Atomic Antelope

Atomic Antelope
Private
Industry Publishing
Founded 2009
Headquarters London, UK
Key people
Chris Stevens (CEO)
Products Books
Website www.atomicantelope.com

Atomic Antelope Ltd. is a digital book publisher founded in 2009 in London, England. The company is best known for producing Alice for the iPad, a popular adaptation[1] of Lewis Carroll's Alice in Wonderland. The iPad adaptation caused significant controversy in the press and literary circles,[2] the New York Times initially rallied against Alice for the iPad, claiming it prized interactivity over quiet reading and would change children's habits for the worse.[3] Although Alice for the iPad was praised by Oprah Winfrey[4] and Gizmodo,[5] Atomic Antelope's CEO Chris Stevens began a public feud with children's book publishers after the publication of an interview in Fast Company magazine in which Stevens told a reporter, "The paper publishers have clearly demonstrated that they have absolutely no acuity in the digital realm, and are stuck... Working with them is a waste of energy. Imagine if Henry Ford had decided to team up with a horse stables to make the Model T." [6]

Company history

Atomic Antelope was founded in 2009 by former CNET journalist Chris Stevens[7] and Ben Roberts. The company launched two minor titles for the iPhone before producing Alice for the iPad in March 2010. The book quickly became one of the most popular children's titles on the iPad platform.[8] Roberts left the company in September 2010.

Stevens has publicly stated that Atomic Antelope refuses to work with traditional publishers. The company is believed to be taking all future book development in-house and is said to be in talks with "authors that have made international bestseller lists" who intend to bypass the major publishing houses.[6]

Culture

Atomic Antelope is an outspoken opponent of traditional publishers. When Alice for the iPad held the number one spot in the App Store, Atomic Antelope's CEO, wrote an open letter to the industry in which he asked, "how did we, as if by magic, wrestle Disney and Marvel to the floor with a book that is over 145 years old?".[9] The company has also distanced itself from normal corporate structures, in 2010 Stevens told Fast Company magazine that "It's important to be aware that if you have ten people in a room, 8 of them have no interest beyond keeping their job secure, one is there to criticize everything they see, and then, there's you. So, most of the room is going to be against anything that is either A) new B) risky. Since A tends to equal B, you might as well ignore the opinion of everyone in any corporate environment."[6]

Publications

References

  1. "Alice for the iPad Shows Why E-Books Are Cool". Mashable. 2010-04-16. Retrieved 2010-10-28.
  2. "Making Alice for the iPad". The Literary Platform. 2010-04-14. Retrieved 2010-10-28.
  3. "Some Thoughts About E-Reading". New York Times. 2010-10-10. Retrieved 2010-10-28.
  4. "Oprah Winfrey Show: Alice for the iPad". Oprah Winfrey Show. 2010-10-10. Retrieved 2010-10-28.
  5. "The Cleverest iPad Book Yet". Gizmodo. 2010-10-10. Retrieved 2010-10-28.
  6. 1 2 3 "Risk and Rabbit Holes". Fast Company. 2010-10-10. Retrieved 2010-10-28.
  7. "CNET's Space Bubble". CNET. 2008-09-11. Retrieved 2010-10-28.
  8. "'Alice' app for iPad points the way toward a new generation of pop-up books". The Independent. 2010-04-14. Retrieved 2010-10-28.
  9. "iBrothers Grimm: The eBook is dead, long live the eBook". Recombu. 2010-04-13. Retrieved 2010-10-28.
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