat das Evangelium		SATB			by Vetter, D.^[176]	1513
N 203	II		Chorale Ich hebe meine Augen auf		SATB			by Vetter, D.^[176]	1514
N 204	II		Chorale O Traurigkeit, o Herzeleid		SATB			by Vetter, D.^[176]	1515
II 32	II	1704	Sieben geistliche Oden und ein Gedicht No. 1 "Getrost mein Geist, wenn Wind und Wetter krachen"		Voice Bc			in Deutsche Übersetzungen und Gedichte^[177]^[178]	1340
II 33	II	1704	Sieben geistliche Oden und ein Gedicht No. 2 "Mein Jesus, spare nicht"		Voice Bc			in Deutsche Übersetzungen und Gedichte^[177]^[178]	1341
II 34	II	1704	Sieben geistliche Oden und ein Gedicht No. 3 "Kann ich mit einem Tone"		Voice Bc			in Deutsche Übersetzungen und Gedichte^[177]^[178]	1342
II 35	II	1704	Sieben geistliche Oden und ein Gedicht No. 4 "Meine Seele lass die Flügel"		Voice Bc			in Deutsche Übersetzungen und Gedichte^[177]^[178]	1343
II 36	II	1704	Sieben geistliche Oden und ein Gedicht No. 5 "Ich stimm' itzund ein Straff-Lied an"		Voice Bc			in Deutsche Übersetzungen und Gedichte^[177]^[178]	1344
II 37	II	1704	Sieben geistliche Oden und ein Gedicht No. 6 "Der schwarze Flügel trüber Nacht"		Voice Bc			in Deutsche Übersetzungen und Gedichte^[177]^[178]	1345
II 38	II	1704	Sieben geistliche Oden und ein Gedicht No. 7 "Das Finsterniß tritt ein"		Voice Bc			in Deutsche Übersetzungen und Gedichte^[177]^[178]	1346
II 39	II	1704	Sieben geistliche Oden und ein Gedicht No. 8 "Ach was wollt ihr trüben Sinnen"		Voice Bc			in Deutsche Übersetzungen und Gedichte^[177]^[178]	1347
II 40	II	1736	Song "Ich bin nun wie ich bin"		Voice Kb			in Singende Muse an der Pleiße^[179]^[180]	1348
II 41	II	1736	Song "Dir zu Liebe, wertes Herze"		Voice Kb			in Singende Muse an der Pleiße^[179]^[180]	1349
571	II		Fantasia	G major	Organ	38: 67		in SBB Am. B. 606 (Bl. 8^v-9^r)^[181]	0651
580	II		Fugue	D major	Organ	38: 215		^[182]	0662
II 42	II		Fugue	F major	Organ			in SBB P 817: 1–3	1350
576	II		Fugue	G major	Organ		IV/11	^[183]	0658
577	II		Fugue	G major	Organ	38: 111	IV/11: 44	^[184]	0659
581	II		Fugue	G major	Organ		IV/11	in MB Lpz Poel mus. ms. 18^[185]	0663
131a	II		Fugue	G minor	Organ	38: 217	IV/11: 3	after BWV 131/5^[186]	0161
536a	II	c.1760–1789?	Prelude and Fugue (incomplete)	A major	Organ		IV/6: 114	after BWV 536, 152/1; arr. by Scholz?^[187]	0612
545b	II	1708–1717	Prelude, Trio and Fugue	B♭ major	Organ		IV/11: 6	after BWV 545a, 1029/3; → 545^[188]^[189]	0624
553	II		Eight Short Preludes and Fugues No. 1	C major	Organ	38: 23	IV/11	by Krebs, J. T. or J. L.?^[190]^[191]^[192]	0633
554	II		Eight Short Preludes and Fugues No. 2	D minor	Organ	38: 23	IV/11	by Krebs, J. T. or J. L.?^[190]^[191]^[192]	0634
555	II		Eight Short Preludes and Fugues No. 3	E minor	Organ	38: 23	IV/11	by Krebs, J. T. or J. L.?^[190]^[191]^[192]	0635
556	II		Eight Short Preludes and Fugues No. 4	F major	Organ	38: 23	IV/11	by Krebs, J. T. or J. L.?^[190]^[191]^[192]	0636
557	II		Eight Short Preludes and Fugues No. 5	G major	Organ	38: 23	IV/11	by Krebs, J. T. or J. L.?^[190]^[191]^[192]	0637
558	II		Eight Short Preludes and Fugues No. 6	G minor	Organ	38: 23	IV/11	by Krebs, J. T. or J. L.?^[190]^[191]^[192]	0638
559	II		Eight Short Preludes and Fugues No. 7	A minor	Organ	38: 23	IV/11	by Krebs, J. T. or J. L.?^[190]^[191]^[192]	0639
560	II		Eight Short Preludes and Fugues No. 8	B♭ major	Organ	38: 23	IV/11	by Krebs, J. T. or J. L.?^[190]^[191]^[192]	0640
561	II		Fantasia and Fugue	A minor	Organ	38: 48			0641
584	II	1801–1842? (arr.)	Trio	G minor	Organ		I/12: 23 IV/11	after BWV 166/2^[193]^[194]	0666
1027 /1a /2a /4a	II		Trio	G major	Organ		IV/11	after BWV 1027 / 1039, mvt. 1, 2, 4; arr. by Kellner, J. P.?	1209
591	II		Kleines harmonisches Labyrinth		Organ	38: 225	IV/11: 50	by Heinichen?^[195]^[196]	0673
597	II		Concerto	E♭ major	Organ		IV/11	after unknown model?^[197]	0680
598	II		Pedal-Exercitium (fragment)		Organ	38: 210		by Bach, C. P. E.?; in SBB P 491	0681
676a	II	1739–1789	Chorale prelude Allein Gott in der Höh sei Ehr (later variant)		Organ	40: 208	IV/4: KB 48	after BWV 676^[198]	0792
683a	II	1739–1789	Chorale prelude Vater unser im Himmelreich (later variant)		Organ		IV/4: KB 51	after BWV 683^[198]	0800
N 205								see BWV 1121	1516
II 48	II		Chorale prelude Allein Gott in der Höh sei Ehr		Organ				1356
II 49	II		Chorale prelude Ein feste Burg		Organ				1357
II 50	II		Chorale prelude Erhalt uns, Herr, hei deinem Wort		Organ				1358
II 51	II		Chorale prelude Erstanden ist der heilge Christ		Organ				1359
II 52	II		Chorale prelude Freu dich sehr, o meine Seele		Organ				1360
II 53	II		Chorale prelude Freu dich sehr, o meine Seele		Organ				1361
II 54	II		Chorale prelude Helft mir Gotts Güte preisen		Organ				1362
II 55	II		Chorale prelude Herr Christ, der einig Gottes Sohn		Organ				1363
II 58	II		Chorale prelude Jesu, meine Freude		Organ				1366
II 59	II		Chorale prelude Jesu, meine Freude		Organ				1367
II 60	II		Chorale prelude Nun lob, mein Seel, den Herren		Organ				1368
II 62a	II		Chorale prelude Sei Lob und Ehr mit hohem Preis		Organ				1370
II 62b	II		Chorale prelude Sei Lob und Ehr mit hohem Preis		Organ				1371
II 63	II		Chorale prelude Vom Himmel hoch		Organ				1372
II 64	II		Chorale prelude Vom Himmel hoch		Organ				1373
II 65	II		Chorale prelude Vom Himmel hoch		Organ				1374
II 66	II		Chorale prelude Wachet auf, ruft uns		Organ				1375
II 67	II		Chorale prelude Was Gott tut, das ist wohlgetan		Organ				1376
II 68	II		Chorale prelude Wer nur den lieben Gott läßt walten		Organ				1377
II 69	II		Chorale prelude Wir glauben all an einen Gott		Organ				1378
II 70	II		Chorale prelude Wir glauben all an einen Gott		Organ				1379
II 71								see BWV 1128	1725
II 72	II		Chorale setting Christus der uns selig macht (Canon)		Organ				1381
II 74	II		Chorale prelude Schmücke dich, o liebe Seele		Organ			in SBB P 1115	1383
II 75	II		chorale with figured bass Herr Christ, der einig Gottes Sohn		Organ			in MB Lpz Poel mus. Ms. 39, Go. S. 25	1384
II 76	II		chorale with figured bass Jesu, meine Freude		Organ			in SBB P 1160, P 312	1385
II 77	II		Chorale variations Herr Christ, der einig Gottes Sohn		Organ			in SBB P 801, P 826	1386
II 78	II		Chorale variations Wenn wir in höchsten Nöten sein		Organ			in SBB P 285, Hss JSBI Göttingen	1387
II 79	II		Chorale variations Befiehl du deine Wege		Organ			in Go. S. 305	1388
691a	II	1720–1789	Chorale prelude Wer nur den lieben Gott läßt walten (variant)		Organ	40: 151		after BWV 691; in SBB P 285	0809
N 206	II		Chorale prelude Ach bleib mit deiner Gnade / Christus, der ist mein Leben		Organ			by Pachelbel?^[199]	1517
II 80	II		Suite	F major	Keyboard			in US-STu MLM 23^[200]	1389
821	II		Suite	B♭ major	Keyboard	42: 213	V/12: 3	^[201]	0959
834	II		Allemande	C minor	Keyboard	42: 259	V/12	^[202]	0973
839	II	before 1735	Sarabande from Notenbuch der Zeumerin	G minor	Keyboard		V/12	in JP 1909: 71^[203]	0978
844	II		Toccatina No. 4 Scherzo	D minor	Keyboard	42: 220	V/12: 16	after BWV 844a; in Yale LM 4813b^[204]	0983
844a	II		Scherzo	E minor	Keyboard	42: 281	V/12: 22	by Bach, W. F.? (BR A55)^[204]	0984
845	II		Gigue	F minor	Keyboard	42: 263		^[202]	0985
II 81	II		Gigue (incomplete)	D minor	Keyboard			in SBB P 804	1390
II 82	II		Ciacona	B♭ major	Keyboard		V/12	by Bach, J. B.?	1391
II 83	II		Ciacona	A major	Keyboard			in SBB P 222	1392
II 84	II		Ciacona	G major	Keyboard			in SBB P 222	1393
II 85	II		Toccata and Fugue	F minor	Keyboard	42: XXXV		by Dobenecker?^[205]	1394
898	II		Prelude and Fugue on B-A-C-H	B♭ major	Keyboard	42: XXXIV	V/12		1067
II 86	II		Fantasia	C minor	Keyboard	42: 243			1395
II 87	II		Fantasia	C major	Keyboard			in SBB Mus. ms. 30289 No. 11	1396
905	II		Fantasia and Fugue	D minor	Keyboard	42: 179	V/12: 24	^[206]	1076
907	II		Fantasia and Fughetta	B♭ major	Keyboard	42: 268	V/12: 28	by Kirnberger? Kirchhoff?^[207]	1078
908	II		Fantasia and Fughetta	D major	Keyboard	42: 272	V/12: 34	by Kirnberger? Kirchhoff?^[207]	1079
909	II		Concerto e Fuga	C minor	Keyboard	42: 190	V/12: 38		1080
919	II		Fantasia	C minor	Keyboard	36: 152		by Bach, J. B.?^[208]	1092
920	II		Fantasia	G minor	Keyboard	42: 183		^[206]	1093
923a	II		Toccatina No. 3 Prelude	A minor	Keyboard	42: 279	V/12: 14	after BWV 923; in Yale LM 4813b^[209]	1097
II 89	II		Fugue	C major	Keyboard	42: XXXIV			1398
II 90	II		Fugue	C major	Kb (with ped?)	38: 213			1399
II 91	II		Fugue	G major	Keyboard	42: XXXIV			1401
II 92	II		Fugue	G major	Keyboard				1402
II 93	II		Fugue	E minor	Keyboard	42: XXXIV			1403
II 95	II		Fugue	E minor	Keyboard	42: XXXIV	V/12	in SBB P 526	1405
II 96	II		Fugue	D major	Keyboard		V/12	by Bach, C. P. E.? (H 373.5); in SBB P 207, P 753	1406
II 98	II		Fugue	D minor	Keyboard				1408
II 99	II		Fugue	D minor	Keyboard				1409
II 100	II		Fugue	D minor	Keyboard				1410
II 101	II		Fugue	G minor	Keyboard	42: XXXV	V/12: 130	by Dobenecker?	1411
II 102	II		Fugue	E♭ minor	Keyboard				1412
897/2	II		Fugue	A minor	Keyboard	42: 175	V/12	by Dretzel?	1066
945	II		Fugue	E minor	Keyboard	36: 155	V/12	^[210]	1120
956	II		Fugue	E minor	Keyboard	42: 200	V/12: 70		1133
958	II		Fugue	A minor	Keyboard	42: 205	V/12: 74		1135
960	II		Fugue (unfinished)	E minor	Keyboard	42: 276	V/12	^[211]	1137
N 207	II		Fugue	E minor (E♭ minor)	Keyboard			by Kellner, J. P.?; in SBB Mus. ms. 30444 No. 24^[212]	1518
II 109	II		Fugue on B-A-C-H		Keyboard			in SBB Mus. ms. 30376 No. 17	1419
964	II		Sonata for keyboard	D minor	Keyboard	42: 3	V/12: 78	after BWV 1003; in SBB P 218^[213]	1141
II 111	II		Largo and Allegro	G major	Keyboard	42: XXXV			1421
968	II		Adagio	G major	Keyboard	42: 27	V/12: 94	after BWV 1005/1; in SBB P 218^[213]	1145
969	II		Toccatina No. 5 Andante	G minor	Keyboard	42: 218	V/12: 18	^[214]	1146
II 113	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 3 Minuet	F major	Keyboard	43²: 25	V/4: 82		1423
II 116	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 7 Minuet	G major	Keyboard	43²: 28	V/4: 82		1426
II 117	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 8a Polonaise and No. 8b Polonaise	F major	Keyboard	43²: 28	V/4: 82		1427 1428
II 118	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 9 Minuet	B♭ major	Keyboard	43²: 29	V/4: 82		1429
II 119	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 10 Polonaise	G minor	Keyboard	43²: 30	V/4: 82		1430
II 120	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 14 Minuet	A minor	Keyboard	43²: 31	V/4: 82		1431
II 121	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 15 Minuet	C minor	Keyboard	43²: 32	V/4: 82		1432
II 126	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 22 Musette	D major	Keyboard	43²: 35	V/4: 82		1437
II 127	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 23 March	E♭ major	Keyboard	43²: 35	V/4: 82		1438
II 128	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 24 (Polonaise)	D minor	Keyboard	43²: 36	V/4: 82		1439
II 132	II	1725 (AMB)	Notebook A. M. Bach (1725) No. 36 Minuet	D minor	Keyboard	43²	V/4: 82		1443
II 151	II		Concerto	C major	Keyboard	42: XXXIV			1462
II 152	II		Concerto	G major	Keyboard	42: XXXIV			1463
990	II		Sarabanda con Partitis	C major	Keyboard	42: 221	V/12: 97	^[215]	1168
II 153	II		Sonata	A major	Vl Kb			in SBB P 804: 313–320	1464
II 154	II		Sonata	E♭ major	Vl Kb			in SBB St 343^[216]	1465
1020	II		Sonata	G minor	Vl (or) Fl Kb	9: 274		by Bach, C. P. E.? (H 542.5)^[217]	1201
1022	II		Sonata	F major	Vl Kb			by Bach, C. P. E.?; after BWV 1021 (bass part); other version: BWV 1038; MB Lpz Ms. 10^[218]	1203
1024	II		Sonata	C minor	Vl Bc			^[37]^[219]^[220]^[221]	1205
1031	II		Sonata for flute and harpsichord	E♭ major	Fl Kb	9: 22	VI/5: 13	^[222]	1213
1033	II		Sonata for flute and continuo	C major	Fl Bc	43¹: 3	VI/5: 3	^[223]	1215
1038	II	1732–1735	Sonata	G major	Fl Vl Bc	9: 221	VI/5: 45	after BWV 1021 (bass part); other version: BWV 1022^[218]	1220
525a	II		Concerto (Triosonata)	C major	Vl Vc Bc			after BWV 525/1, 1032/2, 525/3; in SBB St 345^[224]	1718
II 155	II		Concerto	A major	Kb Str Bc			in SBB St 472	1466
I 22	II		Concerto	B♭ major	Ob Vl Str Bc			by Förster (C.?)?^[225]	1330
1070	II		Orchestral Suite (No. 5)	G minor	Str Bc	45¹: 190	VII/l	by Bach, W. F.?^[226]^[227]	1256
Anh. III	Works of other composers, spuriously attributed to Bach								Up ↑
III 156	III		Cantata Herr Christ, der einge Gottes Sohn (Annunciation)					by Telemann (TWV 1:732)^[228]	1467
III 157	III		Cantata Ich habe Lust zu scheiden (Purification)					by Telemann (TWV 1:836)^[229]	1468
15	III	1726-04-21 (JSB)	Cantata Denn du wirst meine Seele nicht in der Hölle lassen (Easter)		satbSATB 3Tr Tmp Str Bc	2: 135	I/41	by Bach, J. L. (JLB 21)^[230]	0017
141	III		Cantata Das ist je gewißlich wahr (3rd Sunday of Advent)		atbSATB 2Ob Str Bc	30: 3	I/41	by Telemann (TWV 1:183); text by Helbig^[231]	0173
145/b	III		Cantata movement So du mit deinem Munde bekennest Jesum (Easter)		SATB Tr Str Bc	30: 96	I/10: 142	by Telemann (TWV 1:1350/1); → BWV 145/2^[232]	0178
160	III	1725–1732?	Cantata Ich weiß, daß mein Erlöser lebt (Easter)	C major	t Vl Bas Bc	32: 171	I/41	by Telemann (TWV 1:877); text by Neumeister^[233]	0194
218	III		Cantata Gott der Hoffnung erfülle euch (Pentecost)			41: 223		by Telemann (TWV 1:634)^[234]	0275
219	III		Cantata Siehe, es hat überwunden der Löwe (29 September: Michaelmas)		sabSATB 2Tr Str Bc	41: 239		by Telemann (TWV 1:1328)^[235]	0276
222	III		Cantata Mein Odem ist schwach					by Bach, J. Ernst (see also BWV Anh. 165)^[236]	0279
III 158	III		Aria "Andrò dall'colle al Prato"					by Bach, J. C.^[237]	3022
III 160	III	1750–1755? (Harrer?)	Motet Jauchzet dem Herrn alle Welt, TWV 8:10	C major	2SATB		III/3: 15	Pasticcio (Telemann, Bach); text after Psalm 100; /2 after BWV 28/2, 28/2a; /3 after TWV 1:1066^[238]	1471
III 161	III		Motet Kündlich groß ist das gottselige Geheimnis/1 (Christmas)	D major	SATB Str? Bc		III/3	by Graun (C. H.?), precedes laudes A and B of Bach's Magnificat	1472
III 162	III		Motet Lob und Ehre und Weisheit und Dank		2SATB		III/3	by Wagner, G. G.^[239]	1473
III 163	III		Motet Merk auf, mein Herz, und sieh dorthin		2SATB		III/3	by Bach, J. B. or J. Ernst^[240]	1474
III 164	III		Motet Nun danket alle Gott		SSATB		III/3: 52	by Altnickol^[241]	1475
III 165 222/3 /4 /6	III		Motet Unser Wandel ist im Himmel		SATB		III/3	by Bach, J. Ernst^[242]	1476
III 166	III	1716 (JLB) 1729 (JSB)	Kyrie–Gloria Mass Missa sopra cantilena "Allein Gott in der Höh' sei Ehr"	E minor	SSATB 2Vl 2Vla Vc Bc	11¹: XV 41: 276	II/9	by Bach, J. L. (JLB 38), start of Gloria arr. by Bach^[243]	1477
II 24	III	1715–1724	Kyrie–Gloria Mass	A minor		11¹: XV		by Pez, J. C.^[244]	1332
II 26	III	1727–1732 (JSB)	Kyrie–Gloria Mass	C minor	satbSATB 3Tro 2Vl Bc	41: 193 11¹: XVI	II/2: 295	by Durante (alternative Christe: BWV 242)^[245]	1334
II 27	III		Sanctus	F major		11¹: XVII		by Krebs, J. L.^[246]	1335
III 168	III		Kyrie (and German Gloria)	G minor	s SATB Str Bc	11¹: XVII	II/9	by Bach, W. F. (BR E1 F 100)	1479
I 21	III		Magnificat Meine Seel erhebt den Herren	A minor	s Fl 2Vl Bc		II/9	by Hoffmann, M.^[247]	1329
III 169	III	1724–1725	Passion Erbauliche Gedanken auf den Grünen Donnerstag und Charfreitag über den Leidenden Jesum					text by Picander partly used in BWV 244 but no other known setting^[248]	1480
8/6	III	1713 (Vet.) 1724-09-24 (JSB)	Chorale Herrscher über Tod und Leben (closing chorale of BWV 8)		SATB	1: 241	I/23: 161, 251	by Vetter, D.^[249]^[250]	0009 0010
III 170 27/6	III	1652 (Ros.) 1726-10-06 (JSB)	Chorale Welt, ade, ich bin dein müde		SSATB Hn 2Ob Str Bc	5¹: 244	I/23: 221	by Rosenmüller; → BWV 27/6^[250]	1481
43/11	III	1726-05-30 (JSB)	Chorale Du lebensfürst, Herr Jesu Christ	G major	SATB	10: 126	I/12: 164	by Peter, C.; → BWV 43/11^[251]	0058
567	III		Prelude	C major	Organ			by Krebs, J. L.^[246]	0647
III 178	III		Toccata quasi Fantasia con Fuga	A major	Organ	42: 250		by Purcell? Rossi, M.?^[252]	1489
II 43	III		Fugue	B minor	Organ			by Bach, C. P. E.^[253]	1351
II 44	III		Fugue	G major	Organ			by Kellner, J. P. or J. C.^[254]	1352
II 45	III		Fugue on B-A-C-H	B♭ major	Organ			by Knecht^[255]	1353
II 88	III		Fugue	C major	Org / Kb			by Kellner, J. C.^[256]	1397
II 97	III		Fugue	F♯ major	Organ	42: XXXV		by Krebs, J. L.^[257]	1407
II 103	III		Fugue		Org / Kb			by Handel (HWV 609)	1413
II 104	III		Fugue		Org / Kb			by Handel (HWV 610)	1414
II 105	III		Fugue		Org / Kb			by Handel (HWV 607)	1415
II 106	III		Fugue		Org / Kb			by Handel (HWV 605)	1416
N 208	III		Fugue	E♭ minor (E minor)	Organ			by Eberlin^[258]	1519
II 46	III		Trio	C minor	Organ			by Krebs, J. T.^[259]	1354
692	III		Chorale prelude Ach Gott und Herr (Kirnb. coll. No. 3)		Organ	40: 1		by Walther^[260]	0810
692a	III		Chorale prelude Ach Gott und Herr		Organ	40: 152		by Walther^[261]	0811
693	III		Chorale prelude Ach Gott und Herr (Kirnb. coll. No. 4)		Organ	40: 1		by Walther^[260]	0812
746	III	1715	Chorale prelude Christ ist erstanden		Organ	40: 173		by Fischer	0873
748	III	1700–1739	Chorale prelude Gott der Vater wohn uns bei		Organ	40: 177		by Walther; → BWV 748a	0876
748a	III	1700–1789	Chorale prelude Gott der Vater wohn uns bei (variant)		Organ			by Scholz (arr.)?; after BWV 748	0877
751	III		Chorale prelude In dulci jubilo (also in Neumeister Collection)		Organ			by Bach, J. Michael^[262]	0880
759	III		Chorale prelude Schmücke dich, o liebe Seele		Organ	40: 181		by Homilius; in SBB P 1115^[212]	0888
760	III		Chorale prelude Vater unser im Himmelreich		Organ	40: 183		by Böhm^[263]	0889
761	III		Chorale prelude Vater unser im Himmelreich		Organ	40: 184		by Böhm^[264]	0890
1096	III		Chorale prelude Christe, der du bist Tag und Licht (or) Wir danken dir, Herr Jesu Christ (3 versions; Neumeister Chorales No. 8)		Organ		IV/9: 16, 76	by Pachelbel?^[265]	1282
771	III		Chorale variations Allein Gott in der Höh sei Ehr		Organ	40: 195	IV/11	by Vetter, A. N.^[266]	0901
II 47	III		Chorale prelude Ach Herr, mich armen Sünder		Organ			by Kellner, J. P.^[254]	1355
II 56	III		Chorale prelude Herr Jesu Christ, dich zu uns wend		Organ			by Telemann (TWV 31:8)^[267]	1364
II 57	III		Chorale prelude Jesu, Leiden, Pein und Tod		Organ			by Vogler^[268]	1365
II 61	III		Chorale prelude O Mensch, bewein dein Sünde groß		Organ			by Pachelbel^[269]	1369
II 73	III	1720–1788	Chorale prelude Ich ruf zu dir, Herr Jesu Christ		Organ			by Bach, C. P. E.; after BWV 639^[270]	1382
III 171	III		Chorale prelude Christ lag in Todesbanden		Organ	40: 174		by Pachelbel^[271]	1482
III 172	III		Chorale prelude Herr Jesu Christ, dich zu uns wend		Organ			by Krebs, J. L.^[272]	1483
824	III	1720 (WFB)	Klavierbüchlein WFB No. 47: Suite	A major	Keyboard	36: 231	V/5: 78	by Telemann (TWV 32:14)^[17]^[18]^[19]	0962
835	III		Allemande	A minor	Keyboard	42: 267		by Kirnberger^[273]	0974
838	III		Allemande and Courante	A major	Keyboard	42: 265		by Graupner^[273]	0977
840	III		Courante	G major	Keyboard			by Telemann (TWV 32:13)	0979
897/1	III		Prelude	A minor	Keyboard	42: 173	V/12	by Dretzel^[274]	1065
962	III		Fugue	E minor	Keyboard	42: 198	V/12	by Albrechtsberger^[275]	1139
970	III		Toccatina No. 6 Presto	D minor	Keyboard	42: XXXIV		by Bach, W. F. (BR A49 F 25/2)	1147 9201
II 94	III		Fugue	E minor	Keyboard	42: XXXIV		by Kirnberger^[256]	1404
II 107	III		Fugue on B-A-C-H (1/3)		Keyboard	42: XXXIV		by Sorge?^[276]	1417
II 108	III		Fugue on B-A-C-H (2/3)		Keyboard	42: XXXIV		by Sorge?^[276]	1418
II 110	III		Fugue on B-A-C-H (3/3)		Keyboard	42: XXXIV		by Sorge?^[276]	1420
II 112	III		Grave	E minor	Keyboard			by Kirnberger^[256]	1422
II 114	III	1725 (AMB)	Notebook A. M. Bach (1725) No. 4 Minuet	G major	Keyboard	43²: 26	V/4: 83	by Petzold^[277]	1424
II 115	III	1725 (AMB)	Notebook A. M. Bach (1725) No. 5 Minuet	G minor	Keyboard	43²: 26	V/4: 84	by Petzold^[277]	1425
II 122	III	1725 (CPE)	Notebook A. M. Bach (1725) No. 16 March	D major	Keyboard	43²: 32	V/4: 94	by Bach, C. P. E. (H 1/1)^[278]	1433
II 123	III	1725 (CPE)	Notebook A. M. Bach (1725) No. 17 Polonaise	G minor	Keyboard	43²: 32	V/4: 95	by Bach, C. P. E. (H 1/2)^[278]	1434
II 124	III	1725 (CPE)	Notebook A. M. Bach (1725) No. 18 March	G major	Keyboard	43²: 32	V/4: 96	by Bach, C. P. E. (H 1/3)^[278]	1435
II 125	III	1725 (CPE)	Notebook A. M. Bach (1725) No. 19 Polonaise	G minor	Keyboard	43²: 32	V/4: 97	by Bach, C. P. E. (H 1/4)^[278]	1436
II 129	III	1725 (AMB)	Notebook A. M. Bach (1725) No. 27 Solo per il cembalo	E♭ major	Keyboard	43²: 38	V/4: 104	by Bach, C. P. E. (H 16)^[279]	1440
II 130	III	1725 (AMB)	Notebook A. M. Bach (1725) No. 28 Polonaise	G major	Keyboard	43²: 39	V/4: 106	by Hasse^[280]	1441
II 131	III	c.1745?	Notebook A. M. Bach (1725) No. 32	F major	Keyboard	43²: 46	V/4: 121	by Bach, J. C. (W A22)^[281]	1442
II 133	III		Musical clock, No. 1 Fantasia		Musical clock			by Bach, W. F.^[282]	1444
II 134	III		Musical clock, No. 2 Scherzo		Musical clock			by Bach, W. F.^[282]	1445
II 135	III		Musical clock, No. 3 Burlesca		Musical clock			by Bach, W. F.^[282]	1446
II 136	III		Musical clock, No. 4 Trio		Musical clock			by Bach, W. F.^[282]	1447
II 137	III		Musical clock, No. 5 L'Intrada della Caccia		Musical clock			by Bach, W. F.^[282]	1448
II 138	III		Musical clock, No. 6 Continuazione della Caccia		Musical clock			by Bach, W. F.^[282]	1449
II 139	III		Musical clock, No. 7 Il Fine delle Caccia I		Musical clock			by Bach, W. F.^[282]	1450
II 140	III		Musical clock, No. 8 Il Fine delle Caccia II		Musical clock			by Bach, W. F.^[282]	1451
II 141	III		Musical clock, No. 9 Song of Psalm "O Gott die Christenhalt"		Musical clock			by Bach, W. F.^[282]	1452
II 142	III		Musical clock, No. 10 Psalm 110		Musical clock			by Bach, W. F.^[282]	1453
II 143	III		Musical clock, No. 11 Polonaise		Musical clock			by Bach, W. F.^[282]	1454
II 144	III		Musical clock, No. 12 Polonaise Trio		Musical clock			by Bach, W. F.^[282]	1455
II 145	III		Musical clock, No. 13 March		Musical clock			by Bach, W. F.^[282]	1456
II 146	III		Musical clock, No. 14 March		Musical clock			by Bach, W. F.^[282]	1457
II 147	III		Musical clock, No. 15 La Combattuta		Musical clock			by Bach, W. F.^[282]	1458
II 148	III		Musical clock, No. 16 Scherzo		Musical clock			by Bach, W. F.^[282]	1459
II 149	III		Musical clock, No. 17 Minuet		Musical clock			by Bach, W. F.^[282]	1460
II 150	III		Musical clock, No. 18 Trio		Musical clock			by Bach, W. F.^[282]	1461
III 177	III		Prelude and Fugue	E♭ major	Keyboard	36: 88		by Bach, J. Christoph?^[283]	1488
III 179	III		Fantasia durch alle Tonarten gehend		Keyboard			by Heinichen^[284]	1490
III 180	III		Fugue	D minor	Keyboard	36: 188		by Kellner, J. P.^[212]	1491
III 181	III		Fugue	A minor	Keyboard			by Krebs, J. L.^[285]	1492
III 182	III		Passacaglia	D minor	Keyboard	42: 234		by Witt^[286]	1493
III 183	III	1725 (AMB)	Notebook A. M. Bach (1725) No. 6 Rondeau	B♭ major	Keyboard	43²: 27	V/4: 85	by Couperin, F. (6e Ordre: Les Bergeries)^[287]	1494
1036	III		Trio	D minor	Vl1 (Vl2&Bc) or (Kb)			by Bach, C. P. E. (H 569; Wq 145)^[288]	1218
1037	III		Sonata	C major	2Vl Bc	9: 231		by Goldberg^[289]	1219
III 173	III		Invention		Vl Kb	45¹: 172		by Bonporti^[290]	1484
III 174	III		Invention		Vl Kb	45¹: 172		by Bonporti^[290]	1485
III 175	III		Invention		Vl Kb	45¹: 172		by Bonporti^[290]	1486
III 176	III		Invention		Vl Kb	45¹: 172		by Bonporti^[290]	1487
III 184	III		Sonata	A minor	Vl Bc			by Zuccari^[291]	1495
III 185	III		Sonata	D major	2Vl Bc			by Bach, C. P. E. (H 507, 114; Wq 74, 117, 36)	1496
III 186	III		Trio Sonata	F major	2Vl Bc		VI/5	by Bach, C. P. E. (H 576; Wq 154)	1497
III 187	III		Trio	F major	Flb Ba Vne			by Bach, C. P. E. (H 587; Wq 159)	1498
III 188	III		Sonata (Concerto)	F major	2Hc	43¹: 47		by Bach, W. F. (BR A12 F 10)^[292]	1499
I 23	III	c.1710	Concerto	E minor	Bc			by Albinoni (Op. 2 No. 2)^[293]	1331
III 189	III		Concerto	A minor	Kb Str Bc			by Bach, C. P. E. (H 403; Wq 1)^[294]	1500
Anh. N	New additions to the Anhang								Up ↑
—									Up ↑
655b	–	1708–1789	Chorale prelude Herr Jesu Christ, dich zu uns wend (alternative version "a" in BGA)		Organ	25²: 159		after BWV 655(a); ↔ 655c	0754
655c	–	1708–1789	Chorale prelude Herr Jesu Christ, dich zu uns wend (alternative version "b" in BGA)		Organ	25²: 160		after BWV 655(a); ↔ 655b	0755
deest	BC C 8	1723–1750? (JSB?)	Motet Der Gerechte kömmt um (Wer ist der, so von Edom kömmt/39; funer. motet?)	E minor	SSATB 2Fl 2Ob Str Bc		I/41: 127	by Kuhnau? (Tristis est...); arr. by Bach?	1532
deest	BC D 1	1717-03-28?	Passion Weimarer Passion		?stbSATB 2Fl 2Ob Str Bc			→ BWV 23/4 (and 55/3; 244/29; 245a–c; 283?)	1533
deest	BC D 5a	1707 (Kei) before 1713 (JSB)	Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, Weimar version)		SATB 2Vl 2Va Hc		II/9: 69	Pasticcio (Keiser G.?, Bach)	1534
deest	BC D 5b	1726-04-19 (JSB)	Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, 1st Leipzig version)		SATB 2Vl 2Va Org		II/9	Pasticcio after BC D 5a (Keiser G.?, Bach) adding BWV 500a and 1084)	1535
deest	BC D 10	c.1750?	Passion Wer ist der, so von Edom kömmt	D minor	satbSSATB 2Fl 2Ob Str Bc		I/41: 95	Pasticcio (Graun, C. H.; Telemann; Bach; ...)	0001 0991
	BGA	1725 (JSB)	Notebook A. M. Bach (1725) No. 21 Menuet fait par Mons. Böhm	G major	Keyboard	43²: 35	V/4: 82	by Böhm
	BNB I/B /48	1709 (Bas.) c.1738 (JSB)	6 Masses without Benedictus and Agnus Dei from Acroama missale		2SATB 3Tbn Str Bc			by Bassani; copied by Bach (BNB I/B/48), later adding BWV 1081^[295]	8834
	BNB I/C/1	1740–1742 (JSB)	Magnificat	C major	SATB 4Tbn Tmp Bc			by Caldara; → BWV 1082; in DBB 2755/1	8841
deest	BNB I/K/2	before 1719 (Han.) 1743–1748 (JSB)	Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, 2nd Leipzig version)		stSATB 2Ob 2Bas 2Vl 2Va Vc Vne Hc		II/9	Pasticcio after BC D 5b (Keiser G.?, Bach) and HWV 48/9 /23 /41 /44 /47 /52 /55 (Handel)	1680
deest	NBA	1591 (Pal.) c.1742 (JSB)	Kyrie–Gloria Mass arranged from Missa sine nomine a 6	E minor	SSATTB 2Co 4Tro Vne Hc Org		II/9: 13	by Palestrina after anon. motet Beata Dei genetrix; arr. by Bach	1676
	NBA	1720-01-22	Klavierbüchlein WFB, p. 3a: Claves signatae (introduction on clefs)			45¹: 213	V/5	^[17]^[18]^[19]
	NBA	1720-01-22	Klavierbüchlein WFB, p. 3b: Explication... (introduction on ornaments)			45¹: 213	V/5	^[17]^[18]^[19]
	NBA	1720 (WFB)	Klavierbüchlein WFB No. 25: Pièce pour le Clavecin		Keyboard	45¹: 218	V/5: 40	by Richter, J. C.^[17]^[18]^[19]
deest	NBA	1720 (anon)	Klavierbüchlein WFB No. 30: Bass sketch	G minor		45¹: 220	V/5: 45	by (anonymous)^[17]^[18]^[19]
	NBA	1720 (WFB)	Klavierbüchlein WFB No. 48^a–d: Partita		Keyboard	45¹: 223	V/5: 82	by Stölzel^[17]^[18]^[19]

LEGEND TO THE TABLE
Voices (see also SATB)
a	A	b	B	s	S	t	T	v			V
alto (solo part)	alto (choir part)	bass (solo part)	bass (choir part)	soprano (solo part)	soprano (choir part)	tenor (solo part)	tenor (choir part)	voice (includes parts for unspecified voices or instruments as in some canons)			vocal music for unspecified voice type
Winds and battery (bold = soloist)
Bas	Bel	Cnt	Fl	Hn	Ob	Oba	Odc	Tai	Tbn	Tdt	Tmp	Tr
bassoon (can be part of Bc, see below)	bell(s) (musical bells)	cornett, cornettino	flute (traverso, flauto dolce, piccolo)	natural horn, corno da caccia, corno da tirarsi, lituo	oboe	oboe d'amore	oboe da caccia	taille	trombone	tromba da tirarsi	timpani	tromba (natural trumpet, clarino trumpet)
Strings and keyboard (bold = soloist)
Bc		Hc	Kb	Lu	Lw	Org	Str	Va	Vc	Vdg	Vl	Vne
basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu		harpsichord	keyboard (Hc, Lw, Org or clavichord)	lute, theorbo	Lautenwerck (lute-harpsichord)	organ (/man. = manualiter, without pedals)	strings: Vl I, Vl II and Va	viola(s), viola d'amore, violetta	Violoncello(s), violoncello piccolo	viola da gamba	violin(s), violino piccolo	violone(s), violone grosso

By genre

Cantatas (BWV 1–224)

See #BWV Chapter 1 in the table above

In the 1950 first edition of the BWV the cantatas were largely listed according to their BGA number:

BWV 1–200: Church cantatas
BWV 201–216: Secular cantatas
BWV 217–224: Cantatas with various issues (lost, incomplete, spurious, doubtful)

Additionally Anh. I of the first edition of the BWV started with a list of some 20 lost cantatas, while Anh. III of that edition listed a few cantata (movements) by other composers (Anh. 156–158).

BWV^2a added many more lost cantatas (BWV Anh. 190–199 and 209–212) and alternative versions to known works indicating (partially) lost cantatas or cantata versions, e.g. BWV 244a, the music of which was partially preserved in the St Matthew Passion, BWV 244.

Motets (BWV 225–231)

See #BWV Chapter 2 in the table above

There are over a dozen motets attributed to Bach, about half of which are authentic by all accounts:

BWV 225–230 are the six compositions that have always been considered motets composed by Bach
BWV 231 was later renumbered to BWV 28/2a, a variant of the second movement of cantata BWV 28
BWV 118, published as a cantata in the 19th century, was later recategorised as a motet, following Bach's designation on the score.
BWV Anh. 159–165 are motets with a doubtful or spurious assignation to Bach, the first of which is however most likely composed by Bach.

Liturgical works in Latin (BWV 232–243)

See #BWV Chapter 3 in the table above

Bach's involvement with Latin church music, as composer, arranger or copyist, includes:

BWV 232–242: Masses and Mass movements (Mass in B minor; Kyrie–Gloria Masses; separate Mass movements)
BWV 243, 243a: Magnificat
BWV 1081–1083: later additions to the BWV catalogue
BWV Anh. 24–30, 166–168: doubtful and spurious works
BNB I/B/48, I/C/1, I/P/2: copies and arrangements

Passions and oratorios (BWV 244–249)

See #BWV Chapter 4 in the table above

Passions and oratorios composed or contributed to by Bach include:

BWV 244–247: Passions (St Matthew Passion; St John Passion; St Mark Passion; St Luke Passion)
BWV 248–249: Oratorios (Christmas Oratorio; Easter Oratorio)
BWV 11: Ascension Oratorio
BWV 127/1, 500a, 1084, 1088, deest: St Mark Passion (attributed to Keiser), Weimarer Passion, Wer ist der, so von Edom kömmt
BWV Anh. 169: passion text by Picander (not set by Bach, apart from using some parts of this text in his St Matthew Passion)

Four-part chorales (BWV 250–438)

See #BWV Chapter 5 in the table above

Bach's chorale settings (usually for SATB choir) are included in:

BWV 250–438: separate chorale settings
Cantatas (most prominently in the chorale cantatas), motets, passions, oratorios, Second Notebook for Anna Magdalena Bach
BWV 1089, 1122–1126: later additions to the BWV catalogue
BWV Anh. 31, 201–204: doubtful and spurious

Songs and arias (BWV 439–524)

See #BWV Chapter 6 in the table above

Songs and (separate) arias by Bach are included in several collections:

BWV 439–507: Schemellis Gesangbuch
BWV 508–518: Second Notebook for Anna Magdalena Bach
BWV 519–523: D-B Mus. ms. Bach P 802, a manuscript by Johann Ludwig Krebs
BWV Anh. 32–39: Deutsche Übersetzungen und Gedichte (doubtful)
BWV Anh. 40–41: Singende Muse an der Pleiße (doubtful)

Associated with the Songs and Arias group:

BWV 524: (Wedding) Quodlibet for four voices (incomplete)
BWV 1127 – Alles mit Gott und nichts ohn' ihn (strophic aria rediscovered in 2005)

Works for organ (BWV 525–771)

See #BWV Chapter 7 in the table above

Bach's organ compositions include:

BWV 525–530: Sonatas
BWV 531–582: compositions of the type Prelude/Fantasia/Toccata/Adagio/Passacaglia and/or Fugue
BWV 583–591: various free organ compositions (Trios/Aria/Canzona/Allabreve/Pastorale/Kleines harmonisches Labyrinth )
BWV 592–597: Concertos (transcriptions)
BWV 598: Pedal-Exercitium
BWV 599–764: Chorale preludes (Orgelbüchlein; Schübler Chorales; Leipzig Chorales = Great Eighteen Chorale Preludes; Chorale preludes from Clavier-Übung III; Kirnberger chorale preludes; other chorale preludes)
BWV 765–768: Chorale partitas
BWV 769–771: Chorale variations (includes Canonic Variations on "Vom Himmel hoch da komm' ich her")
BWV 1085–1087, 1121, 1128: various later additions to the BWV catalogue
BWV 1090–1120: Neumeister Chorales
BWV Anh. 42–79, 171–178, 200, 206, 208, 213: lost, doubtful and spurious organ pieces

Works for keyboard (BWV 772–994)

See #BWV Chapter 8 in the table above

Bach's works for harpsichord, clavichord and other keyboard instruments include:

BWV 772–801: Inventions and Sinfonias
BWV 802–805: Duets from Clavier-Übung III
BWV 806–845: Suites and suite movements (English Suites; French Suites; Partitas = Clavier-Übung I; Overture in the French style from Clavier-Übung II; etc.)
BWV 846–893: The Well-Tempered Clavier (book I, book II)
BWV 894–962: compositions of the type Prelude/Fantasia/Concerto/Toccata and/or Fugue/Fughetta (includes Chromatic Fantasia and Fugue, Six Little Preludes, several parts of the Klavierbüchlein für Wilhelm Friedemann Bach, etc.)
BWV 963–970: Sonatas and sonata movements
BWV 971–987: Concertos (includes Italian Concerto from Clavier-Übung II and various concerto transcriptions)
BWV 988–991: Variations (includes Goldberg Variations = Clavier-Übung IV and Aria variata alla maniera italiana)
BWV 992–994: Capriccios and Applicatio (includes Capriccio on the departure of a beloved brother)

Works for solo lute (BWV 995–1000)

See #BWV Chapter 9 in the table above

Bach's compositions for lute and/or lute-harpsichord (Lautenwerck) include:

BWV 995–1000 suites and separate movements for lute and/or lute-harpsichord
BWV 1006a: transcription of BWV 1006

Chamber music (BWV 1001–1040)

See #BWV Chapter 10 in the table above

Bach wrote chamber music for solo violin, cello or flute, sonatas for harpsichord and an instrumental soloist, and Trio sonatas:

BWV 1001–1006: Sonatas and partitas for solo violin
BWV 1007–1012: Cello Suites
BWV 1013: Partita for solo flute
BWV 1014–1026: works for accompanied violin (sonatas, suite, fugue for violin and harpsichord; sonatas for violin and basso continuo)
BWV 1027–1029: sonatas for viola da gamba and harpsichord
BWV 1030–1035: sonatas for accompanied flute (sonatas for flute and harpsichord; sonatas for flute and basso continuo)
BWV 1036–1040: trio sonatas

Orchestral works (BWV 1041–1071)

See #BWV Chapter 11 in the table above

Bach wrote concertos and orchestral suites:

BWV 1041–1045: Violin concertos (in A minor, in E major, Double Concerto); Triple Concerto; Concerto movement/Sinfonia fragment
BWV 1046–1051: Brandenburg Concertos
BWV 1052–1065: Harpsichord concertos
BWV 1066–1071: Orchestral suites and Sinfonia (early version of BWV 1046)

Canons (BWV 1072–1078)

See #BWV Chapter 12 in the table above

Separate canons by Bach are listed in the 12th chapter of the BWV:

BWV 1072–1078: canons
BWV 1086–1087: later additions

Late contrapuntal works (BWV 1079–1080)

See #BWV Chapter 13 in the table above

The list of late contrapuntal works contains only two items:

BWV 1079: The Musical Offering
BWV 1080: The Art of Fugue

20th-century additions to the BWV catalogue and Anhang

Additions as published in BWV^2a

Additions to the main catalogue (BWV 1081–1126)

BWV 1081 – Credo in unum Deum in F major (for choir), included in Chapter 3 in BWV^2a
BWV 1082 – Suscepit Israel by Antonio Caldara (for choir), as copied by Bach;^[296] Included in Chapter 3 in BWV^2a
BWV 1083 – Tilge, Höchster, meine Sünden (motet, "parody", i.e., reworked version, of Pergolesi's Stabat Mater), included in Chapter 3 in BWV^2a
BWV 1084 – O hilf, Christe, Gottes Sohn (chorale from Bach's Leipzig versions of the St Mark Passion attributed to Keiser), included in Chapter 5 in BWV^2a
BWV 1085 – O Lamm Gottes, unschuldig (chorale prelude), included in Chapter 7 in BWV^2a
BWV 1086 – Canon Concordia discors, included in Chapter 12 in BWV^2a
BWV 1087 – 14 canons on the First Eight Notes of Goldberg Variations Ground (discovered 1974), included in Chapter 12 in BWV^2a
BWV 1088 – "So heb ich denn mein Auge sehnlich auf" (arioso for bass), No. 20 in Wer ist der, so von Edom kömmt (pasticcio Passion oratorio);^[297] Included in Chapter 4 in BWV^2a
BWV 1089 – Da Jesus an dem Kreutze stund (four-part chorale), included in Chapter 5 in BWV^2a
BWV 1090–1120 – 31 chorale preludes for organ from the Neumeister Collection, discovered in 1985 in the archives of the Yale University library; Included in Chapter 7 in BWV^2a, except for BWV 1096, attributed to Johann Pachelbel,^[298]^[299] which was moved to Anh. III (spurious works).
BWV 1121, previously Anh. 205 – Fantasie in C minor (organ), included in Chapter 7 in BWV^2a
BWV 1122–1126 – five four-part chorales,^[300] moved to Chapter 5 in BWV^2a

Additions to the Anhang (BWV Anh. 190–213)

BWV Anh. 190–213 were added between the 1950 and 1990s editions of the catalogue

BWV Anh. 190–197 – Cantatas added to Anh. I (music lost); see also List of Bach cantatas
BWV Anh. 198 – Abandoned sketch of a cantata opening, renumbered to BWV 149/1a and added to Chapter 1 in BWV^2a
BWV Anh. 199 – Cantata added to Anh. I (music lost); see also List of Bach cantatas
BWV Anh. 200 – Fragment of a chorale prelude O Traurigkeit, o herzeleid, added to Anh. I (unused sketch for the Orgelbüchlein)
BWV Anh. 201–204 – Four-part chorales added to Anh. II (doubtful)
BWV Anh. 205 – Fantasia in C minor, authenticated as BWV 1121 and added to Chapter 7 in BWV^2a
BWV Anh. 206 – Doubtful chorale prelude, added to Anh. II
BWV Anh. 207 – Doubtful keyboard fugue, added to Anh. II
BWV Anh. 208 – Spurious organ fugue, added to Anh. III
BWV Anh. 209–212 – Lost cantatas added to Anh. I; see also List of Bach cantatas
BWV Anh. 213 – Lost arrangement for organ of an unidentified Telemann concerto, added to Anh. I

21st-century additions to the BWV catalogue (BWV 1127 and higher)

See also #BWV Later in the table above

BWV numbers assigned after the publication of BWV^2a:

BWV 1127: Strophic aria "Alles mit Gott und nichts ohn' ihn" (discovered June 2005)^[301]
BWV Anh. 71 → BWV 1128: Organ chorale fantasia Wo Gott der Herr nicht bei uns hält (BWV Anh. II 71 was authenticated as a composition by Bach after Wilhelm Rust's 1877 copy was recovered in March 2008).^[302]^[303]

Derivative works

There is not much system in the way works derived from Bach's compositions are listed. The "R" addition to the BWV number is only well-established for the reconstructions included in NBA VII/7 (e.g. solo violin reconstructions of BWV 565 are not usually indicated as BWV 565R, neither is the system used for reconstructed vocal works). For some series of transcriptions and arrangements works catalogues of these transcribers/arrangers may hold sublists with works derived from compositions by Bach.

Reconstructed concertos

See also #Reconstructions in the table above

Each reconstructed concerto is created after the harpsichord concerto for the presumed original instrument. Such reconstructions are commonly referred to as, for example, BWV 1052R (where the R stands for 'reconstructed'). Other reconstructions and completions of for instance BWV 1059 have been indicated as BWV 1059,^[304] or BWV 1059a.^[305]

Adaptations

Transcriptions and arrangements in the catalogues of works by other composers include:

Ferruccio Busoni: BV B 20 to 115, many of these published in the Bach-Busoni Editions.

References

For abbreviations used in the references see also Bibliography at www.bachdigital.de

↑ Bach-Gesellschaft Ausgabe: Scores at the International Music Score Library Project (IMSLP)
1 2 Johann Nikolaus Forkel translated (with notes and appendices) by Charles Sanford Terry. Johann Sebastian Bach: His Life, Art, and Work New York: Harcourt, Brace and Howe; London: Constable. 1920. Appendix III, pp. 225–286
↑ Wolfgang Schmieder (editor). Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach. Leipzig: Breitkopf & Härtel, 1950. Unaltered up unto its eighth printing in 1986.
↑ OCLC 18856743 at www.worldcat.org
↑ (BWV²) Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach: Bach-Werke-Verzeichnis, überarbeitete und erweiterte Ausgabe. Wiesbaden: Breitkopf & Härtel, 1990. ISBN 3765102555 – ISBN 978-3765102554
↑ (BWV^2a) Alfred Dürr, Yoshitake Kobayashi (eds.), Kirsten Beißwenger. Bach Werke Verzeichnis: Kleine Ausgabe, nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe. Preface in English and German. Wiesbaden: Breitkopf & Härtel, 1998. ISBN 3765102490 – ISBN 978-3765102493
↑ Fantasia, c BWV 1121 [BWV 1998]; BWV Anh. 205 / Anh. II 45→ at www.bachdigital.de
↑ Johann Sebastian Bach (1685–1750): New Edition of the Complete Works at www.baerenreiter.com
↑ Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition at the Bärenreiter website
↑ Hans-Joachim Schulze and Christoph Wolff. Bach Compendium: Analytisch-bibliographisches Repertorium der Werke Johann Sebastian Bachs, Vol. 1 (Part 1–4). Leipzig 1985ff.
↑ Der Gerechte kömmt um BWV deest (BC C 8) at www.bachdigital.de
↑ Kirsten Beißwenger (1992). Johann Sebastian Bachs Notenbibliothek. Kassel: Bärenreiter. ISBN 3-7618-1036-9
↑ www.bachdigital.de
↑ Johann Sebastian Bach: Correspondance Catalogues Zwang — Schmeider at www.musiqueorguequebec.ca
↑ Works Catalogues at www.bachdigital.de
1 2 3 4 5 6 7 8 9 Melamed, Daniel R. (1995). J.S. Bach and the German Motet. Cambridge University Press. ISBN 0-52-141864-X. p. 102
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 Johann Sebastian Bach, Wilhelm Friedemann Bach, Johann Christoph Richter, Gottfried Heinrich Stölzel, Georg Philipp Telemann and various anonymous contributors. Clavier-Büchlein vor Wilhelm Friedemann Bach, angefangen in Cöthen den 22. Januar Ao. 1720., facsimile at brbl-dl.library.yale.edu
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 Klavierbüchlein für Wilhelm Friedemann Bach at IMSLP
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 Wolfgang Plath, editor. Klavierbüchlein für Wilhelm Friedemann (NBA Series V, Volume 5). Bärenreiter (1962), second edition: 1973, third edition: 1981
↑ Philipp Spitta. Musikgeschichtliche Aufsätze. Berlin (1894), 117f)
↑ Talbot, Michael (2011). The Vivaldi Compendium. Boydell Press. p. 54. ISBN 9781843836704.
↑ Johann Sebastian Bach: Concerti nach Vivaldi u.a. – III at www.crescendo-music.com
↑ Johann Sebastian Bach, edited by Hermann Scherchen, preface by Charles van den Borren. Facsimile of BR Bruxelles II. 4805, appendix in Musica viva, Vol. III. Brussels (1936)
1 2 Johann Sebastian Bach, edited by E. Capriani. "Documenti storici" in Opere per Liuto, Vol. III. Rovereto (1977)
↑ MB Lpz III. 11. 3
1 2 3 Johann Sebastian Bach, introduction by Hans-Joachim Schulze. Drei Lautenkompositionen in zeitgenössischer Tabulatur (BWV 995, 997, 1000). Leipzig (1975)
↑ Artzt. "The third Lute Suite by Bach: Three Manuscripts and their Implications" in Journal of the Lute Society of America (1968), pp. 9ff
↑ Grossman. "Der Intavolator als Interpret: Johann Sebastian Bachs Lautensuite g-moll, BWV 995, im Autograph und in zeitgenössischer Tabulatur" in Basler Jahrbuch (1986), pp. 223–244
1 2 3 4 5 6 7 Henning. Bericht Stgt II, pp. 465–469
1 2 Junghänel. "Bach und die zeitgenössische Lautenpraxis" in Bericht Duisburg
1 2 3 4 5 6 7 Radke. Fs Engel, pp. 271ff
1 2 3 4 5 6 7 8 Schulze, Dok III
↑ Schulze. Mf 1968, pp. 203f
↑ Schulze. "«Monsieur Schouster» – ein vergessener Zeitgenosse Johann Sebastian Bachs" in Fs Dürr, pp. 243ff
↑ Schulze. St
1 2 3 Schulze. "Wer intavolierte Johann Sebastian Bachs Lautentabulaturen?" in Mf 1966, pp. 32ff
1 2 3 4 5 6 Siegele Diss
↑ Beißwenger, Acht Präl: 27
↑ Dömling/Kohlhase, AcM 1971: 108f
1 2 3 4 Schulze St
1 2 3 Spitta I: 768; II: 646
↑ Wiemer, BJ 1987: 29ff
1 2 Dreyfus Cont Gr
↑ Johann Sebastian Bach with an introduction by Hiroshi Hoshino. "The Manuscript Copy of J. S. Bach's Prelude, Fugue and Allegro for Lute or Harpsichord, E-flat major (BWV 998), in the Possession of Ueno Gakuen" (contains facsimile of Prelude pour la Luth. ò Cembal. par J. S. Bach.) in Fs for Ueno Gakuen. Tokyo (1974), pp. 171ff
↑ Dombois. "The Allegro from J. S. Bachs Prelude, Fugue and Allegro in E-flat major" in Lute Society Journal (1972), pp. 25ff, 51ff
1 2 3 4 Kobayashi Chr
↑ Badura-Skoda
↑ Spitta I: 663
↑ Kilian, Mf 1961: 323 (regarding BWV 539)
1 2 3 Dadelsen TBSt 4/5
↑ Hofmann, Fs Scheide: 14~154
↑ Spitta I: 707
↑ Zingel. "Bach auf der Harfe" in Schweizerische Musikzeitung (1964), pp. 286ff
1 2 Johann Nikolaus Forkel, translated with notes and appendices by Charles Sanford Terry. Johann Sebastian Bach: His Life, Art, and Work. (e-version at Gutenberg.org). New York: Harcourt, Brace and Howe; London: Constable (1920), p. 137 (footnote 4), pp. 234–235 and p. 242
↑ BWV 1045 at www.bach-cantatas.com
↑ BWV 1045 at www.jsbachcantatas.com
↑ Friedrich Wilhelm Marpurg. Abhandlung von der Fuge Vol. 2. Berlin (1754), TAB XXXVII
↑ Herz BQA
↑ Neumann/Schulze, Dok I, Nr. 147
1 2 3 4 5 Schulze. "Johann Sebastian Bachs Kanonwidmungen" in BJ 1967, pp. 82ff
↑ Spitta I: 386
↑ Wolff, Mf 1973: 217ff
↑ Georg Philipp Telemann. Der getreue Music-Meister. Hamburg (1728), p. 68
↑ Johann Mattheson. Der vollkommene Capellmeister. Hamburg (1739), p. 412
↑ Lorenz Christoph Mizler. Neu eröffnete musikalische Bibliothek Vol. III. Leipzig (1747), p. 482ff
↑ Friedrich Wilhelm Marpurg. Abhandlung von der Fuge nach den Grundsätzen und Exemplen der besten deutschen und ausländischen Meister entworfen ... Vol. 2. Berlin (1754), TAB XXXIII, Fig. 2–3
↑ Neumann/Schulze, Dok I, Nr. 158; Dok II, Nr. 325, 564
↑ Spitta II: p. 478 / 798
↑ Johann Sebastian Bach. Canon triplex à 6 Voc:. Leipzig (1747)
↑ C. L. Hilgenfeldt. Johann Sebastian Bach's Leben, Wirken und Werke: ein Beitrag zur Kunstgeschichte des achtzehnten Jahrhunderts. Leipzig: Friedrich Hofmeister (1850), p. 212
↑ Clement
↑ Neumann/Schulze, Dok II, Nr. 559
↑ Smend. Johann Sebastian Bach bei seinem Namen gerufen: Eine Noteninschrift und ihre Deutung. Kassel (1950). Reprint in: Smend Bach-St: 176ff
↑ Nowak. "Ein Bach-Fund" in Fontes artis musicae (1966), pp. 95ff
↑ Spitta II, p. 506 / p. 747
1 2 3 Wolff Stile antico
↑ Neumann/Schulze, Dok I, Nr. 174
↑ Neumann/Schulze, Dok I, Nr. 177
↑ Spitta Vol. II, pp. 717ff / Anh. p. 19
↑ NBA VIII/1 Krit. Bericht: 36f
↑ Neumann/Schulze, Dok II, Nr. 602, 603
↑ Reich. "Johann Sebastian Bach und Johann Gottfried Müthel – zwei unbekannte Kanons" in Mf 1960, pp. 449f
↑ Stam, Mf 1968: 317ff, bes. 319
↑ BN Paris Ms. 17669, Bl. 18v at gallica.bnf.fr
↑ Alain. "Un supplément inédit aux Variations Goldberg de J. S. Bach" in Revue de Musicologie (1975), pp. 244ff
↑ Gárdonyi. "Zu einigen Kanons von J. S. Bach" in Studia Musicologica: Academiae Seientiarum Hungaricae Vol. 28 (1986), pp. 321–324
↑ Kennyon. "A newly discovered Group of Canons by Bach" in MT (1976), pp. 391ff
↑ Wolff. "Bach's Handexemplar of the Goldberg Variations" in JAMS (1976), pp. 224ff
↑ Johann Sebastian Bach. Musicalisches Opfer. Leipzig, 7 July 1747.
↑ Johann Sebastian Bach. Die Kunst der Fuge, edited by Carl Philipp Emanuel Bach. Leipzig, c.1751.
↑ "Bach: Choralfantasie BWV 1128/Org". Bach: Choralfantasie BWV 1128/Org. Echo Musikproduction. Retrieved 2009-01-26.
1 2 3 4 5 Wilfried Fischer. Verschollene Solokonzerte in Rekonstruktionen: Fünf Konzerte nach BWV 1052, 1055, 1056, 1060, 1064 (NBA VII/7 Supplement). Bärenreiter 1970.
↑ Breitkopf-Werke, 3. Ausgabe: 9
↑ Dürr, BJ 1952: 41f
↑ Dürr, NBA I/18, Krit. Bericht: 118f
↑ Häfner, BJ 1975: 99ff
1 2 Picander (=Christian Friedrich Henrici). Ernst-Schertzhaffte und Satyrische Gedichte, Volume III. Leipzig: Joh. Theod. Boetii Tochter (1732); 2nd printing 1737
1 2 3 4 5 Geiringer JSB 1971
↑ Smend Köthen: 27f, 169, 184f
↑ Dürr, NBA I/35, Krit. Bericht: 117
↑ Smend Köthen: 27, 69, 195–198
↑ Dürr, NBA I/35, Krit. Bericht: 118f
↑ Smend Köthen: 27, 69, 199ff
↑ Dürr, NBA I/35, Krit. Bericht: 120, 275f
↑ Christoph Ernst Sicul. Das frohlockende Leipzig. Leipzig (1727), pp. 3ff
↑ Neumann, NBA I/36, Krit. Bericht: 11ff
↑ Schulze, BJ 1985; 166ff
1 2 3 4 Picander (=Christian Friedrich Henrici). Ernst-Schertzhaffte und Satyrische Gedichte, Volume IV. Leipzig: Friedrich Matthias Friesen (1737).
↑ Neumann, NBA I/39, Krit. Bericht: 42
↑ Neumann, NBA I/36, Krit. Bericht: 20ff
↑ Neumann, NBA I/36, Krit. Bericht: 24ff
↑ Dürr, Bericht Duisburg
↑ Neumann, NBA I/37, Krit. Bericht: 97ff
↑ Wolff, Bericht Duisburg
↑ Hudson, NBA I/33, Krit. Bericht: 31ff
↑ BC: Werk [B 12]
↑ Breitkopf-Werke, 1. Ausgabe: 33
↑ Neumann BT: 184
↑ (in German) Marc-Roderich Pfau. "Ein unbekanntes Leipziger Kantatenheft aus dem Jahr 1735: Neues zum Thema Bach und Stölzel", pp. 99–122 in Bach-Jahrbuch 2008.
↑ Balthasar Hoffmann. Der Deutschen Gesellschaft in Leipzig Oden und Cantaten in vier Büchern Leipzig (1738), pp. 143ff
↑ v. Hase, BJ 1913: 93ff
↑ Schulze, BJ 1959: 169
↑ Breitkopf-Werke, 1. Ausgabe: 23
↑ Als die / von / E. Hoch=Edlen / und / Hoch=Weisen Rathe / der Stadt Leipzig / neugebauete und eingerichtete / Schule zu S. Thomae / den 5. Jun. durch etliche Reden eingeweyhet wurde, / ward folgende / CANTATA / dabey verfertiget und aufgeführet / von / Joh. Sebastian Bach, / Fürstl. Sächs. Weissfels. Capellmeister, und besagter Schulen Cantore / und / M. Johann Heinrich Winckler, / Collega IV Leipzig: Bernhard Christoph Breitkopf (1732)
↑ Dürr, Gs Albrecht: 121ff
↑ Neumann, NBA I/39, Krit. Bericht: 14f
↑ "Freudiger Willkomm, / Womit / Dem Hochedlen, Grossachtbaren und Hochgelahrten / HERRN / M. Johann August / Ernesti, / Ihrem neuerwehlten Rector, / Aus gehorsamster Pflicht und treuer Ergebenheit empfangen / Die Alumni der Thomana" in Riemers Chronik. Leipzig: Bernhard Christoph Breitkopf. (1734)
↑ Neumann, NBA I/39, Krit. Bericht: 16
↑ Leipziger Post-Zeitungen (10 August 1723)
↑ Neumann, NBA I/38, Krit. Bericht: 10
↑ Dürr, Mf 1958: 422
↑ Salomon Franck. Evangelisches Andachtsopffer.... Weimar (1715)
↑ Dürr St 2: 67, 244f
↑ Brinkmann. "Neues über J. S. Bach in Mühlhausen" in Mühihäuser Geschichtsblätter Vol. 31 (1932): 242ff
↑ Nützliche Nachrichten Von Denen Bemühen derer Gelehrten und andern Begebenheiten in Leipzig. Leipzig (1740)
↑ NBA I/35, Krit. Bericht: 45
↑ Neumann. "Eine verschollene Ratswechselkantate J. S. Bachs" in BJ 1961: 52–57
↑ Wäschke. "Die Zerbster Hofkapelle unter Fasch" in Zerbster Jahrbuch II (1906): 47ff
↑ Wäschke. "Eine noch unbekannte Komposition J. S. Bachs" in SIMG 10 (1908/09): 633f
↑ Acta Lipsiensium Academica Vol. 5 (1723), pp. 516–619
↑ Christoph Gottsched. Versuch einer Critischen Dichtkunst vor die Deutschen ... Leipzig (1730): 371ff
↑ Neumann, NBA I/40, Krit. Bericht: 22ff
↑ Smend, Bach-Gs 1950: 42ff
↑ Peter Freiherr von Hohenthal at www.geni.com
↑ Verzeichniß der von dem verstorbenen Doctor und Musikdirector Forkel in Göttingen nachgelassenen Bücher und Musikalien. Göttingen (1819), Nr. 94
↑ Neumann, NBA I/4, Krit. Bericht: 118
↑ Texte / Zur Leipziger / Kirchen-Music, / Auf den andern, dritten, vierdten Sonntage / nach der Erscheinung Christi, / Das Fest Mariä Reinigung, / Und die Sonntage / Septuagesimae, Sexagesimae, / Esto mihi, / Ingleichen / Auf das Fest / der Verkündigung Mariä. Leipzig: Immanuel Tietzen (1724)
↑ Hobohm, BJ 1973: 5ff
↑ Neumann BT: 159, 427
↑ Hofmann, BJ 1982: 51ff
↑ Christine Blanken. "A Cantata-Text Cycle of 1728 from Nuremberg: a Preliminary Report on a Discovery relating to J. S. Bach's so-called 'Third Annual Cantata Cycle'", pp. 9–30 in Understanding Bach, Vol. 10, 2015
↑ Universitätsbibliothek Göttingen, 2° Poet. Germ. I, 6425: 4 Rara
↑ Fröde, BJ 1991: 184f
↑ Hofmann. "Wo sind meine Wunderwerke" in BJ 1988, pp. 211–218
↑ Schaumburg-Lippische Hofbibliothek Bückeburg, V 1OO F, No. 31
1 2 Tiggemann, BJ 1994: 7–22
↑ Schaumburg-Lippische Hofbibliothek Bückeburg, Cb 76 II, Nr. 214
↑ Spitta I: 339f
↑ Dadelsen TBSt 1: 39 – Glöckner, BJ 1981: 51f
↑ Breitkopf-Werke, Vol. 1: 23
↑ Glöckner. Die Musikpflege an der Leipziger Neukirche zur Zeit Johann Sebastian Bachs, Beiträge zur Bachforschung Vol. 8. Leipzig 1990. p. 55
↑ Schering, BJ 1912: 132f
↑ Dürr, BJ 1956: 155
↑ Glöckner. Die Musikpflege an der Leipziger Neukirche zur Zeit Johann Sebastian Bachs, Beiträge zur Bachforschung Vol. 8. Leipzig 1990. p. 54
1 2 Breitkopf-Werke, 1. Ausgabe: 19
↑ Breitkopf-Werke, 1. Ausgabe: 30
↑ NBA I/18, Krit. Bericht: 12
↑ Melamed, JAMS XLI (1988): 491–526
↑ Beißwenger, BJ 1991: 151 – Beißwenger BNB – David, JAMS XIV (1961): 199ff – Marshall Diss I: 15
↑ Breitkopf-Werke, 1. Ausgabe: 8
↑ Beißwenger BNB
↑ Pietro Torri: Magnificat in C major arranged by Johann Sebastian Bach at www.carus-verlag.com
↑ Magnificat in C major BWV Anh 30 at www.bach-cantatas.com
↑ Schneider, BJ 1911: 105ff
↑ NBA I/30, Krit. Bericht: 31f
1 2 3 4 Smend, BJ 1966: 5ff
1 2 3 4 5 6 7 8 Christian Hoffmann von Hoffmannswaldau. Deutsche Übersetzungen und Gedichte. 10th edition, Breslau/Leipzig, 1704
1 2 3 4 5 6 7 8 Landmann, BJ 1907: 79
1 2 Sperontes. Singende Muse an der Pleiße. Leipzig, 1736
1 2 Philipp Spitta (1885). "Sperontes «Singende Muse an der Pleiße»" in Vierteljahresschrift für Musikwissenschaft, Vol. 1. pp. 35ff, 350f, 92ff
↑ Kohlhase/Dömling. "Kein Bach-Autogr." in AcM 1971: 108f
↑ Keller, BJ 1937: 63
↑ Keller, BJ 1937: 70f
↑ Williams I: 245ff
↑ Williams I: 253
↑ Spitta I: 451
↑ Dietrich Kilian (1979) NBA IV/5+6: Kritischer Bericht, p. 583
↑ Krit. Bericht NBA IV/5-6: 142 and 296
↑ Walter Emery, editor. J. S. Bach Prelude, Trio and Fugue in B flat. London, 1959
1 2 3 4 5 6 7 8 D-B Mus. ms. Bach P 281, Fascicle 5 at www.bachdigital.de
1 2 3 4 5 6 7 8 Alfred Dürr, editor. Eight Short Preludes and Fugues BWV 553–560: formerly ascribed to Johann Sebastian Bach. Kassel: Bärenreiter. 1987.
1 2 3 4 5 6 7 8 Tittel, K. BJ 1966: 114
↑ G. W. Körner and A. G. Ritter, editors. Der Orgel-Freund Vol. VI. Erfurt, 1842
↑ Krit. Bericht, NBA I/12:13, 20
↑ Spitta I: 654; II: 686
↑ Haußwald, J. D. Heinichens Instrumentalwerke. Wolfenbüttel, 1937
↑ Krit. Bericht, NBA IV/8: 11
1 2 NBA IV/4, Krit. Bericht: 47
↑ G. Feder. Mf 11, 1958: 78
↑ Kobayashi, Opera incerta, Kolloquium Mainz 1988, Stuttgart 1991: 34
↑ Eichberg, BJ 1975: 47~49
1 2 Eichberg, BJ 1975: 8~11
↑ Eichberg, BJ 1975: 19f
1 2 Eichberg, BJ 1975: 20~29
↑ Morana, The Dobenecker Toccata, in: QJ Riemenschneider 1903: 26
1 2 Eichherg, BJ 1975: 45
1 2 Kobayashi, BJ 1978: 51 – Schulze, BJ 1978: 36f
↑ Schulze St: 80f
↑ Eichberg, BJ 1975: 2~25 – NBA V/6.2, Krit. Bericht: 351, 354ff
↑ Eichberg, BJ 1975: 1~17
↑ Eichberg, BJ 1975: 17–19
1 2 3 Feder, Mf 1958: 77
1 2 Eichberg, BJ 1975: 29–42
↑ Eichberg, BJ 1975: 20–29
↑ Eichberg, BJ 1975: 42–47
↑ Eppstein Diss: 187
↑ Schmid, C. P. E. Bach und seine Kammermusik, Kassel 1931: 120f, 176 – Kobayashi, BJ 1978: 52f – Leisinger/Wollny: BJ 1993: 192–196
1 2 Eppstein Diss: 181
↑ Dürr, Mf 9 (1956): 367
↑ van Leyden, BJ 1955: 73
↑ Siegele BJ 1956: 124
↑ Eppstein, BJ 1981: 77
↑ Eppstein, BJ 1981: 84 – Glöckner, BJ 1981: 71
↑ Eppstein, BJ 1969: 22f – H.-P. Schmitz, NBA VI/3, Krit. Bericht: 44, 46, 55
↑ Spitta II: 623
↑ The Faber Pocket Guide to Bach. Faber & Faber. 2011. p. 352. ISBN 0571272002.
↑ Schulenberg, David (2010). "An Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach". Bach. 41 (2): 54.
↑ Dürr, BJ 1951/52: 42
↑ Dürr, BJ 1951/52: 40f
↑ Scheide, BJ 1959: 66ff
↑ Dürr, BJ 1951/52: 31–36
↑ Dürr, BJ 1951/52: 37f
↑ Dürr, BJ 1951/52: 35ff
↑ Dürr, BJ 1951/52: 38f
↑ Dürr, BJ 1951/52: 39f
↑ BL London, Add. MSS 31310
↑ MB Lpz III.15.32
↑ Hofmann, Fs Dürr: 126
↑ Georg Gottfried Wagner: Motet Lob und Ehre und Weisheit, BWV Anh 162 at www.bach-cantatas.com
↑ BR Bruxelles Ms. II 3902 Mus.
↑ HLB Darmstadt, Mus. ms. 521
↑ HLB Darmstadt, Mus. ms. 528
↑ Mass in E minor, BWV Anh 166 at www.bach-cantatas.com
↑ Mf 1961: 328
↑ Prag, Archív Prazského Hradu 316a
1 2 Kobayashi, BJ 1978: 46
↑ Glöckner, BJ 1982: 97–102
↑ Picander (=Christian Friedrich Henrici). "Erbauliche Gedanken auf den Grünen Donnerstag und Charfreitag über den Leidenden Jesum" pp. 293ff in Sammlung erbaulicher Gedancken über und auf die gewöhnlichen Sonn- und Festtage. Leipzig: 1725 (collection of various texts by Picander published between Advent 1724 and Advent 1725)
↑ Daniel Vetter. Musicalische Kirch- und Haus-Ergötzlichkeit Part 2 (1713), No. 91
1 2 Platen, BJ 1975: 51
↑ Platen, BJ 1975: 50
↑ Buchmayer, SIMG II (1900/01): 272
↑ Schulze, Bericht Leipzig 1966: 269
1 2 Feder, Mf 1958: 76
↑ Biberach, Wieland-Archiv WA 3810; Dok III, Nr. 1024
1 2 3 Schulze, Bericht Leipzig 1966: 270
↑ SBB Mus. ms. 12034
↑ Eberlin, IX Toccate e fughe per l'organo, Augsburg (1747)
↑ SBB Mus. ms. 12011, No. 14
1 2 SBB P 311
↑ SBB P 802
↑ Yale LM 4708 No. 12
↑ SBB P 802: 81
↑ SBB P 802: 90
↑ Hartmann, NZfM 1986, Heft 4: 4
↑ Breig, MGG 13: 1572
↑ Kobayashi Diss: 346, 403
↑ MB Lpz. Ms. Sx 14
↑ DTB Jg. 4, Bd. 1: 123
↑ MB Lpz Ms. R 25, Fascicle IV pp. 17–20
↑ DTB VI: 76
↑ SBB Mus. ms. autogr J. L. Krebs 5
1 2 Eichberg, BJ 1975: 12
↑ Ahlgrimm, BJ 1969: 67
↑ J. G. Kobayashi Diss: 230, 342
1 2 3 BL London Add. MS. 31307
1 2 Schulze, BJ 1979: 55f
1 2 3 4 NBA V/4: Krit. Bericht: 87
↑ NBA V/4: Krit. Bericht: 96
↑ Schulze, BJ 1979: 50
↑ Schulze, BzMw 17, 1975: 48
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 Simon, Mechanische Musik-Instrumente, Wiesbaden 1960: 48
↑ SIMG II (1900/01): 253
↑ Heinichen, Der Generalbaß..., Dresden 1728: 885
↑ SBB P 801: 196
↑ Hs. Kassel, Gesamthochschulbihliothek 2⁰Ms. mus. 37
↑ NBA V/4: Krit. Bericht 122
↑ Siegele Diss: 44
↑ Dürr, BJ 1953: 51
1 2 3 4 Bonporti, Invenzioni op. 10, Bologna 1712
↑ Zuccari, Sonate a Violino e Basso o' Cembalo, op. 1
↑ SBB P 325
↑ Schulze St: 28
↑ Marx, Mf 1988: 150
↑ D-B Mus. ms. 1160 at www.bachdigital.de
↑ Kirsten Beißwenger (ed.) Werke zweifelhafter Echtheit, Bearbeitungen fremder Kompositionen (Volume 9 of Series II: Masses, Passions, Oratorios from the New Bach Edition). Bärenreiter, 2000.
↑ Wer ist der, so von Edom kömmt by Johann Christoph Altnikol et al.: Scores at the International Music Score Library Project (IMSLP)
↑ Williams 2003, 549.
↑ Perreault 2004, 56.
↑ Marx, Wolfgang (2000). Bach: Chorales, Motet BWV 118, Quodlibet, Notenbüchlein for A.M. Bach (Bach 2000, Vol. 87) (Media notes). Koopman, Gritton, et al. Teldec Classics. p. 8.
↑ Alles mit Gott und nichts ohn' ihn (aria) BWV 1127 at www.bachdigital.de
↑ Wo Gott der Herr nicht bei uns hält BWV 1128; BWV Anh. 71; Emans 195 at www.bachdigital.de
↑ Joel H. Kuznik. "BWV 1128: A recently discovered Bach organ work" pp. 22–23 in The Diapason, Vol. 99 No. 22. December 2008. (archived July 21, 2011)
↑ Igor Kipnis, The London Strings, Neville Mariner. Bach: The Harpsichord Concertos. CBS 1989
↑ André Isoir, Le Parlement de Musique, Martin Gester. Johann Sebastian Bach: L'oeuvre pour orgue et orchestre. Calliope 1993

Bibliography

Basso, Alberto. 1979. Frau Musika: la vita e le opere di J.S. Bach, EDT. ISBN 978-88-7063-011-4
Perreault, Jean M. 2004. The Thematic Catalogue of the Musical Works of Johann Pachelbel. Scarecrow Press, Lanham, Md. ISBN 0-8108-4970-4
Williams, Peter. 2003. The Organ Music of J.S. Bach, Cambridge University Press. ISBN 0-521-89115-9, ISBN 978-0-521-89115-8

External links

Wikimedia Commons has media related to Compositions by Johann Sebastian Bach.

List of works by Johann Sebastian Bach at the International Music Score Library Project
List of works by Johann Sebastian Bach with certification rating at the Classical Music DB
Dave's J.S. Bach Works Catalog – A version of the BWV catalogue
The BWV catalogue online – Another version of the BWV catalogue, in French
The J.S. Bach Home Page – A comprehensive database of Bach's compositions with details and reviews of recordings of each work
Bach Cantatas Website – Extensive resource of information on Bach's Cantatas and other vocal works. Includes full texts translated into many languages
Canons & Fugues of J.S. Bach – Extensive resource, contains music and colourful analyses
Mutopia – The Mutopia project provides more than 200 scores available for download in PDF, PostScript and MIDI format
Wolf's Thematic Index of the Works of the Great Composers (in English) (in German) (in French)

Johann Sebastian Bach

Compositions

by BWV	Cantatas Motets Masses, Mass movements, Magnificats, Passions and Oratorios Chorale harmonisations Songs and arias Organ compositions Keyboard and lute Chamber music Orchestral works Fugal works
More info	Bach cantata Church music in Latin Passions Bach's choir and orchestra Performance practice Printed during Bach's lifetime New Bach Edition Transcriptions

Johann Sebastian Bach's 1722 seal, used throughout his Leipzig years. It contains the letters 'J S B' superimposed over their mirror image. The whole is topped with a crown.

People

Family
Students
Biographers and scholars: Basso, Dürr, Forkel, Jones, Neumann, Riemenschneider, Rust, Schmieder, Spitta, Terry, Wolff

Organizations

Bach Society
Bach Gesellschaft
Neue Bachgesellschaft
Bach Archive (Leipzig)
Johann Sebastian Bach Institute (Göttingen)
Internationale Bachakademie Stuttgart

Places

Masses, Magnificat, Passions and Oratorios by Johann Sebastian Bach
Latin church music	Mass in B minor (early version – structure – discography) Magnificat (early version – discography)
Passions	Jesus Christus ist um unsrer Missetat willen verwundet (includes BWV 1084) Weimarer Passion St John Passion (structure – discography) St Matthew Passion (structure – discography) St Luke Passion St Mark Passion Wer ist der, so von Edom kömmt (includes BWV 1088)
Oratorios	Christmas Oratorio, BWV 248 Easter Oratorio, BWV 249 Ascension: Oratorio, BWV 11
Evangelist List of compositions by Johann Sebastian Bach

Compositions for Organ, Keyboard and Lute by Johann Sebastian Bach
Organ	Fugue in G minor, BWV 131a (doubtful) Sonatas, BWV 525–530 Prelude and Fugue in D major, BWV 532 Fantasia and Fugue in C minor, BWV 537 Toccata and Fugue in D minor ("Dorian"), BWV 538 Toccata and Fugue in F major, BWV 540 Fantasia and Fugue in G minor ("Great"), BWV 542 Prelude and Fugue in A minor, BWV 543 Prelude and Fugue in E minor ("Wedge"), BWV 548 Eight Short Preludes and Fugues, BWV 553–560 (doubtful) Fantasia and Fugue in C minor, BWV 562 Toccata, Adagio and Fugue in C major, BWV 564 Toccata and Fugue in D minor, BWV 565 Prelude (Toccata) and Fugue in E major, BWV 566 Fugue in G minor ("Little"), BWV 578 Passacaglia and Fugue in C minor, BWV 582 Concerto transcriptions, BWV 592–596 Orgelbüchlein, BWV 599–644 Schübler Chorales, BWV 645–650 Great Eighteen Chorale Preludes, BWV 651–668 Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769 Neumeister chorales, BWV 1090–1120 Chorale fantasia Wo Gott der Herr nicht bei uns hält, BWV 1128 Clavier-Übung III: Prelude and Fugue in E♭ major ("St. Anne"), BWV 552 / Chorale preludes, BWV 669–689 / Duets, BWV 802–805
Keyboard	Aria variata alla maniera italiana Capriccio on the departure of a beloved brother Chromatic Fantasia and Fugue English Suites French Suites Goldberg Variations (discography, Gould recording) Inventions and Sinfonias Italian Concerto Overture in the French style Partitas for Keyboard (No. 4, No. 6) Prelude in E minor, BWV 855a Six Little Preludes The Well-Tempered Clavier, BWV 846–893 (Preludes and Fugues in Book I: C major, BWV 846, C minor, BWV 847, C♯ minor, BWV 849, G minor, BWV 861; in Book II: C major, BWV 870, F minor, BWV 881) Concerto transcriptions, BWV 972–987 Klavierbüchlein für Wilhelm Friedemann Bach Notebook for Anna Magdalena Bach
Lute	Suite in G minor, BWV 995 Suite in E minor, BWV 996 (Bourrée) Prelude, Fugue and Allegro in E♭ major, BWV 998 Prelude in C minor, BWV 999 Fugue in G minor, BWV 1000
List of compositions by Johann Sebastian Bach List of fugal works by Johann Sebastian Bach

Chamber music and Orchestral works by, and Transcriptions after, Johann Sebastian Bach
Solo	Sonatas and Partitas for Solo Violin, BWV 1001–1006 (Partita No. 1, No. 2, No. 3) Cello Suites, BWV 1007–1012 Partita for Solo Flute, BWV 1013
Ensemble	Six Sonatas for Violin and Harpsichord, BWV 1014–1019 Sonatas for viola da gamba and harpsichord, BWV 1027–1029 Flute Sonatas: in B minor, BWV 1030, in E♭ major, BWV 1031 (doubtful), in A major, BWV 1032, in C major, BWV 1033 (doubtful), in E minor, BWV 1034, in E major, BWV 1035 Sonata for two flutes and continuo, BWV 1039 Canonic Trio Sonata, BWV 1040
Concertos	Violin Concerto in A minor, BWV 1041 Violin Concerto in E major, BWV 1042 Concerto for Two Violins, BWV 1043 Triple Concerto, BWV 1044 Sinfonia for violin and orchestra, BWV 1045 Brandenburg Concertos, BWV 1046–1051 (No. 5) Keyboard concertos, BWV 1052–1065
Suites	Orchestral Suites, BWV 1066–1069 Orchestral Suite in G minor, BWV 1070 (doubtful)
Various	Notebook for Anna Magdalena Bach The Musical Offering, BWV 1079 The Art of Fugue, BWV 1080 (discography)
Adaptations	Air on the G String "Alphabet" "Ave Maria" Bach-Busoni Editions "Everything's Gonna Be Alright" Jesu, Joy of Man's Desiring "Lady Lynda" "They"
Albums	Bach's Greatest Hits Back to Bach Jazz Sebastian Bach Switched-On Bach Switched-On Bach II
List of compositions by Johann Sebastian Bach List of fugal works by Johann Sebastian Bach

Compositions spuriously attributed to Johann Sebastian Bach
by Johann Ernst Bach II	Cantata Mein Odem ist schwach (BWV 222) and motet Unser Wandel ist im Himmel (BWV Anh. III 165)
by Johann Ludwig Bach	Easter cantata Denn du wirst meine Seele nicht in der Hölle lassen, JLB 21 (BWV 15)
by Christian Petzold	Minuet in G major, BWV Anh. III 114, and Minuet in G minor, BWV Anh. III 115 Based on BWV Anh. 114: "A Lover's Concerto"
by Gottfried Heinrich Stölzel	Aria "Bist du bei mir" (BWV 508) Aria "Dein Kreuz, o Bräutgam meiner Seelen", model for Bekennen will ich seinen Namen, BWV 200
by Georg Philipp Telemann	Cantata Das ist je gewißlich wahr, TWV 1:183 (BWV 141) Cantata Gott der Hoffnung erfülle euch, TWV 1:634 (BWV 218) Cantata Ich weiß, daß mein Erlöser lebt, TWV 1:877 (BWV 160) Cantata Siehe, es hat überwunden der Löwe, TWV 1:1328 (BWV 219)
by unknown composers	Cantata Uns ist ein Kind geboren (BWV 142)
Bach-Werke-Verzeichnis (BWV)

Short vocal compositions by Johann Sebastian Bach
Four-part chorales, BWV 250–438 Songs and arias, BWV 439–523 (includes "Komm, süßer Tod, komm selge Ruh") Quodlibet, BWV 524 Strophic aria "Alles mit Gott und nichts ohn' ihn" (BWV 1127)
List of compositions by Johann Sebastian Bach