Apollo: Atmospheres and Soundtracks

Apollo: Atmospheres and Soundtracks
Studio album by Brian Eno
Released	July 1983
Recorded	Grant Avenue Studio, Hamilton, Ontario, Canada
Genre	Ambient, Dark Ambient, Country
Length	48:08
Label	EG & various
Producer	Brian Eno, Daniel Lanois
Brian Eno chronology
Ambient #4: On Land (1982)Ambient #4: On Land1982 Apollo: Atmospheres and Soundtracks (1983) Music for Films Volume 2 (1983)Music for Films Volume 21983

Professional ratings
Review scores
Source	Rating
Allmusic	[1]
Robert Christgau	B[2]
Mojo	[3]
Pitchfork	9.1/10[4]
Rolling Stone	[5]
Trouser Press	favourable[6]

Apollo: Atmospheres and Soundtracks is the ninth solo studio album by British ambient musician Brian Eno, released in 1983. It was written, produced, and performed by Brian Eno, his brother Roger and Daniel Lanois.^[7] Music from the album appeared in the films 28 Days Later, Traffic, and Trainspotting, whose soundtrack sold approximately four million copies.^[8] Two of the songs from the album, "Silver Morning" and "Deep Blue Day", were issued as a 7" single on EG Records.

Overview

This music was originally recorded in 1983 for a feature-length documentary movie called "Apollo" later retitled For All Mankind, directed by Al Reinert. The original version of the film had no narration, and simply featured 35mm footage of the Apollo moon missions collected together roughly chronologically, and set to Eno's music as it appears on the album. Although the film had some limited theatrical runs at art house cinemas in some cities, audience response was lukewarm. The filmmakers still felt the film could do better if it reached a wider audience, and so they re-edited the film, added narration, re-structured the music, and re-titled the film in the process. Various edits of the film were shown to test audiences for further refining. As all this was going on, the film's release was delayed until 1989. By that time several tracks on the album were omitted from the soundtrack and replaced by other pieces by Eno and other artists.

The tracks from the album that remain on the final edit of the film are:

• "Always Returning"
• "Drift"
• "Silver Morning"
• "Stars"
• "Under Stars"
• "The Secret Place"
• "An Ending (Ascent)"

The newer tracks from the film that are not on the album are:

• "Sirens"
• "Theme for 'Opera'"
• "Fleeting Smile"
• "Tension Block"
• "Asian River"
• "Quixote"
• "4-Minute Warning"
• "For Her Atoms"

In the liner notes, Eno relates that when he watched the Apollo 11 landing in 1969 he felt that the strangeness of that event was compromised by the low quality of the television transmission and an excess of journalistic discussion, and that he wished to avoid the melodramatic and uptempo way it was presented. That philosophy dominated when For All Mankind ("Apollo") was originally released as a non-narrative collection of NASA stock footage from the Apollo program. The non-narrative version of the film with the Eno soundtrack was released on VHS video in 1990 by the National Geographic Society. An alternate version was also released by NASA featuring audio interviews but omitting the Brian Eno soundtrack.

The music

The album contains a variety of styles. "Under Stars", "The Secret Place", "Matta", "Signals", "Under Stars II", and "Stars" are all dark, complicated textures similar to those on Eno's previous album Ambient 4/On Land. "An Ending (Ascent)", "Drift", and "Always Returning" are smoother electronic pieces. "Silver Morning", "Deep Blue Day", and "Weightless" are country and western inspired ambient pieces featuring Daniel Lanois on guitar.

Country music, which Eno listened to as a child in Woodbridge on American armed forces radio, was used to "give the impression of weightless space." 1

"Under Stars" is a recurring theme in the album, first appearing as an ambient electronic bed behind a treated guitar. "Under Stars II" is the same composition, but with different effects and treatments. "Stars" is the pure background texture without the guitar.

The track "An Ending (Ascent)" was sampled in the song "Hear Me Out" by the group Frou Frou, in "Forgive" by British producer Burial, additionally in "Ascent" by Michael Dow, a London electronic music producer, and has been used in several films such as Traffic and 28 Days Later, and in the London Olympiad opening (the memorial wall section).

Many of the tracks on the album were recorded with soft "attacks" of each note, then played backwards, with multiple heavy echoes and reverb added in both directions to merge the notes into one long flowing sound with each note greatly overlapping each adjacent note, producing the "floating" effects that Eno desired.

The Yamaha DX7 was used extensively by Eno on the album.^[8] "...so many processings and reprocessings – it's a bit like making soup from the leftovers of the day before, which in turn was made from leftovers..." (making the album) Eno said, ".... Well, I love that music anyway .... what I find impressive about that music is that it's very concerned with space in a funny way. Its sound is the sound of a mythical space, the mythical American frontier space that doesn’t really exist anymore. That's why on Apollo I thought it very appropriate, because it's very much like "space music" — it has all the connotations of pioneering, of the American myth of the brave individual...." (on country music) 4.

Live version

In the summer of 2009 a live version of the album was performed at two concerts in the IMAX cinema of London's Science Museum and in an arrangement by South Korean composer Woojun Lee for the ensemble Icebreaker with featured artist B J Cole on pedal steel guitar. The album was performed in its entirety, with the tracks in a different order, to a silent and edited version of For All Mankind, closer to the original conception than the released version of the film. A revised version was performed twice at the 2010 Brighton Festival, where Eno was guest artistic director, before subsequent touring in the UK, Ireland and mainland Europe.

Due to the heavily processed nature of the studio-based sound on the original tracks, an exact reproduction would have been impossible to reproduce in a live context, so Woojun Lee chose to apply a free interpretation of the sound world and to make an impression of the original tracks through use of Icebreaker's instrumental resources.

The performances from Brighton were recorded and an album of the live interpretation was released in June 2012.

Track listing

Personnel

• Musicians: Brian Eno, Daniel Lanois, Roger Eno
• Russell Mills - cover art
• Mastered by Greg Calbi at Sterling Sound

Versions

Chart performance

Uses in other media

• "An Ending (Ascent)":
  • Concert – 2014 Coldplay Live at the Royal Albert Hall, intro music
  • TV – James May on the Moon, opening sequence
  • TV – Chris Morris's surreal TV comedy series Jam
  • TV – American drama Nip/Tuck, in numerous episodes
  • TV – Top Gear (Series 13 Episode 7), during the final sequence of the series and closing credits as Jeremy drives the Aston Martin Vantage V12
  • TV advertisement – for Cancer Research UK^[10]
  • TV – BBC 9/11 10th anniversary
  • Film soundtrack – Traffic (2000)
  • Film soundtrack – Ghosts of Cité Soleil (2006)
  • Film soundtrack – 28 Days Later (2002)
  • Film soundtrack – Drive (2011)
  • Film soundtrack – Clean (2004)
  • Film soundtrack – Beatriz at Dinner (2017)
  • Game soundtrack – Thief II: The Metal Age, Mission "Trail of Blood"
  • Museum exhibit - The National WWII Museum [], New Orleans, LA
• "Deep Blue Day":
  • Film soundtrack – Trainspotting
  • TV – Chris Morris's surreal TV comedy series Jam
• "Always Returning":
  • Film soundtrack – Me and Earl and the Dying Girl.^[11]
  • Film soundtrack – Love.
• "Weightless":
  • Film soundtrack – Static.

References

External links

• Apollo: Atmospheres and Soundtracks at Discogs (list of releases)